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Toutefois, la publication susmentionnée est un compte rendu textuel des délibérations et, en tant que tel, est transcrite dans l'une ou l'autre des deux langues officielles, compte tenu de la langue utilisée par le participant à l'audience.
TRANSCRIPT OF PROCEEDINGS BEFORE
THE CANADIAN RADIO‑TELEVISION AND
TELECOMMUNICATIONS COMMISSION
TRANSCRIPTION
DES AUDIENCES DEVANT
LE
CONSEIL DE LA RADIODIFFUSION
ET
DES TÉLÉCOMMUNICATIONS CANADIENNES
SUBJECT/SUJET:
Various broadcasting applications further to calls for
applications for broadcasting licences to carry on radio programming undertakings to serve Owen Sound, Windsor and Peterborough, Ontario /
Plusieurs demandes en radiodiffusion suite aux appels de demandes de
licence de radiodiffusion visant l'exploitation d'entreprises de programmation
de radio pour desservir Owen Sound, Windsor et Peterborough (Ontario)
HELD AT: TENUE À:
Rooms B, C & D Salons B, C et D
Delta Hotel London Armouries Hôtel Delta London Armouries
325 Dundas Street 325, rue Dundas
London, Ontario London (Ontario)
December 12, 2007 Le 12 décembre 2007
Transcripts
In order to meet the requirements of the Official Languages
Act, transcripts of proceedings before the Commission will be
bilingual as to their covers, the listing of the CRTC members
and staff attending the public hearings, and the Table of
Contents.
However, the aforementioned publication is the recorded
verbatim transcript and, as such, is taped and transcribed in
either of the official languages, depending on the language
spoken by the participant at the public hearing.
Transcription
Afin de rencontrer les exigences de
la Loi sur les langues
officielles, les procès‑verbaux
pour le Conseil seront
bilingues en ce qui a trait à la
page couverture, la liste des
membres et du personnel du CRTC
participant à l'audience
publique ainsi que la table des
matières.
Toutefois, la publication
susmentionnée est un compte rendu
textuel des délibérations et, en
tant que tel, est enregistrée
et transcrite dans l'une ou l'autre
des deux langues
officielles, compte tenu de la
langue utilisée par le
participant à l'audience publique.
Canadian
Radio‑television and
Telecommunications
Commission
Conseil
de la radiodiffusion et des
télécommunications
canadiennes
Transcript
/ Transcription
Various broadcasting applications further to calls for
applications for broadcasting licences to carry on radio programming undertakings to serve Owen Sound, Windsor and Peterborough, Ontario /
Plusieurs
demandes en radiodiffusion suite aux appels de demandes de licence de
radiodiffusion visant l'exploitation d'entreprises de programmation de radio
pour desservir Owen Sound, Windsor et Peterborough (Ontario)
BEFORE / DEVANT:
Rita Cugini Chairperson / Présidente
Peter Menzies Commissioner / Conseiller
Helen del Val Commissioner / Conseillère
ALSO PRESENT / AUSSI PRÉSENTS:
Cindy Ventura Secretary / Secrétaire
Joe Aguiar Hearing Manager /
Gérant de l'audience
Kelly-Anne Smith Legal Counsel /
Conseillère juridique
HELD AT: TENUE À:
Rooms B C D Salons B C D
Delta Hotel London Armouries Hôtel Delta London Armouries
325 Dundas Street 325, rue Dundas
London, Ontario London (Ontario)
December 12, 2007 Le 12 décembre 2007
-
iv -
TABLE
DES MATIÈRES / TABLE OF CONTENTS
PAGE / PARA
PHASE I
PRÉSENTATION PAR / PRESENTATION BY:
Newcap Inc. 577 / 3466
Larche Communications Inc. 626 / 3754
Pineridge Broadcasting Inc. 658 / 3968
K-Rock 1057 Inc. 719 / 4349
Evanov Communications Inc. 773 / 4712
Frank Torres (OBCI) 823 / 5051
London,
Ontario / London (Ontario)
‑‑‑ Upon
commencing on Wednesday, December 12, 2007
at 0900 /
L'audience débute le mercredi
12 décembre 2007 à 0900
LISTNUM
1 \l 1 \s 34613461 THE
SECRETARY: Good morning and welcome to
day three of the public hearing.
