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TRANSCRIPT OF PROCEEDINGS BEFORE
THE CANADIAN RADIO‑TELEVISION AND
TELECOMMUNICATIONS
COMMISSION
TRANSCRIPTION
DES AUDIENCES DEVANT
LE
CONSEIL DE LA RADIODIFFUSION
ET
DES TÉLÉCOMMUNICATIONS CANADIENNES
SUBJECT
/ SUJET:
Various broadcasting applications /
Diverses demandes de radiodiffusion
HELD AT: TENUE À:
Quartz Ballroom Quartz Ballroom
Matrix Hotel Matrix Hôtel
10001-107th Street 10001-107th Street
Edmonton, Alberta Edmonton (Alberta)
June 2, 2008 Le 2 juin 2008
Transcripts
In order to meet the requirements of the Official Languages
Act, transcripts of proceedings before the Commission will be
bilingual as to their covers, the listing of the CRTC members
and staff attending the public hearings, and the Table of
Contents.
However, the aforementioned publication is the recorded
verbatim transcript and, as such, is taped and transcribed in
either of the official languages, depending on the language
spoken by the participant at the public hearing.
Transcription
Afin de rencontrer les exigences de la Loi sur
les langues
officielles, les procès‑verbaux pour le
Conseil seront
bilingues en ce qui a trait à la page
couverture, la liste des
membres et du personnel du CRTC participant à
l'audience
publique ainsi que la table des matières.
Toutefois, la publication susmentionnée est un
compte rendu
textuel des délibérations et, en tant que tel,
est enregistrée
et transcrite dans l'une ou l'autre des deux
langues
officielles, compte tenu de la langue utilisée
par le
participant à l'audience publique.
Canadian
Radio‑television and
Telecommunications
Commission
Conseil
de la radiodiffusion et des
télécommunications canadiennes
Transcript / Transcription
Various broadcasting applications /
Diverses demandes de radiodiffusion
BEFORE / DEVANT:
Elizabeth Duncan Chairperson / Présidente
Rita Cugini Commissioner
/ Conseillère
Candice Molnar Commissioner
/ Conseillère
ALSO PRESENT / AUSSI PRÉSENTS:
Cindy Ventura Secretary / Sécretaire
Lyne Cape Hearing Manager /
Gérante de l'audience
Véronique Lehoux Legal Counsel
Conseillère
Juridique
HELD AT: TENUE À:
Quartz Ballroom Quartz Ballroom
Matrix Hotel Matrix Hôtel
10001-107th Street 10001-107th Street
Edmonton, Alberta Edmonton (Alberta)
June 2, 2008 Le 2 juin 2008
- iv -
TABLE
DES MATIÈRES / TABLE OF CONTENTS
PAGE / PARA
PHASE I
PRESENTATION BY / PRÉSENTATION PAR:
Guldasta Broadcasting Inc. 926 / 6084
Multicultural Broadcasting Corporation Inc. 977 / 6480
CIAM Media Broadcasting Association 1049 / 6964
Frank Torres (OBCI) 1091 / 7266
Black Gold Broadcasting Inc. (OBCI) 1155 / 7636
Edmonton,
Alberta / Edmonton (Alberta)
‑‑‑ Upon resuming
on Monday, June 2, 2008 at 0930 /
L'audience
reprend le lundi 2 juin 2008 à 0930
6058 THE
CHAIRPERSON: Good morning, ladies and
gentlemen, and welcome to the second week of this public hearing.
6059 My name is
Elizabeth Duncan, and I am a CRTC Commissioner for the Atlantic Region. I will be presiding over this hearing.
6060 Joining me on the
panel are my colleagues Rita Cugini, Regional Commissioner for Ontario, and
Candice Molnar, Regional Commissioner for Manitoba and Saskatchewan.
6061 The Commission
team assisting us includes Hearing Manager Lyne Cape, who is also Manager of
Radio Operations and Policy, Véronique Lehoux, Legal Counsel, and Cindy
Ventura, Hearing Secretary.
6062 Please speak with
Ms Ventura if you have any questions regarding hearing procedures.
6063 The first part of
this hearing was held last week, at which time we considered radio applications
for the Drumheller and Red Deer markets.
6064 During the second
phase the panel will examine 11 applications to operate an FM commercial radio
station in Edmonton.
6065 We will also study
an application to operate an FM Type B community radio station in the same
market, as well as an application by the Native Type A station CFWE‑FM to
add technical facilities at Edmonton and Fort McMurray.
6066 Finally, we will
look at an application to operate an English‑language FM commercial radio
station in Leduc.
6067 All of these
applications will be treated as competitive radio applications for Edmonton.
6068 I now invite the
Hearing Secretary, Cindy Ventura, to explain the procedures that we will be
following.
6069 THE
SECRETARY: Thank you, Madam Chair.
6070 Before beginning,
I would like to go over a few housekeeping matters for the benefit of those who
were not in the room last week.
6071 Le service
d'interprétation simultanée est disponible durant cette audience. Vous pouvez vous procurer un récepteur auprès
du technicien à l'arrière de la salle.
L'interprétation anglaise se trouve au canal 1 et l'interprétation
française au canal 2.
6072 When you are in
the hearing room, we would ask that you please turn off your cell phones,
beepers and BlackBerrys, as they are an unwelcome distraction and they cause
interference on the internal communications systems used by our translators.
6073 We would
appreciate your cooperation in this regard throughout the hearing.
6074 Starting tomorrow,
we will begin each morning at 9 a.m. We
will take an hour for lunch, and a break in the morning and in the
afternoon. We will let you know of any
schedule changes as they may occur.
6075 The Amber B Room
will serve as the examination room, where you can examine the public files of
the applications being considered at this hearing.
6076 As indicated on
the agenda, the telephone number of the examination room is 780‑429‑7498.
6077 There is a
verbatim transcript of the hearing being taken by the Court Reporter sitting at
the table in front of me. If you have
any questions on how to obtain all or part of this transcript, please approach
the Court Reporter during a break.
6078 Please note that
the full transcript will be made available on the Commission's website shortly
after the conclusion of the hearing.
6079 Now, Madam Chair,
we will proceed with Item 13 on the agenda, which is an application by Guldasta
Broadcasting Inc. for a licence to operate an FM commercial ethnic radio
programming undertaking in Edmonton.
6080 The new station
would operate on Frequency 98.5 MHz, Channel 253B, with an effective radiated
power of 7,300 watts, non‑directional antenna, antenna height of 247
metres.
6081 Appearing for the
Applicant is Gursharan Buttar.
6082 Please introduce
your colleagues. You will have 20
minutes to make your presentation.
6083 Mr. Buttar.
PRESENTATION / PRÉSENTATION
6084 MR. GURSHARAN
BUTTAR: Madam Chair, Commissioners, and
CRTC Staff, good morning.
6085 My name is
Gursharan Buttar, and I am leading my team in our presentation to the CRTC for
an application by Guldasta Broadcasting Inc. to obtain an ethnic licence for
the Edmonton South Asian community.
6086 We have a family
business, and I will first introduce the many Buttars of our delegation.
6087 Beside me is my
wife of 24 years, Guppreet Buttar.
President of Guldasta Broadcasting, Guppreet has been a resident of
Edmonton for the past 26 years, constantly working in all of our family
businesses. She is the boss at home,
too.
‑‑‑ Laughter /
Rires
6088 MR. GURSHARAN
BUTTAR: Beside Guppreet is our oldest
child, Sharnpreet Buttar. Sharnpreet is
completing his degree in business at the University of Alberta, and acts as a
company financial planner.
6089 At the far end of
the table is Sapreet Buttar, our daughter, who is enrolled in the business
program at the University of Alberta, and has been involved in our youth
programming for the past four years.
6090 Both of our
children are life‑long residents of Edmonton.
6091 On my left is
Rajwinder Klair, Sur Sangam's Marketing Manager. He has been with the station for the past
four years, on the air, and involved in an increasingly responsible management
role with this station.
6092 Beside Rajwinder
is Shabir Pathan, who has been a broadcast host to the South Asian community
for more than 25 years in Edmonton, and one of the city's pioneers of South
Asian broadcasting. He acts as a program
director for our Hindi and Gujrati programming.
6093 In the second row,
starting from my left, your right, we have our corporate accountant, Mel
Bhatia, a Certified Management Accountant, who has represented us for the past
five years.
6094 Next to him is our
corporate legal counsel, Barinder Pannu, who served for 27 years as a Crown
prosecutor before moving to his current private practice. Mr. Pannu is one of the most widely respected
lawyers in Edmonton.
6095 Next to Mr. Pannu
is Saira Qureishy, an on‑air personality with Sur Sangam since the very
beginning. Saira is our Pakistani
Program Coordinator.
6096 Sanjivan Atwal is
one of our youth program hosts, and beside her is Lovepreet Sangha, an on‑air
host who specializes in Bhangra, Bollywood and Punjabi music programming.
6097 Finally, in order
to demonstrate our commitment to diversity, we introduce to you our two visible
minorities, Tamison Bencz, from the Edmonton Food Bank, and Matthew McBride,
who has travelled from Vancouver to assist us in our appearance before the
Commission today.
6098 I will now begin
with our opening presentation.
6099 Madam Chair and
Commissioners, welcome to Edmonton, the city of champions, the capital of
Alberta, and one of the most progressive communities in the nation.
6100 Edmonton is home
to 730,000 citizens, and has grown by almost 10 percent in the past five
years. Of these residents, an estimated
10 percent are of South Asian origin.
The community is one of the rapidly growing sectors of the overall
community profile, which reflects the growth of the South Asian population in
every province in Canada.
6101 Guldasta
Broadcasting is applying to the CRTC for a licence to serve this community with
a conventional over‑the‑air radio service, a radio service
dedicated to a specific market segment that makes up to 10 percent of the local
population.
6102 Our application is
the product of years of service to the South Asian community on the CKUA sub‑carrier.
6103 Operating as Sur
Sangam Radio, we have been producing a wide range of programs and services for
our target market for over six years.
Our application proposes to continue our long and dedicated service to
our community in the same manner that most Edmontonians are able to receive
radio service by the free over‑the‑air radio service.
6104 With this
application we wish to grow our established service using our existing studio
facilities in order to maintain our long relationship with the Edmonton South
Asian community as their preferred option for radio communication.
6105 Our application is
for an ethnic licence, and in keeping with the guiding principles of the radio
Act and CRTC directions, we propose to serve a number of ethnic groups, in a
variety of languages, while at the same time keeping a focus on the broad range
of South Asian listeners. This range
includes people with their origins in Indian, Pakistan, Bangladesh, Myanmar and
Sri Lanka, for example, in a blend of Hindi, Punjabi, Urdu, Tamil, and Bengali,
to name some of our proposed language services.
6106 While this
application is for a new FM radio service, Guldasta Broadcasting is no Punjabi
come lately. Our station and all of our
programming is based in and originates from the City of Edmonton. We are 100 percent local, dealing exclusively
with local issues, events and interests, and we have been doing so on Sur
Sangam and on TV for almost a decade.
6107 In order to demonstrate
the depth of our community commitment, and the duration of our proven service
and dedication to the City of Edmonton and all of its residents, we would like
to present a video that tells our story in the words of the community.
6108 Please roll the video.
‑‑‑ Video
presentation / Présentation vidéo
6109 MR. SHARNPREET
BUTTAR: In order to continue our long
service to Edmonton's South Asian community we must expand. For this reason, we are before the CRTC today
to apply for an ethnic licence to carry on a broadcast undertaking on 98.5 FM.
6110 This expansion of
our reach will allow us to continue to serve all Edmontonians with our mix of
music, cultural and current affairs coverage, in a medium and method that more
appropriately reflect the way our current audience would prefer to obtain their
radio services.
6111 Our service
includes 2,778 minutes of spoken word programming weekly. This includes 2,316 minutes of structured
spoken word, and an estimated 462 minutes of DJ ad lib content.
6112 We play at least
900 songs weekly, of which at least 90 will be emerging Canadian artists, and a
minimum of 108 songs, or 12 percent of our total playlist will be Canadian
content.
6113 Our plans for an
over‑the‑air service include a major expansion of our existing
broadcast facilities. We intend to
double the square footage of our studios, adding an additional full guest
studio, a new recording booth, and expanded office space for staff and guests.
6114 In addition to
studio expansion, we intend to upgrade and modernize our entire air chain with
the latest studio software and broadcast equipment.
6115 Our proposed radio
station will operate on 98.5 FM, from a tower site southwest of Edmonton,
operating at 7,200 watts of effective radiated power.
6116 We have agreed to
work closely with our consulting engineers and interested parties to ensure
that our signal will not encroach on any existing services.
6117 To ensure the
highest level of technical quality possible, we will be acquiring new, state of
the art transmitting equipment that meets or exceeds today's technical
broadcast standards.
6118 In January, prior
to filing this application, we conducted research to determine the viability of
expanding our existing SCMO service to a conventional radio station service.
6119 Our research
involved extensive reviews of our several years of historical records to
validate financial patterns. We
conducted individual interviews with over 200 existing and previous advertising
clients to gauge not only the acceptance of the proposed service, but the
anticipated level of revenue that we may expect should this licence be
approved.
6120 We also evaluated
the existing media landscape for South Asian interests. Our community is a heavy consumer of media,
with many newspapers and magazines circulated weekly.
6121 In the case of the
broadcast services available, none are truly dedicated to the South Asian
community. In some cases, the
programming available to the South Asian community comes from outside sources,
such as Vancouver's controversial South Asian broadcast ventures.
6122 There is no
single, truly dedicated, over‑the‑air radio service that reaches
all of the South Asian community, and our application proposes to fill that
gap. Our proposal aims to create a radio
station that will serve our target audience in the same manner that others in
Edmonton are served.
6123 Guldasta proposes
a radio station, delivered over the air, that serves its market in a
conventional manner: a morning show
featuring news, sports, weather and local surveillance material; locally
produced spoken word programming; a heavy emphasis on community involvement and
visibility; and local studios that produce this content 24 hours per day.
6124 Any Edmonton
resident can wake up in the morning and turn on their favourite station, one
dedicated and targeted toward them. We
propose exactly the same idea for Guldasta Broadcasting, a radio station
clearly targeted toward a specific market segment, which delivers entertainment
and information that appeals to that market.
6125 The market we are
targeting, incidentally, is South Asian.
It makes sense for Guldasta to target the South Asian market with an
ethnic licence. This licence accepts and
provides for some of the challenges related to Canadian music resources for
ethnic groups. It provides us with the
flexibility to broadcast in the multiple languages that encompass the broad
description of "South Asian", and it allows us to compete side‑by‑side
with other members of mainstream Edmonton broadcasting.
6126 Ultimately, that
is what Guldasta has aspired to do all along ‑‑ to be able to
participate as Canadians in the Canadian broadcast industry, bringing our
unique culture to others, and open‑heartedly inviting others to
participate in our own culture.
6127 MR. GURSHARAN
BUTTAR: Madam Chair and Commissioners,
our assembled team here today welcomes the CRTC's examination of our
application.
6128 THE
CHAIRPERSON: Thank you very much, Mr.
Buttar.
6129 I will be
conducting the initial questioning, and then the other Commissioners will very
likely have questions as well.
6130 I would first like
to confirm that you are willing to accept a Condition of Licence requiring you
to devote 100 percent of your total programming during the broadcast week to
ethnic programming.
6131 MR. GURSHARAN
BUTTAR: Yes.
6132 THE
CHAIRPERSON: Also, are you willing to
accept a Condition of Licence requiring you to devote at least 90 percent of
your total programming provided during the broadcast week to third‑language
programming?
6133 MR. GURSHARAN
BUTTAR: Yes, ma'am.
6134 THE
CHAIRPERSON: I am just confirming
those. Thank you.
6135 I would like to
confirm that, as per your deficiency response of February 29th, you are willing
to accept as a Condition of Licence a minimum level of 12 percent Canadian
content for Category 3 music throughout the broadcast week.
6136 MR. GURSHARAN
BUTTAR: Yes.
6137 THE
CHAIRPERSON: I am wondering now, because
it is important to us to consider diversity in the market and how that is going
to be achieved, if you could describe for us the differences and similarities
between the service you are proposing and what CIAM Media Broadcasting
Association is proposing, and if you could explain why you believe that your
application is better suited to serve this market.
6138 MR. GURSHARAN
BUTTAR: First of all, we are local, and
we have been running the SCMO service for the last six years.
6139 In addition, some
of my team members have been involved in local media for over 25 years, and
myself for the last 12 years. We know
and live in this community. We are the
pulse of the community, and we think that we could service much better locally,
and we will concentrate on the issues that are more important to Edmontonians.
6140 THE
CHAIRPERSON: Thank you.
6141 I have a similar
question with respect to the competing application by the Multicultural
Broadcasting Corporation. I am
interested to know, again, what you consider the differences and similarities
to be, and why your application would be better suited to serve the market.
6142 MR. GURSHARAN
BUTTAR: There is one thing with my
experience in serving the South Asian community. What I find now is that the South Asian
community has grown to the extent where it can support its own media outlet.
6143 We have many, many
languages, and that model has existed at CKUA, in our community, for the last
many years, and that model existed 25 years ago.
6144 Today is a new
age. The community has grown quite a bit
since that time, and our team feels very strongly that the South Asian
community will be served properly if they have their own media, which will
include all of those languages ‑‑ Tamil, Gujrati, and a few
other languages ‑‑ which are not included anywhere else in the
media.
6145 Bringing in all of
these smaller groups with the bigger communities, like Hindi, Punjabi and Urdu,
will mean that the South Asian community will be able to support a media outlet
at this time.
6146 THE
CHAIRPERSON: Can you highlight for me
again which of the languages ‑‑ you are proposing seven principal
languages, as I understand it. Which of
those would be unique to your service?
6147 MR. GURSHARAN
BUTTAR: We will have Punjabi,
Hindi ‑‑
6148 THE
CHAIRPERSON: But Punjabi and Hindi, are
they unique to your service, or are they also available on the other services?
6149 MR. GURSHARAN
BUTTAR: They are also available on the
other services.
6150 What are unique
are Myanmar and Tamil, and Gujrati, which has not been anywhere until now.
6151 THE
CHAIRPERSON: I have more questions along
this line, but rather than lose my flow, I will ask them later. Thank you.
6152 Already their
exists in the community Rogers CKER‑FM, and I am wondering how your
proposed service would bring added diversity to the market, given that their
service offers 97 hours of South Asian language programming and 24 hours of
Chinese.
6153 I know you are not
proposing Chinese, but how will yours be different from the 97 hours offered on
CKER?
6154 MR.
GURSHARAN: That 97 hours offered ‑‑
first, it just started a few months back. Before that it was not there. On the 1st of October they started with 76
hours. Before that it was only 14
hours ‑‑ 13 to 14 hours per week.
6155 On the other hand,
they are starting at seven o'clock at night, and running all night, including
all of those hours. Our application is
focused on more prime time, daytime listenership, when they need the radio the
most ‑‑ driving trucks and taxis and other walks of life. They need the programming at that time.
6156 It is our proposal
to have a 24‑hour dedicated service to the South Asian community.
6157 THE
CHAIRPERSON: Your service will be live?
6158 I understand that
there will be 126 hours of local programming, and 112 hours live‑to‑air?
6159 MR. GURSHARAN
BUTTAR: Yes.
6160 THE
CHAIRPERSON: The remaining 10 hours,
would they be voice‑tracked or pre‑recorded?
6161 MR. GURSHARAN
BUTTAR: Pre‑recorded.
6162 THE
CHAIRPERSON: Done by yourself?
6163 Prepared by
yourself?
6164 MR. GURSHARAN
BUTTAR: Yes.
6165 THE
CHAIRPERSON: In your brief you describe
a daily talk show that will be a mix of languages that serve the South Asian
community, primarily Hindi and Punjabi.
This program, you say, will occupy 560 minutes in each week, which is a
substantial programming block.
6166 I am wondering if
you could explain how that appeals to all of the other ethnic groups that you
are serving ‑‑ the five other groups that you are serving.
6167 MR. GURSHARAN
BUTTAR: This is a unique
application. All of the South Asian
community ‑‑ they are from different cultures and different
languages, but we are all used to living together for years and years, so,
somewhat, we understand each other.
6168 And with my
experience and our team's experience, and with our daily approach ‑‑
6169 South Asians
accept these languages. Even if it is not one of their own languages, they will
still listen to it.
6170 Music is very
common.
6171 THE
CHAIRPERSON: Music is common, but would
people understand all of the different languages?
6172 MR. GURSHARAN
BUTTAR: Not 100 percent, but they can
pick up some parts of it.
6173 Especially when
there is some English, like one or two words ‑‑ when English
comes into our conversation, people pick those up and they can relate to that.
6174 THE
CHAIRPERSON: You wouldn't expect, then,
to lose a portion of your audience every day for that. You think that people would stay tuned,
anyway, for the music.
6175 Is that what you
are suggesting?
6176 MR. GURSHARAN
BUTTAR: Yes.
6177 THE
CHAIRPERSON: Will you be doing any
exchange of programs with other ethnic broadcasters?
6178 MR. GURSHARAN
BUTTAR: No.
6179 THE
CHAIRPERSON: I would like to talk about
the CCD commitment ‑‑ Canadian Content Development.
6180 First of all, I
would like to know if you are willing to accept the imposition of a
transitionary Canadian Content Development Condition of Licence, which will
expire when the amendments to the Radio Regulations come into force.
6181 MR. GURSHARAN
BUTTAR: Yes.
6182 THE
CHAIRPERSON: Thank you.
6183 Now, I am a little
confused about the amount of your CCD. I
will point to all of the areas where I see it is slightly different.
6184 In your March 13th
response you indicated that you would make CCD contributions annually in line
with the policy, $500 to FACTOR. In that
response you indicated that you wish to exceed the minimum requirements.
6185 That is in your
March 13th letter, if you are trying to find it, in Section 8.1.(d).
6186 And then you
indicate that you are willing to pay additional amounts of $14,500 in every
year of the term of the licence.
6187 However, in your
response to Question 5 on February 29th, you refer to $500, plus $15,000 in
over‑and‑above.
6188 Also, in Section 3
of your supplementary brief you mention a performance subsidy of $1,500 in cash
payments that would be made to local artists, increasing by 5 percent annually.
6189 This subsidy is
addressed again in your February 29th letter; however, it is not clear if the
$1,500 is included in the $14,500 or the $15,000.
6190 I think I could
have asked this question in a more direct manner.
‑‑‑ Laughter /
Rires
6191 THE
CHAIRPERSON: Just bear with me, it's
written this way.
6192 Then, on your
financial projections it shows as $16,500.
6193 So why don't you
just explain to me what it is, and that will answer the question.
6194 MR. GURSHARAN
BUTTAR: The $1,500 is not included in
the $15,000.
6195 THE
CHAIRPERSON: Not included?
6196 MR. GURSHARAN
BUTTAR: It's not.
6197 THE
CHAIRPERSON: Not intended. Okay.
6198 And the total
then...?
6199 MR. GURSHARAN
BUTTAR: $16,500.
6200 THE
CHAIRPERSON: $16,500.
6201 And that is all
over‑and‑above?
6202 MR. GURSHARAN
BUTTAR: That's right.
6203 THE
CHAIRPERSON: I should have just asked
you that straight out.
6204 Could you
identify, then, the CCD initiatives that you will be supporting?
6205 MR. GURSHARAN
BUTTAR: We contacted NAIT, the northern
technical institute, and they accepted our offer. We will be sending them money.
6206 And they have
already accepted a condition where they will spend that money according to CRTC
rules.
6207 THE
CHAIRPERSON: You are going to give, I
assume, the 20 percent to FACTOR that is required, and the balance will go to
NAIT?
6208 MR. GURSHARAN
BUTTAR: The balance is going to NAIT,
yes.
6209 THE
CHAIRPERSON: And you are not increasing
your $16,500, it is straight across each year?
6210 MR. GURSHARAN
BUTTAR: No, it will increase 5 percent
each year.
6211 THE
CHAIRPERSON: Perhaps what I will ask you
to do, if you wouldn't mind, say, by the end of the day on Wednesday, if that
is possible, to just give us a little table that sets out your CCD, and that
ties into your financial statement.
6212 MR. GURSHARAN
BUTTAR: Sure.
6213 THE
CHAIRPERSON: Thank you.
6214 We want to make
sure that it ties into the financial statements, so if it's different, I will
get you to amend your statement as well.
6215 Okay?
6216 MR. GURSHARAN
BUTTAR: Sure.
6217 THE
CHAIRPERSON: Thank you.
6218 You were
originally going to give some funds to the Sikh Federation of Edmonton, but
that's not the case any more.
6219 MR. GURSHARAN
BUTTAR: That's right.
6220 THE
CHAIRPERSON: Not the case.
6221 MR. GURSHARAN
BUTTAR: That's not the case any more.
6222 THE
CHAIRPERSON: All right. Thanks.
6223 Do you have a
confirmation from the Northern Alberta Institute of Technology?
6224 MR. GURSHARAN
BUTTAR: Yes, we do.
6225 THE
CHAIRPERSON: Will you file that with the
Commission?
6226 MR. GURSHARAN
BUTTAR: Will do.
6227 THE
CHAIRPERSON: Wednesday, as well, if
that's possible?
6228 MR. GURSHARAN
BUTTAR: Sure.
6229 THE
CHAIRPERSON: Thank you.
6230 I am curious to
know, on an ongoing basis, what you will do to ensure that NAIT uses those
funds in accordance with the policy.
6231 In other words,
will you be in contact with them each year to ‑‑
6232 MR. GURSHARAN
BUTTAR: That's right.
6233 THE
CHAIRPERSON: I want to get a little more
information on your advisory council.
6234 You gave us some
information in your February 29th response, where you indicated that you will
have a chair and seven delegates, each representing a different ethnic
community, a family and community advocate, and a Canadian Content Development
advocate.
6235 You describe the
role of the delegates, that their role will be to ensure that their specific
communities are fairly represented in programming and advertising
opportunities, and that the advocates will be responsible for promoting the
interests of their specific interest area.
6236 I understand that
they will meet quarterly.
6237 Is that correct?
6238 MR. GURSHARAN
BUTTAR: Yes.
6239 THE
CHAIRPERSON: How will the chair be
selected?
6240 MR. GURSHARAN
BUTTAR: We will give a voting right to
all of the councillors, and we will elect our chair to direct the council.
6241 THE
CHAIRPERSON: So the chair would not be
an additional position, then, it would be someone from within?
6242 MR. GURSHARAN
BUTTAR: From the seven.
6243 THE
CHAIRPERSON: Will it be from the seven
or the nine?
6244 Will it include
the other advocates?
6245 MR. GURSHARAN
BUTTAR: Right now we have seven, and we
are still debating. We have commitments
from the other groups. They even stated
that in their letters of support. We
requested them to be part of our advisory council, and they accepted that.
6246 And we are waiting
for their response and the name of the person who they would like to send us.
6247 THE CHAIRPERSON: You are still considering seven languages,
seven ethnic groups, seven delegates represented ‑‑
6248 MR. GURSHARAN
BUTTAR: That's right.
6249 THE
CHAIRPERSON: The other two, the family
and community advocate, and the Canadian Content Development advocate, would
they be voting on the chair as well?
6250 MR. GURSHARAN
BUTTAR: Yes.
6251 THE
CHAIRPERSON: And could they possibly be
voted the chair, either one of them?
6252 MR. GURSHARAN
BUTTAR: Yes, they could be.
6253 THE
CHAIRPERSON: What criteria were you
intending to use to select the delegates?
6254 I was curious if
you were just inviting suggestions from each community.
6255 MR. GURSHARAN
BUTTAR: Actually, most of the
communities have different organizations, where they have a cultural director,
or where they have a language director, and we will ask specifically for one of
those people who are directly working either with the culture or with the
language program, and they will be designated on our advisory committee.
6256 THE
CHAIRPERSON: How long a term would you
see each delegate serving?
6257 MR. GURSHARAN
BUTTAR: Two years.
6258 THE
CHAIRPERSON: Would they be eligible for
re‑election or reappointment by their communities?
6259 MR. GURSHARAN
BUTTAR: It would depend on their own
community council's rules and regulations if they would elect them again. If they would like to send the same people to
us again, we would consider them.
6260 But, according to
their constitution, if they don't allow them to serve over two years, then we
will have to change to a new council, according to their terms and conditions.
6261 THE
CHAIRPERSON: I was curious if you could
describe for me in a little more detail what the family and community advocate
and the Canadian Content Development advocate would be doing.
6262 MR. GURSHARAN
BUTTAR: They will be monitoring and
making suggestions about the content and the music selection, and about the
talk shows, and the different community concerns, and we will take their
considerations into account and decide from there.
6263 THE
CHAIRPERSON: Are there any specific
responsibilities for the Canadian Content Development advocate?
6264 MR. GURSHARAN
BUTTAR: Yes, there will be.
6265 All of the
emerging artists and all of the Canadian content, they will be looking after that
part, as well, for us.
6266 THE
CHAIRPERSON: So, as a group, they are
going to bring to you ideas for programming.
6267 I was curious to
know how you will decide which programs will make it to air.
6268 MR. GURSHARAN
BUTTAR: We have a very strong team
working with Radio Sur Sangam, and they have lots of experience. Mr. Shabir Pathan has been doing this work
for 25 years.
6269 And we have been
working for years and years with the community, and we have some ideas.
6270 We will work with
them closely, and it will be a mutual understanding with them, but the final
decision will be ours. We will decide
what to do and where to go from there.
6271 THE
CHAIRPERSON: Thank you.
6272 This is going back
a little bit to your opening comments, with respect to the ability of the
market to support more than one ethnic radio station.
6273 The 2006 census
recorded 14,000 South Asians identifying Punjabi as their mother tongue. You indicated in your deficiency response
that there are an estimated 80,000 persons of Punjabi/Hindi origin, and an
additional 30,000 persons of South Asian ethnic groups.
6274 Today I think you
referred to ‑‑
6275 MR. GURSHARAN
BUTTAR: Eighty.
6276 THE
CHAIRPERSON: Okay. You reference your source for the information
as the City of Edmonton Staff, in consultations you had with them.
6277 I am wondering if
there are any studies publicly available to support the numbers.
6278 MR. GURSHARAN
BUTTAR: First of all, I would like to
explain about the Punjabi‑speaking population. Lots of people, even if they are Punjabi,
they don't put in the census that they are Punjabi, they just put that they are
an English‑speaking family, and this is a new change as a Canadian.
6279 So those numbers
are not correct numbers.
6280 And being in the
media ‑‑
6281 Since 2006, until
now, there has been lots of migration to Edmonton.
6282 Even according to
the 2006 census, the South Asian community grew by 35 percent in the country
and in the city, which is bigger than any other community.
6283 And that growth,
plus newcomers after 2006, who migrated from Winnipeg, or Vancouver, or
Toronto. There are lots of people here
who are travelling with their families from India, from Singapore, from
Malaysia, who are Hindi/Punjabi‑speaking.
6284 And thousands of
people are on permit right now, and they are working in Alberta. They are not part of the census.
6285 So, collecting all
of those numbers together, they add up to somewhere near a population of 80,000
people who understand and speak Hindi, Punjabi, Urdu, or other languages.
6286 THE
CHAIRPERSON: But you wouldn't have a
publicly available study to support it, would you?
6287 MR. GURSHARAN
BUTTAR: Actually, before we submitted
the application we made a phone call to the Government of Alberta, and this is
an unofficial report given to us by them.
6288 THE
CHAIRPERSON: Okay. Thank you.
6289 You did some
research, you mentioned. Would your
research have given you any idea?
6290 It would be pretty
hard to tell from that anyway, I would think.
6291 MR. GURSHARAN
BUTTAR: Yes.
6292 Actually, in the
last six years ‑‑ and I have been in the business for 12
years ‑‑ research is ongoing every day.
6293 And over 20,000
radio sets have been sold into the South Asian community; not only the South
Asian community, only Hindi and Punjabi‑speaking people. And, in 20,000 households, maybe some people
have two or three radios in their homes.
6294 Right now
Rajwinder and myself are working with the client lists and the prospects for
our advertising. There are over 700
South Asian businesses in the community, which could generate lots of revenue
to support the radio station.
6295 Plus, our estimate
is pretty accurate, according to us, that there are 80,000 people living in the
metro Edmonton area who are South Asian.
6296 THE CHAIRPERSON: You are saying that there are 20,000 radios
or receivers that have been sold.
6297 MR. GURSHARAN
BUTTAR: That's right, in the last 11
years.
6298 The SCMO has
existed since 1995 in Edmonton.
6299 THE
CHAIRPERSON: Thank you.
6300 I was curious to know,
as well, if you had a population breakdown by ethnic group of the seven groups
that you are proposing to serve.
6301 MR. GURSHARAN
BUTTAR: I don't have anything ready at
this time, but I have most of the figures, which we can work on, and we could
file that on Wednesday with the other documentation.
6302 THE
CHAIRPERSON: That would be good.
6303 MR. GURSHARAN
BUTTAR: Yes.
6304 THE
CHAIRPERSON: Okay, thank you.
‑‑‑ Pause
6305 THE
CHAIRPERSON: In your deficiency response
February 29th to question 21 you indicated the sources of your projected Year 2
revenues. That was in a response to a
question we would have asked.
6306 I'm wondering what
percentage of your revenues you think would come from CKER‑FM. You didn't indicate any on your table and I'm
just wondering, do you think that none of your revenues would come from CKER?
6307 MR. GURSHARAN
BUTTAR: No, none of them.
6308 THE
CHAIRPERSON: Is there a reason that you
think that? They haven't been at it as
long? You are saying they have only just
recently increased the hours of programming they do?
6309 MR. GURSHARAN
BUTTAR: SCMOs, there is three SCMOs in
our community and they are holding the most of the business in South Asian
communities, for years and years. CKER
more rely on national accounts and on the bigger accounts like Wal‑Mart
and other outfits. And hardly anybody
from South Asian community advertise on CKER.
6310 THE
CHAIRPERSON: Actually, I had a question
here about the other SCMO services in Edmonton.
They are all as well doing South Asian?
6311 MR. GURSHARAN
BUTTAR: They are doing South Asian but
we are the ones who started the local programming and still there is SCMO who
broadcast outside sources from Vancouver for more than 20 hours per day.
6312 THE
CHAIRPERSON: Sorry, I didn't understand.
6313 MR. GURSHARAN
BUTTAR: Most SCMOs in our city ‑‑
6314 THE
CHAIRPERSON: Yes.
6315 MR. GURSHARAN
BUTTAR: ‑‑ they only produce three to four hours local
programming in the evening.
6316 THE
CHAIRPERSON: Oh, I see.
6317 MR. GURSHARAN BUTTAR: Most of the programming comes from Surrey,
B.C.
6318 THE
CHAIRPERSON: Okay.
‑‑‑ Pause
6319 THE
CHAIRPERSON: I notice ‑‑
let me ask you this first. Do you expect
that your advertising rates will increase substantially from what you are
currently charging on your SCMO service?
6320 MR. GURSHARAN
BUTTAR: Yes.
6321 THE
CHAIRPERSON: You do. And as part of your research and polling your
existing clients, and you mentioned you were also talking to previous clients
of your SCMO, did you discuss rates with them as well?
6322 MR. GURSHARAN
BUTTAR: That's right.
6323 THE
CHAIRPERSON: So you don't expect that's
going to be ‑‑
6324 MR. GURSHARAN
BUTTAR: Most of them even stated in
their letters that we are willing to support, continuous support with the FM
station.
6325 THE
CHAIRPERSON: So you are expecting 30
percent of your Year 2 revenues will come from your current station?
6326 MR. GURSHARAN
BUTTAR: That's right.
6327 THE
CHAIRPERSON: So I was just curious to
know what percent of your current advertisers do you expect will make the move
to the FM service?
6328 MR. GURSHARAN
BUTTAR: I'm very ‑‑ in
discussion with them and relationship established with them for years and
years, I would say at least 80 percent.
6329 THE
CHAIRPERSON: 80?
6330 MR. GURSHARAN
BUTTAR: That's right.
6331 THE
CHAIRPERSON: And you are forecasting a 1
percent audience share, 12 plus audience share in Year 1, increasing annually
by a quarter of a percent over seven years.
I'm just wondering how does that 1 percent share for Year 1 compare to
your current audience? Do you have any
feel for that?
6332 MR. GURSHARAN
BUTTAR: That will be a very big growth
on our part.
6333 THE
CHAIRPERSON: Will it?
6334 MR. GURSHARAN
BUTTAR: It will be very big.
6335 THE
CHAIRPERSON: Even in Year 1?
6336 MR. GURSHARAN
BUTTAR: That's right.
6337 THE
CHAIRPERSON: And your SCMO service,
would you just discontinue it completely?
6338 MR. GURSHARAN
BUTTAR: We will still keep the SCMO
service.
6339 THE
CHAIRPERSON: You will still be operating
it?
6340 MR. GURSHARAN
BUTTAR: SCMO, yes.
6341 THE
CHAIRPERSON: Yes. So if I have an SCMO receiver can I receive
all of the SCMO services offered in the community, pickup all of them?
6342 MR. GURSHARAN
BUTTAR: Most of. Not every SCMO server, most SCMO servers are
setup that way. We are going to receive
all the SCMO services.
6343 THE
CHAIRPERSON: Okay. So I'm wondering then ‑‑
well, I will come back to that.
6344 I'm wondering how
many people you will employ and what will be the composition of your staff.
6345 MR. GURSHARAN
BUTTAR: We will have five to six
fulltime employees and eight part‑time employees to start with.
6346 THE
CHAIRPERSON: And how will they be
assigned, you know sales, admin, marketing?
6347 MR. GURSHARAN
BUTTAR: Yes.
6348 THE
CHAIRPERSON: How many ‑‑
how will that breakdown, your news department in particular?
6349 MR. GURSHARAN
BUTTAR: We have big news staff. We will have three people working in the city
in the news department and we have a team of newscasters working in other ‑‑
New York City, countries in India, Pakistan.
They are directly employed with us, Guldasta Broadcasting. So including them we are the team of 12 to 13
people even right now and we will be growing to 15 or so in the near future if
we have this approved.
6350 THE
CHAIRPERSON: So your international
correspondents, if you like; is that what you are saying, working in ‑‑
6351 MR. GURSHARAN
BUTTAR: That's right.
6352 THE
CHAIRPERSON: And how many of those would
you have?
6353 MR. GURSHARAN
BUTTAR: We have 11 right now.
6354 THE
CHAIRPERSON: And so they bring you
breaking news items ‑‑
6355 MR. GURSHARAN
BUTTAR: Breaking news, yes.
6356 THE CHAIRPERSON:
‑‑ that kind of thing?
6357 MR. GURSHARAN
BUTTAR: Yes.
6358 THE
CHAIRPERSON: Yes.
6359 I had a question
here. I noticed that there is a
considerable difference between your financial projections and those of the
Multicultural Broadcasting Corporation.
I don't know if you had a chance to look at their application?
6360 MR. GURSHARAN
BUTTAR: Yes.
6361 THE
CHAIRPERSON: So they are proposing Year
1 revenues of 815,000 growing to 2 million and 60 over the seven‑year
period annually for a total of 10 million, 154 and you are proposing 430,000
Year 1 growing to 682,000 in Year 7 for a 3.8 million total for the seven
years.
6362 So your projected
revenues are about 38 percent of that that's projected by Multicultural
Broadcasting and similarly with your expenses.
They are about 36.5 percent. So
I'm just wondering if you would care to comment on the significant difference.
6363 MR. GURSHARAN
BUTTAR: Yes, with our experience of this
market and working with them years and years this is a very commonsense
business plan we have. It's achievable. And we know it's very modest and we can grow
even bigger than that. But this is
achievable commonsense business plan we put forward to the Commission at this
time.
6364 THE
CHAIRPERSON: So I understand that to be
conservative. So how conservative is
it? Do you think it's 80 percent of what
you might achieve or 60 percent or you don't even think of it in terms like
that?
6365 MR. GURSHARAN
BUTTAR: Actually, at this time I know we
can do better than this but 80 percent I cannot comment at this point.
6366 THE
CHAIRPERSON: Then can I gather from that
you are not expecting it to be significantly different? You are comfortable with what you have? You don't have to give me a number if you
don't ‑‑
6367 MR. GURSHARAN
BUTTAR: With the growth consideration at
this point if it keeps growing at the same pace it will be a considerable
difference.
6368 THE
CHAIRPERSON: Okay.
6369 MR. GURSHARAN
BUTTAR: But if there is no growth still
with this number we are safer to say that even, you know, like if we don't have
the same growth continue for coming years we will still be comfortable with the
numbers, what we just put forward to the Commission.
6370 THE
CHAIRPERSON: All right. Thank you.
6371 I notice that your
Year 3 expenses as a percent of your total revenue looks odd compared to the
percent of revenue for Alberta, and also as well as forecast by the
Multicultural Corporation. I don't know
if you would have had a chance to look or to do that kind of a comparison.
6372 But for
example ‑‑ I suppose you are not ‑‑ it's not
actually the ‑‑ the Multicultural Corporation is 97 percent
expenses of the revenue, their operating expenses total and yours total
91.6. I suppose that's not such a
significant difference percentage‑wise.
The difference is just in the quantum.
6373 But I notice your
payroll and benefits, 50 percent of your revenues ‑‑ or sorry,
your payrolls and benefits would be at 50 percent of your revenues and you have
broken that out on a separate line, whereas normally it's allocated to
programming, technical, sales; promotion.
Are you able to tell us how that payroll and benefits would split up,
like if we wanted to add it to the programming line? For example, your programming expenses are 8
percent of revenue whereas for the Province of Alberta it's 37.6 percent of revenue
and for Multicultural it's 41.6.
6374 Are you able to
break your payroll and benefits down?
And actually, you wouldn't even have to do it right now if you could
just give it to us with your undertaking.
6375 MR. GURSHARAN
BUTTAR: Sure, thank you.
6376 THE
CHAIRPERSON: That gives you a chance to
look at it.
6377 MR. GURSHARAN
BUTTAR: Thank you very much.
6378 THE
CHAIRPERSON: Okay.
6379 And I notice in
particular that your programming expenses are $21,300 compared to $460 for
multicultural broadcasting in Year 2. So
I understand that yours is on a different scale but once you reallocate your
expenses that number I expect will come up, because I would assume all of your
salaries are in the one line.
6380 We will see when
you do it, and I think that will answer that question that I had.
6381 MR. GURSHARAN
BUTTAR: Thank you.
‑‑‑ Pause
6382 THE
CHAIRPERSON: Given the strength of the
competitive environment in the Edmonton market, what will be the effect on your
business plans if the results are not as you projected and you incur larger losses
for a longer period of time ‑‑ and for a longer period of
time?
6383 MR. GURSHARAN
BUTTAR: Can you repeat that, please?
6384 THE
CHAIRPERSON: Sure. I'm just wondering if you don't achieve the
results that you have forecasted and if I see that you have forecasted a
negative PBIT for the first two years and Year 3 you are looking at a positive,
but if it's longer, if it takes three or four years to turnaround what are you
prepared to do?
6385 MR. GURSHARAN
BUTTAR: Yes.
6386 THE
CHAIRPERSON: Are you prepared to put in
additional funds?
6387 MR. GURSHARAN
BUTTAR: First of all, with this business
plan we are very confident that this will work.
And if it's not we are all prepared for it and we have some ‑‑
we will have some funds allocated in that case.
If that happens we will have funds to subsidize.
6388 THE
CHAIRPERSON: Would you consider reducing
operating expenses, in particular programming expenses, to make up for any
shortfall?
6389 MR. GURSHARAN
BUTTAR: No, actually, I am a very big
believer in team work and a proper team can take you towards your goal and
cutting back on the team is not a good business plan ‑‑
according to me.
6390 THE
CHAIRPERSON: All right.
6391 I'm wondering, how
many new licences do you think the Edmonton market can support?
6392 MR. GURSHARAN
BUTTAR: In the ethnic?
6393 THE
CHAIRPERSON: Both actually, I was going
to ask of you. Ethnic is part B but you
can do whichever you like.
‑‑‑ Laughter /
Rires
6394 MR. GURSHARAN
BUTTAR: Yes.
6395 At this point I
think one licence will be well supported and maybe two, and what ‑‑
South Asian community at this point can support one more licence, that's for
sure. And I cannot comment on the other
communities.
6396 THE
CHAIRPERSON: Okay.
6397 So your
projections are based on one South Asian ‑‑ one ethnic
community, like one ethnic licence?
6398 MR. GURSHARAN
BUTTAR: One ethnic licence.
6399 THE
CHAIRPERSON: Okay, good enough. Thank you.
6400 All right. I will just see if my any of my
colleagues ‑‑ Commissioner Cugini.
6401 COMMISSIONER
CUGINI: Thank you, Madam Chair.
6402 Good morning.
6403 MR. GURSHARAN
BUTTAR: Good morning.
6404 COMMISSIONER
CUGINI: I just have a couple of follow‑up
questions.
6405 In your
discussions with Chair Duncan you did talk about mother tongue and ethnic
origin and it's often a conversation that is had with ethnic media. I would like you to tell us and expand a
little bit on why you think it's important that we consider ethnic origin as
well as statistics related to mother tongue and why it's particularly important
for the South Asian community.
6406 MR. GURSHARAN
BUTTAR: South Asian community has grown
very fast in the past few years and they all bring their culture and their
values with them. And it's very
important for them to diversify the Canadian society to welcome the other
cultural values and their beliefs into all cultures and at the same time have
our cultural values and our customs to be shared by the other communities.
6407 Radio and this
media is very important vehicle to diversify the community and be part of the
bigger communities, like all the other Canadian communities and communication
and diversify it and to know the others and tell about us to the others. This will be very appropriate vehicle for
that.
6408 COMMISSIONER CUGINI: But ethnic origin statistics capture second,
third, fourth, fifth generation South Asian Canadians, any second, third,
fourth or fifth generation immigrant population. Is there enough of an audience base to
keep ‑‑ to sustain a radio station going forward that has
dedicated almost 100 percent to South Asian programming?
6409 MR. GURSHARAN
BUTTAR: Yes, there will be.
6410 COMMISSIONER
CUGINI: And for generations to
come. In 20 years do you have enough of
a population base that is going to sustain this radio station?
6411 MR. GURSHARAN
BUTTAR: Yes, yes. There is two reasons for that.
6412 One, we have a
third or second, fourth generation coming up in Canada. At the same time, we are the biggest growing
community with the immigration, new immigrants from India and from other parts
of the world.
6413 And on the same
note, second or third generation even though they are Canadians and we are
proud to be Canadians and English is our first language, more radio
stations ‑‑ and communication is a very important part to
learning and keeping in touch with our culture, our roots and our language.
6414 COMMISSIONER
CUGINI: And the fact that you have some
younger South Asian people on your panel is not lost on me. So thank you for that.
6415 Again, following up
on the conversation with Chairperson Duncan regarding the similarities and
differences with other applicants, if we look specifically at the application
by Multicultural Broadcasting they are including more languages in their
application but the languages that you are targeting they have also included, I
think, if my math is correct, to a total of about 45 hours. You are 100 percent South Asian.
6416 My question to you
is this: In a community like ‑‑
in a market like Edmonton where as great as it is that South Asian isn't the
only ethnic community, why should we consider your application to better serve
the Edmonton market rather than that of Multicultural broadcasting which has a
wider scope and will therefore appeal to a wider audience and more language
groups?
6417 MR. GURSHARAN
BUTTAR: With my broadcasting experience
that model is already existing in our community with the CKER and that model is
very old when the community was only in the hundreds, maybe in thousands at
that time, and now the community has grown and only radio services are
profitable these days where they don't lose the audience all day around.
6418 And to keeping
that in mind, focusing on one community and one group or similar communities is
the way of broadcasting at this area. That's
what I believe in.
6419 COMMISSIONER
CUGINI: Well, thank you very much and
thank you for your responses this morning.
6420 Thank you, Madam
Chair.
6421 THE
CHAIRPERSON: Thank you, Commissioner
Cugini.
6422 Commissioner
Molnar.
6423 COMMISSIONER MOLNAR: Thank you, good morning.
6424 MR. GURSHARAN
BUTTAR: Good morning.
6425 COMMISSIONER
MOLNAR: I just have a couple of
questions as follow up.
6426 You mentioned to
Chairperson Duncan that you would plan if you were successful in this licence
to retain your SCMO service.
6427 MR. GURSHARAN
BUTTAR: Yes.
6428 COMMISSIONER
MOLNAR: And I wondered if you could
explain to me why you would retain that?
What's the benefit of that service in addition to this?
6429 MR. GURSHARAN
BUTTAR: Since there is the news and
there is a discussion in the community that we are applying for an FM station,
we have been approached by some of the communities which cannot afford FM
station at this time. They cannot
support ethnic station at this time. And
they are already inquiring about adding those communities onto SCMO.
6430 I feel that with
the diversity there is a chance to bring other languages who can benefit from
that. That is the main reason for me to
keep that SCMO with the FM station.
6431 COMMISSIONER
MOLNAR: Sorry, just so I understand,
because you are broadcasting outside of Edmonton as well as in Edmonton with
that SCMO?
6432 MR. GURSHARAN
BUTTAR: No, I only broadcast into
Edmonton with that SCMO. Communities
within Edmonton approached us for the SCMO service, if they can add their
language and their programming onto SCMO if we have FM station approved.
6433 COMMISSIONER
MOLNAR: Okay. So you would see potentially changing the
makeup of what's in that SCMO. So you
would use this FM station to focus on your South Asian, the seven groups. I think it was seven targeted groups within
the South Asian community, and you would expand the SCMO to different
communities ‑‑
6434 MR. GURSHARAN
BUTTAR: I will ‑‑ I
will explain that again.
6435 What it is ‑‑
South Asian community, I'm including seven languages. But if you know South Asian origins there is
41 languages, more than that, and some of that is not even included in this
application. They are small groups like
1,000, 800 some other people, and their languages will be added into SCMO and
their programming will be added into SCMO.
6436 It will be South
Asian. It will be ethnic, but totally
different languages, small groups where there needs some programming and some
community voices to be broadcasted and it will be focused on those languages.
6437 COMMISSIONER
MOLNAR: Okay, thank you.
6438 Will it be
operated entirely separately or will you have some synergies with the FM radio
station
6439 MR. GURSHARAN
BUTTAR: Separately.
6440 COMMISSIONER
MOLNAR: Separately?
6441 MR. GURSHARAN
BUTTAR: Yes.
6442 COMMISSIONER
MOLNAR: Okay.
6443 Just one more
question. Obviously, I take ‑‑
well, I take ‑‑ I shouldn't say obviously but I take from the
video that you provided that you are very successful with a broad audience
appeal and a successful outreach to the community. And I wondered what you felt might be the
impact upon your SCMO if the successful applicant here was not yourself, if we
had ‑‑ one of the other ethnic applicants were to achieve a
licence, would that have ‑‑ what sort of impacts would that
have on your company?
6444 MR. GURSHARAN
BUTTAR: It will have a big impact. Like any other city we are ‑‑
it's a record we have ‑‑ vendor licence where there is open
frequencies. SCMO don't exist in similar
languages. That's why I was discussing
to switch the SCMO services to different languages if we have the FM licence.
6445 If this licence is
given to somebody else our SCMO subscribers will be affected very badly.
6446 COMMISSIONER
MOLNAR: So where you say that there is
capacity to licence another applicant, there is capacity to licence another
applicant and keep your SCMO healthy and whole or not?
6447 MR. GURSHARAN
BUTTAR: No.
6448 COMMISSIONER
MOLNAR: So there isn't capacity?
6449 MR. GURSHARAN
BUTTAR: There isn't a ‑‑
because we will be competing in similar languages, similar cultures. There is a capacity if we change the
direction of the SCMO just their viability, but if we are focussing in the same
community like right now I'm serving Punjabi, Gujarati, Hindi and Urdu‑speaking
and if a licence is granted for the similar languages to another licence it
will affect the SCMO big time.
6450 COMMISSIONER
MOLNAR: Okay, thank you. I understand.
6451 Those are my
questions.
6452 THE
CHAIRPERSON: Thank you.
6453 Mr. Buttar,
Commissioner Molnar's question reminded me of one that I overlooked asking.
6454 I just wanted to
know, since you are going to be continuing the SCMO operation if any of the
programming done for that station will end up on your FM service?
6455 MR. GURSHARAN
BUTTAR: No, there is a totally different
format for the FM station.
6456 THE
CHAIRPERSON: Okay. No, that's great. That concludes our questions.
6457 Legal? Yes, Legal.
6458 MS LEMOUX: Thank you, Madam Chair.
6459 I have one follow‑up
question on the CCD contributions. So in
response to a question asked by Madam Chair you have agreed to a transitional
condition of licence for the CCD contribution regime.
6460 However, I would
like a confirmation from you that you also agree to have your over and above
contributions of $16,500 for each of the seven years of operation imposed by
condition of licence.
6461 MR. GURSHARAN
BUTTAR: Yes.
6462 MS LEMOUX: Thank you.
6463 THE
CHAIRPERSON: This is ‑‑
we have sort of gotten into this little custom of giving you two minutes, if
you like, to tell us why Guldasta Broadcasting should be granted the licence.
6464 MR. GURSHARAN
BUTTAR: Sapreet.
6465 MS SAPREET
BUTTAR: Members of the Commission,
first, thank you for the opportunity to appear before you today. Edmonton's entire South Asian community is
excited at the opportunity to obtain a full service radio station they can
receive over the air without the need of special equipment.
6466 Guldasta
Broadcasting has been a champion of this community for many years and have been
deeply committed to community service as a way to strengthen our own culture,
to share our cultures with others and to discover other cultures that surround
us. We have extensive experience in
serving this community and extensive experience in running a radio station from
a business and a financial point of view.
6467 We have an
excellent highly‑trained staff in all positions ready to take on this
exciting new challenge. As you can see,
our family is entirely committed to our business plan. The successes we have shared in the past are
our strongest point in planning and forecasting the future.
6468 We are Edmonton
all the way. We share not only our
family and community culture but the lifestyle and culture of any Canadian family,
hot summers, cold winters and diehard support for the Oilers add an exciting
and positive hope for the future.
6469 Our future is one
in which we aspire to continue what our family has done for so long and which
our community wishes for us to continue.
6470 We have a strong
financial base to start from, excellent support from our professional advisors
and massive community backing, as indicated in the interventions filed on our
behalf by not only the South Asian community but members from across Edmonton's
ethnic and cultural spectrum.
6471 It is a privilege
to appear before you today to present our proposal for a new FM radio station
for Edmonton.
6472 The entire
Guldasta team thanks the Commission for their consideration of our application
and, as well, we look forward to having you here for some butter chicken for
our launch party.
6473 Thank you.
‑‑‑ Laughter /
Rires
6474 THE
CHAIRPERSON: Thank you. We will take a 15‑minute break.
6475 I don't think I
have got the right time. I'm on Toronto
time there. What is it? 11:00, thank you.
‑‑‑ Upon recessing
at 1047 / Suspension à 1047
‑‑‑ Upon resuming
at 1109 / Reprise à 1109
6476 THE
SECRETARY: We are ready to begin with
Item 14 which is an application by Multicultural Broadcasting Corporation Inc.
for a licence to operate an FM commercial ethnic radio programming undertaking
in Edmonton.
6477 The new station
would operate on frequency 95.7 MHz (channel 239B) with an average effective
radiated power of 10,600 watts (maximum effective radiated power of 20,000
watts/antenna height of 175.5 metres).
6478 Appearing for the
applicant is Bijoy Samuel. Please
introduce your colleagues and then you will have 20 minutes to make your
presentation.
6479 Mr. Samuel.
PRESENTATION / PRESENTATION
6480 MR. SAMUEL: Thank you.
6481 Good morning,
Madam Chair, and members of the Commission.
6482 I am Bijoy Samuel,
General Manager of ReD‑FM. I have
been associated with the company for five years.
6483 Seated next to me
is Kulwinder Sanghera. Kulwinder is the
President of ReD‑FM and was honoured as the business person of the year
in 2006 by the Surrey Board of Trade.
6484 We have developed
a strong local team. Here are the
members of our panel.
6485 Kulmit Sangha has
lived in Edmonton for 31 years. He is a
respected radio host and started his radio career many years ago at CKER‑FM. Kulmit presently operates his own SCMO in
Edmonton and will be part of our team providing strong, local programming.
6486 Suknit Lamba
joined us as a host when we started ReD‑FM in Vancouver and she relocated
to Edmonton about a year ago after getting married. Upon moving to Edmonton Suknit re‑established
her radio career and she hosted Punjabi and Hindi shows on CKER‑FM.
6487 Our Chinese host,
Catherine, is not here. But in her place
Pan is here with us today. Pan Zhang is
a Mandarin host and she has been living in Edmonton for the last 10 years and
has hosted shows on CKER‑FM for many years. Pan was also a radio host in China.
6488 Tina Tolvay is a
Filipino host. Tina has lived in Edmonton
for more than two decades and has a rich experience of hosting Filipino shows
on CKER‑FM. Tina was instrumental
in organizing local Filipino talent contests and one of the winners in fact
went on to participate in the Canadian Idol.
6489 As you can see, we
have an excellent team, rich in local radio experience and they are well known
to Edmonton radio listeners.
6490 Harjinder Thind is
a news director and talk show host in Vancouver. He also co‑hosts on national television
show Des Pardes. Harjinder is legendary
with fan following amongst South Asians across Canada. His talk shows are on current affairs and
provide an intelligent forum for discussion.
Until a few months ago his radio program was broadcast in Edmonton and
he has a huge following in Edmonton.
6491 Michael Pedersen
is our technical director and is responsible for many key initiatives like the
ReD‑FM Run and the Surrey Food Drive.
6492 Mark Lewis is our
broadcast lawyer and a partner at Lewis Birnberg Hanet LLP. He has worked with us since we applied for a
licence in Vancouver.
6493 Kerry Wicks is the
President and CEO of Mediastats Incorporated.
She has personally handled our project and her company has conducted
research for us in Edmonton.
6494 We will now start
our presentation.
6495 Canada has opened
its arms wide to immigrants from many countries. Our policies encourage multiculturalism. Today, the world views Canada as a true
multicultural country and as citizens of this beautiful country we are very
excited to be here today, expressing the urgent need for an ethnic radio
station to serve Edmonton, and we thank you for giving us this opportunity.
6496 You may know that
the last ethnic commercial radio licence was granted 28 years ago in 1980. That's true.
It's been a long time. It's
exciting because we believe it's about time that the ethnic population of
Edmonton gets another ethnic radio station.
Hopefully, the Commission will also share our excitement.
6497 Another reason for
our excitement is because we are well positioned to take this responsibility
and passionately reflect the growing ethnic diversity of Edmonton.
6498 The big questions
are: How has the population grown in 28
years? What are their unmet needs? How are we addressing them? Why are we the best applicant to take this
responsibility?
6499 So let's look at
the first question, how has the population grown? Over the years, growth in infrastructure,
economy and population have made Edmonton an excellent market to establish a
new ethnic radio station and to cater to the increasing number of immigrants
whose mother tongue is not English or French.
6500 Since 1980
Edmonton's ethnic population has more than doubled to 189,775 people and the
face of Edmonton has changed drastically.
It is now home for many ethnic communities that have grown enormously in
size; South Asians, Chinese, Filipinos are the top three ethnic groups that
have come in large numbers to Edmonton.
6501 MR. SANGHERA: Need for a new ethnic radio station: The population growth has created a wide gap
between the ethnic radio service available and diverse need for many growing
ethnic communities. While there are 17
commercial English‑language radio stations serving the mainstream market,
even after 28 years only one commercial radio station is catering to the needs
of 20 percent of Edmonton's population.
Many ethnic groups do not have radio service while others have a minimum
service.
6502 The Commission is
likely aware that on a population per station basis the Edmonton ethnic radio
market is underserved. Other Canadian
cities and towns have per capita more ethnic radio service than Edmonton. In Vancouver, two Canadian, two American
ethnic radio stations serving the South Asians for 200,000 people. Recently, the Commission granted an ethnic
radio licence in Windsor, Ontario to serve an ethnic population of 75,000. Large multi‑station ownership groups
collectively command an audience share of 84.2 percent of Edmonton's radio.
6503 It is noteworthy
to emphasize that just one company owns 100 percent of commercial ethnic radio
and ethnic television station in Edmonton, plus English‑language TV,
television and radio stations. This is a
highly concentrated media market.
6504 The licensing of
ReD‑FM will bring balance and diversity of voices in the market.
6505 MS WICKS: The survey conducted by Mediastats revealed
many interesting facts about the need for a new ethnic radio station. Only 30.75 percent of respondents indicated
that they were very satisfied with the existing radio stations. For those respondents who were less than very
satisfied with available programming, their reasons were diverse, not enough or
no programming available in their home language, or the program not being very
appealing accounted for their top responses.
6506 These sources
again point to a high language retention factor which corroborates our notion
that the market is in need of more and diverse ethnic programming to serve its
new and expanding immigration population.
6507 In terms of
respondents preferences regarding types of programming 65.5 percent of those
surveyed were very interested in news from their home country and just under 60
percent were very interested in news from their community in Edmonton.
6508 While 54 and a
quarter (54.25) percent of the respondents do not at all frequently listen to
CKER‑FM, only 23.25 percent said they do listen very frequently to CKER‑FM. A high total of 88 and a quarter (88.25)
percent responded that they would listen to our new ethnic radio station.
6509 Again, these results
provide a strong suggestion that additional ethnic radio programming is in
almost urgent need in this growing market.
The urgency to address this need is accentuated by the fact that the
current immigration pattern is rapidly increasing the ethnic population in
Edmonton.
6510 MR. SANGHERA: ReD‑FM shall fulfill this need by
catering to 16.2 percent of Edmonton's population in 20 different languages
targeted toward 23 ethnic groups. We
will now present a brief video.
‑‑‑ Video
presentation / Présentation video
6511 MR. SANGHERA: ReD‑FM also meets a broad service
requirement settled in the Ethnic Broadcast Policy. We understand the need to nurture programming
directed towards some other ethnic communities so that they too can have a
voice. We have the resources and
experience to give voice to the truly underserved groups in Edmonton.
6512 MS LAMBA: So how are we fulfilling their needs through
ReD‑FM? ReD‑FM will provide
a distinct radio service through the local reflection of ethnic communities
with special emphasis on local and regional news, local community information
as well as intelligent talk shows that stimulate debate and community
participation and, of course, great music.
6513 We will increase
choices in music for a growing and diverse ethnic population.
6514 We recognize that
each community has different needs, interests and capabilities and ReD‑FM
shall play a very unique role in strengthening ethnic communities in Edmonton.
6515 Many new
immigrants find radio to be a great source of learning and information as they
integrate into a new environment. ReD‑FM
will be their primary resource.
6516 MR. THIND: ReD‑FM believes that the value of talk
show is imperative and shall engage its audience with well‑researched
topics. Our talk shows will be community
driven and shall encompass a wide range of social, political, health, cultural
and economic issues with high local relevance.
6517 ReD‑FM is a
strong advocate of feminine issues and topics such as equality in the
workplace, balancing careers and family, and domestic violence will be
discussed.
6518 On youth talk
shows we will discuss topics such as identity crises, gangs, positive role
models and lack of quality time between parents and youth.
6519 The reality check
talk show will encourage cross‑cultural understanding and
multiculturalism. We shall have open
line shows to provide an interactive forum to encourage discussions and debate
on issues important to our diverse ethnic communities, thus providing Edmonton's
ethnic communities exposure to various points of view and allowing them to
conduct intelligent discussions and make informed decisions.
6520 Two informative 90‑second
features will be produced per day on a variety of topics, including health,
active lifestyle, job availability, local artists, role models, word on the
street and festivals.
6521 In news
programming, as stated earlier, according to the survey conducted by
Mediastats, a majority of the respondents are interested in news. Our analysis determined that most of the news
available on ethnic radio consists of international news, much of it homeland
news.
6522 Internet has made
the world a global village, and for the internet savvy news from back home is
available easily on the internet. But
radio still excels in providing live immediate local news as it happens, and
that's exactly what we will do. ReD‑FM
shall fulfill the unmet needs for news with a strong emphasis on local news
with 87 newscasts during our Punjabi, Filipino, Hindi, Urdu, Mandarin and
Cantonese programs, 14 community updates with news from back home in 14
different languages on the weekend.
6523 Whereas most new
English‑language FM stations commit to approximately 15 hours per week of
spoken word programming mainly on weekdays, our proposal delivers a large amount
of spoken word content seven days a week.
News and intelligent spoken word programming are at the heart of our
proposal.
6524 MS LAMBA: Music plays a very important part in the
lives of her listeners. Music is key to
the retention of cultural heritage. ReD‑FM's
music shows will create a good environment for an ethnic population as the
drive to work in the mornings. And while
they are at work ReD‑FM shall adopt the role of a background radio
station, providing great music. For
those coming back to their homes from a hard day's work, ReD‑FM will help
them unwind.
6525 ReD‑FM will
play a wide variety of music that appeals to target audiences. To be successful today in ethnic radio we
know that we must provide micro‑niche formats and cater to the tastes of
listeners of different ages. We have
been successful in providing specialized music programs for younger listeners
as well as more traditional music which encourages entire families to listen to
radio together.
6526 ReD‑FM will
commit by way of a condition of licence to 10 percent Canadian music content on
a weekly basis.
6527 MR. PEDERSEN: Canadian Content Development: Our Canadian Content Development plan is
designed to achieve the following; creation of audio content for broadcasting,
fulfilment of objectives set out in the Broadcasting Act through the airplay of
Canadian music which provides a showcase for the work of Canadian artists.
6528 ReD‑FM shall
direct its basic annual CCD contribution of $13,301 over seven years to Grant
MacEwen College to be used for bursaries for students enrolled in music
programs.
6529 ReD‑FM shall
direct $351,494 over seven years as contributions over and above our basic
annual CCD contributions. This money
will be disbursed as follows: $28,000
over seven years to the University of Alberta, School of Journalism for
bursaries to students enrolled in journalism programs; $21,000 over seven years
to FACTOR; $39,000 annually on three local music talent contests for Filipinos,
South Asians and Chinese artists. Winners
will be given an opportunity to work with music composers to produce their work
at recording studios and 500 CDs will be produced for distribution to ethnic
radio stations.
6530 $29,494 over seven
years to the South Asian Lyric Society and the Chinese Lyric Society.
6531 Amongst the ethnic
applicants ReD‑FM has committed to spend the highest amount of money on
well‑targeted CCD initiatives. In
just two years talent contests sponsored by ReD‑FM Vancouver have
generated hundreds of entries.
Successful contestants have not only received the support of their
community in Canada but one contestant has gone on to compete internationally.
6532 We would like to
show you a quick video clip illustrating our first two successful talent shows.
‑‑‑ Video
presentation / Présentation vidéo
6533 MR. PEDERSEN: In our experience, talent competitions unite
communities and are catalysts for community building. We propose to do the same in Edmonton.
6534 Thank you.
6535 MR. SAMUEL: Business plan: The radio market in Edmonton is very strong
and has grown tremendously over the last 28 years. Total revenue for all Edmonton radio stations
increased from 48.3 million in 2002 to 70.9 million in 2006 with an average
growth rate of 10.1 percent.
6536 We have a strong
business plan with well‑calculated conservative sales estimates and a
format that is very much needed.
6537 The influx of
various ethnic groups has led to an increase in ethnic businesses. These businesses constantly need advertising
and many have submitted support letters indicating their intention to advertise
on our radio station.
6538 The beauty of
radio is that it's live, local and immediate.
This is a big advantage for many advertisers. A safe strategy is to encourage advertisers
to explore the potential of this powerful medium but keeping the pricing of our
ads affordable. Positive developments
like national advertisers focusing more on reaching ethnic populations and a
projected growth in Edmonton of 107,000 people by 2007 to 2012 backup our
business plan.
6539 We will increase
new radio advertising revenue and create new broadcasting jobs locally while
achieving financial success with minimal impact on other broadcasters.
6540 Now, let's discuss
why are we the most suitable candidates to operate the new station.
6541 The ReD‑FM
advantage: We thank you for granting us
the licence in Vancouver. We would like
to share with you what we have done with the responsibility with which you
entrusted us.
6542 Last year we
commissioned a survey through BBM Analytics and you will be happy to know that
ReD‑FM was the number one radio station amongst the U.S. and Canadian
South Asian ethnic stations this year.
6543 Solutions Research
Group conducted the second annual survey, known as Diversity in Canada (Wave
2), and ReD‑FM again was the number one South Asian radio station in
Vancouver.
6544 This success is
driven by many factors. We are
passionate about ethnic radio and put our heart and soul into making ReD‑FM
Vancouver an exemplary multicultural radio station. While we expect our listeners to listen to
us, it begins with us listening to our listeners and catering to their needs.
6545 Community
involvement: Our philosophy is by the
community, for the community and we translate this into reality everyday by
taking up projects that benefit the community.
As you saw in the video, the best part is that the community gets
involved with us and we partner together for success. It is no longer just a ReD‑FM
initiative but rather the entire communities.
6546 ReD‑FM has also
helped many social and cultural organizations to promote their events and give
exposure to their initiatives. In fact,
Kulwinder is a member of the city's multicultural advisory board and is
presently helping the city organize Fusion Festival as part of its cultural
capital of Canada celebrations, built upon credibility and trust and news.
6547 One thing that ReD‑FM
has truly earned is the trust of our community.
The community now has a credible source of local news and information
they can trust and rely on. We have
successfully competed in a region served by two unlicensed Canadian
broadcasters who utilize U.S. transmitters to beam into Canada. Neither broadcaster adheres to Canadian
broadcast regulations or Canadian broadcast standards and there is the
difference.
6548 We truly believe
that audience acceptance of our programming is based upon playing by the rules,
providing balanced, intelligent, well‑produced programming and giving
back to the community we serve. ReD‑FM
Edmonton will be built upon these principles.
6549 MR. SANGHERA: We believe that our application for a new
ethnic radio service will force the market demand by increasing the programming
for many underserved groups, providing distinct, independent news voices, increasing
music choices, all of which benefit the local communities while achieving the
objectives of the ethnic policy and the Broadcasting Act.
6550 To us it is about
being locally relevant to our audience.
After all, it is all about the people we serve and in Edmonton we shall
do as we have done in Vancouver, succeed with hard work, passion and
dedication. We have been highly
privileged to have earned your trust. We
thank you for listening to us and our team is ready for your questions.
6551 THE
CHAIRPERSON: Commissioner Molnar will
begin the questioning.
6552 Thank you.
6553 COMMISSIONER
MOLNAR: Good morning.
6554 I assume you have
been here for the first presentation that we heard from Guldasta this morning?
6555 MR. SAMUEL: Yes, please.
6556 COMMISSIONER
MOLNAR: Yes.
6557 My questions will
follow very similar to those that we shared with Guldasta. So let me begin by asking about your
condition of licence. So the ethnic
broadcast policy, as you know, may impose upon you a condition of licence
regarding your proposed levels of ethnic and third language programming.
6558 MR. SAMUEL: Yes.
6559 COMMISSIONER
MOLNAR: You have proposed 100 percent of
your total weekly programming be devoted to ethnic programming and at least 96
percent of all your weekly programming be third language programming.
6560 MR. SAMUEL: We take condition of licence for 90 percent
for the third languages.