LISTNUM
1 \l 13462 We
will now proceed with item 8, which is an application by Newcap Inc. for a
licence to operate an English‑language FM commercial radio programming
undertaking in Peterborough.
LISTNUM
1 \l 13463 The
new station would operate on frequency 96.7 MHz (channel 244B) with an average
effective radiated power of 17,000 watts (maximum effective radiated power of
50,000 watts/antenna height of 96.8 metres).
LISTNUM
1 \l 13464 Appearing
for the applicant is Mr. Rob Steele.
LISTNUM
1 \l 13465 Please
introduce your colleagues and you will have 20 minutes for your presentation.
PRESENTATION / PRÉSENTATION
LISTNUM
1 \l 13466 MR.
STEELE: Good morning.
LISTNUM
1 \l 13467 My
name is Rob Steele, President and Chief Executive Officer of Newcap Radio, and
joining me today are David Murray, Chief Operating Officer for Newcap Radio;
Glenda Spenrath, Director of Newcap Operations; Steve Jones, Vice‑President
of Programming; Josie Geuer, Program Director of Ottawa's Hot 89.9 and on the
end, Scott Broderick, Director of Ontario Operations.
LISTNUM
1 \l 13468 Madam
Chair, members of the Commission, Commission staff, we are very pleased to be
presenting this application for a new FM radio station to serve Peterborough,
Ontario.
LISTNUM
1 \l 13469 Peterborough
is a thriving city whose residents enjoy lifestyle and economy fuelled by local
manufacturing and recreation. Quaker
Oats and General Electric maintain large operations in the city and from canoe
building in the 1850s to today's status as a gateway to the Kawarthas,
Peterborough has always had a special link to the outdoors.
LISTNUM
1 \l 13470 Peterborough's
proximity to Toronto means that its residents readily receive a number of
Toronto radio stations but, like Canadians everywhere, given the right choices
residents of the city will naturally prefer local radio.
LISTNUM
1 \l 13471 Our
research suggests a clear interest on the part of Peterborough residents for
more local radio and greater format choice.
According to BBM numbers, more than 40 percent of hours tuned in
Peterborough currently go to stations licensed to other markets. Licensing a new entrant like Newcap will not
only help repatriate such tuning but will strengthen local radio and its
ability to successfully compete in the future.
LISTNUM
1 \l 13472 We
believe that we have a strong application both because of our specific plans
for serving Peterborough and because of what Newcap as a company can bring to
the community.
LISTNUM
1 \l 13473 First,
our local radio professionals always have the creative freedom to make the
programming decisions that will best serve their local audiences.
LISTNUM
1 \l 13474 Second,
we remain equally committed to growth in smaller and larger markets in Canada
and we provide the research, resources and expertise needed to make it
possible.
LISTNUM
1 \l 13475 And
third, we make a difference by actively supporting local community
organizations including hospitals, food banks and children's charities. Talent, growth and community are what we are
all about.
LISTNUM
1 \l 13476 Newcap
owns and operates radio licences across Canada but unlike Canada's large radio
companies, most of our stations are in small and medium‑sized
markets. But we are committed to serving
diverse communities across this country.
LISTNUM
1 \l 13477 I
would now like Steve Jones, our Vice‑President of Programming.
LISTNUM
1 \l 13478 MR.
JONES: Newcap is proposing a Gold Based
AC station for Peterborough.
LISTNUM
1 \l 13479 Adult
Contemporary or AC as the format is known, is one of the most widely‑programmed
formats in Canada. AC provides a non‑intrusive
and familiar sound that appeals very strongly to the 25‑54 demographic,
particularly with female listeners.
LISTNUM
1 \l 13480 Our
selection of Gold Based AC came from our analysis of the existing formats in
the market and an evaluation of the viability of nine different formats as
diverse as Modern Rock and Country.
LISTNUM
1 \l 13481 The
research initially uncovered two potential format opportunities in
Peterborough, CHR and Adult Contemporary.