6561 MR. SANGHERA: Yes, third language. Yes.
6562 MR. SAMUEL: It's 90.
6563 COMMISSIONER
MOLNAR: I'm sorry, 96 percent?
6564 MR. SANGHERA: Nine‑zero (90).
6565 COMMISSIONER
MOLNAR: 90 percent will be third
language?
6566 MR. SANGHERA: Yes.
6567 COMMISSIONER
MOLNAR: Okay. I'm just going to refer then ‑‑
I have a schedule of your ethnic and third language programming that shows
you ‑‑ do you have that schedule in your brief?
6568 MR. SANGHERA: Yes, please.
In our schedule it's 96 percent, but we will take a condition of licence
at 90 percent.
6569 COMMISSIONER
MOLNAR: And what is your planned change
from your schedule?
6570 MR. SANGHERA: Planned change for schedule ‑‑
as you know, Canada is a multicultural community. We have a third and fourth generation. We may need to increase a little bit more
English in order to target our youth.
6571 COMMISSIONER
MOLNAR: Okay, okay. So I'm going to
leave that and our legal counsel may have more questions on that, but 90
percent for English or for ‑‑
6572 MR. SANGHERA: Third language.
6573 COMMISSIONER
MOLNAR: Third language.
6574 As you pointed out
in your brief, you are very aware that Edmonton is currently served by an
ethnic language station, CKER‑FM and there is the three ethnic SCMOs
operating in the region.
6575 Can you tell me,
and we will maybe take these one at a time, if you could explain to us the
similarities and differences between the station you have proposed and that,
for example, of Guldasta that was before you?
6576 MR. SAMUEL: Sure, please.
6577 I will start and
others will join in, please.
6578 If you would look
at the broad service requirement while the South Asian community has grown
tremendously, the fact of life is that other communities have also grown and
they do merit more radio programming. We
understand that and we are providing services for bigger communities as well
like Chinese and Filipino communities who need it. So while we agree that South Asians do need
radio programming, we also think that the Chinese and Filipino and the other
communities need it.
6579 If you would look
at it, we are providing more local programming from ‑‑ I mean
we have local news whereas Guldasta has more of international news. They have said previously that they have too
many international staff reporting, whereas we have many more local reporters
because our whole emphasis is on local relevance.
6580 In terms of
business plan, well, I tried understanding their business plan but my capacity
is limited to what I could understand in it.
From our perspective, if you would look at it, our programming
costs ‑‑ their programming costs are around $20,000 whereas
ours are at $489,000. We just don't know
how we could run a quality radio station on $20,000.
6581 So to provide
quality service you do need the right infrastructure, you do need the right
people to be available and you have to invest in your people, and that is what
we are when you compare with them.
6582 MR. SANGHERA: As compared to the CKER when we designed our
schedule ‑‑
6583 MR. SAMUEL: In our ‑‑
6584 MR. SANGHERA: Sorry.
When we designed our schedule we looked at CKER. CKER was not serving ‑‑ CKER was serving groups but there ‑‑
a lot of other groups were left over. So
when I designed the schedule we added six more groups that was not getting
their airplay.
6585 How are we going
to be different? When we competed in
Vancouver against two American stations we know we had challenges so we worked
as a team and we focused on our talk shows that have local relevance. We know the immigrant community needs
information. That is very important because
they are newly settling in Edmonton. So
our talk shows are intelligently discussed and at the end we give a lot of
information that is needed to the community.
6586 And when it comes
to the music we will play music from regional CDs that is a quality sound that
will attract the people on FM dial.
People expect quality.
6587 So I think when
you play music, music has to appealing to the audience and we do ‑‑
our music does appeal to the audience.
6588 MR. SAMUEL: And if I can go back to the business plan
that I was referring to, there are two points.
6589 One is Guldasta
has higher than the national average for national revenues from its first year
of operations to the seventh. But if you
would compare ours, our national revenue is a little bit lower than what is the
trend around.
6590 And in terms of
achieving the business plan that we have, we have a wider advertising base as
compared to ‑‑ so we have the advantage of the South Asian
market that was so rightly expressed as quite big and can support the
programming, but we also have the Chinese community who is equally big. So our advertising base is almost double than
what is of Guldasta.
6591 And going back to
CKER of what Kulwinder was mentioning, often times of what we've observed I
guess sometimes their Punjabi radio programming doesn't even originate from
their station.
6592 To us it is very
important that what programming we do is under our control, it is originating
from our station.
6593 We know that CKER
has programming presently from SCMO known as Radio Punjab. That, again, I think is a very big difference
because it's all about the community you want to serve and reflect.
6594 I think from my
side ‑‑ CKER has another thing, if I can go on. There's volunteers. They have too many volunteers working for
them, and we don't believe in volunteerism.
When it comes to commitment to do a radio program there should be money
invested and seeing that they can do the program properly. There should be resources available so that
they can do their programs.
6595 That is a big
difference between CKER and us.
6596 Suknit, would you
like to add something.
6597 MS LAMBA: To add on to the CKER programming, mainly the
South Asian side, of course with all the other ‑‑ there's a
lot of volunteers, as it was mentioned by Bijoy, but the South Asian
programming Bijoy already mentioned that it doesn't even come from the station,
it comes from an SCMO station.
6598 Also the quality
of programming. Since I worked with ReD‑FM
in Vancouver and moved here about a year ago, I think the quality of the
programming is really different as compared to ReD‑FM.
6599 ReD‑FM's
quality programming is really high and it also caters to the younger audience
which I personally, being a young person, hopefully, I don't think I would
listen to that kind of talk shows because 90 per cent of the time they talk about
what's happening back home and not what's happening here locally.
6600 So, local news is
absolutely not there, there's no local news in South Asian languages, all the
news is either back home from India or Pakistan.
6601 And Kulwinder
mentioned about music quality which I would like to add into.
6602 I listen ‑‑
I worked at CKER as well and I hear a lot of dead air and I think that's
because the music doesn't come from original CDs, it comes from some pirated
websites.
6603 So, that is
something ReD‑FM has never done.
I've worked with ReD‑FM for over a year and we were not allowed to
play music from anywhere else except original.
And the quality of programming was really better at ReD‑FM as
compared to CKER.
6604 Thanks.
6605 MR. SAMUEL: Mike, would you like to add?
6606 MR. PEDERSEN: I would also like to add, if I could, I've
been with ReD‑FM in Vancouver for two and a half years and right from the
get‑go it was made apparent to me that our objective was to create a
multicultural station that sounded like English FM stations. That was very important to them and that's a
model that we've built upon.
6607 And getting into
the sell‑vision environment, we had to retrain a lot of our clients about
making commercials and about quality and delivering a product.
6608 And in the last
two and a half years everyone has really come around and we believe that we can
generate a product in Edmonton, the same as we do in Vancouver, and we think
that we'll have a great response from our potential clients for that reason.
6609 You know, we try
to emulate FM that is predominant in the English world and we think it's quite
effective when we apply it to our multicultural model.
6610 MR. SAMUEL: And while we have the opportunity of getting
an ethnic licence, it's also important that the smaller groups who do not have
any radio available to them also have at least minimum coming in for them.
6611 That is what is
the major difference in our application and Guldasta.
6612 Sorry, we've been
going between Guldasta and CKER, but I hope that answers your question.
6613 MR. PEDERSEN: I should add one more thing, I'm sorry.
6614 As far as our
weekend programming goes in Vancouver, and the model would remain the same for
Edmonton, with the smaller groups, we also provide a service to them. To promote them we do their station imaging
and their show imaging as well as all the commercials, so they have the
opportunity to promote their own show and to find their own sponsors and we
have a model to build commercials for them to encourage their own programming.
6615 MR. THIND: I want to say something about this Edmonton
audience, because really the people of Edmonton never really tasted the flavour
of real radio station. They've been
served in, you know, hits and misses.
You know, sometimes American radio is being broadcasted from Vancouver,
SCMO in, you know, bits and pieces.
6616 You know, our
proposal provides for 24 hour, a full‑time radio station that will really
enhance the fabric of the society here in order to provide more information,
current affairs and that will really strengthen the economic, political and
social structure in the community in Edmonton.
6617 MR. SAMUEL: I would end that our schedule complements
with CKER.
6618 Thank you.
6619 COMMISSIONER
MOLNAR: I'm sorry, what did you say your
schedule complements?
6620 MR. SAMUEL: Yes.
Our programming schedule complements the programming schedule of CKER.
6621 The on‑air
programming schedule complements the programming schedule of CKER.
6622 MR. LEWIS: Perhaps I could comment.
6623 When the research
was done and the application was filed, it was shortly after CKER had changed
its programming schedule and dropped some hours of ethnic programming.
6624 So, the schedule
has been designed two ways. One is that
the concept being, a member of the South Asian community only has a limited
hours of programming that they can receive on that station, on CKER.
6625 We're not
programming head‑to‑head in South Asian hours, it's counter
programming, so that there would be Chinese programming when they're in South
Asian, so that the listener, as you may have heard on the video, can access
programming during a wider period of the day or evening in their own language
by tuning to two stations in the market, or more, or SCMO as well.
6626 MS ZHANG: May I just add a comment. Right now with CKER from Monday to Saturday,
they provide Chinese radio program broadcasting to the Chinese community here
which is one to five o'clock in the afternoon.
6627 Now, the Mandarin
program lasts about an hour and 15 minutes.
Now, when ReD‑FM come in we'll be able to complement the CKER
program by broadcasting at a prime time in the evening.
6628 We plan to do
three hours Cantonese broadcasting and three hours Mandarin broadcasting a day.
6629 MS TOLVAY: Can I add also. For the Filipino program, we only broadcast
two hours every week and that's on Saturday and we would like to expand by
broadcasting every day, Monday to Friday.
6630 So, the newcomers,
the Filipino nurses ‑‑ there are Filipino nurses recruited by
Capital Health coming, there are 600 people coming. And other companies like Tim Horton's in Fort
McMurray, for instance, they have workers that are coming from all over the
Philippines as well as in Europe, and they have no access to a Filipino program
except that two hours on Saturdays.
6631 COMMISSIONER
MOLNAR: Okay. Thank you.
6632 MS TOLVAY: Thank you.
6633 COMMISSIONER
MOLNAR: I'm a bit afraid to ask, but
would you like to comment on how your format and station compares to that
that's being proposed by CIAM as well?
6634 MR. SAMUEL: CIAM is proposing ‑‑ there's
a big difference. CIAM is more on ‑‑
it's a community radio station; whereas we are a commercial radio station.
6635 CIAM has
programming towards the Chinese community but, again, this would be like what
Guldasta Broadcasting is saying, let's do just Punjabi; CIAM is saying, let's
do Chinese majority.
6636 But here we are
saying that Chinese have grown, Filipinos have grown and so has South
Asian. So, we think that the need is not
just limited to one community, the need is wide spread. So, that would be one.
6637 And would someone
else like to add anything?
6638 MR. SANGHERA: I think the frequency they're proposing is
250 watts. I think they will not be able
to serve the entire demographic population.
6639 COMMISSIONER
MOLNAR: Just a couple of follow‑up
questions.
6640 You mentioned CIAM
is focused upon the Chinese and Guldasta was focused on South Asian and you
cover a wide target audience, I think 23 communities in 20 languages.
6641 The applicant
before you mentioned that that's an old model.
Would you like to comment on that at all?
6642 MR. SAMUEL: Certainly.
I don't know what's old about it.
I understand the community is growing.
The needs have changed, the needs are there for 23 different
groups. I don't know what's old about
it.
6643 Maybe he was
referring to the model of how the programming was administered to these
groups. We feel that we need to
provide ‑‑ that's what it's all about, provide programming to
as many languages as possible.
6644 MR. SANGHERA: And we have a similar model working in
Vancouver. We just started two years ago
and we have been very successful.
6645 COMMISSIONER
MOLNAR: Okay.
6646 MR. LEWIS: If I could just add something. I will be brief, but ‑‑
6647 COMMISSIONER
MOLNAR: Is this related to CIAM?
6648 MR. LEWIS: Yes.
6649 COMMISSIONER
MOLNAR: Okay. Thank you.
6650 MR. LEWIS: There are two issues that we face. One is, CIAM is a voluntary radio station, it
doesn't appear to have any paid staff and there's a major difference in terms
of people who are coming in voluntarily to do a community program versus people
who are paid to be there to research their programs, and that's a big
difference.
6651 The second thing
that I think we have to take into account is the fact that ReD‑FM doesn't
use ‑‑ and this is getting back to the old model ‑‑
we don't use a brokerage model. In other
words, the other language groups who constitute the balance of the week, the
smaller groups who have a few hours a week of programming are not brokers,
they're not paying the radio station and buying the air time, they're part of
the radio station and they have a relationship.
6652 And, as Mr.
Pedersen indicated earlier, the radio station provides the production services
for them and they're involved in the production of programs, the staff ‑‑
those producers come in and they understand broadcast standards, we have
courses for them, they understand what is required under the Broadcasting Act
in terms of balance and the nature of the programming they're producing.
6653 And that's a very,
very different divide compared to community broadcasting.
6654 And I'll just
leave it at that, but it's a totally different, I think, dynamic in terms of
the way in which ReD‑FM approaches radio.
6655 COMMISSIONER
MOLNAR: Thank you.
6656 I'd just like to
go back to something mentioned. You
mentioned that you will be broadcasting to six groups that are not getting air
play today; is that right?
6657 MR. SANGHERA: At the time when I designed the schedule, we
monitored the CKER programming and at that time we were including six more
groups to provide them the service.
6658 COMMISSIONER
MOLNAR: Okay.
6659 MR. SAMUEL: Yes, unique.
6660 MR. SANGHERA: New groups.
6661 COMMISSIONER
MOLNAR: Would you be able to just
quickly point out which of those groups will be newly served by your market?
6662 MR. SANGHERA: Korean, Bujurati, Urdu, Vietnamese, Farsi.
6663 COMMISSIONER
MOLNAR: Sorry, I think I missed it. Could you do that again.
6664 MR. SANGHERA: Okay.
Korean.
6665 COMMISSIONER
MOLNAR: Korean, yes.
6666 MR. SANGHERA: Farsi, Bujurati, Urdu and Vietnamese.
6667 COMMISSIONER
MOLNAR: Thank you.
6668 Sorry, just one
more question regarding the existence of the incumbent station and adding a new
ethnic station.
6669 Can you tell me
why it is you believe that the South Asian and Chinese communities are large
enough to support the addition of another ethnic station?
6670 MR. SAMUEL: Kerry, would you like to answer that?
6671 MS WICKS: Sure, I'll start off and then you can jump
in.
6672 According to our
statistics, and we started with Statistics Canada numbers, the groups in total
that we're planning to serve, which are our top 18 lines on our model but they
include the 23 groups, are 163,158 people.
6673 Now, that sounds
lower than perhaps some of the other numbers you've heard in other applications
and we do agree that, to a large extent, some of these numbers are under
reported. You would probably be safe to
say the market is more like a couple of hundred thousand.
6674 And this is based
on information from the City of Edmonton on the fact that as our previous ‑‑
the previous applicant mentioned, not everybody accurately reports their ethnic
origin and then, of course, there has been additional immigration and growth in
the community since 2006 when these figures were calculated.
6675 So, for a group of
a couple of hundred thousand people spread across these groups, if you divide
them between the two mainstream stations, not counting some of the other media
outlets, that's a hundred thousand potential listeners per group.
6676 And if you take
the number of mainstream radio stations on the air serving Anglophones, you're
down around 30, 40, 50,000 potential people or audience per station.
6677 So, we think
that's a healthy market.
6678 Our research ‑‑
our consumer research also supports that there is an interest in the
programming, in more types and diverse types of programming.
6679 MR. SAMUEL: And if I could add. If we take you back to Vancouver market, it's
a population of 200,000 people approximately which are being served by two
American radio stations and two CRTC licensed radio stations catering to the
South Asian community.
6680 Now, if we divide
those 200 ‑‑ and many more SCMOs.
6681 If we divide the
200 into all of this, you could say that about 50,000 per say could be for each
radio station and if each of the radio stations are able to survive with more
than 7‑million, I think Edmonton is a better picture here.
6682 COMMISSIONER
MOLNAR: So let me just throw it out
there. Do you think there's room for
more than one additional ethnic radio station?
6683 MR. SAMUEL: I definitely ‑‑ I definitely
believe that there is room for one more additional radio station, and especially
with us, because we are able to target two of the growing communities which
have two separate advertising base, that just helps achieve better results.
6684 At the same time,
probably CIAM, since it's a community‑based station, it wouldn't be
affecting our business model.
6685 MR. PEDERSEN: Could I also add one point about
revenue. With the previous applicant, he
made it apparent that his revenue would come from his single community, but
because of the standards we adhere to at ReD‑FM in Vancouver, not only do
we do advertising for South Asian businesses, we also do advertising for the
English market, the Government of Canada, utilities, telecommunications.
6686 They come to us
now when they want to market to the South Asian community, and I think that's
another form of revenue that we could develop here in Edmonton.
6687 MR. SAMUEL: And I think 28 years is a long time with an
audience growing for another ethnic radio station, yes, certainly.
6688 COMMISSIONER
MOLNAR: Thank you.
6689 I'd just like to
refer back to the research you were speaking of and just ‑‑ I
want to receive some clarity as it regards whether or not we're speaking of a
population ‑‑ are you speaking of the full population, the
full ethnic population, are you speaking of new immigrants, or are you speaking
of people who can speak the language?
6690 MS WICKS: Are you asking about the ‑‑
in terms of quantifying the number of potential listeners, or are you asking
about the consumer research when we phone and talked to people? I'm not sure.
6691 COMMISSIONER
MOLNAR: I'll refer you to page 12 of the
supplementary brief.
6692 Sorry, it doesn't
appear to be page 12. Perhaps page 17.
6693 MS WICKS: So, you're referring back to the population
figures?
6694 COMMISSIONER
MOLNAR: Right. And I'm assuming that you're using these
population figures to support the population base for your target audience?
6695 MS WICKS: Yes, Ma'am.
These figures ‑‑ these figures are from Statistics
Canada. We derive them from casting our
projected contour over ‑‑ we use a geocartographical software
and we project it over the population within our projected service area.
6696 So, it's not the
exact Edmonton CMA, if anything we under estimate to some extent because we are
only capturing figures within the proposed contour not the greater Edmonton
area.
6697 So, the figures in
our original submission, the figures on this chart summarize just the
households that would be found within that
contour.
6698 So, people who
live outside of Edmonton and drive in to work during the day or migrant
workers, anybody who's arrived, as I mentioned before, after the census was
taken, none of this is included in our written population numbers.
6699 That's why when
the gentleman said earlier this morning he was estimating South Asian
population that was quite a bit higher, I said that we do support that because,
if anything, we under count our figures.
6700 MR. SAMUEL: As well as ‑‑
6701 COMMISSIONER
MOLNAR: And just so that we understand
the basis of this, this is the full ethnic group population. So, is it anticipated that they all are able
to speak in the ethnic languages that you're proposing to broadcast in?
6702 MS WICKS: Well, there's ‑‑ and I think
you posed this question of the earlier group as well. There's different ways of counting
"ethnicity".
6703 There's your
ethnic origin where you come from, which casts a wider net, if you will,
regardless of whether you speak the language of where your family came from.
6704 Then there's
mother tongue which tightens the sample a little bit, because it assumes at
some point in your life you spoke that language, whether you use it actively
now. Those people would certainly be
eligible for an ethnic service, ours or anybody else's because they would have
the knowledge of that langauge.
6705 And then there's
home language, which is the smallest way of defining the group, because those
are people actively using the service right now.
6706 It's our view that
we are serving potentially all of these people.
We have programming in language.
We have, as Kulwinder noted earlier, some English, cross‑cultural
programming.
6707 And the other
thing is, in some of these groups, South Asian is one example, there are people
from one background who speak and understand the languages of the other
backgrounds.
6708 So, potentially,
if you're looking at the whole target market, some of these people that we
surveyed or that you see in the census, self identify with more than one group
and, therefore, they're eligible to enjoy, listen to, participate in the
programming targeted at different groups.
6709 COMMISSIONER
MOLNAR: Thank you.
6710 MR. SAMUEL: Can I add that since the time we applied
until now, if you would see how the population has changed, so many migrant
workers are coming in because there's a big labour shortage here.
6711 We have heard from
Tina who said that more than 500 nurses came in ‑‑ 600 nurses
actually came in for Capital Health. Tim
Horton's recruited in a big way, Flint Energy.
They include ‑‑ Suknit was telling ‑‑
6712 MS LAMBA: About 400 people from Philippines, which are
still not here but they are in the process of coming here.
6713 MR. SAMUEL: So the population is ever growing.
6714 MS WICKS: I should actually just add one more point of
clarification. The original criteria we
used ‑‑ I mean, when you're choosing your groups and your
programming you go through many layers and many models, many conversations, but
the criteria we started with was the home language which is, as I mentioned a
minute or two ago, the smallest ‑‑ if anything it gives you
the smallest possible sample, so you don't over inflate your expectations when
you start looking at programming to the different groups.
6715 Then you add
on ‑‑ or you can go to mother tongue to add on additional
people if you choose. You look at new
immigration as the previous applicants mentioned.
6716 And then there are
many other sources, the city itself, the province and so on as well.
6717 But the original
counts and the original totals, which come to the 160‑ish thousands is
based on the home language within the contour only.
6718 COMMISSIONER
MOLNAR: Okay. Thank you.
6719 I'd like to move
on to ask a couple of questions related to synergies with your Vancouver
station.
6720 I note from your
application that you're proposing 116 hours of local programming in Edmonton
and 10 hours originating from your Vancouver stations.
6721 MR. SAMUEL: Yes, please.
Sorry.
6722 COMMISSIONER
MOLNAR: So, that is one of the
synergies, you'll be taking programming produced in Vancouver and moving it
here to ‑‑
6723 MR. SAMUEL: Yes.
And the reason for that, while we believe strongly in localism, why did
we propose 10 hours from outside of Edmonton per week. There's a big reason.
6724 We have two hosts
who are famous across Canada. When
people from Edmonton visit Vancouver and when they listen to them they want
something similar in Edmonton.
6725 When they
watch ‑‑ when people from ‑‑ relatives come
and talk about, you know how good Harjinder Thind is, he spoke about something
which I never knew. He educated.
6726 Harjinder Thind is
sitting with us and he could react to it.
6727 But what we bring
to Edmonton with just those 10 hours of programming is, it will be in two
programs, one is a talk show for one hour and one is a music show. Both Harjinder Thind and Baljinder Atwal are
on this produced television that has been going across Canada for the longest
time, it's about 15 years plus and people in Edmonton have been watching them.
6728 People call us for
our television shows and say, what you spoke is relevant, I'm happy that you
spoke about it, it happened in my family.
6729 There are many
examples I think which Mr. Thind can also add to it.
6730 So, that is the
reason why we are bringing in these two shows because we want to add to
Edmonton. As Mr. Thind rightly said,
they need to see what radio really is, they need to experience, they need to
get excited about radio.
6731 If you come back
to Vancouver and talk to anyone on the streets about ReD‑FM, people are
excited about it. They feel that they're
part of the radio station. We want to
bring the same thing here.
6732 And that is the
only reason why we want to do these two programs from Vancouver.
6733 I would ask Mr.
Thind to add.
6734 MR. THIND: There are a lot of commonalities, if you
really observe, of a community in Vancouver and Edmonton. Those commonalities, like, we're talking talk
shows, we have common problems, we are trying to educate them or create
awareness in certain things, integration in the society, new immigrants coming
in. I mean, we have a lot of things in
common which we are already doing successfully in Vancouver, we want to
implement here.
6735 And those are the
commonalities. That's why these 10 hours
are added.
6736 So, because
they're successful there, they like them.
6737 We have
experimented broadcasting my talk show from Vancouver to here in Edmonton and
people of Edmonton participated in it, they loved it, they liked it because we
were talking those things which are common here and in Vancouver.
6738 So, that's why
these 10 hours are added.
6739 MS LAMBA: And ‑‑
6740 MR. SAMUEL: And if I can add ‑‑ and if I
can add, and I'll let Suknit answer it.
Once this program was on, people got so excited about it, they were so
involved in the discussions and then they asked a big question, and I'll ask
Suknit to tell what was the question that they were calling in to Suknit and
asking.
6741 MS LAMBA: When Mr. Thind's program was taken off air, I
was on the air at that time when he was supposed to be and I got 100 calls not
saying, why you are here, but saying where is Mr. Thind?
6742 So, just wanted to
mention that people in Edmonton already know him and love him and they would
love to have him on air again here.
6743 MR. SAMUEL: And our answer would be, here he is on 95.7.
6744 COMMISSIONER
MOLNAR: Okay. Thank you.
6745 In addition to the
10 hours, I understand that ‑‑ I want to make sure I pronounce
this correctly ‑‑ Mr. Sanghera; is that right?
6746 MR. SANGHERA: That's right.
6747 COMMISSIONER MOLNAR: That's right.
You're the owner of the South Asian Broadcasting Corporation and it's
indicated in the brief that the South Asian Broadcasting Corporation will cover
the pre‑operating costs of the proposed station; correct?
6748 MR. SANGHERA: Yes.
6749 COMMISSIONER
MOLNAR: Are there any other anticipated
synergies with the South Asian Broadcasting Corporation, anything else we'll
see?
6750 MR. SANGHERA: Production.
As Michael said, what we want to do, we want the ethnic station to sound
like a mainstream station and what we will do is use Michael's expert ‑‑
and he's an expert in commercial imaging and we will use that.
6751 MR. SAMUEL: And if I can add. Radio is all about theatre of the mind and we
want to create the right theatre of the mind for people.
6752 I wouldn't say
whether they have expressed whether they've got it or not, but I would say we
would be able to bring that.
6753 And, so, from
Vancouver the synergy would be, we have a big team of people working with us
under Michael's supervision who would be able to produce the right kind of ad
for people here in Vancouver (sic) so that businesses flourish with response.
6754 So, that is one of
the synergies that we would bring on the production side of it.
6755 COMMISSIONER
MOLNAR: Thank you.
6756 And, you know, I
heard about the great quality programming you'll bring and the high quality
production in commercials and so on, and I'm an accountant and so I need to ask
you about the cost side as well.
6757 Is there anything
you would see as it relates to synergies on the cost side from having this
station as well as those in Vancouver?
6758 MR. SAMUEL: Definitely, yes. What we find is, for example, with two ‑‑
when we have a larger creative base in Vancouver we would not ‑‑
we would not need too many creative people in Edmonton, we would have one
copywriter and one production person helping us.
6759 So, we could ‑‑
on a cost side, it would help us to ‑‑ how should I say ‑‑
rightly spread our budget. So that would
be one that we would save on.
6760 Anything else that
you could add?
6761 MR. SANGHERA: Plus from the management, myself and Bijoy
will manage Edmonton station. There will
be no management fees initially.
6762 COMMISSIONER
MOLNAR: And those synergies are
reflected already in the financial projections that you provided?
6763 MR. SAMUEL: Yes, please.
6764 COMMISSIONER
MOLNAR: Thank you.
6765 I just want to
clarify your Canadian content development proposal.
6766 There were some
discrepancies within the different parts of your application regarding those.
6767 Now, what I would
like to do, if I could, is I noted in your opening statements you did detail
your over and above CCD contributions and they are $351,494 over the seven‑year
term as detailed here.
6768 MR. SAMUEL: Yes, please.
6769 COMMISSIONER
MOLNAR: And, so, this is your commitment
to over and above CCD?
6770 MR. SAMUEL: Yes.
6771 COMMISSIONER
MOLNAR: And will you accept that as a
transitionary condition of licence too?
6772 MR. SANGHERA: Yes.
6773 COMMISSIONER
MOLNAR: Thank you.
6774 I'd like to move
on to the issue of your advisory council.
You indicated that you'll establish an advisory council consisting of
seven members selected from different ethnic groups served by your station.
6775 Could you please
tell us who will be responsible for selecting the initial seven members.
6776 MR. SAMUEL: Kulwinder and I would be responsible for
meeting with various community leaders, actually going and finding out who the
right people are who could be selected.
6777 So, it wouldn't be
just coming across a name and then saying can you be on our advisory, it's
going to be talking to different people and finding out whether the person will
reflect the community or not.
6778 So, the
representation that we would have on the advisory would be broad based and
selection would be done after careful consideration within the management.
6779 COMMISSIONER
MOLNAR: I'm sorry, just to be clear, so
they would propose to you ‑‑
6780 MR. SAMUEL: No, that's what I ‑‑
6781 COMMISSIONER
MOLNAR: ‑‑ persons from the ‑‑ okay, go
ahead.
6782 MR. SAMUEL: Sorry.
What we've done, throughout the process of the application here, as well
as in Edmonton, we have gone out on the street, met people, discussed their
needs and, in doing so, we've come to know who the right community‑minded
people are.
6783 So, it's not just
a name that we are putting on the advisory, but a person who truly believes in
serving his or her community.
6784 So, we would
actually go out into the communities, find the right people and then select
them.
6785 COMMISSIONER
MOLNAR: So, you would select the
members?
6786 MR. SAMUEL: Yes, the management would.
6787 COMMISSIONER
MOLNAR: Will those members serve for a
specific amount of time?
6788 MR. SANGHERA: Yes.
They'll ‑‑ maybe
two‑year term. Every two
year we'll change the advisory.
6789 COMMISSIONER
MOLNAR: Thank you. I just want to talk about new media
distribution platforms.
6790 You note in your
application that you intend to do Internet streaming. Can you elaborate what or how you would
propose to use the Internet or other alternate forms of new media
distribution ‑‑ or new distribution platforms to complement
your service?
6791 MR. SAMUEL: Definitely.
One of them being ‑‑ new media, one of them being the
Internet.
6792 ReD‑FM, if
you look at what we're playing right now in Vancouver ‑‑ I got
an e‑mail Tuesday morning from our hostess saying, you'll be happy to
know Singapore ‑‑ people in Singapore have called in and said
that you have an amazing program going on.
That's the power of Internet, it's all around.
6793 So, in Edmonton as
well we would be airing ‑‑ streaming on the Internet, so that
people who have different lifestyles and are not able to reach our radio
station on 95.7 can still have access to good quality programming.
6794 So, yes, we would
be using Internet, as well as we'll be using Internet for another thing,
station contests. Station contests is
another big area where the Internet could be involved with.
6795 So, here we have a
contest which says ‑‑ we recently did this in Vancouver. We said, give your mommy some money, it was
Mother's Day. We wanted people to
participate and help win a prize.
6796 So, I will let
Michael talk about the contest, please.
6797 MR. PEDERSEN: Actually, the Internet is a big part of our
program in Vancouver. We do use it for
all of our contests, not just giving out rules, but also for participating in
contests, but we also appreciate that not everybody has access or knowledge
about the Internet, so we always try to incorporate systems that allow people
to participate over the phone, radio, or Internet.
6798 It is definitely a
major tool for us. As well as our
streaming audio, we have online polls that we do with questions for our talk
shows. We also periodically post shows
where, you know, a chef has come in and given recipes and people say, oh, I
want that show.
6799 So, we have a
system to post popular shows. Sometimes
Mr. Thind interviews people and people want to get clips of it.
6800 It's definitely an
integral part. I mean, the Internet is
here to stay, so we definitely embrace it in our system.
6801 COMMISSIONER
MOLNAR: Thank you.
6802 I'm going to move
on to technical for just one minute, and certainly not my area of expertise at
all, but our technical experts have advised me that your station could be
subject to significant interference related to the third adjacent frequency.
6803 Are you aware of
that issue?
6804 MR. SANGHERA: No, we're not aware of it.
6805 COMMISSIONER
MOLNAR: You're not aware of it?
6806 MR. SANGHERA: Last letter we got was ‑‑ it
said, from Industry Canada that your frequency is accepted interference
free. This e‑mail we received was
I believe a month ago.
6807 MR. SAMUEL: And should you want, we could by Wednesday
consult our technical person, Jim Moltner(ph) and get back to you on that, if
you wish.
6808 MR. LEWIS: Yes.
We had a discussion with our engineer yesterday on this frequency and
alternative frequencies. To our
knowledge, there are no serious
impediments, particularly in light of the quality of radios that are now
available, so we don't see a third adjacency being a significant limiting
factor to the business plan or the coverage of the station.
6809 We chose this
frequency, incidentally, in consultation with Mr. Moltner because we were quite
concerned about the fact that this frequency could yield a level of service
within the ethnic communities of Edmonton without ‑‑ let me
put it this way, disenfranchising perhaps English language stations that might
need greater coverage at 100 kilowatts.
6810 So, we
specifically looked for a frequency that would deliver interference free
coverage in the city and the CMA.
6811 But we will get
back to you by Wednesday on anything else you may want us to contribute on that
issue.
6812 COMMISSIONER
MOLNAR: Thank you. I think I will ‑‑ I would
ask that you do. It has been pointed out
to us that there may be some technical limitations, some potential interference
with the CKRA FM which operates at channel 242.
6813 So, if you would
like to get back and, at the same time, perhaps identify if there would be any
unanticipated costs related to that that may have not been contained in your
business plan.
6814 MR. SAMUEL: Certainly.
6815 COMMISSIONER
MOLNAR: Thank you.
‑‑‑ Pause
6816 COMMISSIONER
MOLNAR: Finally, and I know you have
spoke to me about your business plan as we talked about the different elements
and how your advertising estimates ‑‑ your revenue estimates
have been created and I know that you looked at those of the other applicants
and feel confident in your estimates.
6817 But I wondered if
you had actually done any sensitivity analysis and looked at, you know, what
would occur.
6818 I believe that you
have projected that you would be PBIT positive in year three, net income positive
in year 4, yeah.
6819 So, I wondered if
you had taken a look at that and considered what might happen if revenues don't
come in quite as quickly as you had anticipated?
6820 MR. SAMUEL: Yes.
In fact, we went and consulted the communities, found out from
advertisers as to what is it that would take.
6821 A lot of
advertisers presently are not advertising on the existing radio stations. Plus we asked them as to what is it that they
would ‑‑ what would be affordable?
6822 If you would look
at the previous applicant he had a rate of $40 or $45. We are proposing just $15 to $18 to start
with.
6823 So, our business
plan is based on affordability for the advertiser to encourage them to try the
powerful medium. So, it's a well
calculated conservative business plan.
6824 If you look at
what we did in Vancouver, the year seven projection that we had, we achieved
that in year second.
6825 We are not ‑‑
we just ‑‑ on that fact, we are not going ahead feeling very
happy about it and estimating a similar one, we are doing it on a very
conservative side, on the flip side and saying, yes, it's going to take us time
to develop the market and how best can we do it, make the rates affordable.
6826 So, we've kept our
business plan very conservative.
6827 If you look at the
new trend with a lot of companies advertising on an national perspective, we
have got ‑‑ we've got relationships with them which will be of
an advantage to us here in Vancouver ‑‑ here in Edmonton.
6828 As well as,
there's a lot of money available through co‑op advertising. We will be able to derive a lot of money from
the co‑op advertising.
6829 So, we feel that
our business plan is solid based on what is affordable within the market.
6830 MR. SANGHERA: We've been very successful in the auto
industry in Vancouver. We know there's
200,000 ethnic population and auto industry definitely want to attract the
ethnic population.
6831 What we do and
what we have done in Vancouver, we met them and we understand what they want to
achieve and we designed a campaign for them.
We know the ethnic population are going to need automobile and we know
auto dealers have co‑op.
6832 What we have done,
we have done experiments. One auto ‑‑
City Honda would say, I'm only selling 120 cars. If you design a campaign, of I reach 140, I
will give you $1,500 more per month.
6833 And we sat down
and we said, what is missing and how can we increase his sales. So, we have a team that designed a campaign
and we went back to him, it's been last six months, and he has been giving us
$1,500 extra a month because he's achieving his target.
6834 MR. SAMUEL: So, yes, he did test us. He said for the first six months I'm going to
test if this works, and if you can meet my target ‑‑ help me
meet my target, that is the point, help me meet my target of sales that I need
to, then the next six months of the year I will give you 1,500 more.
6835 What we're trying
to bring forth is, in sales it's not just about trying to sell a commercial,
it's trying ‑‑ it's all about trying to work as partners with
the client and trying to achieve success for them.
6836 The single most
thing that matters to any advertiser is response. And that is ‑‑ we specialize
in having a team that understands how can we best create good campaigns that
get good response.
6837 We bring that to
the table as part of our synergy too.
Thank you.
6838 COMMISSIONER
MOLNAR: Thank you. And certainly you are much more knowledgeable
in the manner of generating those relationships and building that advertising
base than I.
6839 But you are
entering a market with, I believe, 14 incumbents and, so, it could be a little
tight, so perhaps it might take a little bit longer to establish those
relationships, generate the revenues than you had here.
6840 My question is
in ‑‑ you know, let's take it as a scenario ‑‑
may not occur, hopefully it doesn't incur ‑‑ but if it does
take a little longer, if the losses stretch out a little longer, what would be
your anticipated outcome to that?
6841 MR. SANGHERA: Can I add something. I've been doing TV programs more than 15
years, I have tested an augmented market, I have people right now advertising
on my TV shows.
6842 We understand the
community, we know there's no good radio station. If you provide quality radio station, there's
enough business here, there's 200,000 population, easily two radio station can
survive.
6843 In Vancouver when
we started there was two other established radio station for five years and
when we started, within couple of months we became No. 1 radio station.
6844 And we know if you
provide content, local that is entrusted to the community, definitely the
business community wants to target that and we know there's a potential number
of backups.
6845 MR. SAMUEL: In Vancouver we did a live on‑location
for Auto West BMW. The guy had so much
sales that day, the Vice‑President of BMW came for two hours to the
Vancouver Airport, asked the person to come in and said, what is it that you
did different, that you achieved this record?
6846 The difference was
it's all about understanding your client and creating something which would
work for them and that is what we would facilitate here.
6847 And in planning
budgets, often what companies do, if you would say that, yes, there are so many
English language stations. Take a
company like Telus for example, when Telus plans its budget out, it says what
are the different niche that we need to cater to so that they achieve their
targets.
6848 So, while they
have a certain amount allocated for a certain budget and for a certain format,
they may think that, okay, there are people who can afford a smart phone are
listening into a certain radio station,
so here's our budget for the people of those kind.
6849 But I think
population has grown so much, now
companies, since we deal with them, we know that they have special budgets
allocated for them, their budgets are actually expanding.
6850 So, they go on
layers like, let's take which other communities that we need to start
accessing.
6851 So, I feel that
there is a strong, positive force in the market which would help us get
our ‑‑ achieve our business plan.
6852 MR. SANGHERA: Plus, you've got our financial statement from Vancouver of ReD‑FM,
and we are financially very strong, and if it takes even extra years, then we
are prepared for it.
6853 COMMISSIONER
MOLNAR: Thank you. Those are my questions. Thank you.
6854 MR. THIND: To answer your question, we have the strength
and resources in order to carry on broadcasting, even if we don't make profit
at the scheduled time, that we can continue without laying off any people.
6855 COMMISSIONER
MOLNAR: Thank you.
6856 THE
CHAIRPERSON: I have a few questions for
you.
6857 I notice that
you're projecting to take 90 per cent of your year two revenues from the
market ‑‑ from the existing radio station, which would be CHER
I gather, and I'm just wondering why so low?
Why do you think it would only be nine per cent concern about the impact
on the market?
6858 MR. SANGHERA: If you look at currently, like Mr. Guldasta
said, hardly anyone advertise on CKER because there's no quality radio, and if
they're not advertising we are not taking any revenue from them.
6859 Our revenue model
is going to be that we're going to attract new advertisers. We know there's a lot of co‑op money
available here and we know our television station client base.
6860 So, a lot of our
revenue is going to be new revenue.
6861 THE
CHAIRPERSON: Just ‑‑
would you mind explaining to me, co‑op money, what you mean by that
again? Is that the premium you were
talking about that you get if you go over a certain target or...?
6862 MR. SANGHERA: Every auto industry and mobile cell phone, if
they advertise they get 50 per cent money from the company.
6863 THE
CHAIRPERSON: Okay.
6864 MR. SANGHERA: So, we encourage them.
6865 THE CHAIRPERSON: Oh, yes, of course, that sounds smart.
6866 MS WICKS: Also, if I could just add a little piece to
your previous part of your question.
6867 When we went out
and surveyed the advertisers initially, quite frankly, our results were a
little discouraging and we think ‑‑ the research showed that
in large part it wasn't that they didn't want to advertise on radio, it was
that the current offerings weren't exactly what they were looking for.
6868 So, we followed up
the original research we did with a more focused style, literally door‑to‑door,
person‑to‑person, business‑to‑business research that
these gentlemen had conducted here in the market to see if we had missed
something, because it was ‑‑ the results were really, as I
say, a little discouraging and so we needed to validate them with another
method of research to see if the market really was there.
6869 So, that (a)
answers the question why we're very confident that the market is there because
we surveyed it different ways; but (b) it also underscores the fact that we
really don't think we're going to be taking from the existing station because
there's not ‑‑ not as much to take as one might think.
6870 MR. SAMUEL: One of the stories that I have to share, and
as part of the process as we were speaking to one of the advertisers who used
to add advertise on CKER, she said ‑‑ I asked her, why is it
that you don't, I mean it makes sense, that there's a population you should.
6871 She said, I would
love to, it's just that my ad never gets
changed. She says, my ad stays the
same. I call them up and ask them to
change the ad, the ad doesn't change.
6872 So, that's
precisely the point. I said, really,
doesn't it change. But I said, your
business model ‑‑ she has a cloth store. I said your business model requires that you
have some kind of sale, maybe once a week or maybe once in a month just to
energize and bring you extra traffic.
Don't you do that? She says, no. My ad ‑‑ I call them but
they won't change.
6873 So, there have
been a precedent of things that a lot of dissatisfaction amongst the people.
6874 That is why ‑‑
if you would take us to what we do. Very
frequently we have to keep changing ads for the furniture industry, the car
industry because they have the same product available at almost the same
pricing.
6875 So, we have to
create new ‑‑ we help them create sales. We call it probably Mother's Day sale, we
come up with something, we come up with four‑hour Magna sale. We say, come in in the four hours and you're
going to get prices below 50 per cent.
6876 And we work with
the client and say, you would really have to give that kind of a discount. So that we're not just doing something for
the sake of doing, and it makes sense for them to do it in a short time, clear
the inventory and get much more.
6877 I think
advertisers here would also benefit once we come on air.
6878 THE
CHAIRPERSON: Mr. Thind.
6879 MR. THIND: Actually, the business people in Edmonton
haven't experienced the thrill of the radio.
They haven't seen the power of the radio yet.
6880 If you put an ad
on the radio and it's played and 15 minutes after they have 10 calls or there are 15 people in the store. They haven't experienced it because we've
been flooding this market with the Vancouver ads, with various programming
coming from there.
6881 Once they taste
that, once the business people in Edmonton feel the magic and the power of the
radio more and more investment will come.
6882 MR. LEWIS: Excuse me.
There's another element that's very unusual here that we looked at and
this is why the number for new to radio in this market, or not currently using
radio.
6883 With the migration
patterns that are happening, a lot of people from British Columbia also
relocating to Alberta, a lot of companies that are what I would call regional
but not national who serve the ethnic markets such as travel agents, financial
services companies, immigration consultants are now opening ‑‑
I wouldn't call them branch offices, but offices in Calgary and Edmonton, and
they already have existing very large monthly advertising commitments with ReD‑FM
in Vancouver, and they've expressed commitments that they would buy air time
here and they're not currently using media in Edmonton.
6884 So that, again, is
factored in as to why the number is so large in the application.
6885 THE
CHAIRPERSON: That's another aspect of
your synergies, I gather.
6886 MR. LEWIS: Yes.
6887 THE
CHAIRPERSON: I want to go back. You mentioned about your advertising rates
being $15, but obviously you're not selling to the BMW dealership for $15, I
wouldn't expect; are you? Or Telus
either?
6888 MR. SAMUEL: No.
From them we would get a higher rate.
So, how it works is, for the local retailer it would be between 15 and
18, so we would make it affordable to them.
6889 For the national
clients, they would be paying much more.
6890 If you take a look
at what we do with Vancouver, presently we charge $55 from the mainstream
advertisers because they can afford it, and this is a fact that is not hidden
from the advertising agencies.
6891 We just make it
more affordable for the retailers by subsidizing it for them.
6892 THE
CHAIRPERSON: How many ‑‑
I'm sorry, did you want to add something to that?
6893 MR. SANGHERA: No, I'm okay.
6894 THE
CHAIRPERSON: Okay. How many employees overall?
6895 MR. SAMUEL: In Edmonton?
6896 THE
CHAIRPERSON: Yes.
6897 MR. SAMUEL: 25, full time and part time included.
6898 THE
CHAIRPERSON: Okay. That's a lot.
I'm just wondering, in listening to the type of advertiser that you're
going to be after if there wouldn't be room for more than one commercial ethnic
station in Edmonton; new, that is?
6899 MR. SAMUEL: Sorry, I didn't understand it properly. Could you please...
6900 THE
CHAIRPERSON: I'm just wondering because
of your approach to advertisers and, you know, the synergies you have in
Vancouver and the relationships you have established there and your approach to
business, 25 people, the way you're going to go after getting these ad dollars,
if you think the market couldn't also support another commercial FM ethnic
station.
6901 MR. SANGHERA: We know the market at this moment is ready
for one ‑‑ another commercial FM station.
6902 THE
CHAIRPERSON: Okay.
6903 MR. SAMUEL: And if you would compare us with Guldasta,
they are having one advertising base, say the Punjabi community, but ‑‑
and CIAM of course is going for community dollars that would come through
donations.
6904 But here we are,
we are going to take the Chinese community and the South Asian. So, it's just that it's a wider base.
6905 So, we think it's
very positive and strong.
6906 THE
CHAIRPERSON: And I appreciate that and
that's actually what prompted me to ask the question about whether there would
be room for another.
6907 I do have ‑‑
I just want to make sure that I don't...
6908 The famous
announcer that you mentioned that's on your station in Vancouver and you
mentioned that he had been in the Edmonton market; is that what you said,
or...?
6909 MR. THIND: I'm the one that broadcast that, it is called
Harginder Thind Show. We have sent the
signal here through another radio station and they've been broadcasting here
for a few months and we got a tremendous amount of response and people have
participated from calling from here and ‑‑ because there are,
like I said, similarities in our communities and the issues are very common and
on those issues, the people really liked it here.
6910 THE
CHAIRPERSON: So, is some of your
broadcasting then ‑‑ some of your programming from Vancouver
obviously then is sold into the market here?
6911 MR. SAMUEL: It's not sold ‑‑
6912 MR. THIND: It wasn't sold, it was given out and ‑‑
6913 MR. SAMUEL: As a goodwill gesture.
6914 MR. THIND: It was a radio station here who asked
us. We cooperated with that, other radio
stations and other media outlets.
6915 So, we let them
play but the advertisement was still playing from Surrey, Vancouver area, the
lower mainland, advertisement was playing and the programming content was very
common and we increased the content about the current affairs, Albertan issues,
Alberta, Edmonton, Calgary issues, so that way people were quite, you know,
liking it.
6916 MR. SAMUEL: And this brings us back to the big question,
that Edmonton is missing the kind of radio that we do in Vancouver and that was
precisely the reason they came up to us and said, can you please help us.
6917 And, so, if that
answers your question, please.
6918 THE
CHAIRPERSON: It does. I wanted to go back to the change that you
made at the outset with respect to the COL and the third language programming.
6919 And you're
reducing it to 90 per cent, and I understand that, and I understand your
reason, but I'm just wondering, because the licence is for seven years, are you
not then concerned that 90 per cent might be too high as a COL?
6920 MR. SAMUEL: No, we are very comfortable with that.
6921 MR. SANGHERA: Yes.
6922 THE
CHAIRPERSON: Okay. Thank you very much.
6923 Counsel.
6924 MS LEMOUX: Thank you.
I have two questions of clarification with respect to CCD again.
6925 So, the first one
is only with respect to your basic annual CCD contributions.
6926 I just want to
confirm with you that you agree only with the basic annual ones throughout the
entire condition of licence and it's a transitionary one until the regulations
are amended or come into force in September, only to the basic?
6927 MR. SANGHERA: Yes.
6928 MS LEMOUX: First question.
6929 Okay. The second question, with respect to the over
and above, you've provided us in your oral presentation with a number which is
$351,400 ‑‑ sorry, I should say it in French ‑‑
what we need ‑‑ because this will be imposed as a condition of
licence, so what we need is the amount for each year for the seven years.
6930 So, could you
provide us that either now or either by Wednesday?
6931 MR. SANGHERA: I think it's in my application already.
6932 MS LEMOUX: Okay.
6933 MR. SANGHERA: We will check it one more time. The correction is there because the first
time I did the calculation with over and above I included the basic CCD.
6934 MS LEMOUX: Yes, thanks.
So, could you provide us with an amended table ‑‑
6935 MR. LEWIS: By Wednesday.
6936 MR. SANGHERA: Yes.
6937 MS LEMOUX: So that it is clear for us when we write the
conditions of licence.
6938 MR. SANGHERA: Okay.
6939 MS LEMOUX: Thank you very much.
6940 Thank you.
6941 THE
CHAIRPERSON: Thank you, Mr. Samuel and
Mr. Sanghera. We're going to adjourn now
for lunch ‑‑
6942 MR. SAMUEL: Thank you.
6943 THE
CHAIRPERSON: This is your two minutes,
sorry. It's a good thing I have an
assistant here.
6944 MR. SAMUEL: These are two good minutes for us.
6945 Kulwinder, would
you go ahead.
6946 MR. SANGHERA: Our application fulfils the needs of ethnic
communities who have grown in size. It
provides programming to communities who have no programming in their languages.
6947 We have the
highest CCD of ethnic applicants and have committed to play a significant level
of emerging artist.
6948 It meets the broad
service requirements in the Ethnic Policy with the maximum number of language
and groups served, more than double the other applicants.
6949 Our strength is in
local news and current event coverages.
We propose significant level of high quality spoken word programming and
open line programming with a local relevance.
6950 We have a solid
track record of excelling in local talent initiatives. We are experienced broadcaster, but we are
immigrants ourselves. We understand the
needs of the ethnic community.
6951 We have a
sustainable business plan which would grow the market. We are committed to strengthening the
community and social services around us.
Our philosophy for the community by the community which results in
everyday benefits.
6952 We would be the
first visible minority licensee in Edmonton bringing a balance to the highly
concentrated ownership and we would bring a new editorial and new voice to the
market.
6953 We have
passionately filled our commitments with our Vancouver licence and shall do so
in Edmonton as well.
6954 So, please grant
us this licence.
6955 THE
CHAIRPERSON: Thank you once again.
6956 So, we'll take an
hour for lunch and we'll be back at a quarter to two, let's say.
6957 Thank you.
6958 MR. SAMUEL: Thank you.
‑‑‑ Upon recessing
at 1239 / Suspension à 1239
‑‑‑ Upon resuming
at 1347 / Reprise à 1347
6959 THE SECRETARY: We will now proceed with Item 15 which is an
application by CIAM Media Broadcasting Association for a licence to operate a
non‑commercial FM Type B community radio station to broadcast ethnic
programming in Edmonton.
6960 The new station
would operate on frequency 107.3, Channel 297A‑1 with an effective
radiated power of 250 watts, non‑directional antennae, antennae height of
65 metres.
6961 Appearing for the
applicant is Andrew Mak.
6962 Please introduce
your colleagues and you will have 20 minutes for your presentation.
6963 Mr. Mak.
PRESENTATION / PRÉSENTATION
6964 MR MAK: Good afternoon, Madam Chair, Madam
Commissioners.
6965 My name is Andrew
Mak. I'm the Vice‑President of
CIAM Media.
6966 Today with me
during the presentation we have Mr. Michael Sandstrom, President of CIAM and
Mrs. Yvonne Chiu, Executive Director, Multicultural Health Brokers Co‑Op.
6967 Present at today's
hearing we also have three directors of CIAM Media. Mr. Henry Fehr, Mr. Phil Peters, Mr. Raymond
Sparklingeyes, as well as a Director of Chinese Outreach Edmonton, Mrs. Phoebe
Chiu.
6968 As our application
is for a non‑commercial ethnic programming radio station, we are glad to
have a number of ethnic community leaders here to show their support.
6969 I'll ask them to
introduce themselves starting from my far right.
6970 MR.
SPARKLINGEYES: Raymond
Sparklingeyes. A native Elder on our
reservation and a former Band councillor of the Band on our reserve. And also a board director now for six years
of this organization.
6971 MS HITAYEZU: My name is Chantal Hitayezu, bon jour,
representing the African‑French.
6972 MR. FEHR: Henry Fehr.
I'm a director and I represent the Mennonite, the low German speaking
community.
6973 MR. LURI: Joseph Luri, representing the Sudanese community.
6974 MR.
MENGISTRU: My name is Mr. Mengistru, representing Algerian community in
Edmonton.
6975 MR. BARZANJI: Jalal Barzanji, it's not my last name, it's
my wife's last name. Maybe like her you
didn't recognize my last name, it's Barzanji.
6976 So, I'm the
President of Canadian (inaudible) Association.
I'm here to support this idea.
6977 Thank you.
6978 MR. JIMALE: My name is Mohamed Jimale, and I am the
President of the Alberta Somali Association for Advocacy and Support.
6979 MR. MAK: As you can see, we have so many support from
the ethnic community towards our application, not only physical presence but
also the ‑‑ you can see the diversity and colours that they
represent and we are very happy to be here to present our application to CRTC.
6980 We have been
working very hard for the last three hours, with long hours of preparations,
extensive community consultation and sharing our vision with the diverse ethnic
community in Edmonton.
6981 It is clear that
there's a strong need for ethnic programming in a non‑commercial
community radio format in Edmonton.
6982 CIAM Media is
greatly honoured and privileged to serve the ethnic communities of Edmonton
through FM radio broadcasting.
6983 In today's
presentation we will cover the following topics. An introduction of who CIAM Media is, and
we'll also talk about the urgent needs of Edmonton's ethnic communities; and,
therefore, by CIAM's vision for non‑commercial ethnic programming and
broadcasting; and then, finally, we'll conclude with our concluding remarks.
6984 Thank you.
6985 MR.
SANDSTROM: I will definitely represent
the minorities of all minorities, you hear that when you hear my accent. I'm Swedish and live here in Canada for many
years and I count it a privilege to be a part of this minority group and speak
on their behalf as well as a team member.
6986 CIAM is an all‑Alberta
Edmonton based non‑profit media group and have been in full operation
since 2003. Presently we are
broadcasting non‑commercial community radio in nine locations in Alberta
and B.C. with a strong ethnic content.
6987 We consist of
multi‑ethnic volunteer leadership group of dedicated broadcast
professionals with many years of ethnic experience who also have long broadcast
know‑how in an all‑Canadian context.
6988 CIAM focuses on
non‑commercial ethnic community broadcasting. We believe in community involvement and
partnership from the greater ethnic community.
We care for the small and needy ethnic communities and to provide a long
needed voice for these valuable yet often neglected minorities.
6989 Community presence
is important to CIAM. All of our
membership, leadership and operational staff are, therefore, recruited locally
and members of the community at large in which we serve.
6990 Presently 90 per
cent of the CIAM staff is volunteers representing close to 150 people in
various communities.
6991 CIAM believes it
is utmost important to establish an advisory council consisting of members of
the ethnic community we serve. It is at
the core of our vision to encourage participation and to communicate, interact
and involve by participation the ethnic community we serve as to ongoing
provide the best and most relevant programming for respective community.
6992 One of CIAM's
strengths is our vision for community team work. We believe in community involvement and
partnership from the greater ethnic community in Edmonton. Together we serve as a team, a beautiful
multi‑ethnic body, diverse with different functions and gifting, yet
moving in unity for one purpose and one goal, to bring good news to Edmonton's
ethnic people.
6993 MS CHIU: (Speaking Mandarin) I just spoke in Mandarin everyone and wish
you all well this afternoon.
6994 I am Yvonne. I would like to talk a little bit about the
urgent need of the Edmonton ethnic communities.
6995 Edmonton is home
for some of the largest and fastest growing multicultural and multi‑ethnic
communities in Canada. The visible
ethnic minority population in Edmonton consists of a diverse and multicultural
ethnic community which makes the city known for its mosaic beauty the cultural
capital of Canada.
6996 Edmonton consists
of emerging and fast growing smaller minority refugee communities which have
diverse and complex needs. The growth in
the ethnic population is expected to rapidly continue. However, with growth in the ethnic
populations comes increased need for infrastructure and expansion in community
dialogue and broadcasting.
6997 In Edmonton, CKER,
owned by Rogers, provides the only ethnic commercial radio FM service. CKER does predominantly broadcast programming
in East Indian languages, 97 hours per week.
6998 There is also SCMO
service which provides ethnic radio services, largely in East Indian languages
as well.
6999 From an overall
Canadian ethnic broadcasting perspective, Vancouver has eight radio stations
broadcasting in an ethnic context, Toronto has seven stations, Montreal has
four, Calgary has three, while Edmonton only has one ethnic station, excluding
Campus Radio and SCMO services.
7000 It is clear that
comparative to other Canadian cities' ethnic broadcasting, which has a rich and
diverse ethnic programming, the size and growth of Edmonton's ethnic community,
Edmonton is the least served major city in Canada in regards to ethnic
programming and its growing ethnic population.
7001 For example, the
Chinese community is the largest and fastest growing ethnic community in
Edmonton and it is expected to continue to grow rapidly.
7002 The Chinese‑speaking
community in Edmonton has its origin and common bond in 56 official ethnic
groups from China, as well as from Taiwan, Singapore, Cambodia, Malaysia,
Indonesia, Thailand, Vietnam and other countries with ethnic Chinese origin.
7003 Actually China's
official language is Mandarin and spoken and understood by more than 1.4‑billion
people world wide, including most Canadian‑speaking people. A majority of Edmonton's Chinese community
speaks and understand Mandarin.
7004 Now, Chinese
broadcasting, only one existing ethnic commercial radio station in Edmonton,
however, the majority of programming is in Cantonese, 88 per cent or 21 hours
per week. Only three hours, 12 per cent
is designated to Mandarin programming.
7005 From a linguistic
point of view, it is clear that the Chinese ethnic minority population is
comparatively under served overall and especially in regards to Mandarin
programming.
7006 We believe there
is an urgent need for Chinese programming, especially in the non‑commercial
ethnic community broadcasting context.
7007 Many other ethnic
communities, especially minority ethnic groups in the Edmonton area have few
programming choices and have no or limited access to commercial radio
addressing issues specific to their needs.
7008 For example,
minority ethnic language such as Japanese, Korean, Kurdish, Sudanese, Erithean,
Somali and low German are currently the least served in ethnic radio of all
minority groups in Edmonton, proportionally to their needs, present size and
expected growth.
7009 In addition, there
is limited access to ethnic programs in English, especially targeting ethnic
youth and French programming for Francophone African immigrants.
7010 We also recognize
that the Aboriginal population is Edmonton has very limited access to receiving programming in spoken word in their
Aboriginal languages. The inner city
Aboriginal community has urgent social needs which need to be addressed through
varied means, especially radio.
7011 Over the years
these minority ethnic communities have been struggling to gain access to radio
broadcasting as ways to break down social isolation and information barriers,
support individuals and families in overcoming lack of connection between them
and mainstream society and build strong and vibrant communities within the
cultural mosaic in Edmonton.
7012 It has been
difficult for leaders and resource people within these communities to be
successful in these efforts without their right context, expertise, support and
opportunities. We are privileged to have
several of these community advisors and resource people here today. Shortly we will have a chance to hear from
their heart sharing a short video presentation.
7013 There is also
limited access to youth radio in Edmonton, especially in the context of ethnic
youth and language training. It is
important to foster integration, yet a unique voice and participation of these
minority ethnic groups as part of a larger Edmonton community.
7014 Our ethnic youth
need to be trained and encouraged in capacity‑building efforts in radio
broadcasting which would provide a rare opportunity for many of them to be
exposed to work within media and potential consideration as career options.
7015 Many minority
ethnic communities lack both access to training, technical and financial
resources. In addition, there is limited
access to broadcasts and program facilities in Edmonton. The emerging ethnic communities need to be
trained to produce and broadcast programming that target the unique
informational and community development needs of their respective communities.
7016 As such, they
desire to have access broadcasting, training, facilities to fulfil their
important vision, a vision that is truly at the core of Edmonton's minority
ethnic communities and CIAM.
7017 Thank you.
7018 MR. MAK: We will now show a video presentation.
7019 MR.
SPARKLINGEYES: Not supposed to happen,
eh?
‑‑‑ Video
presentation / Présentation vidéo
7020 MR. SANDSTROM: CIAM's vision is to serve Edmonton with a
much needed non‑commercial ethnic community broadcast in Edmonton. We will provide ethnic community broadcasting
in a format representing non‑commercialist community involvement through
volunteers, free access to training and availability and opportunities for
broadcasting no matter, technical or financial resources or size of the ethnic
minority group.
7021 Our heart is to
serve and care for the interest and needs of the under served multi‑ethnic
beautiful communities in Edmonton, from the largest and fastest growing Chinese
community to the smallest minority communities, which often lacks both remedial
training and financial resources, as well as in community access to the air
waves over existing commercial ethnic stations.
7022 As we have heard,
the Chinese Mandarin‑speaking community, the largest ethnic group in
Edmonton, has only a mere three hours of broadcasting per week on existing
commercial ethnic radio in Edmonton.
Many other minority ethnic groups have no or very limited broadcasting
opportunities as well.
7023 CIAM recognizes
the urgent need of these under served ethnic communities. We will provide 76 hours of Chinese Mandarin
programming weekly, as well as 38 hours of programming in Japanese, Korean,
Sudanese, Kurdish, Erithean, Somali, low German as well as ethnic programming
in English and French and languages to Aboriginal Canadians, which will add to
the availability of local ethnic programming and expand and enhance the range
and diversity of ethnic programs available to the residents of Edmonton.
7024 Our desire is to
complement and expand, not to replace and compete with existing commercial
ethnic broadcasting in Edmonton.
7025 In short, CIAM
will have 90 per cent local and regional programs with a strong emphasis on
ethnic news events, sports, community messages, call‑in request hours,
counselling, panel discussions and current affairs. We will also cover programming relevant to
the needs of the ethnic community such as immigration, community development,
health promotion, education, finances, housing and cross‑cultural issues,
ESL and other areas.
7026 CIAM will provide
technical expertise, training, broadcasting and programming facilities right in
Edmonton. Ninety per cent of the staff
of CIAM will be volunteers and recruited from the local ethnic community led by
a team consisting of a full‑time station manager, broadcast and program
director.
7027 CIAM believes in
the next generation. It's important to
provide ethnic programming relevant to the challenges and great needs of
Edmonton's ethnic youth. We will have a
special focus on English and French‑speaking ethnic youth and language
training to foster integration, yet a unique voice and participation of these
minority ethnic groups as part of the larger ethnic Edmonton community.
7028 In all, CIAM would
like to encourage this generation in this new ethnic media, as we believe they
will play a vital part in the future of Edmonton.
7029 We have many
gifted ethnic artists, young and old, in Edmonton, Alberta and Canada. Our heart burden is to encourage and provide
opportunities and a strong exposure for existing new and developing artists,
especially from local ethnic communities in the area.
7030 CIAM Media plan to
devote a minimum of seven per cent of all musical selections broadcasting
during ethnic programming periods to Canadian selections and a minimum of 12
per cent of Category 3 music to Canadian musical selections during periods
other than ethnic broadcasting.
7031 CIAM will be
active in the Edmonton ethnic community.
We will, for instance, broadcast live from ethnic jamborees and talent
nights, organized live concerts and talent weekends, participate in cultural
events, provide recordings from Edmonton's various local ethnic groups. A local talent contest will be held on a
regular basis.
7032 In this context
and content, we believe CIAM will provide a facility for local programming and
also broadcasting which differs in language, style, content, purpose from
existing broadcasting from commercial station in Edmonton.
7033 Canadian Content
Development, CCD, is of utmost important for CIAM Media. Although not required as a non‑commercial
broadcaster, CIAM Media is committed to
contribute to local music and arts talent development a minimum of $8,000
yearly. That will go towards University
of Alberta, Canadian Centre for Ethnomusicology ‑‑ hard for me
to pronounce ‑‑ CIAM Media music, art and talent scholarship,
Edmonton Folk Music Festival, Heritage Music Festival, Mission Fest Edmonton,
Folksway Live and Street Performers Festival in Edmonton.
7034 CIAM will provide
ongoing opportunities for the local community to participate in programming.
7035 We look forward to
work closely with the schools and colleges in the area in aspects of training
and recruiting volunteers and staff.
7036 Qualified and
mature ethnic students will also have a chance to volunteer in programming and
technical support. Each year seven open
houses will be held and the station will be open to visits from interested
ethnic community groups and interested individuals to learn more about radio
and broadcasting.
7037 Several radio
training workshops will also be held on a regular basis.
7038 CIAM Media will
actively seek to recruit ethnic volunteers in keeping a close relationship with
ethnic groups in Edmonton through the CIAM Media advisory council. The advisory council will always play a
significant role in the station's operations.
7039 MR. MAK: The CIAM team recognizes the urgency of the
community's needs and is well prepared to start, develop and operate a non‑commercial
ethnic community broadcasting station in Edmonton.
7040 Currently CIAM has
already assembled a large inventory of programming in ethnic languages
consisting of music, talks, panel discussion, history and cultural programming,
et cetera.
7041 We have also lined
up volunteers, workers and have located a broadcasting studio with facilities
in production by teaming up with Edmonton Chinese Outreach which has been
broadcasting in Edmonton for more than 20 years.
7042 To support the CCD
objective, we are prepared to provide free access to training and program
development opportunities to ethnic groups and youths.
7043 In preparing for
our application, we worked closely with many ethnic communities and have
identified a need for a broader range and diversity of ethnic broadcasting in
Edmonton.
7044 CIAM is ready to
go and we'll upgrade the broadcasting facility to Class B in two years.
7045 With strong
community support, the majority of the start‑up costs have already been
pledged. Thanks to generous donations,
commitment from a broad community of volunteers, cooperation and synergies by
ethnic groups in pooling resources in broadcasting facilities, strong technical
and programming support from Care Radio Broadcasting, our station identity is
CJAO 107.3 FM, is in a good position to start operation in Edmonton.
7046 In conclusion,
CIAM Media would like to thank CRTC for all their very professional and
responsive services during our application process. It has been a great pleasure to work with
your staff.
7047 Thank you.
7048 THE
CHAIRPERSON: Thank you for your
presentation.
7049 Commissioner
Cugini will lead the questions.
7050 COMMISSIONER
CUGINI: Thank you very much, and thank
you for your last statement. We always
certainly do appreciate it when people recognize the hard work that our staff
does.
7051 Also, I'd like to
say that I wish I could say welcome in every one of the languages that you
represent, so I'm going to compensate by simply saying, "benvenuti",
which is my second language and that's Italian, by the way.
‑‑‑ Laughter /
Rires
7052 COMMISSIONER
CUGINI: My colleagues started a pattern
with asking questions with the other two applicants, and I'm going to continue
along this pattern, so perhaps you will expect this next set of questions,
anyway.
7053 You stated in your
application that that at least 98.4 per cent of the total programming provided
during the broadcast week will be ethnic, and will you accept this as a
condition of licence?
7054 MR.
SANDSTROM: Yes, we will.
7055 COMMISSIONER
CUGINI: The second commitment you make
is that 74.8 per cent of the programming will be third language. And will you accept this as a condition of
licence?
7056 MR.
SANDSTROM: Yes.
7057 COMMISSIONER
CUGINI: Now, in terms of the third
language programming, you state that 60 per cent of it will be directed toward
the Chinese community and of that the majority will be in Mandarin; correct?
7058 MR.
SANDSTROM: That's all correct, yeah.
7059 COMMISSIONER
CUGINI: And, of course, we know that
CKER is in the market and you also confirmed in your oral presentation today
that it's providing Chinese programming from 1:00 to 5:00 p.m. Monday to
Saturday.
7060 I'm curious to
know, how will the programming that you offer be different that is targeting
the Chinese community than what is currently being offered on CKER?
7061 MR.
SANDSTROM: Well, it's a bit exciting to
tackle that question because we, in a sense, answered that earlier.
7062 We are ‑‑
7063 COMMISSIONER
CUGINI: Now, I'm going to give you a
second chance.
7064 MR.
SANDSTROM: The present broadcast
situation is that CKER is broadcasting a very limited amount of Mandarin
programming.
7065 Now, the ethnic
Chinese community in Edmonton consists of 70 per cent Mandarin ethnic
background that understands only Mandarin.
Twenty‑one hour of CKER's broadcasting is in Cantonese which is
not understood by the majority of the Chinese ethnic community in Edmonton.
7066 So, we have a
problem here and that's why we have heard the cry from the Mandarin‑speaking
community that is also the fastest growing segment of the Chinese community
into Canada and is continually expected to do that in the future for
broadcasting, urgent need. So, it
is ‑‑
7067 COMMISSIONER
CUGINI: Now, I believe I also read in
your application, however, that your plan was to not schedule programming
targeting the Chinese community at the same time as CKER?
7068 MR.
SANDSTROM: That's right, yeah.
7069 COMMISSIONER
CUGINI: Okay. So, I'm Mandarin‑speaking and I live in
Edmonton. If I combine what CKER offers
and what you're going to offer, how many hours of Mandarin language programming
will that give me in Edmonton?
7070 MR.
SANDSTROM: You will have total of 76
hours from us and three hours from CKER.
7071 COMMISSIONER
CUGINI: And Cantonese?
7072 MR.
SANDSTROM: Cantonese will be 21 hours
only from CKER.
7073 COMMISSIONER
CUGINI: Okay. Now, one of the things, and you did talk
about it today and I got a little bit more information from your video, but the
ethnic programming in English and French and it's 19 per cent and 4.8 per cent
of your programming respectively.
7074 I just want you to
expand a little bit on your plans for this kind of programming, and is it for
ethnic groups who have a large retention of the English language, or whose
first language is English?
7075 I mean, are you
going to program to the Irish community, for example, or is this a combination
of that plus programming for the second generation?
7076 MR.
SANDSTROM: First of all, the English
language is understood by the majority of Edmonton's population.
7077 COMMISSIONER
CUGINI: Of course.
7078 MR.
SANDSTROM: We recognize that there are
very limited ethnic youth broadcasting by ethnic youth, and majority of those
ethnic youth have retained their culture identity but have lost their language.
7079 We'd like to give
them an opportunity to broadcast as well in their ethnic cultural context,
which we hold very highly in the context, majority of our minority community
and the Chinese community.
7080 So, that is the
main purpose of that.
7081 The Francophone
African community is also very important community. We have heard the French sharing from
Chantal, and she represent other groups as well that are only speaking French
as their first language. They are also
very important to have broadcasting opportunities in an ethnic context in
Edmonton because they exist and they're a fast growing community.
7082 The Rwandan
community today is 2,000 individuals and they have very limited access, in
fact, no access to broadcasting right now.
7083 COMMISSIONER
CUGINI: And, so, will the 19 per cent of
English programming, will that be proportional in terms of, you know, it's 60
per cent for the Chinese community, so 60 per cent of that 19 per cent will be
in English ‑‑
7084 MR.
SANDSTROM: Yeah.