Our research was confirmed and our choice made when shortly after
CTVglobemedia converted CKPT from AM to FM and launched Energy 99.3 in the CHR
format.
LISTNUM
1 \l 13482 We
project a 10 percent share 18‑64 for a Gold Based AC format in
Peterborough. We propose 35 percent
Canadian content distributed equally throughout the broadcast day as the most
appropriate level for this format.
LISTNUM
1 \l 13483 Gold
Based AC is a natural complement to the existing FM stations in Peterborough of
Rock, Country and CHR. Soft AC, Sixties
and Seventies, Oldies and Classic hits are the primary components of a Gold
Based AC station. These sub‑formats
are familiar to Newcap as we operate stations in each of them, and our research
shows that all would be in demand in Peterborough. Combined together in Gold Based AC they
provide us with the best opportunity to add music diversity to the market and
avoid the playlists of the incumbents.
LISTNUM
1 \l 13484 96.7
The River will focus on timeless music by artists such as Elton John, Sheryl
Crow, Guess Who, The Beatles, Fleetwood Mac, Céline Dion, Bryan Adams, Phil
Collins and many others. The music will
be softer, older and more familiar than that of other available stations. Our listeners would expect to turn on 96.7
The River and hear songs they grew up with and have come to identify as the
music of their generation.
LISTNUM
1 \l 13485 Although
96.7 The River will be rooted in the music of the past our playlist will not be
entirely old. Today there is a strong
crop of established and emerging stars such as Michael Bublé, Jann Arden, Nora
Jones and John Mayer who are making exciting, fresh contemporary soft
music. This rejuvenated new AC format
combined with the music of the sixties, seventies and eighties is just right
for Peterborough.
LISTNUM
1 \l 13486 96.7
The River will appeal to a core audience that is 65 percent female in the 35 to
44 demographic. At 40, the median age of
our typical listener will reflect that of Peterborough itself.
LISTNUM
1 \l 13487 Not
surprisingly, the other nine incumbent applicants in this hearing are all
proposing either variations or elements of the Gold Based AC format. What sets Newcap apart is its ongoing ability
to research and execute that choice to adapt and compete effectively with
strong incumbents and to provide Peterborough with a strong local news and
information programming that it deserves.
LISTNUM
1 \l 13488 MS
GEUER: Our research demonstrated that
there is a strong interest in news that is specific to Peterborough as well as
to its status as an outdoor recreation destination. Our format will be flexible enough to permit
frequent news flashes keeping our listeners up to date with timely capsules.
LISTNUM
1 \l 13489 96.7
The River will significantly increase the diversity and availability of local
news and information programming. We
will provide 79 newscasts throughout the week, including weekends, all sourced
and presented locally. The station's
news director will supervise a team of two journalist announcers in
Peterborough.
LISTNUM
1 \l 13490 In
addition to the local news team focusing on Peterborough news, the station will
benefit from Newcap's existing news resources in Ontario and across
Canada. We will offer our listeners 75
percent local and regional content in all newscasts with the remaining 25
percent being relevant news and information from other parts of Ontario, Canada
and the rest of the world.
LISTNUM
1 \l 13491 Major
hourly newscasts will run approximately five minutes inclusive of sports and
weather, which together with half‑hourly updates will provide a total of
over six hours of news content weekly.
LISTNUM
1 \l 13492 Frequent
unscheduled updates on breaking news, weather, traffic and road conditions
together with music and other commentary will bring our minimum total spoken
word to 17 hours per week.
LISTNUM
1 \l 13493 Beyond
the numbers, though, 96.7 The River will commit to gearing its news and
information programming specifically to Peterborough City and County.
LISTNUM
1 \l 13494 Being
so close to a major city like Toronto often a community such as Peterborough
can find itself overwhelmed by the bigger city.
Combating that means things like paying special attention to providing
listeners with daily updates and scores from area high school and university
leagues and games. It means Pause for a
Cause, an hourly feature profiling community groups, non‑profit events
and other causes that are relevant to the local community. And it means little things like visiting
rinks with coffee and hot chocolate in the winter and stopping at the ball
fields with water and pop in the summer.