7085 COMMISSIONER
CUGINI: ‑‑ for the Chinese youth more or less?
7086 MR.
SANDSTROM: Yeah. You could say so, yeah.
7087 COMMISSIONER
CUGINI: Okay. I didn't notice any Swedish programming on
the list.
7088 MR.
SANDSTROM: I tried to squeeze that in,
but they voted me out.
7089 COMMISSIONER
CUGINI: Yeah. I tried to squeeze in Italian but, you know.
7090 Okay. You've been here all morning, I think.
7091 MR.
SANDSTROM: Yeah.
7092 COMMISSIONER
CUGINI: You've heard the other two
applications. I know you're a community
non‑commercial, but other than that distinction, what do you see as being
the major difference between what you are proposing and what the other two
applicants are proposing?
7093 MR.
SANDSTROM: We heard about volunteers and
community. One of them made a
distinction. I think we have heard this
morning that most of our broadcasting today in the larger cities is commercial
broadcasting, and it has its place, we see CKER being successful, I believe
they are.
7094 We are, therefore,
complementing them, not ‑‑ and enhancing their broadcasting,
not replacing it. We do not want to
compete with them commercially.
7095 The commercial
agenda force many into staff and what they call professionalists, but the heart
of broadcasting, all of us know, is the heart of your community. It's to reach out ethnically to those that
have a need, and that is well represented, as we believe, through volunteers.
7096 Volunteers are
nothing negative, in fact the whole Canadian society was built on volunteer
participation. We came alongside as
communities, worked alongside one another, not because we financially gain or
benefit. That is what we stand for in
all our broadcasting locations even today.
7097 So, that is the
main difference I will say. We emphasize
involvement through community, otherwise have no chance to hear.
7098 Let's say give the
commercial scenario. If you look at our
ethnic group today here, they do not have chance to broadcasting on existing
broadcasting. Why? Because it's commercial broadcasting. They cannot afford it. There is no air time left.
7099 Commercials take
the most of advertising; community information is a little, little part of the
ethnic broadcasting today, and that is what we heard earlier from the other
broadcaster as well.
7100 They are driven by
projects, by funds, by money and it's a commercial agenda that eventually
benefit the owner of the business.
7101 We are not driven
by that. We are driven by the need of
the ethnic community. They are coming to
us. We work with them, we build relationships.
7102 We believe that
Edmonton ethnic community will be transformed through that as a testimonial of
the larger community in Edmonton as well.
7103 COMMISSIONER
CUGINI: And I agree with you that
volunteerism is, in fact, quite commendable wherever people decide to
volunteer.
7104 So, I am curious
to know, what is the criteria that you will be using, however, to select
volunteers for this radio station, because it is ‑‑ it's a
business and, you know, it requires certain standards that have to be met,
certainly the Broadcasting Act. The
objectives of the Broadcasting Act, broadcasting standards have to be met.
7105 MR.
SANDSTROM: Mm‑hmm.
7106 COMMISSIONER
CUGINI: What's the criteria you're going
to use for selecting these volunteers?
7107 MR.
SANDSTROM: We could just go back to the
nine locations that we broadcast today across Alberta and B.C., it has worked
for five years and the Commission I know have been very satisfied with
that. We've been encouraged by you and
you have seen that it works.
7108 In professional
broadcasting, community radio is no longer in professional. It's not one hour, two hour a day sharing a
few things and then off...
7109 Community radio
today is something I know CRTC stands for and encouraging and that's what we
stand for as well.
7110 The selection of
volunteers is actually through relationship.
You partner with community, you're involved with the advisory board and
council, you're involved in community and through that you create a
relationship.
7111 The heart of
someone that we will equip to broadcast.
They are not going on air before they are equipped, before they are
professional to go on air. That is in
line with the Broadcast Act and the criterias that CRTC has as well.
7112 So, we take an
enjoyment in that, train and work together with the communities, that's part of
involvement and that's why we have so many volunteers, 150 of them involved
today and it's just a delight to have fellowship and community with one
another.
7113 COMMISSIONER
CUGINI: Who will be responsible for the
volunteers and ensuring that they do comply with the Broadcasting Act?
7114 MR.
SANDSTROM: That is, of course, the
executive board of CIAM, our leadership group and, as the structure provide in
our application, we have a clear outline for their serving commitments. We also have outlines for how they operate in
the context of our board.
7115 The station
manager is ultimately in charge of our broadcast and the volunteers, but on
broadcasting area we have a broadcast manager that leads the team that go on
air and on the programming side, because much broadcasting is today pre‑programmed,
they will be supervised by that person.
7116 COMMISSIONER
CUGINI: Thank you. I do want to go back just for a second,
because you took me off course there with the volunteers.
7117 You know the
Community Radio Policy requires that at least five per cent of the musical
selections playing in each broadcast week are to come from Category 3.
7118 MR.
SANDSTROM: Mm‑hmm.
7119 COMMISSIONER
CUGINI: And in your application I think
you're saying as much as 65 per cent of your musical selections will be from
Category 3.
7120 So, just the first
question. Can you give us your rationale
for so far above and beyond.
7121 MR.
SANDSTROM: I'm not sure if it's 65. I think it's divided Category 2 and 3, a
totalling of 65 per cent. So...
7122 COMMISSIONER
CUGINI: Let me just ‑‑
7123 MR.
SANDSTROM: You go back to the written
application.
7124 COMMISSIONER
CUGINI:
"The Applicant states it will
devote 65 per cent of its music programming to Category 3." (As read)
7125 MR.
SANDSTROM: Which page is that?
7126 COMMISSIONER
CUGINI:
"Concert 10 per cent, folk and
folk oriented 10 per cent, world beat and international 25." (As read)
7127 MR.
SANDSTROM: Well, that is in the
main ‑‑
7128 COMMISSIONER
CUGINI: In the actual application form.
7129 MR. SANDSTROM: Okay.
Let's see ‑‑
7130 COMMISSIONER
CUGINI: And then:
"Non‑classic, religious
20 per cent." (As read)
7131 MR.
SANDSTROM: Let me take that.
7132 COMMISSIONER
CUGINI: Take your time.
7133 MR.
SANDSTROM: Yeah. That should read ‑‑ if you
go back to our program schedule on page ‑‑ on page ‑‑
under appendix ‑‑ see where I have that ‑‑
6(a) under our block program schedule, that should read 20.3 per cent ‑‑
no, sorry, 35 per cent is Category 2, popular music, and 30.1 per cent should
be Category 3, special music interest.
Yeah, that's a correction there.
7134 COMMISSIONER
CUGINI: Okay.
7135 MR.
SANDSTROM: You caught me off guard
there.
7136 COMMISSIONER
CUGINI: It happens.
7137 Well, it's still
higher than the minimum required, so my follow‑up question is not
irrelevant.
7138 Will you accept
that level as a condition of licence?
7139 MR.
SANDSTROM: Yes.
7140 COMMISSIONER
CUGINI: Thank you.
7141 Now, we'll move on
to your business plan. You are, of
course, a non‑commercial radio station and that the majority of the
revenues will come from fund raising, government, non‑government funding
and donations, and I heard you in your oral presentation say that most of your
start‑up costs have already been pledged, which is a great thing.
7142 But have you
received any commitments from donors and other sources of your funding for more
long‑term funding beyond your start‑up costs?
7143 MR.
SANDSTROM: Again, that goes back to
relationship building with donors to add support once and twice. It's a long‑term relationship and we
have a large group of supporters, I think in all 300 or so that's standing
behind us broadcast, and they are some of them coming from overseas, others are
within the ethnic communities that are minorities as well.
7144 It's not so much
the amount as the commitment, as you say long term, and we have been greatly
encouraged by that.
7145 We have not
required for them to write a five‑year commitment plan to us. We are supported primarily by listener
support and through venues that you just mentioned, so...
7146 COMMISSIONER
CUGINI: And who is responsible for
soliciting these funds?
7147 MR.
SANDSTROM: It's the executive board of
CIAM Media that takes ultimate responsibility for that.
7148 COMMISSIONER
CUGINI: And if you are licensed for this
community, you would now be having, you know, community programming in 10
locations.
7149 So, take this
project through for me, would the executive board solicit the funds for then
all 10 locations, or would you ‑‑ or do you concentrate on one
at a time?
7150 MR.
SANDSTROM: Edmonton is separated from
that, absolutely, because community broadcasting cannot be reflected more than
in technical knowledge and program capability.
We do not mix the two together.
In programming they will be separated from one another.
7151 Of course, we are
reaching the ethnic community of Edmonton, we like to involve the ethnic
community by participating and support as such from Edmonton primarily, but we
also have supporters outside that come from our group today, that come from the
CIAM Media group.
7152 COMMISSIONER
CUGINI: So, for example, but the
government funding that you would go after, you wouldn't ask that government
funding be directed to CIAM Media and then you would dispense of it amongst
those communities?
7153 MR.
SANDSTROM: It would be ‑‑
no, allocated specifically for Edmonton.
7154 COMMISSIONER
CUGINI: Okay.
7155 MR.
SANDSTROM: Yeah.
7156 COMMISSIONER
CUGINI: And you said that there was no
program sharing. So, there will be no
synergies that you will be able to take advantage of with your other locations?
7157 MR.
SANDSTROM: More than the knowledge,
expertise, training, implementation technically, broadcast professionalists,
all of that is very important, that's what we have already, that will be shared.
7158 But when it comes
to ethnic broadcasting in remote community, in Fort St. John for instance, it
is a very different ethnic community there than it is in Edmonton, so...
7159 COMMISSIONER
CUGINI: Thank you. And just because we all have something to
learn, what is ethnomusicology?
‑‑‑ Laughter /
Rires
7160 MR.
SANDSTROM: You'll have to ask some of
our ethnic leaders here.
7161 I think it's a
term from University of Alberta, is that right?
7162 COMMISSIONER
CUGINI: It was in ‑‑
yes, as part of your CCD.
7163 MR.
SANDSTROM: Yes.
7164 COMMISSIONER
CUGINI: That's the one that you said you
had difficulty pronouncing.
7165 MR.
SANDSTROM: I can't even spell it, I
can't even pronounce it, so...
7166 I think it has to
do with ethnic music and that's what it is, and I think it's actually study of
it, of ethnicity and culture and talent and all of that. So, that was explained for us as we dialogued
that in the past, yeah.
7167 COMMISSIONER
CUGINI: Well, like I say, you learn
something new every day and that's a great thing.
7168 My last line of
questioning has to do with the technical issues, which I know you have been
made aware of through correspondence with our staff.
7169 MR.
SANDSTROM: Mm‑hmm.
7170 COMMISSIONER
CUGINI: And there is a question of under
utilization of your frequency.
7171 MR.
SANDSTROM: Mm‑hmm.
7172 COMMISSIONER
CUGINI: Now, I've read your response to
deficiencies and where you said that, you know, gradually over time as the
Edmonton community expands that you would upgrade towards a Class B.
7173 MR.
SANDSTROM: Mm‑hmm.
7174 COMMISSIONER
CUGINI: Today you said you see that
happening within two years.
7175 MR.
SANDSTROM: Two years, yeah.
7176 COMMISSIONER
CUGINI: What we'd like to know is, what
is the difference between the launch in operational costs between a Class A‑1
and a Class B undertaking?
7177 In other words,
why didn't you go for one right from the beginning?
7178 MR.
SANDSTROM: It's a major difference. Now, again, look at what you have heard about
our ethnic communities here in Edmonton.
7179 The reason why
they cannot start or cannot broadcast is because of lack of financial
resources. We'd like to involve those
communities in this and gradually grow together.
7180 You can provide a
package that is ready and go from the beginning. We don't like to do that, we like to grow
with them.
7181 Now, with the 250
watt broadcasting initially, we will reach our target audience, believe it or
not we are reaching and that is technically proven by our technical application
and briefs that have been sent to Industry Canada.
7182 So, l we are
reaching our target audience with that, but we believe that the ethnic
community is expanding in this area, especially south, and that's why we also
have committed ourselves to upgrade to a B in two year times.
7183 COMMISSIONER
CUGINI: But are you able to tell us,
even on a percentage basis, how much more expensive it would have been to go to
a Class B to begin?
7184 MR.
SANDSTROM: Actually, it's not too much
more expensive. It would be about
$65,000 to do that. We could have afford
to do that, but we like to work together, not provide it from a resourceful
Chinese ethnic that could take that. We
like to work with our ethnic communities and build, and a sense of ownership in
it, which is very important for us.
7185 COMMISSIONER
CUGINI: And I believe, again, in
response to correspondence with the staff, you did identify 93.1 as an
acceptable alternative frequency?
7186 MR.
SANDSTROM: No.
7187 COMMISSIONER
CUGINI: It's not acceptable?
7188 MR.
SANDSTROM: No.
7189 COMMISSIONER
CUGINI: So, there are no other
frequencies available that would meet your needs today, other than the one for
which you have applied?
7190 MR.
SANDSTROM: Absolutely. Only 107.3.
We clearly stated that in correspondence with Industry Canada.
7191 COMMISSIONER
CUGINI: Okay. It's good to be sure.
7192 MR.
SANDSTROM: Yeah.
7193 COMMISSIONER
CUGINI: Well, thank you very much all of
you ‑‑
7194 MR.
SANDSTROM: No problem.
7195 COMMISSIONER
CUGINI: ‑‑ for your responses this afternoon.
7196 MR.
SANDSTROM: Thank you.
7197 COMMISSIONER
CUGINI: Thank you, Madam Chair.
7198 THE
CHAIRPERSON: Commissioner Molnar.
7199 COMMISSIONER
MOLNAR: Thank you.
7200 I just have one
question and it relates to your revenue projections.
7201 You have indicated
that community involvement and community funding is essential for your radio
station, obviously as a community radio station.
7202 MR.
SANDSTROM: Mm‑hmm.
7203 COMMISSIONER
MOLNAR: And I just wondered as you
listened to some of the other ethnic radio ‑‑ commercial
ethnic radio broadcasters here today, if you were to be licensed, and obviously
would be attractive to some of your listening audience as well, would that put
in jeopardy your ability to generate the funds for your community radio station
in any manner?
7204 MR.
SANDSTROM: No, absolutely not.
7205 COMMISSIONER
MOLNAR: No.
7206 MR.
SANDSTROM: No.
7207 COMMISSIONER
MOLNAR: So, you feel you could co‑exist
with any of those radio stations?
7208 MR.
SANDSTROM: It would work very fine for
us, yeah.
7209 COMMISSIONER
MOLNAR: Okay. Thank you.
7210 THE
CHAIRPERSON: I have just one question.
7211 I'm just
wondering, Mr. Sandstrom, are you one of the executive of CIAM, are you the
same executive at each of the nine locations you share?
7212 MR.
SANDSTROM: I'm part of the same group,
yeah, as the leadership group, yes, I am.
7213 THE
CHAIRPERSON: And, so, I'm just not
familiar where all the nine locations are.
7214 MR.
SANDSTROM: They are actually in Fort
Vermilion ‑‑
7215 THE
CHAIRPERSON: All in Alberta; are they?
7216 MR.
SANDSTROM: All in Alberta.
7217 THE
CHAIRPERSON: All in Alberta.
7218 MR.
SANDSTROM: And B.C.
7219 THE
CHAIRPERSON: Oh yes, and B.C. Oh yes, we did hear that.
7220 MR.
SANDSTROM: But we're all in community
context, so we kind of specialize on that, so...
7221 THE
CHAIRPERSON: So, do you live in Edmonton
or...
7222 MR.
SANDSTROM: We live in Edmonton, that's
right, yeah.
7223 THE
CHAIRPERSON: That's fine. Thank you very much. I don't know if legal has any questions?
7224 Oh, you do.
7225 MS LEMOUX: Yes, one follow‑up question. Thank you.
7226 MS LEMOUX: Okay.
7227 MR.
SANDSTROM: You can do it in French.
‑‑‑ Laughter /
Rires
7228 MS LEMOUX: Can I.
I'll do it in English for the public record.
7229 I'd just like to
confirm for the public record your commitment in terms of hours to Category 3
music.
7230 MR.
SANDSTROM: Mm‑hmm.
7231 MS LEMOUX: Could you specify how many hours per
broadcast week will be devoted to Category 3 music which, according to your
application, will include music from sub‑category 31, concert, sub‑category
32, folk and folk‑oriented, and sub‑category 33, world beat and
international.
7232 MR.
SANDSTROM: Mm‑hmm.
7233 MS LEMOUX: So, we need the hours.
7234 MR. SANDSTROM: Exact hours.
I have to ‑‑ I'm not good at math, believe it or not,
Swedes are not, we're just Vikings, you know.
7235 MS LEMOUX: You can come back ‑‑
7236 MR.
SANDSTROM: Give me a bone or
something. If we multiply 30 per cent
times the total number of minutes, or 126 hours times 30.1 then get that, and I
need a calculator for that. Maybe we
could do it on this thing.
7237 MS LEMOUX: Could you please provide us the number by
Wednesday?
7238 MR.
SANDSTROM: Could we get an extension
until Thursday. No, it will be fine,
yeah, for sure.
7239 MS LEMOUX: That's fine.
Thank you very much.
7240 MR.
SANDSTROM: Yeah.
7241 THE
CHAIRPERSON: Thank you very much, Mr.
Mak and Mr. Sandstrom and your party.
Thank you.
7242 So, oh no, I have
to give you your two minutes.
‑‑‑ Laughter /
Rires
7243 THE
CHAIRPERSON: Slow learner here. Yes, go right ahead.
7244 MR. MAK: CIAM Media is pleased to present our
application to CRTC. As I said earlier,
we have been working very hard for the last three years and with all the
community groups we did consultation, we did workshops, we did prepare for this
presentation.
7245 I think working
through that community effort it's been a great pleasure with CIAM also with
the community group as we learn and grow together and we are very honoured and
privileged to serve the community.
7246 You can see from
the people we have here, we do have a heart and passion for the community and
we love to serve the community, not for money, whether the people can afford to
pay or not, we will serve you, we will serve the people.
7247 And we want to
establish a close working relationship, understand what the needs of the
culture, what the needs of the community group and design programming that
meets the needs.
7248 So, we recognize
that there's urgency in this community to have the people as a new immigrant
come to Canada, we would like to make sure they can adjust to society very
well.
7249 I myself came here
25 years ago as a student, but throughout the years, we understand the need for
community service and need for helping people
adapt and contribute to a cultural society and then help to return to
educate more people coming over and also educating our second generation with
the abundance of the culture from all over the world, that we can all share and
live in Canada in peace and prosperity.
7250 CIAM is ready to
go and we'll upgrade our facility as committed.
7251 And we want to
thank the generous donation from so many communities and the cooperation we
received just encourage us to move on and we want to work even harder to get
this licence.
7252 And CIAM Media is
a non‑profit service‑oriented organization with a proven track
record in community broadcasting in an ethnic context.
7253 We look forward to
hearing the good news from CRTC soon so that our under served ethnic
communities could begin to hear programming over CJAO 107.3FM and bring good
news to Edmonton's ethnic people.
7254 Thank you.
7255 THE
CHAIRPERSON: Thank you, Mr. Mak, Mr.
Sandstrom and your party. Thank you.
7256 MR.
SANDSTROM: We'd like to thank you as
well. And I think if we say our
greeting ‑‑ farewell greeting and see you again in our
respective languages from our language leaders.
7257 Why don't we do
that here.
7258 MR.
SPARKLINGEYES: (Native language)
7259 THE
CHAIRPERSON: Thank you. We'll take 10 minutes just to allow to change
the panel.
7260 Thank you.
‑‑‑ Upon recessing
at 1442 / Suspension à 1442
‑‑‑ Upon resuming
at 1459 / Reprise à 1459
7261 THE
SECRETARY: We will now proceed with Item
16 which is an application by Frank Torres on behalf of a corporation to be
incorporated for a licence to operate an English language FM commercial radio
programming undertaking in Edmonton.
7262 The new station
would operate on frequency 107.3 megahertz, channel 297C‑1 with an
average effective radiated power of 66,834 watts, maximum effective radiated
power of 100,000 watts, antennae height of 244 metres.
7263 Appearing for the
applicant is Ed Torres.
7264 Please introduce
your colleagues and you will then have 20 minutes to make your presentation.
7265 Mr. Torres.
PRESENTATION / PRÉSENTATION
7266 MR. E.
TORRES: Good afternoon, Madam Chair,
Members of the Commission and Commission staff.
7267 My name is Ed
Torres and I'm the President and co‑founder of Skywords Radio.
7268 I'd like to begin
by thanking the Commission for entertaining our application for a new blues
format FM radio licence.
7269 I'd like to take a
moment to introduce our panel.
7270 Seated to my right
is my brother Frank Torres. Frank is the
Chief Operations Officer at Skywords.
Together we co‑founded Skywords in 1991. Today it's a national radio company with
offices in several Canadian major markets, including Ottawa, Halifax, Markham,
and our newest base of operations, here in Edmonton. Our company has operated in Edmonton since
September of 2007.
7271 To my left is Yves
Trottier. Yves is the former Operations
Director at Couleur FM in Gatineau and he's held various PD positions prior to
joining Skywords as the general manager of Quebec operations.
7272 Beside Yves is
Robyn Metcalfe. Robyn's the Vice‑President
of Programming at Skywords and part owner of this application.
7273 Beside Frank to
his right is Karen MacKenzie, Chair of the Edmonton Aboriginal Urban Affairs
Committee.
7274 Jeff McFayden is
on the far right of the back row. He's a
resident of Edmonton and serves as General Manager of Western Canada Operations
for Skywords based here.
7275 Beside Jeff,
Lochlin Cross. Lochlin is the former
Program Director of KRock here in Edmonton as well. He's held various program director positions
and he's been involved in various station launches. He will serve as DAWG FM's program director
if licensed.
7276 Beside Lochlin,
Aubrey Clarke, Director of Business Development at Skywords and former sales
manager.
7277 And in the second
row to your far right, Jeremy
Loome. Jeremy is a reporter for the Sun
Media Group. He is a former City editor
of the Edmonton Sun and front man for the Hard Line Blues Band. He has written about and covered the blues
scene in Edmonton extensively.
7278 MR. F.
TORRES: And the blues is what this
application is about. Our presentation
today will illustrate that Edmonton can sustain two additional entrants to the
market. We'll increase plurality and
provide the only other independent news voice on mainstream English language
radio.
7279 Our existing
broadcasting operations in Edmonton will provide resources and synergies that
will assist in the launch and operation of our new station.
7280 We'll provide a
missing, highly desired extensively researched radio operation to Edmonton
listeners. Our format will help break
and launch new Canadian blues artists through commercial air play of their
music.
7281 We've received
over 1,400 letters of support for our blues radio station application, over 350
individual letters of support for this application alone, including letters
from Dan Ackroyd, Jack DeKeyser, Tom Lavin, Edmonton Blues Society, Stephen
Mandel, Mayor of the City of Edmonton, who in his letter stated:
"The proposal being put forward
by Frank Torres will endorse local talent, an important part of Edmonton's
cultural identity as Edmonton has a rich grass roots community." (As read)
7282 MR. F.
TORRES: We've commissioned extensive
formal research by Census Research, an independent third party research firm
into the viability of our proposed format in 10 markets across Canada,
including Edmonton.
7283 To supplement our
formal research, we created an online survey at bluesincanada.com, a website
that we own, and it's generated hundreds of responses.
7284 Overwhelmingly we
found in our research that 30 to 60 per cent of people would likely listen to
our format.
7285 We know that
Edmonton has a vibrant blues scene headquartered at Blues On White, championed
by Stoney Plains Records and exhibited at the Labatt's Blues Festival which is
arguably one of the largest blues festivals in Canada.
7286 The blues are so
prevalent that the Edmonton Sun features regular blues articles by our reporter
Jeremy Loome and we're fortunate to have him here with us today.
7287 MR. LOOME: Hi, my name is Jeremy Loome and I write for
the Edmonton Sun as stated, I also play in the Hard Line Blues Band here in
Edmonton and have for several years.
7288 I've been writing
about blues for about a decade including the last five years covering people
like B.B. King and Buddy Guy for the Edmonton Sun, also interviewing largely
unrecognized markets in the local market and along with blues founders, guys
like Dave "Honeyboy" Edwards and Bob Koester, the guy who started
Delmark Records in the United States.
7289 Despite the fact
that blues has always been seen as the elder statesman of pop music, it's a
format that's largely been impacted by the society around it, including Jim
Crow, the impacts of racism in the early part of the industry and poor choices
that were made in the early part of the blues industry itself by some of the
people involved in the business.
7290 I'm not going to
get into the lengthy history of segregation, it marginalized blues for close to
30 years until well after the national distribution system and play listing
were the norm.
7291 But suffice it to
say, it was a shameful period because it handicapped blues music. It was shameful for many other reasons, but
for blues it meant that black music couldn't be played on white radio and until
the 1970s that continued to be the case.
7292 It raised debates
on sensitive issues and on sensitive subjects in North America and for a lot of
the time people thought that that took it too far into the area that people
didn't want to hear about.
7293 The fact is, it's
been through the recent emergence of choice on the Internet and satellite radio
that has become obvious to people that there is a mainstream desire to see the
blues.
7294 Even without radio
it's flourished creatively despite having limited, almost underground
status. Sometimes it's even hit the
mainstream but it's usually through white players like Eric Clapton and Stevie
Ray Vaughn and by being labelled guitar rock somewhat subversively.
7295 But the
information age is changing perceptions about blues music. It's not the whiny sound, the same music that
people thought it was 50 years ago.
Blues fans all over the world are banding together. They attend festivals by the hundreds of thousands,
including at my last count, 19 in Canada each year alone.
7296 Buoyed by their
common purpose, these fans have started a network of appreciation societies
that now have memberships in the tens of thousands in at least 30 different
locations around Canada.
7297 Ancillary
industries such as advertising, vacation sales in the form of blues cruises and
DVD distribution have taken note. It's
also the primary reason behind the Torres brothers' application here and in
several other markets in Canada.
7298 For all the heart‑felt
and culturally appropriate reasons that I'd like to see blues music on the air,
the reality is they see it as good business.
7299 Unfortunately that
concept surprises some people. Blues
music is so misunderstood that those who hear it frequently don't even
recognize it. It might be blended into
the mainstream as blues rock or pop rock but, in whole, it's been excluded from
the mainstream as blues.
7300 It's seen as old
and sorrowful, when sometimes it's joyful and sympathetic and it's usually
endlessly creative.
7301 It's music played
by real musicians using real instruments not created in a studio and it's done
for a sense of emotional expression more important to all of us than money.
7302 It is loud when it
wants to be or it can be as subtle as an AC reed sax solo. It can be found on cuts by Aerosmith or
Aleisha Keyes or Nora Jones, but the chances are if they marketed it as blues,
no one would give them a venue to sell it.
7303 As noted, that
wouldn't stop blues artists from making music and it wouldn't stop them if this
application failed either. They've
rarely made a living off the music and so their expectations are low.
7304 I know top studio
musicians who spend every Monday to Thursday laying drywall to put bread on the
table, and to this day the great Buddy Guy keeps his job at the Ford Motor
plant in Chicago just in case he ever has to fall back on it. They've told him for years, if this blues
thing doesn't work, we've still got a place for you.
7305 But denying this
attempt to give the blues a home would rob the larger Canadian audience a
chance to experience and perhaps learn to love and enjoy the blues with the
same fervour as the underground adherents, the unappreciated legends and the
weekend players you meet in cities across the country.
7306 It can encompass
the fringes of every popular style because it was there first and it
contributed to all of them. Across
Edmonton and around Alberta there are dozens of superlative blues musicians
playing everything from acid blues, a mix of psychedelic rock and blues, to
acoustic Delta blues, to sacred steel gospel, to the kind of Chicago Memphis
hybrid that my band plays and that you hear in bands like Heart Dog Brown and
the Bloodhounds over there.
7307 It's the same in
every Canadian city, in many small towns and, in particular, in Canada's first
nations where blues has particularly flourished.
7308 Somewhere in there
you'll even find some material that is so original and it's so distinctly
Canadian that it can only be called Canadian blues.
7309 The combination of
Doug Cox from Vancouver Island playing his acoustic blues mixed with Sahlil
Bhatt's 19 string sitar blues, for example; or Sliding Clyde Roulette from
Winnipeg playing a mixture of music that comes directly from his Aboriginal
culture and mixing it with slide guitar from the Delta.
7310 But you rarely
hear about such artists because they get little to no radio air play.
7311 Around here in
Alberta Ellen McIlwaine, Amos Garrett, Graham Guest, Chris Brzezicki and Jimmy
Guiboche are all noted musicians who have managed to make a living by spreading
talents across several bands and into studio work and even across several
genres.
7312 But with no air
play you won't typically see them on the shelves of your chain record store
because FM air play drives distribution.
7313 And with all due
respect to the John Lee Hooker classic, "One Bourbon One Scotch and One
Beer", without radio air play, bars will continue to be a bluesman's
primary and frequently their sole source of musical income.
7314 Given its stated
popularity in polling, it's flourishing nature as an evolving art and the fact
that so many people just love it, support for this submission would be greatly
appreciated, not only by the thousands of hard core fans that have written
support letters to DAWG FM, but by the thousands of others around Edmonton who
attend our blues festivals, support small bands like mine in the faded remnants
of what used to be a live music scene, and would just like to be able to turn
on that favourite station occasionally
and listen to their favourite music.
7315 Thank you.
7316 MS METCALFE: DAWG FM will be a positive and enjoyable
workplace. As a programmer, I look for
people with passion for radio, a team mentality that will work together to come
up with great products and amazing radio.
7317 The station's
people are key to building a community connection and we will partner with the
community to create a radio station that is locally focused.
7318 But how will we be
different from a rock station? Well,
DAWG FM's bark is worse than its bite.
No AC/CD, no Pink Floyd, no Van Halen.
7319 In its place you
might find Marvin Gaye, Aretha Franklin, Ray Charles or Muddy Waters.
7320 We like to say
that we are the big dog on the block but we have attitude. Our station will have a brand and it will
have a feel, the feel is the blues.
7321 I'd like to play
you a sample of our feel.
‑‑‑ Video
presentation / Présentation vidéo
7322 MS METCALFE: I forgot to highlight the fact that our
station will be a good corporate citizen, engaged and connected with our
community and environmentally responsible.
7323 Yes, the blues are
green. We take pride in proposing that
DAWG FM will be the first carbon neutral broadcaster in Canada.
7324 DAWG FM promotions
will be different, instead of a week in Mexico on the beach, listeners will be
on a blues tour of Chicago, Memphis or New Orleans.
7325 Ratings promotions
will see listeners whisked away on a cruise, but not just any cruise, you're
going on a blues cruise. Bands on every
level of the ship playing in to the late hours.
7326 MR. TROTTIER: You've probably seen the "Blues
Brothers" movie, but have you ever checked the songs on the song
track? You will find no traditional
blues songs whatsoever on that song track, instead you will hear Ray Charles,
Aretha Franklin and other soul and rhythm and soul artists. Indeed it's blues and we are almost certain
that you did not have a clue that you are a true fan of blues.
7327 Over the course of
the last year we have been working on developing the blues brand for DAWG FM,
and we intend to continue doing so through the next decade.
7328 A blues radio
station must reflect all the trends you find in this category of music. In consequence, we have planned focus groups
prior to the launch of all of our radio stations. During such sessions we will play hundreds of
songs to our target demo to ensure that we are on the right track.
7329 During those
sessions we will also play different station blues IDs and promos to confirm
and refine our station blues brand and identity.
7330 Throughout our
research we have noticed that blues fans do not listen to a specific radio
format. That's the reason why we feel
that the arrival of DAWG FM will not have a negative impact on one individual
radio station but, rather, reflect slightly on the overall.
7331 Our format will be
different from existing formats. We will
propose the best of both worlds with well‑known artists who play blues
songs like Nora Jones, Eric Clapton and Jeff Healey and, at the same time, we
will be the promoter of blues artists here in Edmonton area, in fact a blues
station with a popular and commercial sound.
7332 MR. CROSS: Edmonton is a competitive radio market. There are 10 mainstream music outlets, nine
on the FM dial and one on the AM dial.
There are three AOR stations, one classic rock, one mainstream rock, and
one modern rock, two country stations, two AC stations, two adult hit stations
and one top 40.
7333 Playlists are
tight, and on the 10 mainstream music intensive stations, 26 per cent of every
song played, calculated based on a week of spins of the entire Edmonton market,
is played on two or more stations.
7334 From the proposed
DAWG FM playlist, there will be less than three per cent cross‑over on
these 10 stations.
7335 DAWG FM will be
giving Edmonton something new. DAWG FM
fills the proverbial hole in the market, and for that matter most markets in
the country. DAWG FM will not only
attract a blues fan, it will also have mainstream appeal without infringing
upon other formats.
7336 DAWG FM has the
potential to ignite the local blues scene with the outlined CCD contributions,
the proposed Category 3 exposure and 40 per cent Canadian content.
7337 With our promise
to broadcast live 24 hours a day, DAWG FM will also create opportunities for
younger broadcasters.
7338 Blues music has
had a massive influence on a number of music genres and Edmonton will be
presently surprised at how much music they'll recognize on 107.3 on the FM
dial.
7339 MR. McFAYDEN: Skywords provides Western Canadian radio
stations with content such as traffic, business, Alberta Energy and
entertainment reports. It started 13
years ago with traffic operations in Vancouver and has since expanded to almost
40 stations across the western provinces, with over 25 of them located in
Alberta.
7340 The local Edmonton
base of operations launched on August 13th, 2007, providing air‑borne
surveillance of traffic from our Cesna airplane which is based at the Edmonton
City Centre Airport for AM 790 CFCW, KRock 97.3 and the new Capital 96.3 FM.
7341 The Edmonton base
has become our hub of our Western Canadian operations with myself overseeing
the day‑to‑day operations as general manager.
7342 Our main office is
located at the old Edmonton Radio Group studios on 99th Street and is staffed
with a number of locally born and bred announcers that provide premium quality
broadcast to our partners on a daily basis.
7343 As we've said many
times, we are a radio station without our own frequency.
7344 Our Edmonton
launch has been an astounding success.
In only our fourth month of operations, December, 2007, we exceeded our
projected revenue budgets which were derived from local, regional and national
advertisers.
7345 Our Edmonton sales
continue to expand introducing new companies to radio advertising and providing
alternate options for existing advertisers.
7346 MR. F.
TORRES: Market research into the
Edmonton market was compiled by Census Research and focused on providing an
objection and unbiased assessment of this prospective format. We believe that outsourcing this research
objective to Census provides a third party, unbiased objectivity in method and
findings.
7347 The research has
found a number of indicators that suggest that DAWG FM format will be warmly
received in the Edmonton market.
7348 First and
foremost, half of the sample was unable to recall any local stations that
played a fairly recognizable list of blues artists, and of those that could,
the majority could identify just one, yet many can name two or more stations
that play country, rock, or top 40.
7349 This research has
also shown that more than five in 10 of Edmonton area residents would consider
listening to a new blues‑oriented station. Fifty‑one per cent of people surveyed
answered that they would be likely to listen.
Among this number, 17 per cent stated they would be very likely to
listen to such a station.
7350 Of the people who
would likely tune into a blues‑oriented station, 61 per cent answered
that in doing so they would likely increase the total amount of time they spend
listening to radio. Thirteen per cent
would be very likely.
7351 This suggests that
overall listenership would be augmented rather than cannibalized from existing
stations.
7352 MR. CLARKE: Our Canadian content development has been
carefully designed to provide funding and promotion to Canadian talent and
nurture the future of musical development in the Edmonton area.
7353 FACTOR will
receive $100,000 annually that will go to fund blues genre artists. This is a substantial investment in musicians
that will promote and help launch careers and the music of emerging Canadian
artists.
7354 Art Start Edmonton
provides accessible and professional quality lessons in drama, dance, visual
art and music to elementary age children from low income families.
7355 Art Start also
offers field trips, special events and performance opportunities for all
participants. $10,000 a year annually
will go to Art Start to continue their work to ensure all children have the
opportunity to be exposed to arts and culture.
They will also look at some specific blues‑related activities
within their music department.
7356 The Edmonton Arts
Council allocates grants to local arts and festivals. The contribution of $105,000 over seven years
would be used to foster and promote the appreciation and preservation of the
blues in Edmonton.
7357 The Inner City
Youth Development Association provides inner city with programs that promote
and facilitate positive behaviour, creative expression and cooperative working
skills.
7358 The program runs
its own radio station, Radio ICHS and DAWG‑FM funds would be used to
train announcers and provide equipment for the station. The total contribution is 70,000.
7359 MS MacKENZIE: As chair of the Edmonton Aboriginal Urban
Affairs Committee and Co‑Chair of Wicihitowin, the Circle of Shared
Responsibility, I would like to express our support for this application.
7360 An integral part
of any consultation with the Edmonton community is to have the Aboriginal community
involved. In fact, the City Of Edmonton
has signed an accord agreement with the Aboriginal community as a result of the
Edmonton urban dialogue process that ensures our voice is heard collectively
through the Wicihitowin Circle of Shared Responsibility and the Edmonton
Aboriginal Urban Affairs Committee, or EAUAC.
7361 EAUAC is also a
member of Wicihitowin and as a civic committee provides advice and guidance to
mayor and council.
7362 EAUAC is
responsible for and presents the annual Nellie Carlson Youth Awards. These awards recognize the achievement and
successes of Aboriginal youth in grades 8 to 10 who have demonstrated success
or achievement in many different years such as leadership, academics, volunteerism,
theatre, music and computer technology.
7363 DAWG FM's annual
$10,000 CCD contribution will sponsor the Nellie Carlson Youth Awards to
recognize outstanding achievement in music among Aboriginal youth.
7364 MR. ED
TORRES: The approval of this application
will accrue substantial benefits to the public and, as such, it's in the best
interests of the public. We are the
public's best friend.
7365 DAWG FM will
provide a format that's not currently available on conventional over‑the‑air
radio. It will repatriate listeners that
tune to out‑of‑market radio stations or satellite or internet for
their desired programming. It will
benefit the Canadian blues industry artists and promoters and the like, will
add diversity to the ownership of the Canadian broadcast system and encourage
participation of minorities and women.
7366 Our strong local
management and our 17 years of radio sales and broadcasting experience coupled
with our existing radio operations at the former Edmonton Radio Group studios,
help to ensure the success of DAWG FM.
7367 Blues have reached
the tipping point. We have included a
list of 29 recent commercial campaigns that featured blues music as an appendix
to this presentation. They feature
commercials for Nissan, Coca‑Cola, Tropicana and a host of Fortune 500
companies. That speaks to the commercial
desirability of the blues. The CRTC can
allow us to be first in market and gain the lead on this format, or we can wait
for it to be fine tuned in the United States and then exported to Canada like
so many of the formats now on Canadian radio.
7368 In this era of
technology and convergence one only has to look at the Blackberry, a Canadian
original, to recognize the importance of being first to market. We'll leave you then with our tagline. After all we are on a mission from DAWG.
7369 Thank you, and we
will take your questions.
7370 THE
CHAIRPERSON: Thank you, Mr. Torres.
7371 I'm going to start
the questions and then I'm sure Commissioner Cugini and Commissioner Molnar
will have some questions as well.
7372 First of all, just
addressing the news and spoken programming, you have opted for a high level of
news in spoken word programming, 15 and a half hours a week, and we are just
wondering why you feel that this level of spoken word is necessary given your
music‑driven format.
7373 MR. ED
TORRES: One thing that the research has
been very clear ‑‑ and as I stated in the presentation we have
done extensive research in a number of markets ‑‑ invariably
the research comes back that this listener is very, very interested, highly
interested in news and information programming.
So while other commercial music‑intensive applications might stray
away from that because, again, it is expensive to create spoken word, we bring
certain synergies to the table because that's what our company does. Skywords creates spoken word nationally
across the country so it's easy for us to do it. It's our core business. So hand in hand the research is what drives
the fact that this listener wants spoken word.
7374 And as we are
starting to see around the country now with the ‑‑ Evanov as
an example of a music‑intensive format and The Jewel where they have
upped their traffic reports and their news and spoken word significantly and
it's having a positive effect on their share.
That research certainly ‑‑ the research that we have
bears that out, confirms that.
7375 MR. FRANK
TORRES: Yes, our research also indicates
that the number one source for this format right now is satellite radio and
what we find satellite listeners tell us is that they love the music, they love
hearing it in that format but they can't stand being out of touch with the
community, with local ‑‑ local context, local information,
local feel.
7376 So we think that
our spoken word ‑‑ and they have actually told us that spoken
word would be something that repatriates them back into radio and keeps them
there. So although the music is
important we think spoken word information is also important and so do our
listeners.
7377 THE
CHAIRPERSON: Thank you.
7378 Your eight hours
and 33 minutes of pure news per week, as I understand it, and with two
newscasters and two field reporters and one weekend newscaster/field reporter
I'm just wondering how many of those positions would be fulltime and also if
would sort of describe the role and responsibilities of each of the positions.
7379 MR. ED
TORRES: Sure. Maybe I will throw it over to Yves and Robin
because they have the breakouts on the news and programming and they can
probably better answer that.
7380 MS METCALFE: Like you said, we have four fulltime news
announcers and then two part‑time news announcers. The morning news announcer will be the anchor
and the news director, the two mid‑day news announcers will be the
reporters and that will be getting out into the streets and feeding in their reports
and news stories, and then the afternoon news person is an anchor as well, and
the weekend is part time.
7381 THE
CHAIRPERSON: Sorry. So there is four fulltime in total, four
fulltime in total and two part time?
7382 MS METCALFE: Yes, and two of those are reporters and two
of them are anchors.
7383 MR. TROTTIER: Just to be sure, it's four fulltime, just one
part time for the weekend.
7384 THE
CHAIRPERSON: Okay, thank you. Thank you.
7385 And obviously you
feel that this level of staffing is sufficient to generate the quality and
volume of spoken word that you are proposing?
7386 MR. TROTTIER: Yes.
The journalists would just do news; will just do local news because the
national news will come with synergy with Skywords.
7387 THE
CHAIRPERSON: Okay.
7388 MR. TROTTIER: So the four journalists will not do sports,
they will not do the business report.
They are just doing news. So I
think in that case they will be okay to do that.
7389 THE
CHAIRPERSON: Okay, thank you.
7390 So how many ‑‑
what is your total overall staff proposed?
7391 MS METCALFE: Our total staff is 25 fulltime and five part
time.
7392 THE
CHAIRPERSON: From day one?
7393 MS METCALFE: Yes.
7394 THE
CHAIRPERSON: And that's a large
staff. That's not including the people
then that would be employed at Skywords?
7395 MS METCALFE: No.
7396 THE
CHAIRPERSON: Okay.
7397 I want to talk
about Skywords in a second but first of all I'm interested, because I
understand your news content is going to be divided; a third local, a third regional
and the remainder national and international.
And I'm just wondering if you could just tell us what localities you
would refer to when you are speaking of local news and what localities would be
covered in terms of national ‑‑ of regional news, sorry.
7398 MR. ED
TORRES: And Frank, maybe you could ‑‑
I think our plan was 60 percent local, 20 percent regional and 20 percent
international; the regional covering both international and national.
7399 And maybe,
Lochlin, with respect to the regions that we would cover on a local basis
maybe, Lochlin, you could have a better ‑‑ fill in the
Commission better.
7400 MR. CROSS: Yes, well, I think your first objective from
a news stance would be to cover local stories and try to have a local feel with
every one of your casts.
7401 As far as the
difference between local and regional, I think if there was something happening
in Alberta that would be considered a regional story and then something
happening in Edmonton would be considered a local story.
7402 THE CHAIRPERSON: So it's 60 percent local, 20 regional and 20
for the balance then?
7403 MR. ED
TORRES: Yes, that's correct.
7404 THE
CHAIRPERSON: Thank you.
7405 Now, I
noticed ‑‑ and you touched on Skywords earlier. You mention in your brief at page 11 that
Skywords produces traffic reports, music and business ‑‑ or
business and market reports, weather reports, music programming, newscasts,
snowmobile trail reports, entertainment reports and other services as required
by its affiliate stations from Halifax to Edmonton.
7406 And so I'm
wondering which of those services you provide to radio stations in
Edmonton. I noticed in your remarks you
mentioned three stations that you provide traffic surveillance but I would be
interested to know if it's broader than that and what the nature of the service
is.
7407 MR. ED
TORRES: Sure.
7408 Jeff, maybe you
could?
7409 MR. McFAYDEN: Within Edmonton it is only the traffic
reports on the three stations. As for
business reports, Alberta energy reports and entertainment reports it's a lot
of secondary and tertiary markets around Alberta, such as we do traffic in Red
Deer as well as business reports and entertainment reports for Red Deer,
Lloydminster, Lacombe. There is about 25
of them.
7410 So a lot of the
secondary and tertiary markets have those other types of reports and then for
Edmonton it's just traffic.
7411 THE
CHAIRPERSON: So what type of programs
specifically will Skywords be providing for your DAWG‑FM station in
Edmonton?
7412 MR. ED
TORRES: Well, we don't have a specific
plan right now. It's ultimately going to
be up to the general manager and the program director to make the programming
decisions. DAWG will operate totally at arms
length.
7413 But, certainly,
there are certain synergies that we could use.
We could use national reports, feeding reports from our other
bases. We have news reporters that cover
Toronto and cover Ottawa. We have
meteorologists on staff that create weather forecasts. So they are based in Ottawa but they create
weather forecasts for the Maritimes and they create weather forecasts for
Ontario and certain affiliates around the rest of the country.
7414 So we would put
that all in front of the general manager and the program director and we would
say, "Use the synergies where you see fit".
7415 THE
CHAIRPERSON: Now, I know, because
obviously we first met in another setting ‑‑ but it's not
clear to me sort of what business Skywords does, if you just remind me in a few
minutes so I understand.
7416 MR. ED
TORRES: Okay. And we think that that's ‑‑
certainly we have to do a better job of educating. But essentially what we do is we create not
just spoken word programming for radio stations but music programs as well.
7417 So for example the
business report is a live updated market minute. We employ the business reporters. We voice the report and then we provide it to
the radio stations for them to sell a local sponsorship. So the radio station is freed of the actual
physical work of having to do the business report, putting it together.
7418 So what happens is
our business reporter puts it together, the radio station news staff can
concentrate on local news, which is what they do best. We send them the report via our website. It's updated a number of times per day. The station can take it as many times as they
want. But then what we do is we sell the
advertising at the end of the report.
7419 So we are
essentially selling radio airtime on a local, a regional and a national level
on a group of different radio stations, 160 radio stations across the
country. That's how we derive our
revenue.
7420 So that's why we
say we are a radio station without a frequency.
We do all of the things. We
create newscasts. We create local
newscasts for some radio stations. We
create business reports. We create
traffic reports.
7421 For a radio
station individually to fund an aircraft to fly and do traffic reporting it's a
huge investment. So what we have done is
we have said, "Let us take the burden of the investment. We will provide you with turnkey operations
so all you need to do is throw open your microphone and we are there. We pickup all the labour and all we want to
do is we want to sell the 10 seconds at the end of that traffic report.
7422 So we actually
make our living selling 10 seconds worth of airtime.
7423 THE
CHAIRPERSON: Oh, okay. I just want to just ‑‑ just
bear with me a second. I just want to
make sure I understand.
7424 MR. ED
TORRES: It's a long answer, I apologize.
7425 THE
CHAIRPERSON: No, it's very helpful. Thank you.
I just was wanting to go back to your comments earlier about selling
advertising.
7426 So that's who you
are selling ‑‑ nobody else is sharing in that
advertising. That's your revenue?
7427 MR. ED
TORRES: Correct, that's our revenue.
7428 So I mean we are
members of the CAB. We are members of
the Ontario Independent Radio Group. We
are members of BBM and obviously BBM is an incredibly useful tool because we
are selling radio advertising. And we
are a member of a number of other organizations; Canadian Women in
Communications.
7429 So we are really
as close to being in the industry without actually holding a licence, in our
opinion.
7430 MR. FRANK
TORRES: Our sales efforts run the
gamut. We do everything from knock on
the ma and pa store down the road here to show them that there is an affordable
alternate means of mass media radio; we do regional sales; we put regional
sales together. So we will go to the
Maaco autobodies and say, "Look, you have 15 outlets. We can" ‑‑ they just
happen to be in all of those markets in Alberta that we are in. So instead of having each guy, you know, put
together $400 for a flyer campaign once a quarter, let's put all that coop
money together and create an annual radio campaign.
7431 And then we are a
national ad post as well so our own staff members, guys like Aubrey, go into
the national ad agencies and pitch our product, our syndicated product; again,
locally, nationally and regionally as well.
7432 THE
CHAIRPERSON: So is this a unique service
or are there ‑‑ do you have competitors? Are there other people who do the same
service that I just don't know on the spot?
7433 MR. ED
TORRES: Yes, there are. We have competitors. We have competitors in the traffic business
and we have competitors on a smaller scale in some of the other products.
7434 THE
CHAIRPERSON: Thank you.
7435 And would I be
right if I ‑‑ so there might be two revenue streams, not only
the 15 seconds or whatever at the end but ‑‑ because there are
also revenues where some stations might opt to just buy the service from you?
7436 MR. ED
TORRES: Our business model is based
strictly on a trade. So we don't charge
the radio stations. What we do in a lot
of cases is we provide content to the radio stations again on an exchange
basis.
7437 THE
CHAIRPERSON: So is there a possibility,
and I know you are just new in the Edmonton market because you said you just
came whatever that was, September or November of 2007, but is there a
possibility that if I was a listener in Edmonton at some point I would hear the
very same content on DAWG‑FM as I would on some other FM station?
7438 MR. ED
TORRES: The beauty of what we do is it's
customized to each individual radio station.
So the content will never be exactly the same. And on top of that we many times have to deal
with a partner exclusively. So that's
how our business model works.
7439 Some of our
competitors, yes, you will hear the same content on two different radio
stations. But for us we found that that
model is a little too hard to manage and it's much easier for us if we have
competing radio stations in the market to put different labour in place so that
the sound is different.
7440 THE
CHAIRPERSON: Oh, so you would have a
different voice.
7441 MR. ED
TORRES: Different voice, yes, sometimes. Yes.
7442 MS METCALFE: If I could just add to that?
7443 A lot of the
stations when we put a broadcaster into the station they are part of the
station. The stations don't want their
general listeners to know that there is a separate entity coming in. So we tailor all of our ‑‑
like our out cues, what they say at the end of their reports, and the content
of their reports and reporters as well.
They have a choice of reporter exclusivity for their station as well.
7444 THE
CHAIRPERSON: So they use their own
reporters?
7445 MS METCALFE: No, they would use our reporters.
7446 THE
CHAIRPERSON: Oh, I see, but exclusive to
them you mean.
7447 MS METCALFE: Exactly, exactly.
7448 THE
CHAIRPERSON: Okay, thank you.
7449 MR. ED
TORRES: There is an economy of scale
with that, just to pick up on what Robyn said, because you know we can ‑‑
again, we can have one reporter handle the Edmonton market exclusively but then
handle the Red Deer market.
7450 THE
CHAIRPERSON: Okay, thank you.
7451 So the synergies that
you speak about or possible synergies with Skywords, they are all reflected in
your projections are they?
7452 MR. ED
TORRES: Yes. Well, the stations ‑‑ the
projections are based on a standalone radio application. And again, because we don't want to tie the
general manager's hands, you know, if he chooses to accept those synergies
those would have a positive effect on the business plan.
7453 THE
CHAIRPERSON: Okay. So what we are seeing they are not reflected
in there at this point?
7454 MR. ED TORRES: Correct.
7455 THE
CHAIRPERSON: Okay. I will go back to that in a minute but with
regards to musical format would you agree to a condition of licence requiring a
minimum percentage of Category 3, subcategory 34 for jazz and blues music?
7456 MR. TROTTIER: Yes.
7457 THE
CHAIRPERSON: And you have indicated 20
to 30 percent but could we have a specific percentage, 25 or 30?
7458 MR. TROTTIER: The specific percentage will be 25 percent.
7459 THE
CHAIRPERSON: 25, okay, thank you.
7460 And would you be
willing to accept a condition of licence requiring equitable distribution of
Category 3 music throughout the various day parts to ensure Category 3 music
isn't limited to specialty programming?
7461 MR. TROTTIER: Yes.
7462 THE
CHAIRPERSON: And could we propose your
own originally suggested wording:
"Category 3 music shall be
scheduled throughout various day parts and shall not be limited to specialty
music programs." (As read)
7463 THE
CHAIRPERSON: You see, we were listening
to you.
‑‑‑ Laughter /
Rires
7464 THE
CHAIRPERSON: The 2006 policy increase
the weekly Canadian content requirement for subcategory 34, jazz and blues
music, from 10 to 20 percent and although the amended regulations have not yet
come into force, would you be able to meet that 20 percent Canadian content
requirement?
7465 MR. TROTTIER: Yes, easily.
7466 THE
CHAIRPERSON: And so if the Commission
were to decide to impose the new minimum weekly 20 percent Canadian content
requirement as a condition of licence would you accept that condition of
licence?
7467 MR. TROTTIER: Yes, we will.
7468 THE
CHAIRPERSON: Thank you.
7469 In your brief at
page 36 you explain podcasts will be available directly from your website
"to allow listeners unrestricted access to programming at a glance",
you refer to it as. Do you expect you
will have to pay additional fees for the rights to use this music in your
podcasts and have you incorporated those costs in your financial forecasts?
7470 MR. ED
TORRES: We haven't. We basically looked at the current state of
fees related to the internet and that is not reflected in our business
plan. There are no fees reflected in our
business plan.
7471 THE
CHAIRPERSON: Okay, assuming obviously,
if and when you will be paying them.
7472 MR. ED
TORRES: Well, we would be paying them,
yes.
7473 THE
CHAIRPERSON: Yes.
7474 MR. FRANK
TORRES: The nature of those types of
fees is that they are encountered upon the purchasing of the product. So the fee would essentially be paid for if
the product is purchased.
7475 THE CHAIRPERSON: So if you buy it to air on the FM station you
would also be buying the rights to put it in a podcast, right?
7476 MR. FRANK
TORRES: Correct. That's a possibility.
7477 THE
CHAIRPERSON: Okay.
7478 I notice that you
expect to commercialize your website to provide another stream of funding for
your station and I'm just wondering if those revenues are included in your
financial projections.
7479 MR. ED
TORRES: No, we haven't ‑‑
we haven't included any other revenue other than the national and local sales
in our revenue forecast, and that's ‑‑ again, we have tried to
craft a conservative business plan although we expect that we will
commercialize a website. In fact, our
Blues in Canada website is also generating some revenue for us.
7480 But we have
crafted these again on the conservative side and again we ‑‑
so we are not showing any revenue in that respect.
7481 THE
CHAIRPERSON: Thanks.
7482 Similarly, you
comment about making recordings of live concerts available by download and the
syndication of programming for sale across Canada internationally. So can I assume those costs and revenues are
also not included?
7483 MR. ED
TORRES: You assume correctly, yes. Yes.
7484 THE
CHAIRPERSON: Thank you.
7485 I'm just
wondering ‑‑ and I think you may have answered it in your
presentation. I see, so there will be
less than 3 percent crossover with the three ‑‑ the 10
stations in the markets.
7486 So the question
was, what percentage of your proposed playlist is not currently being played in
the market? Does that mean 97 percent of
it?
7487 MR. ED
TORRES: Well, that's an excellent
question and, certainly, the duplication analysis that we ran were very
revealing. And so maybe I will ask
Lochlin to speak to the exact numbers.
7488 MR. CROSS: Yes, the last 3 percent is actually 2.7
percent. We sort of rounded it off.
7489 But, yes, that
would indicate that out of the entire playlist that we have put together right
now for the Edmonton market, 597 titles, which is a comparable playlist to the
rest of the radio stations in the market, only 136 of the songs from the
playlist actually showed up on the 10 radio stations monitored over a week of
spins.
7490 THE
CHAIRPERSON: Okay, it's not 100 and
whatever of 500, though?
7491 MR. CROSS: Well, no.
7492 THE
CHAIRPERSON: No, okay.
7493 MR. CROSS: It's 136.
7494 THE
CHAIRPERSON: I will take your percent,
that's fine.
7495 MR. CROSS: 10 radio stations and their entire playlists
and only 136 times.
7496 THE
CHAIRPERSON: Over all?
7497 MR. CROSS: Yes.
7498 THE
CHAIRPERSON: Okay, thank you. Thanks.
7499 Now, given what we
may regard as the narrow appeal of blues ‑‑ you may not by the
sound of things ‑‑ but at any rate, given the narrow appeal of
blues format and the highly competitive nature of this market, can you
elaborate on why you feel your audience share projections are achievable,
ranging from 5.5 to 7.1 by Year 7?
7500 MR. ED
TORRES: Sure, and that's another good
question.
7501 Basically, we
started out with the research when we put together those shared numbers. So again, we have been learning as these
applications go along and we have tailored the research to fine tune what kind
of share numbers we can expect when the station launches. So that's how we arrived at a 5.1 share which
is not that far off what the rest of the applicants are at.
7502 But one thing
that ‑‑ our format, again, is unique in that while you may
think it has a narrow appeal there is a couple of factors that we looked at
also. First of all, there is our
research. Secondly, there is the fact
that the format doesn't currently exist anywhere. We know that it exists on Sirius and on XM
and, certainly, the Blues in Canada survey that we conducted shows that there
is a great number of listeners out there.
7503 I guess the other
telling thing that we looked at was how the blues shows perform in this market,
because there are two blues shows. There
is Saturday Night Blues and there is a CKUA blues show which is three hours on
a Friday. Both those shows, with very
little marketing on the part of CKUA, average about an 8 share. So you know, for us to project a 5 share
backed up with the research that we have done by ‑‑ that we
have had conducted by census and also the research in Blues in Canada, we are
pretty comfortable with a 5 share.
7504 Now, having said
that, when you go forward in our share projection you see that we end up
slightly lower if not significantly lower than the other players in the
market. We know that the blues is not
going to crack the top three in this market but we think that the appeal will
be mainstream enough that we will find a place in the middle of the pack.
7505 THE
CHAIRPERSON: Thank you, that's helpful.
7506 Given again the
strength of the competitive environment in this market, what will be the effect
on your business plans if the results aren't as you projected and you incur
larger losses and for a longer period of time?
7507 MR. ED
TORRES: We have said this before, but
you know we are committed to the format.
We have done a lot of research and, again, we have a 17‑year
history of selling radio, non‑traditional radio to non‑traditional
radio advertisers. We have a strong
presence in the market. We have good
local sales staff here so we expect that those conservative projections we will
be able to make.
7508 Having said that,
if we don't make the breakeven when we have it forecasted, again, it's a matter
of, you know, injecting more shareholder equity. It's a matter of, you know, doing more
research on the music side. It's a
matter of looking at your programming and how you fine tune it.
7509 So there is a
number of things that you would do in the course of that seven‑year term.
7510 THE
CHAIRPERSON: You wouldn't, or would you
expect to reduce operating expenses, in particular programming expenses?
7511 MR. ED
TORRES: Our programming expenses, again,
in our budgets we have kept them fairly minimal. You know, again, we may try and find other
synergies through Skywords and certainly with a company that is your big
brother right in your own market there is certain assistance that we could
provide, be that HR assistance, be that sales training assistance. So Skywords is there to prop up DAWG.
7512 MR. FRANK
TORRES: For the record, I find that
little brother companies often outperform their big brother companies.
‑‑‑ Laughter /
Rires
7513 MR. FRANK
TORRES: So it may not be so obvious.
7514 THE
CHAIRPERSON: No.
‑‑‑ Laughter /
Rires
7515 MR. FRANK
TORRES: It didn't take us long to figure
out how to do business in Edmonton. And
this is one thing that we realize as a national broadcasting entity is that
every market is different and every province and every town is different. We quickly realized that to succeed in
business in Edmonton is about partnerships with the community and that's why we
are so focused on local content and spoken word, and Karen is a perfect example
of how we form those partnerships.
7516 MS MacKENZIE: And we are really pleased, the Aboriginal
community when we signed the accord agreement, to say when business works in
partnership that we need to be consulted at the beginning, not brought in at
the end as a bit of a beads and feathers tokenism.
7517 And with that
accord agreement we were absolutely delighted that DAWG‑FM expressed that
spirit or manifested that spirit of the accord.
So that's why we are sitting here in support of this station.
7518 MR. CLARKE: I mean one thing that we really do in our
sales efforts is that we involved ownership of the company very much in sales
which is unheard of in many radio stations from my experience, right, working
in the industry. Usually, you have the
GM may get involved or general sales manager may get involved but ownership
rarely will come out to an advertising agency.
7519 What we do at
Skywords, we bring ownership in with us.
We bring them into the retail clients, let them come in, meet the owners
of the station and we build that bond from the top all the way to the bottom,
which really helps.
7520 THE
CHAIRPERSON: That actually segues nicely
into my question because I noticed in your brief again you project that 50
percent of your revenue will come from advertisers that currently do not
advertise on traditional radio and from non‑traditional revenue. And I was just wondering what you meant by
that, in particular the non‑traditional revenue.
7521 MR. ED
TORRES: Sure, and I guess I will
probably ask Jeff and Aubrey to help in with this one but our current
advertisers in Edmonton are 75 percent non‑traditional. They didn't exist on radio in the market
before we arrived.
7522 So we leverage our
existing relationships from our national business and our regional business in
Toronto. We leverage those. Frank has talked about creating co‑ops.
7523 Retail doesn't
spend a lot. Retail ‑‑
big box retail doesn't spend a lot of money in radio and they don't because the
stations are flung too far afield. They
have got so many outlets that you can't possibly cover all of the markets
without making an extensive number of phone calls. So if you are Maaco or if you are Best Buy
one radio station cannot ‑‑ you have to make hundreds and
hundreds of phone calls.
7524 Even from an
agency it's very hard to execute a national or a regional buy but we come in
and we can cover off 75 percent of the markets and now that media buyer or the
marketing manager only has to look at buying the individual markets that we
can't provide. So we are very good at
finding non‑traditional radio.
7525 Gentlemen, I don't
know if you ‑‑
7526 MR. CLARKE: Yes, another thing that we really do is we
take clients and we develop cross promotion opportunities between our clients,
and that's something that's been working really well for us. Like for instance we ‑‑ like
Tim Horton's has that flip, roll up the cup to win. We partnered with another company and we did
a flip to win promotion and we got all the other partners involved, you know,
pooled our revenue together and you know everybody was happy. We do that with a lot of different
clients. If you go out to a client,
"No, I don't want to do radio", you say to them, "Okay, well I
can develop this promotion for you" and I will bring this client and
another client and pool them all together and a lot of times you get the
revenue that way.
7527 MR. McFAYDEN: And to the point of bringing new companies to
radio, because of our business arrangement with the radio stations that we
provide content for, we are selling the same markets as them so we don't want
to take away business from them or compete against them so we have to go
against companies or we have to go after companies that don't currently
advertise on their station and many times on any other station.
7528 THE
CHAIRPERSON: So your use of the non‑traditional
revenue is just another way of saying companies that aren't currently
advertising on?
7529 MR. ED
TORRES: Yes, and I think another thing
is the format will bring its own unique advertisers. In our Ottawa hearing we sat down with Fred
Litman who is the owner of Northern Blues Records. He can't wait for the first DAWG licence so
he can go and spend and spend and spend and promote his artists. You know, we have got Stony Plains here. They are a perfect choice.
7530 So there is a
myriad of blues industry ‑‑ the festivals, you know. So we think there is a lot of money out there
that would come to us as a result of our format.
7531 MR. CLARKE: And non‑traditional revenue is what I
just explained too with that promotion where we bring the cross‑promotions
together. Like there is a lot of
companies that wouldn't do radio at all but when you say, okay, I can put your
logo on seven million coffee cups, right, they said, "Okay, I'm willing to
contribute to the radio now".
7532 THE
CHAIRPERSON: So have you done any
specific surveys or studies to substantiate that 50 percent? Do you have any current agreements or commitments
in place of people that are willing to do that?
7533 MR. ED
TORRES: Yes, and again we have had this
question at a number of our hearings and we've already spoken and received
commitments from a number of our advertisers and unfortunately three times we
have had to go back to them and stall.
7534 So the advertisers
in large part they will come and support our application, you know, depending
on which market it lands in, but certainly in the major markets.
7535 THE
CHAIRPERSON: Thank you.
7536 The 35 percent of
your Year 2 revenues you are projecting come from existing services, would you
have a breakdown of that 35 percent by service?
7537 MR. ED
TORRES: Yes, we do. And again, this was ‑‑ we
tailored our research to come up with a scientific way to, you know, to pin
down exactly where the revenue comes from.
7538 So Aubrey, maybe
you can ‑‑
7539 MR. CLARKE: Take ‑‑
7540 MR. ED TORRES:
‑‑ take the Commission through that?
7541 MR. CLARKE: Yes, from the 35 percent revenues, year
through revenue which is about $786,000, we have broken it down amongst the top
five stations in the market.
7542 THE
CHAIRPERSON: Okay.
7543 MR. CLARKE: And I can give that to you.
7544 THE
CHAIRPERSON: Actually, if you like, you
could just submit it. As long as you do
it by the end of the day Wednesday that would be great.
7545 MR. CLARKE: Yes, for sure.
7546 THE
CHAIRPERSON: That's great, thank you.
7547 MR. CLARKE: You are welcome.
7548 THE
CHAIRPERSON: Now, looking at the CCD I'm
wondering steps you will take on an ongoing basis to ensure that beneficiaries
of your CCD contributions continue to disburse them in accordance with the
Radio Policy.
7549 MR. ED
TORRES: And I think that Karen touched
on that. Certainly, we don't ‑‑
our CCD we really feel that it's the most heartfelt part of our
application. It's the strength of all of
our applications that, you know, just giving money away in a windfall manner to
a festival or somebody that doesn't really deserve it, we think that's not
correct. So we have chosen our partners
carefully. So we will have a continuing
dialogue with those partners.
7550 And again, because
our CCD is crafted towards the blues we have a vested interest in making sure
that, you know, the CCD is going to support blues‑related activities as
long as it meets the scope of our partners.
7551 THE
CHAIRPERSON: Thank you.
7552 And I noticed in
your remarks you indicated, I believe, that you thought the market could
support two new licensees. Am I correct
in that?
7553 MR. ED
TORRES: Yes, we think that two
mainstream licences and depending on what permutations ‑‑ I
mean it could possibly support more.
7554 THE
CHAIRPERSON: Could possibly. Do your ‑‑ are your
projections based on two being licensed?
7555 MR. ED
TORRES: No, our projections are based on
our station alone entering into the market.
7556 So again, if you
licence two or three will they have an impact?
Depending on the combination, but one thing that because our format is
so different from every other application you are going to hear, we think that
it's going to have a negligible effect because we are playing music that, as
Lochlin mentioned, 97 percent of it is not available. We are going to create a brand. We think that's going to give us a
difference.
7557 THE
CHAIRPERSON: Now, of the competing
applicants, though, have you looked at their lists as well, their playlists as
well and the same applies?
7558 MR. ED
TORRES: Yes, we have looked ‑‑
I mean we haven't looked at them track by track but certainly we have looked at
the formats. We have had cursory glances
at the playlists and, yes, there is nothing really that impacts there.
7559 MR. CLARKE: And just I would like to add is back in 2000
I was there when Flow 93.5 launched in Toronto and they were a format everybody
thought was a specialty format, oh, urban would never go anywhere, you know,
wouldn't do well. And just like urban
music is a lifestyle, blues is a lifestyle too and when you sell that format
based on the lifestyle, you know, you can achieve your projections very easily.
7560 THE
CHAIRPERSON: So would you care to
comment on which of the competing applications would be the most competitive
with yours and which would be the least?
7561 MR. ED
TORRES: Having looked at them, I mean
the least, any of the multicultural or Aboriginal ‑‑
7562 THE
CHAIRPERSON: Just of the commercial.
7563 MR. ED
TORRES: Yes. No, I was trying to dance around that
question.
‑‑‑ Laughter /
Rires
7564 THE
CHAIRPERSON: But you don't even have to
answer it if you would rather not. You don't
have to feel like you have to if you don't want to.
7565 MR. ED
TORRES: No comment.
7566 THE
CHAIRPERSON: That's perfectly
acceptable.
7567 Okay, Commissioner
Cugini.
7568 COMMISSIONER
CUGINI: Thank you, Madam Chair.
7569 Good to see you
guys again.
7570 MR. ED
TORRES: Likewise.
7571 COMMISSIONER
CUGINI: I heard what you just said, in
the sense that 97 percent of this music is not being played on the market. However, there are certainly a number of
artists on your playlist that I could expect to hear on some of the radio
stations currently in the market, certainly on the classic rock station, might
even hear them on the rock station, possibly on the soft rock/jazz station.
7572 So knowing that
the Edmonton market is quite competitive how are you going to distinguish your
sound from what is currently available in the market?
7573 MR. ED
TORRES: Good question.
7574 And again, it's
not just the music because there will be some crossover but the voice that you
heard on that recording that's an imaging voice that nobody in this country
uses except for TV. So we would design
promos, we would design imaging. We have
to create again the blues brand. Our
promotions are going to be different.
Robyn talked about, you know, we are not sending you to Mexico. You are going to Memphis, right? You are going to New Orleans.
7575 So it's ‑‑
again, all the things that radio does so well to brand itself and to position
itself we are going to do, but we are going to build it around the blues
brand. We are going to bring all this
music and it is all the blues.
7576 And we think that
we can build something that is cool, that has an appeal to that 40 to 50‑year
old listener that can't find the music that they want on the radio. But also, our research shows that the 25‑34
female is very attracted to this format.
So we are also going to pickup some listeners at the bottom end of the
demographic and we think that that's going to fuel the format into the future.
7577 MR. LOOME: Can I just interject a point on the blues
market itself and what people are listening for ‑‑ listen for?
7578 Yes, you can turn
on K‑ROCK right now and you can hear a Stevie Ray Vaughan cut. I think they have got some examples from, you
know, some bands I wouldn't have even traditionally thought of on the playlist
who do the odd blues cut but aren't really blues artists. But I can't turn on a radio station in
Edmonton right now at any given time during the day and expect to hear a blues
artist.
7579 I mean the reality
is even if K‑ROCK does play Stevie Ray Vaughan, it will play the same
three or four songs in rotation over and over and over again. Literally, it will take the small number of
crossover hits that blues and rock artists have had in the rock mainstream.
7580 A number of
artists or songs that have made the Top 100 in rock that's what you are
listening to. You are not listening to
it because it's a blues song for somebody who wants to hear blues. If I want to hear 90 percent of what Stevie
Ray Vaughan did I will never hear it on a radio station in Edmonton.
7581 COMMISSIONER
CUGINI: Right. Because the genesis of my question is exactly
that point, because in your presentation you say to us you will probably like
the blues and you don't even know you like the blues.
7582 MR. LOOME: Yes, because ‑‑
7583 COMMISSIONER
CUGINI: Because I'm hearing the blues on
various radio stations.
7584 MR. LOOME: Yes, yes.
7585 COMMISSIONER
CUGINI: They just haven't been
identified as the blues.