LISTNUM
1 \l 13495 Other
program features on 96.7 The River will include Change the World. One listener gets the opportunity to explain
what they would do to make life better in Peterborough.
LISTNUM
1 \l 13496 Voices
from Peterborough is a very unique concept to commercial radio. This will be brought to life on 96.7 The
River. Half an hour on this station will
be handed over to the personalities that make up the fine city, from
politicians to poets, nurses to school teachers. Then we have River Requests. Every day listeners will have the chance to
hear their requests on the air over the lunch hour. Listeners will be able to call, email or text
message their request to the 96.7 The River studios.
LISTNUM
1 \l 13497 96.7
The River will also have an online presence that will go beyond the typical
radio station website including a detailed and updated interactive community
events calendar, Peterborough Picks; up to the minute local news direct from
our newsroom and a local sports scoreboard featuring minor hockey, little
league and school sports events.
LISTNUM
1 \l 13498 MS
SPENRATH: Our commitment to commitment
to community reflection on 96.7 The River will stem from a systematic approach
to employment equity and include the three basic tenets of cultural diversity.
LISTNUM
1 \l 13499 First
is our programming. Both our news and
non‑news programming will reflect the cultural diversity of our
audience. News stories will reflect the
reality of Peterborough's cultural, ethnic, racial and aboriginal
diversity. Our other spoken word will
contain elements that appeal to our ethnic and aboriginal audience. In our River Requests feature we will appeal
to our diverse audience to tell us what they want and we will listen.
LISTNUM
1 \l 13500 Second
is our on air personalities. Our
announcers and reporters will be representative of the ethnic mosaic that makes
up Peterborough. Our culturally‑diverse
audience will enjoy an association with the people delivering their daily
entertainment and information.
LISTNUM
1 \l 13501 And
third is our workforce. Both on and off
the air our staff will be representative of the demographics of the community
we serve. Our staff will be well versed
in corporate policies designed to support cultural diversity in the workplace
and the reflection of the diverse groups in our programming. Our goal will be to connect with the parents,
network with the organizers and establish roots in the community. Consistent with Newcap's long tradition of
providing intensely local service, this new station will make a difference to
the community.
LISTNUM
1 \l 13502 Our
Canadian content development plan is specifically designed to develop and
expose emerging artists from the Peterborough area and Ontario. We have proposed by far the highest value
package of Canadian content development among applicants, totalling $1,015,000
over the term of the licence with spending of the licence with spending of
$145,000 in each year of the licence term.
LISTNUM
1 \l 13503 $609,000
or $87,000 annually will go in financial support to FACTOR. We will ask that FACTOR direct these funds
toward artists and groups residing in Peterborough and Ontario.
LISTNUM
1 \l 13504 $406,000
will go to Peterborough's own Trent University which is $58,000 per year to
help fund performance art programs, including such initiatives as scholarships
and enhance aboriginal music theatre.
LISTNUM
1 \l 13505 Trent
University is an exceptional post‑secondary academic institution based in
Peterborough and we are delighted that they have agreed to work with us to
develop and implement CCD programs that will make a difference to this
community. Trent University was the
first university in Canada to launch a native studies program in 1971 and is
the only university in Canada to have a cultural studies program as a separate
autonomous unit complete with a doctoral program, the focus of which is
performance arts and the role of music and theatre and shaping culture.
LISTNUM
1 \l 13506 MR.
BRODERICK: Ensuring new licensees do not
have an undue impact on incumbents is an important objective of the
Commission's licensing process.
LISTNUM
1 \l 13507 That
said, in this hearing, we think that ensuring any new entrant has a reasonable
chance of competing with the incumbents is also important.
LISTNUM
1 \l 13508 The
four popular commercial radio stations in Peterborough are currently owned by
Corus and CTVglobemedia.
LISTNUM
1 \l 13509 While
CTVglobemedia's two FM stations may, theoretically, give them a slight edge
over Corus' AM/FM combo, in reality the two companies are virtually neck‑and‑neck
in the market.
LISTNUM
1 \l 13510 By
contrast, any new entrant will be one station up against incumbent operators
with two stations each, stations that have better frequencies, better coverage,
and enormous corporate resources behind them.
LISTNUM
1 \l 13511 Additionally,
we recognize that fully 40 percent of the radio tuning in Peterborough
currently comes from outside radio stations, most notably the Toronto
marketplace.
LISTNUM
1 \l 13512 Two
of the top four 25 to 54 stations in Toronto are CHFI‑FM and EZ
Rock. Based on the similarity of their
playlists, the biggest opportunity for 96.7 The River will come from these
Toronto radio stations, owned by Rogers and Astral, respectively.
LISTNUM
1 \l 13513 Coupled
with the local multimedia competition from CTVglobemedia and Corus, and
Quebecor's recent purchase of the Peterborough Examiner, the Peterborough media
landscape truly is the land of the giants.
LISTNUM
1 \l 13514 Competing
with these major players won't be easy, but we believe that Newcap and 96.7 The
River are up for that competitive challenge.
LISTNUM
1 \l 13515 MR.
MURRAY: Madam Chair and Members of the
Commission, like most markets in Canada, Peterborough is a healthy market that
can only benefit from the licensing of new entrants.
LISTNUM
1 \l 13516 The
current competitive landscape is made up of large, experienced broadcasters,
namely, CTVglobemedia and Corus in Peterborough, and Astral and Rogers out of
Toronto.
LISTNUM
1 \l 13517 This
will make Peterborough a challenging market to succeed in.
LISTNUM
1 \l 13518 We
also believe that, over time, with competition from a range of new wireless,
local, audio media, the environment will only get tougher.
LISTNUM
1 \l 13519 We
feel that we are well equipped to serve local audiences in Peterborough in just
such a market. We believe that our
application strikes the right balance for Peterborough now and into the
future. Newcap has the resources and
commitment to build for the long term, and that would certainly be the case
here: a strong business plan, based on
deep resources, and our demonstrated expertise in bringing new formats to the
market in exciting ways; a new format that presently is not available; a new
editorial voice in the market; one of the highest commitments to local news and
reflection; and the highest contribution to the development of Canadian
content, more than $1 million over the next seven years.
LISTNUM
1 \l 13520 We
look forward to the opportunity to serve this market.
LISTNUM
1 \l 13521 This
concludes our presentation. We welcome
your questions.
LISTNUM
1 \l 13522 THE
CHAIRPERSON: Thank you, Mr. Murray, Mr.
Steele, and your colleagues. Welcome to
the hearing.
LISTNUM
1 \l 13523 I
will ask Commissioner Menzies to lead the questioning.
LISTNUM
1 \l 13524 COMMISSIONER
MENZIES: Good morning. Some of these questions are for the
record. Your presentation answered a few
of them, but I just wanted to go through a few of them, and then give you an
opportunity to expand on a few areas.
LISTNUM
1 \l 13525 I
need to confirm with you that you are committed to 6 hours, 7.5 minutes of news
per week.
LISTNUM
1 \l 13526 MR.
MURRAY: Yes, we are.
LISTNUM
1 \l 13527 COMMISSIONER
MENZIES: Can you confirm that 75 percent
of that will be local?
LISTNUM
1 \l 13528 MR.
MURRAY: Yes.
LISTNUM
1 \l 13529 COMMISSIONER
MENZIES: Maybe you could expand on the
nature of your local news. Will that
match or duplicate other local breaking news, or will it be distinctive in some
way?
LISTNUM
1 \l 13530 Why
would I tune to your news as opposed to anybody else's news, or is your news in
addition to your core?
LISTNUM
1 \l 13531 MR.
JONES: If I understand the question
correctly, our news is designed to complement the service we provide, that
being a gold‑based AC station.
LISTNUM
1 \l 13532 We
recognize that we are primarily a music‑driven entertainment service to
our listeners, but being intensely local in our news is what will set us apart.
LISTNUM
1 \l 13533 We
commit to 75 percent local news, and we recognize that the only way to be
successful is to be local. There are
thousands of sources for what is going on overseas or in the U.S. or across
Canada, but in your local market there are very few sources to find out what is
going on around the corner.