7586 MR. LOOME: That's it, exactly. It's a familiar tone but it's not a
consistent theme. So you hear a song you
think is great. You might even hear
another one that is similar to it by a different artist you think is great but
there is never that consistent theme of being able to turn to a station and hear
that general type of music all the time.
7587 MR. ED
TORRES: I think Lochlin too has ‑‑
7588 MR. CROSS: Yes, I just wanted to expand on the brand and
building the brand and having a unique position at DAWG‑FM playing the
blues, and a number of things that they have highlighted in their supplementary
brief as far as support of emerging talents and the commitment to spend CCD
money and how they are going about doing it.
DAWG‑FM would definitely be something I think that would generate
a very different audience.
7589 So there might be
a bit of crossover with respect to the music they are playing but, again, that
brand and getting into the community and getting in touch with the blues
community in Edmonton is sort of essential to the makeup of the application.
7590 COMMISSIONER
CUGINI: Thank you.
7591 MR. FRANK
TORRES: I think, just very quickly, to
add one quick comment.
7592 COMMISSIONER
CUGINI: Sure.
7593 MR. FRANK
TORRES: You are absolutely correct. You are going to see those artists and say,
"I do know these artists and I do know that they play on other radio
stations" but it's the tracks that ‑‑ are what determine
whether it's a blues song or not. You
will hear it and you will say, "I didn't realize that guy played that and
I didn't realize that was blues and now I realize I like it".
7594 COMMISSIONER
CUGINI: Thank you.
7595 I am going to
follow up on your CCD commitments, and I'm referring to page 18 of your oral
presentation. This may just be
highlights of your CCD but ‑‑ and if that's what it is, that's
great. But I just do need to confirm
that ‑‑ sorry ‑‑ DAWG music camp and your
Canadian music week commitment are still CCD commitments to which you will
comply based on your application, because they weren't in your oral
presentation today.
7596 MR. ED
TORRES: Yes, we ‑‑ that
was just for the sake of brevity. We
will honour those commitments.
7597 COMMISSIONER
CUGINI: Thank you.
7598 See, you leave
stuff out and it just calls attention to it.
7599 Art Start Edmonton
in your oral presentation today you said that it will:
"...provide accessible and
professional quality lessons in drama, dance, visual art and music to
elementary‑aged children."
(As read)
7600 COMMISSIONER
CUGINI: We need to have a reassurance
that in accordance with the Commercial Radio Policy of 2006 that these funds
will be directed to students in the music program.
7601 MR. ED
TORRES: Yes. I'm trying to think back, Jeff, to the
letter. I think we did of course mandate
to all of our partners, you know, that it had to be in conjunction with music.
7602 MR. McFAYDEN: And specifically with Art Start they do have
that musical department and they want to do it or they want to use the funds
for blues specific within the musical department. The coordinator for that program is one of
our supporting intervenors and will be here to talk about that kind of
commitment in a couple of days.
7603 COMMISSIONER
CUGINI: Okay, terrific. Thank you.
Thank you very much.
7604 Thank you, Madam
Chair.
7605 THE
CHAIRPERSON: I have one question for Ms
MacKenzie.
7606 I was just
wondering exactly what your involvement was to this point? Was it just in developing the CCD initiatives
or is it in the sort of the music programming proposed music line up or what
exactly have you been doing with it?
7607 MS MacKENZIE: Well, I'm going to say "yes" to
all. Jeff met with me really early on in
the process and it was easy to introduce him to some of the blues happenings in
the city of Edmonton and, of course, you know, I get to say now that our people
have been singing the blues for a long time.
‑‑‑ Laughter /
Rires
7608 MS MacKENZIE: And also, as an individual I'm the mother of
three musicians who make their living from live music. So again, I'm very emotionally attached to
this project.
7609 Again, I'm going
to say things that are not mainstream needs a lot of support because that's
where a lot our youth come in. And for
the Nellie Carson Awards, certainly looking at different alternatives where we
can talk about donating musical or buying musical instruments. You know, kids go to camp and so on and
having them play with live musicians so they will be mentored as well as
encouraged in their own creativity.
7610 MR. LOOME: And if I could just add a historical context
to that as well, the Aboriginal community in terms of blues music it's not
highly recognized but it's a very important part of the blues history.
7611 Some of the
earliest blues artists, Charlie Patton, who was one of the great bluesmen was a
half‑Cherokee. The earliest blues
rhythms that people attribute largely to African slave music mixed with British
folk music were in fact heavily influenced in terms of drum patterns and
drumbeats by Aboriginal communities that surrounded the various plantations
where blues music was developed.
7612 You can go back to
the earliest days of blues music and there has been a strong, strong tie to the
Aboriginal community in North America that has really not been given its due
even though even within the niche of blues there have always been huge numbers
of Aboriginal performers. I don't know
whether that's so much because of the cultural tie as the fact that it is
working bands' music for blue collar people.
And frankly, if you have had troubles sometimes that's the place you go.
7613 THE CHAIRPERSON: Just sing the blues.
‑‑‑ Laughter /
Rires
7614 MR. LOOME: Yes.
7615 THE
CHAIRPERSON: Okay. Thank you very much.
7616 Legal? No, no questions.
7617 Okay. I'm not going to forget this time. It's your two minutes.
‑‑‑ Laughter /
Rires
7618 MR. ED TORRES: Okay.
Well, thank you for hearing this application. There is three key points we want to
highlight and three compelling reasons to licence DAWG.
7619 Firstly, we
already operate a broadcasting operation here in Edmonton. We have capable management. Our entry in the market last year was an
unqualified success.
7620 We believe our
local management, our established local radio sales force, the fact that we
operate from the former Edmonton Radio Group studios and offices give us a head
start in the market.
7621 Alberta and
Edmonton are quickly becoming the engine that drives the Canadian economy. Growth in GDP was phenomenal last year,
5.5. The radio market is healthy here
and there are plenty of frequencies. We
don't get to say that very often.
7622 Our format station
won't challenge the top three. We think
it's going to fit in the middle of the pack here. With the abundance of frequencies and the
strength of the market this is where the Commission can give Canadian blues
listeners that station that they have been asking for.
7623 Our format, the
blues, is reason number two. Everyday we
receive support letters for our blues applications, not fake ones from our
friends, real ones from our Blues in Canada website. We get support from people across the country
that are passionate about the format.
The format is on Sirius, it's on XM; it's on ExpressVu. With Sirius and XM you don't get Cancon so
our Canadian artists are actually losing ground on American blues artists.
7624 Our format is
going to be mainstream artists. 70
percent of the songs will be recognized commercial gold songs like Layla,
Domino, Voodoo, Pride and Joy.
7625 Edmonton loves the
blues. Our research shows it, BBM
confirms it. Saturday Night Blues ranks
number three in the market and our demo CKUA Friday blues shows rank number
two, and the Edmonton Sun reader poll backed us up by saying that 33 percent of
respondents wanted to see a blues station in town.
7626 And the last
reason, reason number three, we are a new player. We are adding diversity to the Canadian
broadcast system. We bring new
ideas. To add diversity to that
broadcast system we need new owners. Who
better than a broadcast company that's been in operation for 17 years?
7627 We are well
financed. We have an extensive knowledge
of the broadcast system and we have a long term strategic plan to expand into
licensed regulated broadcasting. We have
applied for seven radio stations and more coming. At the last 10 competitive licence hearings
nine licenses have been issued to existing licence holders.
7628 Licensing DAWG‑FM
will provide diversity in programming with our new blues format, plurality of
news voice, diversity in the ownership makeup of this market and of other
markets and diversity by licensing a non‑licence holder.
7629 So thank you for
your time. We appreciate your
consideration of our application.
7630 THE
CHAIRPERSON: Thank you, Mr. Torres, and
your team.
7631 We will break now
for 15 minutes, which would get us back here about 4:45 ‑‑
4:25. Sorry, 4:25.
‑‑‑ Upon recessing
at 1609 / Suspension à 1609
‑‑‑ Upon resuming
at 1628 / Reprise à 1628
7632 THE
SECRETARY: I have a quick
announcement. For the record, CIAM Media
Broadcasting Association has filed in response to undertakings its commitment to
Category 3 music. These documents have
been added to the public record and copies are available in the public
examination room.
7633 We will now
proceed with Item 17 which is an application by Black Gold Broadcasting Inc.,
on behalf of a corporation to be incorporated, for a licence to operate an
English‑language FM commercial radio programming undertaking in
Leduc. The new station would operate on
frequency 102.3 MHz (channel 2272B) with an average effective radiated power of
17,000 watts (maximum effective radiated power of 32,000 watts/antenna height
of 50.5 metres).
7634 Appearing for the
applicant is Mark Tamagi.
7635 Please introduce
your colleagues and you will have 20 minutes to make your presentation.
PRESENTATION / PRESENTATION
7636 MR. TAMAGI: Good afternoon, Madam Chair, Commissioners
and CRTC staff.
7637 My name is Mark
Tamagi and I am President of Black Gold Broadcasting.
7638 It is an honour to
be here today and we are here not for an Edmonton licence. We are here and we are very excited to
present our application to bring Leduc County its first originating FM radio
station, a radio station we can call our own.
7639 I would like to
introduce my colleagues with me today.
On the left of me is my partner, Aaron Giesinger.
7640 Next to Aaron is
Councillor John Whaley from Leduc County.
7641 And beside John
would have been Marvin Molzan but Marvin is on a plane coming in from Quebec
City from the mayors conference.
7642 To the right of me
is Alana Gueutal, my operations manager at our print shop. Alana was very instrumental in helping me put
this application together and she is also a lifetime resident of the County of
Leduc.
7643 Next to Alana is
our mayor from the city of Leduc, Greg Krischke.
7644 And next to Greg
is our member of legislature, Mr. George Rogers.
7645 Behind us is Kerry
Pelser, our consultant from D.E.M. Allen.
7646 We are here as
local residents to help make this application a dream come true for the city
and county of Leduc.
7647 Aaron's success in
business and coaching, hockey at an elite level speaks for themselves. He has won several provincial awards and
accolades for his community involvement.
Aaron is also the President of Super Slings, a successful manufacturing‑based
company in Nisku. He has a very strong
track record in business management and company operations and his experience
will be invaluable to Black Gold Broadcasting.
If licensed, Aaron will act as our CFO and oversee all the financial
elements in our business plan.
7648 As for myself, I
was born and raised in Edmonton and I have lived in the city of Leduc for the
past 11 years, since 1997. I am and
continue to be a volunteer in the community, have served as a director of the
local Chamber of Commerce, member of the downtown business association, member
of the Leduc vandalism committee and many other volunteer positions I have held
in the community.
7649 I left the radio
industry in 2000 to challenge my entrepreneurial spirit. I started a printing and marketing company
from the ground up in 2001 and we are now in our seventh year and doing very
well.
7650 Radio has really
never left me. However, not a week goes
by or a month goes by that radio doesn't come into my life. I would like to share with you today the
little story that inspired me to apply for this licence.
7651 Over the years I
have had the opportunity to hire, train and work with some of Alberta's small
market radio owners today, owners like Brian and Melanie Hepp in Olds, Troy
Schaab in Lacombe and Paul Larsen of Clear Sky Radio.
7652 Almost two years
ago now I was sitting at a Leduc chamber meeting, and it was in December 2006
to be exact. Our councillor, Bob Young,
was sitting at the table with us and the topic of discussion was local media. Councillor Bob made the comment, "Why
doesn't Leduc have its own radio station?
I think we're big enough".
That comment and the broadcasters I just named inspired me to start the
research and that research told us that there was a strong need for a local
station that would serve the entire county of Leduc and its 50,000 residents.
7653 To start a radio
station you need experience, skill and knowledge of the market. We have all the elements that will make a
Leduc radio station viable and successful.
I have 14 years of direct radio experience in the Alberta radio
market. I'm a graduate of the Lethbridge
Community College with a degree in broadcast journalism and I'm also a
certified radio manager.
7654 I started my
career as a news and sports director in Wainwright in 1988. I have done everything from on‑air
shifts, news reporting, covering events, copywriting, managing stations. I was also the general sales manager for a
group of 15 small market radio stations in Alberta and British Columbia, known
as Nornet Broadcasting for 12 of those 14 years. I have worked my entire broadcast career in
markets very similar to those that makeup Leduc County.
7655 We formed Black
Gold Broadcasting to offer the city and county a local radio station, a radio
station that will focus on local issues, local content, a radio station that
serves the needs and wants of our communities, a radio station that commits to
local news and other community information, a radio station that offers local
ownership and a local ownership that has a vested interest in the Leduc county.
7656 Together Aaron and
I bring the financial resources, business acumen, broadcast experience and
passion and desire to provide Leduc County an exceptional local radio service.
7657 Approval of our
application will result in extensive benefits to the Canadian broadcasting
system and it would also be in the best interests of the residents of the
county of Leduc.
7658 If licensed, our
station will contribute to the development of Canadian talent, specifically new
and emerging local and regional musicians through direct and indirect
contributions that are outlined in our application. We would bring a local radio service to a
large and dynamic region of Alberta that is currently without a local radio
service. We will provide an essential
independent source for daily and immediate local news and information that does
not exist today.
7659 We would be
financially viable due to the strong business plan, knowledge of the local
region, local ownership and significant previous experience in small market
radio; provide a new advertising medium specifically targeted to the businesses
that operate within the Leduc County and add diversity to ownership in the
Canadian broadcasting system.
7660 Our station will
be known as 102.3 The One. Leduc was the
earth that was first used in the discovery of ore that created Alberta's
primary industry. Ironically, it will
also be the home of our transmitter if we are granted this licence and channel.
7661 Our corporate
name, Black Gold Broadcasting was also inspired by the strong ore history in
our region. These two identities really
reflect our commitment to Leduc.
7662 Aaron, can you
give us an overview of Leduc?
7663 MR.
GIESINGER: I assume most of you, if not
all, flew into Edmonton for these hearings.
When you landed you landed in our county. Leduc County has a strong and diverse economy
anchored by energy, agriculture, transportation with supporting industries
including environmental services and advanced manufacturing. The region is economically balanced and well
positioned for continued growth.
7664 Located south of
Edmonton, Leduc County serves a market population of over 50,000 residents and
seven member municipalities.
7665 Leduc County is
home to over 2,600 businesses that all recognize the advantage of doing business
in this dynamic region.
7666 Leduc County
includes the city of Leduc, the towns of Beaumont, Devon and Calmar and the
villages of New Sarepta, Thorsby and Warburg clustered around the Nisku
Business Park and the Edmonton International Airport.
7667 Leduc region
boasts one of the highest GDPs per capita anywhere in the world. TD Economics recently noted that the
Edmonton ‑‑ sorry ‑‑ the Red Deer/Edmonton
corridor in which Leduc County is right in the middle has the second highest
GDP per capita anywhere in the world after Luxembourg.
7668 Leduc County is
not a community that feeds the workforce of nearby Edmonton or other
communities surrounding the county.
According to the 2003 municipal census of employed residents 39.5
percent work in Leduc with 23.1 percent working in Edmonton, 15.3 in Nisku and
5.9 at the Edmonton International Airport.
In other words, 60 percent of our residents work right here in the
county.
7669 Nisku is western
Canada's largest business and industrial park.
"The Park" as we like to call it, has over 600 high tech
companies, employ more than 6,000 highly skilled trades and professional
workers.
7670 Leduc County
offers economic diversity for people living and working in the area. Oil and gas, advanced manufacturing, agriculture
and a strong retail base continues to grow at record levels.
7671 Our county has an
extra advantage in economic growth and diversity with an international airport
and also with western Canada's largest industrial park. The airport just recently announced a one
billion dollar expansion that will be complete by 2014. The airport expansion and recently announced
Port Alberta initiative has significant impact on the city and county of Leduc.
7672 The construction
of our new $50 million sportsplex Leduc started this spring ‑‑
Beaumont just broke ground on a new $15 million swimming pool complex ‑‑
these projects and other capital projects in the region are strong indicators
of the needs of our rapidly‑growing county.
7673 There are
thousands of children registered in local organized supporting groups and
thousands of others involved in local music, dance; arts and these clubs and
organizations are experiencing unprecedented growth in registrations. All these people rely on word of mouth,
flyers, attending school functions, local organized meetings, events and using
local community newspapers to distribute their information.
7674 There are many
annual events within Leduc County and 102.3 The One will be an active part of
each of them. Some of them include the
Black Gold Rodeo, Beaumont's Country Days, Canada Day festivals ‑‑
festivities ‑‑ the New Sarepta agricultural fair and sports
day, Devon Days, Thorsby Demo Derby and many others.
7675 Leduc County is
not currently served by any local originating radio service. Yes, radio signals from Edmonton, Wetaskiwin
and Cambrose and Red Deer penetrate our county but do not focus on any local
programming on the region. Unless there
is a huge breaking news story in the area there is not a lot of Leduc County
information heard on these stations.
Five weekly newspapers serve the region, the Leduc Rep, the Beaumont La
Nouvelle, the Devon Dispatch, the Pipestone Flyer and the Country Aside.
7676 Mark will be
discussing the research that was done in preparation for this application and
tell you about the programming for 102.3 The One‑FM.
7677 Thank you.
7678 MR. TAMAGI: Actually, I will hand that over to Alana.
7679 MS GUEUTAL: Thanks, Mark.
Thanks, Aaron.
7680 An independent
research study was conducted in 2006 with the following objectives: One, to determine if Leduc County residents
felt the current radio stations they listen to provide them with adequate local
coverage of news and other information.
7681 Two, to determine
what music they prefer to listen to.
7682 Three, to
determine what elements are important to them on their favourite radio
stations.
7683 Fourth, to
determine if local news and other content is important to them.
7684 And five, to
determine if they would listen to a local radio station that focuses on Leduc
County.
7685 A telephone survey
was used to collect the data. Random
samples of 444 people were collected between November 20th and December 20th,
2006.
7686 According to
Statistics Canada, these results are accurate 19 times out of 20.
7687 The survey was
conducted with strong representation from each of the communities that make up
Leduc County. Results were overwhelming
in favour of a local radio station.
Complete analysis and details from this survey are outlined in our
supplementary brief.
7688 While country was
the number one music preference in our research, it is also a very well‑served
music format, with two Edmonton stations, CISN‑FM and CFCW‑AM,
programming country music.
7689 Therefore, rather
than compete musically with these two strong heritage stations, our approach to
the music will be to super‑serve the other music preferences by
presenting a classic hits format.
7690 We believe that
this broad‑based music format will best serve the entire population
within Leduc County. Our target audience
will be concentrated on adults 25 to 54, with an even split between male and
female.
7691 Although music is
important, we believe that the local spoken word content will be the reason
residents tune into our station. In our
experience, the most successful small‑market radio stations provide a
strong sense of community pride. In
essence, the communities take ownership of their radio station, and the station
becomes information central ‑‑ or, if I can describe it as an
interactive 411, 611, or 911 service in the communities that it serves.
7692 A local radio
service would provide our residents and businesses an instant medium to help
share and distribute the abundance of information pertinent to Leduc County.
7693 Our research also
showed a strong desire for local news and information. Our commitment to local news coverage in
Leduc County will be unprecedented and unequalled.
7694 If licensed, we
will hire two full‑time news staff, add a third new person in our second
year of operations, and sooner if the demand is needed.
7695 All of our
announcers will also help in supplying local news content. A minimum of 75 percent of the news will be
focused strictly on local stories in both news and sports.
7696 102.3 The One will
provide 98 news packages per week, for a total of 6 hours and 31 minutes of
local news content each week.
7697 Other spoken word
features will include as much local content as possible, and reflect Leduc
County at all times ‑‑ features like energy updates, ag
reports and features, sports updates and commuter traffic reports.
7698 That totals 4
hours and 50 minutes of other spoken word content each week.
7699 We will also air a
30‑minute, locally produced, sports show, airing on the weekends,
focusing on the County of Leduc's local sports scene.
7700 There will be a
Saturday morning swap‑and‑shop program or garage sale directory
type of programming.
7701 To help promote
cultural diversity, we plan on airing a weekly arts and culture show. This 30‑minute weekly show will highlight
Leduc County's diverse arts and cultural scene.
This program will feature interviews from local artists, in all fields
of the arts and cultural genre.
7702 We believe that
this program will help showcase the cultural diversity of this region.
7703 This totals 1 hour
and 30 minutes weekly of long‑form spoken word.
7704 The total
scheduled spoken word commitment of The One FM is 12 hours and 51 minutes
weekly, approximately 10 percent of the programming during the broadcast week.
7705 102.3 The One will
initiate a local PSA program that will help our local groups and organizations
get the word out and increase public awareness for their causes.
7706 We also expect to
have regular visits from the local mayors, reeves, MLAs, MPs, emergency service
personnel, as well as other community leaders.
These in‑studio interviews will air during the morning and
afternoon drive, sort of a townhall concept, so to speak.
7707 In season, we
propose to air play‑by‑play local junior hockey, with a game of the
week.
7708 Our research also
indicated that local highway and road conditions were important. Traffic and weather reports are extremely
important. As we know, weather and road
conditions play a vital part in the daily lives of Albertans. Therefore, we will broadcast local road
conditions, traffic reports, school closures, and bus schedules within the
county.
7709 Our announcer will
talk about all of the communities in our county, and we will have as many local
voices on the air as possible to reflect our local region and community. This is over and above our commitment to
scheduled spoken word content.
7710 102.3 The One will
also be part of Alberta's public warning system, in association with CKUA. We want to ensure that our residents have
access to this vital provincial information link.
7711 We will commit to
play 35 percent Canadian content during the week and during prime time
hours. Five percent of our 35 percent
will feature emerging Canadian artists during prime time hours.
7712 We would love to
be the local radio station that discovers the next Shania Twain or
Nickelback. That talent may be hidden in
our county, and a local radio station could provide local talent an opportunity
to be showcased and discovered.
7713 Our initial on‑air
personnel will consist of six full‑time staff, consisting of four
announcers and two people dedicated to local news and sports coverage.
7714 Our plan is to add
a third person in our second year, or sooner if needed.
7715 One hundred
percent of our programming will be locally produced.
7716 We will offer 126
hours of local programming per week. We
will be live‑to‑air from 6 a.m. to 6 p.m., seven days a week, with
local voice‑tracking from 6 p.m. to midnight. Our local voice‑tracking will include
local content. Again, our focus is to be
local all the time.
7717 Aaron, will you
take us through the CCD commitments?
7718 MR.
GIESINGER: Yes, thank you, Alana.
7719 We feel strongly
about growing local, regional and national talent, and would like to play an
important role in maintaining and developing our Canadian talent.
7720 Special
consideration will be given to local and regional performers on our station.
7721 Further, to
support new and emerging artists, we will feature a weekly 30‑minute
music program on weekends, dedicated specifically to emerging Canadian artists.
7722 Our direct
contributions to CCD over the initial seven‑year licence term will be
$5,000 annually, or $35,000 over the licence term.
7723 These funds will
be disbursed on three initiatives: a
FACTOR contribution of $1,000 annually; Black Gold's School District Music
Program, $1,500 annually; the Leduc and District Music Festival, $2,500
annually.
7724 The Leduc Junior
High School and Beaumont High School have music programs in their
curricula. Each school will receive $750
toward purchasing musical instruments.
7725 The Leduc and
District Music Festival is in its 30th year, and attracts more than 750 local
participants. The music festival is open
to all youth in our county, and gives the participants an opportunity to be
adjudicated and evaluated for their musical skills.
7726 We are offering a
$2,500 scholarship. Their Board will be
empowered to set up the criteria on how the scholarship money should be awarded
and distributed, with assistance from our Program Director.
7727 Each of these CCD
initiatives will also be supported through on‑air promotion, through
PSAs, promos, announcers' ad lib, on‑air interviews, as well as our
weekly arts and entertainment programming that will highlight local talent.
7728 MR. TAMAGI: With respect to the sales forecasts,
projected revenues are based on us servicing a total of 2,600 businesses in
Leduc County.
7729 Based on my
previous experience in budgeting for 15 radio stations, we were comfortable
with our projected local revenue and actual projections.
7730 Our increased
revenues will continue to grow as the station matures.
7731 Currently, only
major advertisers in the county are advertising on Edmonton radio. These would include large car dealers and
large RV dealers, and national advertisers.
7732 The number of
radio advertisers in Leduc County advertising on Edmonton radio would be, in my
estimation, less than 1 percent.
7733 Our proposed
advertising rates would enable small businesses in Leduc County to have a local
radio option and an alternative to target Leduc County residents. As we know, one of radio's strengths is to
provide target marketing in a local or regional area.
7734 Edmonton radio
ads, in most cases, are too expensive and not cost‑effective.
7735 Again, my
broadcast experience and experience in operating businesses in the county have
given us a good understanding and a solid foundation on which to build
realistic revenue projections.
7736 I would like to
take this opportunity to have my panel speak. Due to the complicated process of CRTC
hearings ‑‑
7737 MS LEHOUX: I'm sorry, but I will have to intervene at
this point, because I have read your presentation, and we have seen the letters
which have been added to your presentation, and the problem we have is that
these have not been produced through the public file, and we are in Phase
I. Normally the intervenors come in
Phase III.
7738 MR. TAMAGI: All right.
We were told that our intervenors wouldn't be allowed to go to Phase III
because of the request ‑‑
7739 They had to ask to
be intervenors, and, unfortunately, they didn't, they just supplied their
letters.
7740 MS LEHOUX: Yes, there may have been some confusion.
7741 The letters won't
form part of the public record.
7742 I think you still
have one minute for your oral presentation, so we will manage it like that.
7743 MR. TAMAGI: We are done.
My presentation is done.
7744 MS LEHOUX: Thank you.
7745 MR. TAMAGI: We are done, Madam Chair and
Commissioners. Do you have any
questions?
7746 THE CHAIRPERSON: I think what legal counsel was saying,
though, was that if the mayor wanted to make some comments, he could do that.
7747 And speak quickly,
it's going fast.
‑‑‑ Laughter /
Rires
7748 THE
CHAIRPERSON: I'm just kidding. You could certainly make some comments.
7749 MR. KRISCHKE: Thank you.
7750 I am pleased to be
able to come before the Commission to speak today. Simply put, it is time that we had our own
radio station.
7751 Out of all of the
cities in the Province of Alberta, only four cities do not have at least one
radio station. We are one of them.
7752 More than 20 towns
in this province, with populations less than half of what the City of Leduc
has, have their own radio stations.
7753 Our problem is
that, although we live very close to Edmonton, the radio stations that serve
Edmonton, serve Edmonton. They say that
they serve the surrounding region, but, by and large, we get no play at all.
7754 I use an
example. We just announced a ground‑breaking
ceremony for a $50 million project. We
sent out information to every one of the media outlets, whether they be TV,
radio or newspaper. Shaw Cable, as part
of their Canadian content, I assume, decided that they were going to come out
and do some work, and we were really pleased with that.
7755 Other than that, a
radio station in Camrose was the only one that did anything. They wanted to have an interview, which was
great, but we never even got any airplay out of an Edmonton radio station.
7756 Fifty million
dollars is more than our annual budget.
That is a significant event, and there was no play at all.
7757 I guess we are
pleading that we need to have a voice.
7758 With a weekly
newspaper, an event that happens on a Wednesday doesn't get reported until the
following Friday. That is 10 days before
information gets out to our community, other than by word of mouth.
7759 It is our
time. It's our turn. Thank you.
7760 THE
CHAIRPERSON: Thank you very much.
7761 Commissioner
Molnar will start the questioning.
7762 COMMISSIONER
MOLNAR: Thank you, and welcome.
7763 As you know, you
are here today as part of a competitive process for licences that could also be
awarded to Edmonton. So, really, the
decision is: Does it go to Leduc, or
does it go to Edmonton.
7764 Your market, as I
understand it ‑‑ radio signals from Edmonton go into your
market.
7765 What I would like
to do to begin with is to understand a little bit about what is Leduc County,
and how is Leduc County distinct from Edmonton.
7766 Maybe an easy
first answer is to tell me what is the distance.
7767 MR. TAMAGI: The distance is about 20 miles, 30
kilometres, south of Edmonton.
7768 With regard to the
region and diversity, I would like to ask MLA George Rogers to address that
question.
7769 MR. ROGERS: Thank you, Madam Chair and Commissioner
Molnar.
7770 There are some
great stations in Edmonton that broadcast a lot of content into our
region. We have a region of
approximately 50,000 people, which I am proud to have been a resident of since
1975.
7771 The economy, as
was mentioned earlier in the TD report, of the Edmonton/Calgary corridor has
one of the highest GDPs anywhere.
7772 We have over
20,000 people working in the Nisku Industrial Park, another 5,000 at the
Edmonton International Airport, and an industrial area in Leduc, with a
population base from Devon right across the county to Thorsby and other places.
7773 This is a very
unique market, and with all due respect to some very good, and great, radio
stations in Edmonton, they broadcast a lot of content into our market, but they
really don't cover our area at all ‑‑ its issues, its stories,
its opportunities, its emerging talent, and so on.
7774 I think, as the
mayor said, Madam Commissioner, it is our turn.
We need something that is ours, The One.
7775 COMMISSIONER
MOLNAR: Just to help me understand, 20
kilometres ‑‑ and I know that St. Albert has pretty much grown
into Edmonton at this point, but it began, as well, as a community on its own.
7776 How is it that
your county is distinct from Edmonton?
7777 Let me throw out a
couple of things, and maybe you could help me, again, to understand.
7778 You mentioned, for
example, your school organizations. Are
your school organizations, and the youth programs, and your sports and
culture ‑‑ are you distinct from the Edmonton market
completely, or are you part of that market in the different elements of your
community?
7779 MR. TAMAGI: With regard to the schools, we are the Black
Gold School District.
7780 Mayor Krischke
would actually like to address some of those questions.
7781 MR. KRISCHKE: Thank you.
7782 First of all, we
are located south of Edmonton. The City
of Leduc is 30 kilometres, 22 miles, south of Edmonton, by the international
airport.
7783 But Leduc County
is over 65 miles long, and 20 miles deep, if you want to go from north to
south.
7784 The signal would
not just be for the City of Leduc. The
idea is that it will take in the smaller communities of Warburg, Thorsby,
Devon, Calmar, Beaumont and New Sarepta.
7785 We are along the
southern border of Edmonton, but we are over 65 miles long, and we go out quite
a bit farther west and a little bit farther east from the physical boundaries
of the City of Edmonton.
7786 What makes us
distinct is that we had to develop as our own centre. By and large, Edmontonians didn't discover
the southern part like they did out east, to Strathcona, or north to St.
Albert. They felt that we were quite a
ways south of the community, so we have had to develop our own identity.
7787 Some of the high
school sports programs operate sort of as an adjunct to the football programs
in Edmonton when it comes to the end of the season. We play in the finals, et cetera.
7788 But most of it is
autonomous within our own region.
7789 COMMISSIONER
MOLNAR: Just to confirm ‑‑
and I believe you said it in your opening remarks ‑‑ the
Edmonton stations do not provide you coverage for your local events and your
local school closures, and those sorts of things. They are not covered by any of the Edmonton
stations today?
7790 MR. KRISCHKE: No, they are not, and it actually frustrates
the heck out of me.
7791 If they announce
that there is an accident out in Leduc, they say: Leduc, 33 kilometres south of Edmonton.
7792 If there is an
accident in St. Albert ‑‑ between the Post Office in Edmonton
and the Post Office in St. Albert is, like, 20 kilometres, but they don't
say: St. Albert, 20 kilometres north of
Edmonton.
7793 They consider us
to be sort of distinct, and we don't get that play. We don't get play at any time.
7794 On Canada Day they
will talk about what is happening around the region with the different
festivities, but Leduc isn't mentioned.
7795 I have talked
personally to several of them, but it doesn't seem to make a difference.
7796 MR. TAMAGI: A good example of coverage for Edmonton media
would be the most recent municipal elections that we had last year. We, as residents of the county and the city,
had to go to the city website to find results for our city and county.
7797 We watched
Edmonton TV, we listened to Edmonton radio, but it wasn't covered.
7798 And if it was
covered, and you went to the bathroom, or went to get a drink of water, you
missed that coverage.
7799 COMMISSIONER
MOLNAR: Thank you.
7800 I am going to move
on to some other elements of your application, and I am going to begin with the
technical.
7801 You have
requested, as we spoke of, a frequency that serves Edmonton as well as
Leduc. Have you looked, and are there
other frequencies that you would consider?
7802 MR. TAMAGI: We have.
There is a big story to that.
7803 Of course, when it
comes to technical, without a frequency or a channel you have no radio
station. So that is, of course, the
first thing you do, you look for a frequency.
7804 I was led to
believe that in the 1950s, when the FM plan was rolled out in Canada, every
community of a certain size was allotted a channel and a frequency.
7805 Leduc was allotted
a channel and a frequency.
7806 When we went to go
and find that channel and frequency, that channel had left and was never
replaced. The channel we found ‑‑
actually, Kerry, our technical consultant, could speak to more of this, but we
looked at two or three alternate frequencies ‑‑ I believe
88.1, 107.1 or 107.3 ‑‑
7807 107.1 or 107.3 had
restrictions due to the airport. Because
we live in a county with an international airport and NavCanada, there are a
lot of restrictions.
7808 We looked at
different alternate frequencies and, really, none of them provided the level of
coverage that we require for the entire county.
7809 We want to
penetrate into the basements in Thorsby.
We want to penetrate into the homes in New Sarepta. Without proper coverage technically, we can't
do that.
7810 Would you like
Kerry to speak to the frequency situation?
7811 COMMISSIONER
MOLNAR: Not for my benefit. I think that's fair, you have looked and, in
your view, this is what you need to take.
7812 I expect you are
aware that there are technical issues related to a third adjacent frequency.
7813 MR. TAMAGI: Yes.
7814 COMMISSIONER
MOLNAR: I apologize, but I am going to read
this, so I get it right dealing with the technical matter.
7815 You have requested
to locate your antenna at a site which is situated 22.7 kilometres from the
site that is used by CKER‑FM and CHDI‑FM. This, as I understand from our technical
group, could generate large areas of interference to the incumbent stations,
which would have to be remedied at your expense.
7816 My question is,
are you aware of this, and have you incorporated the potential costs of
addressing these problems within your business plan?
7817 MR. TAMAGI: Yes, we have.
7818 COMMISSIONER
MOLNAR: So your technical costs within
your business plan assume some corrections?
7819 MR. TAMAGI: Correct.
7820 We have
contingencies in regards to technical, as well as the transmitter site. We have a letter from the Canadian Petroleum
Society, where Leduc 1 is actually located.
We have a letter from them to co‑lease.
7821 If that does not
work, we also have a letter from them to lease land to build a tower on that
site.
7822 COMMISSIONER MOLNAR: So your remedy would be to move your ‑‑
to use a different tower?
7823 Is that it?
7824 MR. TAMAGI: Our remedy would be to do whatever it takes
to make it work, I guess.
7825 I am not a
technical engineer. Maybe I could have
Kerry address that issue.
7826 MR. PELSER: One of the issues that we discussed was when
you have a third adjacent interference situation. One of the only ways, and the prime way, to
remedy that is to replace radios, and that is one of the things that Mark and I
discussed.
7827 Often what we have
found in other markets where third adjacent interference occurs is that it
occurs primarily to lower quality radios, and then it is up to the incumbent,
as stated by Industry Canada ‑‑ not the incumbent, I'm sorry,
the new station ‑‑ to replace those radios with a better
quality radio.
7828 That would be the
tactic that we would use to resolve cases of interference.
7829 COMMISSIONER
MOLNAR: Fair enough. And those are the costs that you have
incorporated into your business plan?
7830 MR. TAMAGI: Yes, we have.
7831 COMMISSIONER
MOLNAR: Thank you.
7832 I am going to move
on to programming, and I am going to reference your opening remarks, because I
know that you put a total of your programming in here.