LISTNUM
1 \l 13534 COMMISSIONER
MENZIES: If I understand correctly,
obviously music is the core product, and the provision of news ensures that
people don't have to switch the channel and tune in someplace else to find out
what is going on.
LISTNUM
1 \l 13535 Is
that basically it?
LISTNUM
1 \l 13536 MR.
JONES: Precisely, yes.
LISTNUM
1 \l 13537 COMMISSIONER
MENZIES: And you have two journalist
announcers. Typically, how would they
work?
LISTNUM
1 \l 13538 Are
they primarily in the station tracking news and giving updates, or do they get
out and find things on their own?
LISTNUM
1 \l 13539 MR.
JONES: We have planned for three full‑time
news staff, and I believe a part‑time staffer, as well.
LISTNUM
1 \l 13540 One
would be a news director, two news journalist announcers, as you noted, and one
part‑timer.
LISTNUM
1 \l 13541 Their
roles would be a combination of being in the station and being out of the
station, but, for the most part, they would be in the station providing
newscasts, as we have noted in our application.
LISTNUM
1 \l 13542 A
lot of the collection of news and information these days is done
electronically. They would pick and
choose the events they would be personally covering.
LISTNUM
1 \l 13543 A
lot of what they would do would be contacting the newsmakers and those involved
in the news, and providing our perspective on the stories.
LISTNUM
1 \l 13544 COMMISSIONER
MENZIES: Typically, where do you find
the people to do that? Do you find them
locally, or other places?
LISTNUM
1 \l 13545 If
you find them other places, what do you do to make sure they have a sense of
the local nuances in terms of interests?
LISTNUM
1 \l 13546 MR.
JONES: In all cases, for all positions,
it makes the most sense, generally, to hire locally. If we can find on‑air people who
understand the community already, they are that much further ahead.
LISTNUM
1 \l 13547 For
those that we cannot hire locally and we need to bring in from elsewhere, we
try to create a staff that provides mentorship and leadership.
LISTNUM
1 \l 13548 An
example might be in Thunder Bay, Ontario, where our news director has been the
news director in that market for probably 20 years. When we bring new staff in, they mentor under
his direction. He is able to give them a
pretty good perspective on the market.
‑‑‑ Pause
LISTNUM
1 \l 13549 MR.
JONES: We were just noting that the same
case exists in Newfoundland, at our Heritage news talk station, VOCM.
LISTNUM
1 \l 13550 Newfoundland
is a unique market. Sometimes it can be
difficult to recruit people from the rest of Canada to come that far east. Often, once they do, it is hard to convince
them to leave.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 13551 MR.
JONES: It is an example of where a keen
understanding of the market is essential to success, and we do that same kind
of mentorship there.
LISTNUM
1 \l 13552 COMMISSIONER
MENZIES: Okay. Thanks.
LISTNUM
1 \l 13553 What,
precisely, is your minimum commitment to spoken word in addition to news?
LISTNUM
1 \l 13554 I
believe you answered that, but I would like you to expand on it a bit.
LISTNUM
1 \l 13555 MS
GEUER: Thank you, Commissioner Menzies.
LISTNUM
1 \l 13556 The
spoken word will total, including news, 17 hours per week, which is about 13.5
percent. That will involve features like
"Change the World", "Voices of Peterborough", "Then
and Now", "River Requests" ‑‑ I can go into a
couple, if you are curious.
LISTNUM
1 \l 13557 COMMISSIONER
MENZIES: Yes, just some "for
instances", and expand on those.
LISTNUM
1 \l 13558 MS
GEUER: Absolutely. For instance, we have "Pause for a
Cause", which will be a 60‑second produced feature that will run
seven days a week, each hour. It will
profile community groups and non‑profit events in the Peterborough area.
LISTNUM
1 \l 13559 For
example, if 96.7 The River were broadcasting today, we might use "Pause
for a Cause" to highlight the concert fundraiser that is happening this
evening at Thomas A. Stewart High School at 7 p.m. That is a fundraiser for the homeless.
LISTNUM
1 \l 13560 That
is what we would use "Pause for a Cause" for, for example.
LISTNUM
1 \l 13561 Also,
I mentioned in our opening remarks that we have something called "Voices
of Peterborough", which we are hoping to launch on 96.7 The river. This is a really unique concept. It's a lot of fun, and it is something that
we have never done in Ottawa, and I am actually considering it, because I think
it is a really great idea.
LISTNUM
1 \l 13562 What
we would do is, we would bring in a member of the community. It might be a nurse from the regional
hospital in Peterborough, or it could be one of 600 of their volunteers.
LISTNUM
1 \l 13563 In
this case, we would bring that person in, and they would get an announcer to
sort of show them the ropes, and they would get to choose some music from our
format that they enjoy, and then they would get a half‑hour show to talk
about their life in Peterborough, and what interests them.
LISTNUM
1 \l 13564 We
would pre‑record that and pre‑package it and air it, most likely,
on a Sunday afternoon.
LISTNUM
1 \l 13565 COMMISSIONER
MENZIES: Okay. And what type of people?
LISTNUM
1 \l 13566 MS
GEUER: They could be teachers,
coaches. It could be a city worker, it
could be a poet, an artist ‑‑ anyone who listens, basically,
to 96.7 The River would be welcome to come in and share a bit of their life
with the community.
LISTNUM
1 \l 13567 COMMISSIONER
MENZIES: Thank you.
LISTNUM
1 \l 13568 How
much of your commitment is live‑to‑air?
LISTNUM
1 \l 13569 Could
you confirm that for me again?
LISTNUM
1 \l 13570 MR.
JONES: About 75 percent of our broadcast
week would be live‑to‑air, and the remaining 25 percent would be
locally originated voice tracking.
LISTNUM
1 \l 13571 COMMISSIONER
MENZIES: So it would be 100 percent
locally ‑‑
LISTNUM
1 \l 13572 MR.
JONES: Yes. There may be opportunities here and there
where it may make sense to carry a syndicated program of some sort, like most
radio stations would when perhaps a certain artist is performing in
Peterborough, and we can find a really good syndicated special that profiles
their career.
LISTNUM
1 \l 13573 But
in an average broadcast week, 100 percent of our content would originate
locally.
LISTNUM
1 \l 13574 COMMISSIONER
MENZIES: In your presentation you
mention that there is some familiarity with the formats currently in place, and
obviously, with the Toronto market, there is a lot of cross‑over.
LISTNUM
1 \l 13575 What
are the things that you have in common ‑‑ and there will be a
second half to this question ‑‑ format‑wise with the
other applicants?
LISTNUM
1 \l 13576 MR.
JONES: Almost all of the other non‑incumbent
applicants have proposed some form of similar AC format. What differentiates us, as we look through
the other applicants ‑‑ and I can't speak with a great deal of
authority to their applications, but from what we have seen, our format is
significantly older and based more on the music of the sixties and seventies.
LISTNUM
1 \l 13577 We
estimate that 50 percent of our playlist would be pre‑1980, whereas, from
what we can tell at this point, most of the other applicants appear to be a
little more in the eighties and today.
LISTNUM
1 \l 13578 COMMISSIONER
MENZIES: How does that give you an edge?
LISTNUM
1 \l 13579 MR.
JONES: We believe, from our research,
that the greatest format opportunity is an AC format that is more broad, that
encompasses music from as early as The Beatles' arrival in North America in the
sixties, up until the softer hits of today and that gives us, we believe, the
best ability to reach the biggest possible audience.
LISTNUM
1 \l 13580 COMMISSIONER
MENZIES: Okay. Your ‑‑ I am sorry, I will
just make sure I don't have you confused with anybody else.
LISTNUM
1 \l 13581 Your
target audience ‑‑ I mean everybody talks about the 25‑54
but that is too big to make sense entirely.
But your target audience is mostly ‑‑ the median age?
LISTNUM
1 \l 13582 MR.
JONES: It is 40.
LISTNUM
1 \l 13583 COMMISSIONER
MENZIES: Forty?
LISTNUM
1 \l 13584 MR.
JONES: Yes.
LISTNUM
1 \l 13585 COMMISSIONER
MENZIES: And it is primarily female?
LISTNUM
1 \l 13586 MR.