7833 You have stated
that you will have a total spoken word commitment of 12 hours and 51 minutes
weekly.
7834 MR. TAMAGI: Yes.
7835 COMMISSIONER
MOLNAR: Of that, just to be clear, 6
hours and 31 minutes would be pure news.
7836 MR. TAMAGI: That's correct.
7837 COMMISSIONER
MOLNAR: Four hours and 50 minutes would
consist of other spoken word.
7838 MR. TAMAGI: Yes.
7839 COMMISSIONER
MOLNAR: One and a half hours would be
long‑form spoken word.
7840 MR. TAMAGI: That's correct.
7841 COMMISSIONER
MOLNAR: Then, is the difference the announcer
talk?
7842 MR. TAMAGI: I believe that all of my calculations for the
news are correct.
7843 The one and a half
hours of long‑form spoken word would be the three programs ‑‑
the 30‑minute programs that we are proposing.
7844 So I believe that
my calculations are right.
7845 COMMISSIONER
MOLNAR: Yes. I apologize.
I am an accountant, so I should have been able to add that.
7846 The 6 hours of
pure news, 4 hours of other spoken word, and 1.5 hours of long‑form
spoken word does equal to ‑‑ and I didn't add the minutes in
there ‑‑
7847 MR. TAMAGI: The 12 hours, yes.
7848 COMMISSIONER
MOLNAR: It equals the 12 hours.
7849 So, over and above
that, I assume, there will be announcer talk.
7850 MR. TAMAGI: Absolutely.
7851 Our focus is to be
local all the time, and put as many local voices from the community on the
air ‑‑ announcer ad lib, liners ‑‑ yes.
7852 COMMISSIONER
MOLNAR: Do you have some estimate of
what the amount of announcer talk might be incorporated into your spoken word?
7853 MR. TAMAGI: I don't have a direct number, but we will
encourage our Program Director to open up that ‑‑
7854 I am used to
community radio, small‑market community radio, and in small‑market
community radio there aren't a lot of rules.
We are not programming driven. We
are not rated. We are not in a BBM
situation.
7855 I understand that
Edmonton radio stations ‑‑ that the philosophy in major
markets is, programming first and then revenue.
7856 Our philosophy in
small‑market is, community first.
7857 COMMISSIONER
MOLNAR: That is why you have
incorporated such a large amount of spoken word into your proposal?
7858 MR. TAMAGI: That's correct.
7859 COMMISSIONER
MOLNAR: Okay. That's fair.
7860 I would like to
ask you about your news. You state in
your remarks, and in your application, that you will have six full‑time
staff, four announcers and two people devoted to local news and sports.
7861 MR. TAMAGI: That's correct.
7862 COMMISSIONER
MOLNAR: Could you clarify what the rules
and responsibilities will be of the two people devoted to local news and
sports?
7863 MR. TAMAGI: One of them will be the News Director. He or she will be the News Director, and
possibly the morning anchor, as well, in regards to news.
7864 We will have a
split. I don't necessarily want to hire
a sports director. Sports is important
to the region, but I think that news is more vital.
7865 What we want to
have are two people providing local news content, which will include
sports. But I think that our announcers
can add to that by giving leads, by putting local voices on the air.
7866 If, in fact,
George or Greg or John come and do some bits in the morning to tell us, maybe,
what is happening in the county or in the region, that will be a news story.
7867 Our news staff
will pick up on that interview in the morning, and will probably take some of
the clips out of that on‑air live and utilize it for actualities in news.
7868 Does that answer
your question?
7869 COMMISSIONER
MOLNAR: It does.
7870 I think I am
struggling a little bit. You mentioned
the size of Leduc County, that, clearly, it is more than just the City of
Leduc, it is the entire county, and you want to reflect all of that. That seems like a very large job for two
people.
7871 MR. TAMAGI: Yes and no.
7872 We don't want our
reporters, necessarily, using the phone a lot, but the phone is a very useful
tool.
7873 I have been to
most of the meetings in the county. I
have been to Thorsby's town council meeting.
7874 The nice thing
about all of these meetings in Devon, Thorsby, New Sarepta, the City of Leduc,
the County of Leduc, is that they are usually on different nights. So our reporters aren't going to be stretched
to the limit.
7875 In truth, how I
see it is that we are going to be so connected to the community, that a lot of
stories will be directed toward us.
7876 We talked about
the 411, 611, 911 kind of concept. A lot
of the stories will flow to our newsroom that way.
7877 Two news people
could be stretching it, that is why we have the contingency ‑‑
we have the funds to add a third if we need a third. Local content is definitely our focus.
7878 COMMISSIONER
MOLNAR: Let me ask you, because you have
mentioned that you are an experienced small‑radio broadcaster, are two
people in news what your experience would tell you would lead to quality news?
7879 MR. TAMAGI: In that size market, yes.
7880 COMMISSIONER
MOLNAR: In the size of market, and in
the breadth of the market, if you will?
7881 MR. TAMAGI: For example, when I started in radio, I was a
news reporter/news director for Wainwright.
Our region covered extensive ‑‑ it was a large region.
7882 I covered the City
of Lloydminster, as well.
7883 So, although I
covered the town ‑‑ and I was only one. I was the news and sports guy. I left that end of it because I got tired. I didn't get enough sleep.
7884 It can be a
stretch for these people. Again, radio
news is precise. We are not talking
detailed. That's when you go to the
newspapers. We are looking for an
overview of the entire county news‑wise.
7885 Thorsby, for example,
meets once a month.
7886 We would like to
have, actually, stringers, as well, to provide local voices on the air. So if we have a contact in Thorsby or New
Sarepta, our news department will be calling them.
7887 COMMISSIONER
MOLNAR: We don't regulate news, and that
is not the intent of these questions, just to be clear.
7888 You state in your
application that 75 percent of the newscasts would be comprised of local or
regional content.
7889 Could you give me
a breakdown of what you view to be the local and what is regional?
7890 MR. TAMAGI: Local news would be anything within the
county ‑‑ the City of Leduc, the County of Leduc.
7891 Regional
news ‑‑ how I see it, it would be provincial. It would be coming out of Edmonton, out of
the legislature.
7892 George Rogers, our
MLA, is actually the chair of several ‑‑ he is the chair of
the Heritage Fund. That type of
position, and the knowledge that George has, and the information that he has
within the province, could be very helpful and very informative to all
residents in our county.
7893 We want to hear
from George, and we want to hear from Greg and John. We want to hear what they are doing for us,
as our politicians.
7894 COMMISSIONER
MOLNAR: Approximately what percent of
your news would be local ‑‑ local about Leduc County?
7895 MR. TAMAGI: Some days it will be 100 percent, depending
on what is driving the news that day.
7896 Coming from the
news area, some days there is not a lot of news in some of these communities.
7897 I am the type of
individual who doesn't necessarily want to put fluff on the air. We definitely want good local content.
7898 When I say 75
percent, that is the minimum that we are looking for. Some days it will be 100 percent. Some days it will be 50 percent. Some days it will be 85 percent local news.
7899 On the whole, I
see us at 75 percent.
7900 COMMISSIONER
MOLNAR: Just kind of moving back to the
difference between what is Edmonton and what is Leduc County, 75 percent will
be focused on Leduc County. So it will
stay relevant to your community, and not necessarily relevant to the people of
Edmonton.
7901 MR. TAMAGI: Absolutely.
If they want Edmonton news, they have access to a lot of Edmonton
news ‑‑ TV, newspapers, radio.
7902 Our commitment is
local, to provide local coverage for the entire county, not just the city.
7903 How we see the
breakout of news is, I would say that the City of Leduc would offer, maybe, 50
percent of the content, and the county would offer the rest of the
content ‑‑ 50 percent ‑‑ for a total of 100
percent.
7904 Because the City
of Leduc is a city of 20,000, it will require a little bit more coverage than
Warburg, which has 600 people.
7905 COMMISSIONER
MOLNAR: I am sure your mayor would say
that there is plenty of news coming out of Leduc to fill the airwaves.
7906 Is that correct?
7907 MR. KRISCHKE: Absolutely.
7908 MR. TAMAGI: Yes, and our mayor wanted to ensure that our
studios would be situated in Leduc, as well.
7909 MR. KRISCHKE: If I could say one thing, sometimes news that
is important to our residents in the area still would pertain to the greater
capital region.
7910 The capital region
is made up of 25 municipalities, and Leduc is one of them.
7911 For instance,
there is a meeting next Wednesday of the capital region board, and I am the
chair of one of the five committees of that board. Of course, there will be news ‑‑
my perspective on how that board meeting went, and what is happening within the
region.
7912 It is to take the
things that are happening in our area, the greater area, and put the slant on
it of our own community.
7913 COMMISSIONER
MOLNAR: Thank you.
7914 I would like to
move on to the issue of Canadian Content Development, the CCD contributions.
7915 I would like to
clarify a few things with you.
7916 You have stated
that you will make the basic annual CCD contributions that are in line with the
new contribution system put in place under the 2006 Commercial Radio Policy.
7917 MR. TAMAGI: Yes.
7918 COMMISSIONER
MOLNAR: And, over and above that, you
will exceed these basic contributions by an additional $5,000 a year?
7919 MR. TAMAGI: That's correct.
7920 COMMISSIONER
MOLNAR: We are going to start looking at
papers again.
7921 Your financial
projections are contained in Section 7.1.
It appears that your CCD is that which you have specified as over‑and‑above
contributions.
7922 MR. TAMAGI: Actually, that came in a deficiency question,
and I believe that I answered that. It
would be all‑inclusive.
7923 So the $5,000, the
$35,000 over the seven‑year term, would be all‑inclusive, not over
and above. I apologize.
7924 COMMISSIONER
MOLNAR: Okay. So that includes both your basic and your
over‑and‑above.
7925 MR. TAMAGI: It does.
7926 COMMISSIONER
MOLNAR: I believe that we will need to
have those items broken down. Maybe I
will leave it to our legal counsel to clear that up at the end, as to exactly
what they may want to undertake for you to provide us, just to have it clear
for our record.
7927 MR. TAMAGI: Sure.
7928 COMMISSIONER
MOLNAR: Thank you.
7929 I would like to
move on to the issue of format.
7930 You are going in,
once again, competing against Edmonton radio stations that are within your
market today, and there are two particularly that have a format which appears
to be quite similar to that which you are proposing, the classic hit station
CKNG‑FM, the Corus station, and the classic rock station CIRK‑FM,
which is the Newcap station.
7931 Can you describe
the similarities and differences from a format perspective between your station
and those two incumbents within Edmonton?
7932 MR. TAMAGI: I am not a program director, so to speak
about music ‑‑ I am not an expert.
7933 Why we chose this
format, with the research that we did, after discussions with several other
broadcasters in the province ‑‑ when I was putting this
application together, we looked at the research and it was decided that this
format would be the best format to serve all residents of the County of Leduc.
7934 As for JOE, I
listen to ‑‑ I don't even know their call letters ‑‑
CKNG.
7935 Personally, I
think that our music and our format will be even wider than that. I don't know how big or how large CKNG's
music library is, but, in truth, I think they play a lot more repeats than I
would like.
7936 How we see our
format is more broad‑based, less repeats, and really targeting a demo of
25 to 54, which is widespread, but we don't want to typecast our
programming. We don't want to compete
with country music stations, or stations that have heritage listenership in
Edmonton.
7937 I think that music
can be very important to radio, but to this radio station it will be secondary,
I believe. I believe that the spoken
word content will drive the listenership.
7938 COMMISSIONER
MOLNAR: Fair enough. Last week we listened to some small‑market
radio applications and we heard a similar ‑‑ broad‑based
appeal, and use the local content to attract your audience, so I will leave
that.
7939 I would like to
turn to some of the research you did, which you mentioned in your opening
remarks, and you gave information as part of your supplementary brief which
related to an independent research study that was conducted. I believe you spoke today about the fact that
it was a phone survey that was conducted.
7940 Could you tell us
who administered the study?
7941 MR. TAMAGI: I actually hired a couple of retired school
teachers to do the study for me.
7942 We put together
the questions, and we really wanted a wide representation ‑‑ a
total representation from the county.
7943 The numbers are
broken down. I think there were 175 from
the City of Leduc, and so many out of Warburg, so many out of ‑‑
7944 It was a good
representation from the area.
7945 I own a marketing
company. I am familiar with some
research. I am not an expert by any
means.
7946 Again, I did speak
to other small‑market broadcasters in the province and I asked them what
kind of research they did when they put their applications together.
7947 Yes, we could have
hired a research company, but the questions were pretty basic. We wanted to know what they were listening
to, and we wanted to know what was important to them.
7948 We wanted to know,
mainly, if local was important, and if they had the opportunity to listen to
local radio, would they.
7949 COMMISSIONER
MOLNAR: Would you be willing to submit a
copy or share a copy of that study with the Commission?
7950 MR. TAMAGI: We have the data in our brief, and, yes,
whatever data we have, absolutely.
7951 COMMISSIONER
MOLNAR: I think the full study, which
would incorporate the questions and the study methodology, if you have it.
7952 What you have, if
you would be willing to share it, you could submit it by Wednesday, if you have
it.
7953 MR. TAMAGI: Yes, we could do that.
7954 COMMISSIONER
MOLNAR: Thank you.
7955 One of the
questions that I had, as I was reading through your supplementary brief ‑‑
you mentioned the study, and you mentioned the outcome of the study, and one of
the questions that came to my mind was that the study appeared to
overwhelmingly favour moving to a country music format, and yet you chose
something else.
7956 I wondered if you
could comment on that.
7957 Then, maybe just
to go on from that, tell me how did that study translate into audience share
projections for you in any way.
7958 MR. TAMAGI: Again, when it comes to music, yes, country
music came out as being number one.
7959 The reason we
didn't go with that format is, why would we try to be something that, really,
we don't want to be or shouldn't be?
7960 That means, format‑wise
in music, that we want to reach as many people in the county as we can and
super‑serve the music preference.
7961 The reason we
chose classic hits rather than country is because, at the time, when we put
this application together, there were actually three country radio stations in
Edmonton.
7962 I know that CFCW
is not considered an Edmonton radio station, it's Camrose, but their signals do
penetrate into the city, and into our county as well.
7963 CISN is a heritage
radio station, and there was Big Earl at the time, which is now Capital
FM. The Newcap station was a country
station.
7964 My previous
experience in regards to small‑market radio ‑‑ the 15
radio stations that I helped manage, 14 of them played country music. So I am familiar with the format, and we just
did not want to compete with ‑‑
7965 And one thing
about country listeners, they are very loyal.
So if we were going to attract local residents to our radio station, we
wanted to give them something that sounded a little different.
7966 COMMISSIONER
MOLNAR: I am going to play devil's
advocate for a minute. If your listeners
like country music, and if they have access to country music that they are
listening to today, and they are very loyal, what makes you believe that they
are going to now listen to a classic hits station?
7967 MR. TAMAGI: If they are country music fans, they are not
going to come to our station to listen to music. But if they are residents of the City and
County of Leduc, and if we have a municipal election, or if there is a breaking
news story, they will be coming to listen to that.
7968 We know that. We know that we are not going to be
everything to everybody, and we are not intending that. We really believe that our local content, our
local spoken word, our local news, our local weather, our local sports, and
traffic reports, that will be the reason for our county residents to listen.
7969 If they are truly
country music fans, and we played country music, maybe they wouldn't like our
announcer, so they would go back to CISN, or they would go back to CFCW.
7970 Music, really, was
not the focus of this application.
7971 COMMISSIONER
MOLNAR: Okay. Music was not the focus. Putting that aside, you have created audience
share projections. Could you confirm
that those are for Leduc County only, and that they don't relate to the City of
Edmonton at all?
7972 MR. TAMAGI: They are for Leduc County only.
7973 It's tough. We are not going to be rated. We don't plan on being in the BBMs, if we are
granted a licence.
7974 Again, my previous
experience in small‑market radio has indicated that residents tune in for
local information.
7975 They will tune in
at the top of the hour. Our eight
o'clock and seven o'clock morning news packages will be highly tuned into.
7976 After that, if
they like listening to CBC, or if they like listening to country music, or if
they like easy rock, they will probably go to that station, and when they want
to hear about what is happening in Leduc, and in the County of Leduc, they will
come and listen to 102.3 The One, I would hope.
7977 COMMISSIONER
MOLNAR: Fair enough.
7978 You note in your
application that you are willing to accept a Condition of Licence not to
solicit advertising in the City of Edmonton.
7979 Is that correct?
7980 MR. TAMAGI: That is correct.
7981 We put that into
place to show the Commission, and to show the broadcasters in Edmonton, that we
are not trying to backdoor Edmonton with this licence. We are providing a local service ‑‑
a local radio service for 50,000 residents in the County and City of Leduc.
7982 I guess it's a
similar situation with Lacombe, when they put a Condition of Licence in for Red
Deer. They had no intention of going
into Red Deer.
7983 We have the same
intention. We have no intention of
covering Edmonton news.
7984 We don't want to
alienate the County of Leduc listeners, as well.
7985 COMMISSIONER
MOLNAR: Okay. I do have a couple of follow‑up
questions.
7986 You brought up the
community of Lacombe, and while they have a Condition of Licence to say that
they will not solicit advertising, nonetheless they generate advertising from
the Red Deer market.
7987 When I look at
your application, I am actually struck by the difference in the advertising
rates that would be proposed for Leduc versus the City of Edmonton. We are talking $36 versus $100 or $200, so
there is a very significant difference in rates, and you are going to be
broadcasting into the City of Edmonton.
7988 I guess there are
two questions. First of all, you are
projecting no Edmonton revenues?
7989 MR. TAMAGI: No, that is not the case.
7990 I will use the
automotive industry as an example.
7991 There is a golden
rule within the automotive industry when it comes to advertising. If an Edmonton dealer has an opportunity to
advertise out‑of‑market, they probably won't, because of the golden
rule.
7992 For example, we
have Leduc Chrysler. If Derrick Dodge
came to us and asked to advertise, we wouldn't accept their advertising because
it would alienate Leduc Chrysler if they were on the air.
7993 However, if
Erikson Nissan, for example, came to us, we don't have a Nissan dealer in the
county, so we would consider that, yes.
7994 What we don't want
to do is polarize our residents, as well, when it comes to the availability of
advertisers.
7995 COMMISSIONER
MOLNAR: Fair enough. So there is an expectation that there may be
some Edmonton markets that would have an interest in advertising on your
station.
7996 MR. TAMAGI: Sure, there would be Edmonton businesses that
would like to advertise or market to Leduc County residents.
7997 But, again, we
have to use integrity from the standpoint of sales in our community.
7998 I have lived for
most of my broadcast career in communities the size of Leduc, and we stand by
our integrity in regards to the community.
We want to provide a service to the community.
7999 And by attracting
a lot of Edmonton advertisers, I think that would probably not be in the best
interests of even the businesses of Leduc and Leduc County.
8000 COMMISSIONER
MOLNAR: For my own purposes, once again,
I am going to ask: Have you projected
revenues associated with Edmonton businesses in your financials?
8001 MR. TAMAGI: No, we have not.
8002 COMMISSIONER
MOLNAR: No, you haven't?
8003 MR. TAMAGI: No.
8004 COMMISSIONER
MOLNAR: Okay. So that's a potential upside for your business
plan, if Edmonton Nissan wants to advertise in your market.
8005 That is a
potential upside for you?
8006 MR. TAMAGI: That would be, yes. That we would consider, yes.
8007 COMMISSIONER
MOLNAR: That is the upside, but I guess
there would always be some downside risk associated with opening a new radio
station, and while I appreciate that you are an experienced broadcaster, any
new company faces some risk ‑‑ management risk, operational
risk, technical risk, as well as sales and revenue risks.
8008 Your financials,
right now, I think, project ‑‑
8009 Let me validate
this.
8010 You project,
basically, to break even.
8011 Starting virtually
in Year 1, you have an almost break‑even scenario going forward
throughout the period of your plan, and any downside risk from the elements I
just spoke of would have the potential to cause a negative financial outcome.
8012 Did you put any
thought into what would occur if either revenues didn't show as quickly as you
anticipated, or cost overruns occurred for some reason?
8013 What would be your
response to that?
8014 MR. TAMAGI: In regards to the losses, they are not big
losses.
8015 We anticipate,
actually, doing a little better from the standpoint of our revenue situation.
8016 We wanted to be
conservative.
8017 We have the
financial wherewithal, if that is what you are asking.
8018 This service ‑‑
this application has cost us dollars already, and we have committed to
that. We have committed to the
community, in part ‑‑ and Aaron and I have discussed this for the
last two years ‑‑ Leduc County and the City of Leduc have been
great to us and our families. We
want to give something back.
8019 We looked at this
many years ago, in truth, but it wasn't ready.
The city and the county, we felt, weren't ready for a service like this.
8020 Just recently, in
the last two years ‑‑ and, to be totally honest with you, the
Airdrie approval, Olds, Lacombe even, inspired us ‑‑ inspired
us to say: Hey, if these communities are
big enough to support and sustain a local radio station, why can't Leduc County
and the City of Leduc do the same?
8021 To get back to
your question, we believe that this is a great business plan. We believe that the community, and the
business community, will welcome us with open arms, and they have in some
regard already.
8022 This is an
investment back into the community for Aaron and I, I guess, and we see it as a
long‑term investment.
8023 COMMISSIONER
MOLNAR: Fair enough. I am going to ask the other end of that. Let's assume that it is, in fact,
conservative. As you mentioned, you
didn't incorporate revenues that might flow through from the Edmonton market.
8024 I guess that my
other question would be: What would be
the outcome if it was significantly more successful?
8025 How would you see
your plans changing if, in fact, more revenues could be derived?
8026 MR. TAMAGI: Actually, we would like to expand our
infrastructure in regards to staffing, providing better service, more service,
more hours of local, more locally produced programs.
8027 That takes money
and talent and resources. If we have
that ‑‑ and Aaron can speak to this ‑‑ in all
of the businesses we have run in the county, we have put back into them.
8028 MR.
GIESINGER: Yes, definitely.
8029 I lost my train of
thought, Mark. I'm sorry.
8030 MR. TAMAGI: Again, we have a commitment to this
community. We run two companies now in
Leduc County, and our approach has always been to put back in, because it is a
long‑term investment.
8031 We are in the
manufacturing business. We have to buy
equipment and look at R&D constantly.
8032 We have a print
shop. We are constantly upgrading our
equipment and resources, and our people and our training.
8033 We truly believe
in that aspect of building the business.
8034 We can buy a
transmitter, we can buy a CD player, and we can buy the computers to run the
programming, but, most important, you need the people.
8035 COMMISSIONER
MOLNAR: Thank you. I think your two news directors would be
happy if you could help to support them, as well.
‑‑‑ Laughter /
Rires
8036 COMMISSIONER
MOLNAR: I have a couple more questions,
and then I will be finished. One relates
to new distribution platforms.
8037 You indicated that
you were planning to stream your audio content.
I wondered if there was any more you would like to say about what your
plans might be to use new media or the internet to enhance and promote the
service you will provide to this county.
8038 MR. TAMAGI: I think that Elmer Hildebrand from Golden
West has an awesome concept. We have
seen the community portal.
8039 Paul Larsen of
Clear Sky Radio is looking at something like that, as well. Paul and I have worked together for 20
years. We are very good friends, and we
have discussed radio a lot.
8040 I think that the
new, emerging technology ‑‑ the internet is a very useful
tool. The one thing the internet doesn't
provide is that it's not portable, where radio really is portable. It is in the air.
8041 Yes, wireless is
in the air, but you still have to sit down, and you still have to log in;
whereas, with radio, you just turn it on.
8042 We are excited
about the new platform which uses the internet.
We believe in the community portal concept and tying in the radio
station, having it being interactive with the community, providing news stories,
right after they air, to go onto the website, and maybe getting some
interactive responses from the residents in the Leduc area. That would be fantastic.
8043 COMMISSIONER
MOLNAR: Thank you.
8044 Just to clarify,
do you have particular and specific plans related to either tying into an
existing portal or creating a fulsome portal?
8045 Where are you on
the road to something like that?
8046 MR. TAMAGI: We definitely have put it in our budget, and
if we are granted a licence, the internet portal ‑‑ The One
portal for Leduc County will be a big part of our business plan.
8047 COMMISSIONER
MOLNAR: My final question is on cultural
diversity. I am not quite certain what
the makeup is of Leduc County, but perhaps you could tell me what plans, if
any, you have to address issues of cultural diversity in your organization, and
to reflect that on the air.
8048 MR. TAMAGI: Leduc, in some regard, doesn't have a lot of
visible minorities. I mean, George
Rogers and myself might be all of them.
‑‑‑ Laughter / Rires
8049 MR. TAMAGI: George is my neighbour, as well, so we live
in the same neighbourhood.
8050 Our plan for
cultural diversity for The One, for our radio station, is to provide a half‑hour
weekly cultural events show to promote cultural diversity in the region.
8051 If there are any
causes out there ‑‑ visible minorities ‑‑ we
will open up our arms. That's what a
local radio station is about. That's
what I grew up on, that's what I was trained on, that's what I worked my entire
broadcast career in.
8052 When it comes to
cultural diversity in Leduc, it will be a challenge, but we will do what we
have to to enhance cultural diversity.
8053 MR. KRISCHKE: Some of that will come automatically, because
we want to take care of Beaumont.
Beaumont is traditionally a French community, so a lot of the farming
community around Beaumont, and, indeed, some of the people who live in the
community, are French‑speaking, or totally bilingual.
8054 So in providing
coverage, local content, it will include that element.
8055 As well, we have a
fairly significant Dutch community to do with dairy. So anything to do with the dairy industry,
and some of those aspects, in terms of news coverage and story coverage, would
be taken care of.
8056 But he is right,
by and large the ethnic community has resided in the larger centres, in
Edmonton or in Calgary, et cetera. We
don't see a large cultural diversity in our area.
8057 COMMISSIONER
MOLNAR: Thank you.
8058 Just for your
information, when we speak of cultural diversity, we are speaking of people of
visible minorities, people of Aboriginal dissent, and people with disabilities.
8059 Fair enough, most
small communities don't have a significant demographic of any of those sectors,
but it is the plan or the concentrated effort to be inclusive of them that we
were asking about.
8060 Thank you, those
are my questions.
8061 THE
CHAIRPERSON: Thank you.
8062 I have a few
questions.
8063 Maybe I could ask
Mr. Pelser ‑‑ I was curious, was there no solution ‑‑
I have the map ‑‑
8064 I am not technical
either, but, at any rate, I am looking at the map and I see the 3 millivolt and
the .5 millivolt contour. Was there any
solution for Black Gold that would have seen Edmonton not included in the 5
millivolt?
8065 Not in the 3, I
can see that, and in the .5, but was there any other solution?
8066 MR. PELSER: We faced a few challenges in finding the site
and picking an antenna.
8067 If we had to, we
probably could have excluded Edmonton from the .5 millivolt contour, but if you
think, really, what provides service to a major community, it usually is a 3
millivolt, and the .5 is usually satisfactory for secondary, smaller
communities.
8068 So although we
have included Edmonton quite handily with the .5, the signal from the station
in Edmonton will be ‑‑ it will be there, but it will be
marginal in many places.
8069 We tried to go
with a reasonably economical antenna, and while we, maybe, could have gone more
directional toward Edmonton, it would have placed a number of other
restrictions on it.
8070 THE
CHAIRPERSON: Would it still have allowed
you to encompass the whole of the 65 miles that was referred to by the mayor?
8071 MR. PELSER: Yes, it could have.
8072 One of the things
we could have done perhaps was to try and squeeze out more east‑west and
exclude Edmonton, but, again, that starts requiring fairly heavy antennas,
fairly custom antennas.
8073 And knowing well
that the signal in Edmonton ‑‑ while there will be a signal,
it will certainly not be a city‑grade contour, and we really felt that we
weren't encroaching the Edmonton market.
8074 THE
CHAIRPERSON: Just going to the
possibility that you might have to replace people's tuners as a solution to the
third adjacency problem, is the contingency that you have allowed of $50,000 in
your cost of assets to be purchased ‑‑ does that contingency
cover that?
8075 What kind of
dollars were you thinking you might have to spend if you had a problem?
8076 MR. PELSER: Some of our other clients have found that
oftentimes when they need a radio it's a $50 or a $100 radio to replace that
$10 clock radio. So, with part of that
contingency, you certainly could buy a fair number of radios.
8077 It is part of
that, yes.
8078 I also want to add
that when we designed the system, we were very cognizant of the fact that third
adjacent stations ‑‑ we picked a site in the Devon area,
partly because it is fairly close to the two Rogers stations, and the ideal
situation for a third adjacent is co‑sited, but we couldn't achieve that
and cover the Leduc County area.
8079 I think this
partly reflects Industry Canada's comments to the Commission, where they
actually say that our 100 dBu contour ‑‑ and here we are
getting technical, but our 100 dBu contour is within the 80 dBu contours of the
incumbent stations. It says: Interference with the incumbent stations is
not expected, since the 100 is within the ‑‑
8080 They say
"within the 100", but I think it's a typo ‑‑ within
the 80 of CKER and CHDI‑FM.
8081 My point being, we
were cognizant of the third adjacent situation when we picked the site, and we
tried to minimize any chance of third adjacent interference by doing that.
8082 THE
CHAIRPERSON: So you are not expecting to
have to use much of the $50,000 contingency, then, for tuners ‑‑
replacing tuners.
8083 MR. PELSER: I certainly hope not, that's correct.
8084 THE
CHAIRPERSON: Am I correct that Edmonton,
itself, is actually situated in Leduc County?
8085 Or do they have a
different county?
8086 MR. KRISCHKE: Maybe John could answer that.
8087 In different
regions of the country there are different ways of describing it.
8088 MR. WHALEY: Madam Chair, what was your question again?
8089 THE
CHAIRPERSON: I was just wondering if
Edmonton was actually situated in Leduc County.
8090 MR. WHALEY: No, Edmonton is their own municipality. Leduc County is immediately south of
Edmonton ‑‑ south, and then east and west from there.
8091 THE
CHAIRPERSON: Okay. I take your point, it is different in
different parts of the country. Thank
you.
8092 Just looking,
then, at your revenues ‑‑ and while they may not be
substantial, they are not the opposite either.
8093 I was just
wondering what your total staff is.
8094 I apologize if I
already should know that, but I don't.
8095 MR. TAMAGI: The total staff would be six on‑air,
myself, two sales people, and administration.
So we are looking at 10 or 11.
8096 We do have some
synergies, because we have some businesses in the County of Leduc that we
operate.
8097 Aaron is President
of Super Slings, which is a manufacturing‑based business. We have 22 employees there. And Minuteman, our printing business, has
five employees.
8098 THE
CHAIRPERSON: Thank you very much. I believe that legal counsel will have some
questions.
8099 MS LEHOUX: As a follow‑up to Commissioner Molnar's
questions with respect to CCD, could you commit to provide us a breakdown of
your annual over‑and‑above contribution, excluding the basic
contribution, in writing, let's say, by Wednesday?
8100 MR. TAMAGI: Yes.
8101 MS LEHOUX: Thank you.
8102 At the same time,
could you confirm in writing that you would accept these amounts as a Condition
of Licence?
8103 MR. TAMAGI: Yes.
8104 MS LEHOUX: Thank you very much.
8105 THE
CHAIRPERSON: Thank you.
8106 Now you have your
two minutes to tell us why we should license Leduc, just in case you haven't
made yourselves clear to this point.
‑‑‑ Laughter /
Rires
8107 MR. TAMAGI: I am going to make myself even more clear, I
guess, after the two minutes.
8108 It has been a very
long process. We started this
application in October of 2006, and in July of 2007 we submitted it. In total, it has been 21 months since we
began, and almost a year since we submitted our application. We are now down to the final two minutes.
8109 We are not here to
compete for an Edmonton licence, we are here to give Leduc County and its
50,000 residents a local radio station.
But, yes, we are competing for a licence on a channel that will serve
Leduc County.
8110 With hundreds of
support letters and 1,025 names on a petition in favour of our application,
that is a strong indication that the residents and businesses in Leduc County
and in the City of Leduc deserve and want their local radio service.
8111 We have
illustrated in this application that a local service is needed. In preparation for this application, our
research indicated a strong interest in local radio that would provide
pertinent daily information, on a timely basis, that reflects the day‑to‑day
living in our region.
8112 A strong economy
and continued population growth clearly illustrate that Leduc County can and
will sustain a local radio station, one focused on local news and all other
pertinent community information that will enhance the lives of the local
residents, while providing a vehicle to bring these communities close together
from a regional standpoint.
8113 We have strong
community roots and would be extremely proud and honoured to provide Leduc
County its first FM radio service.
8114 Our application
offers the Commission local and diverse ownership. Our passion for local radio offers the
residents of Leduc County a daily source for information. That information will ensure that we will
remain focused on providing outstanding local radio to the region.
8115 We strongly
believe in this application, and we feel that it has all of the elements to
make for a successful radio station. We
have demonstrated that Leduc is deserving of its own FM radio station.
8116 We are asking for
a licence and, just as important, a frequency and channel to broadcast that
licence on.
8117 Our engineers,
D.E.M. Allen, have reviewed the frequency band, and we have used the best
frequency for this application.
8118 The frequency and
channel that had been allocated to Leduc by Industry Canada was moved to
Edmonton, and was taken by a new radio station there. When we had to search for a frequency that
could be used to provide good local service to the entire County of Leduc,
because of the large number of frequencies already occupied by Edmonton and Red
Deer stations, all frequencies, with the exception of 102.3, had severe
restrictions in Leduc County.
8119 Preliminary
coverage maps were produced during our research, and were filed with our
February 21st deficiency responses, that illustrate the protections required
for the use of these frequencies in Leduc County.
8120 The chosen
frequency of 102.3, with careful site selection, and use of the proper antenna,
will give good, focused service to Leduc County, while restricting signals
toward Edmonton and Red Deer.
8121 The three other
Edmonton applicants that have identified the same channel, 102.3, Evanov,
Rawlco and Rogers, all have stated that they have identified an alternate
frequency, or channel, that will not negatively affect their business plan.
8122 Our business plan
is predicated on the coverage available on 102.3. The use of another possible frequency would
severely limit our ability to provide good service to the County of Leduc. This would have a strong negative impact on
our business plan.
8123 We have a vested
interest in Leduc County, and bring extensive broadcast experience and the
skill set required to launch and sustain a successful radio licence in Leduc
County.
8124 Again, we are
local business people, with strong community roots, and a true love and passion
for the region. Local ownership offers
the community a sense of pride and stability, along with a strong commitment to
ensure that local coverage is the focus at all times.
8125 Further, our
application would offer the Commission an opportunity to enhance ownership
within the Canadian broadcast system, and offer diversity of radio voices in
Leduc County. It would also add new news
voices in the market.
8126 We hope that the
Commission also sees the need to provide Leduc County with a radio service and
a frequency that works, which will reflect the daily lives of its local
residents.
8127 We would be
honoured to serve Leduc with its first originating radio station.
8128 Madam Chair, Madam
Commissioners, and CRTC Staff, thank you for allowing us to present our story
and our application.
8129 THE
CHAIRPERSON: Thank you, Mr. Tamagi, and
your panel. It is much appreciated.
8130 The Hearing
Secretary, Ms Ventura, has an announcement.
8131 THE
SECRETARY: The hearing is adjourned, and
will resume tomorrow morning at 9 a.m.
8132 Thank you, Madam
Chair, and good night.
‑‑‑ Whereupon the
hearing adjourned at 1755,
to resume on Tuesday, June 3, 2008 at 0900 /
L'audience est
ajournée à 1755, pour reprendre
le mardi 3 juin
2008 à 0900
REPORTERS
____________________ ____________________
Cynthia James Sue Villeneuve
____________________
Beverley Dillabough
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