JONES: We estimate 65 percent
female. And of that 25‑54
demographic, we plan to reach a core audience of 35‑44 female.
LISTNUM
1 \l 13587 COMMISSIONER
MENZIES: And why is that important to
you?
LISTNUM
1 \l 13588 MR.
JONES: It is important because 25‑54
is the demographic that drives most radio advertising and you win ‑‑
there is a saying in radio that 25‑54 isn't a target, it is a family
reunion. So you narrow it down.
LISTNUM
1 \l 13589 It
is a little bit like an archery target and if you want to win the big target
you have to shoot for the bull's eye. So
our bull's eye would be that 35‑44 and by hitting that bull's eye well,
we can win the bigger demographic of 25‑54.
LISTNUM
1 \l 13590 COMMISSIONER
MENZIES: Okay. If you hit that bull's eye, how does it work
for you commercially? Like why would
advertisers ‑‑ and you are going to need those ‑‑
why would they find that attractive?
LISTNUM
1 \l 13591 MR.
JONES: The 25‑44 ‑‑
LISTNUM
1 \l 13592 COMMISSIONER
MENZIES: Not that there is anything
unattractive about 35‑44 year old women ‑‑
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 13593 COMMISSIONER
MENZIES: ‑‑ but what is commercially attractive about it?
LISTNUM
1 \l 13594 MR.
JONES: I think Scott Broderick, our
Director of Ontario Operations, is best to handle that question.
LISTNUM
1 \l 13595 MR.
BRODERICK: I think it comes down to
money. It really does. I think there is a perception among
advertisers that in order to spend money you have to have money, and under 25
the belief is that you probably haven't accumulated enough wealth at this point
in time to be interesting as a consumer.
LISTNUM
1 \l 13596 And
over 55 your buying patterns are probably pretty well established at that point
and the advertising isn't what is going to drive your purchasing, it is more
pre‑established loyalties and brand loyalties. Once you are satisfied it is pretty tough to
move you.
LISTNUM
1 \l 13597 COMMISSIONER
MENZIES: And why are women better than
men as a commercial audience?
LISTNUM
1 \l 13598 MR.
BRODERICK: I hope I am not the first one
to explain this to you but ‑‑
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 13599 COMMISSIONER
MENZIES: I know the answer, I just
needed you to say it.
LISTNUM
1 \l 13600 MR.
BRODERICK: A commonly held belief that
women would control about 80 percent of spending in the marketplace.
LISTNUM
1 \l 13601 COMMISSIONER
MENZIES: Right, thank you.
LISTNUM
1 \l 13602 Your
scholarship criteria, as you have laid it out, is specific ‑‑
or the Commission's scholarship criteria, sorry, is now specific to music and
journalism students in terms of that, in other words, content that is specific
to audio.
LISTNUM
1 \l 13603 Is
that outlet available through Trent for you?
LISTNUM
1 \l 13604 MS
SPENRATH: Yes, it is. We have had discussions with our
representatives of Trent University and they have a very interesting and
complete cultural program, and as part of that they have workshops and classes
that specifically look at music and its role in culture, and so we have taken a
look at the opportunity to provide scholarships that would work in that
direction to promote the music part of the culture.
LISTNUM
1 \l 13605 COMMISSIONER
MENZIES: If for some reason that doesn't
become available at some point during the period of the licence or the
Commission were to rule otherwise, how would you adjust?
LISTNUM
1 \l 13606 MS
SPENRATH: Well, I guess primarily ‑‑
first of all, we would try to keep to our commitment to Trent University
because there are other opportunities there for us to provide funding in other
areas. They have the musical theatre for
Aboriginal talent.
LISTNUM
1 \l 13607 So
we would try in negotiations and discussions with Trent University to find
other avenues that are eligible and I guess if that is not available then our
other alternative would be to direct it towards FACTOR.
LISTNUM
1 \l 13608 COMMISSIONER
MENZIES: Okay. Technically your application's projected CCD
expenses don't include a provision for the basic, although the overall is
significant.
LISTNUM
1 \l 13609 Can
you just clarify this for the record, please?
LISTNUM
1 \l 13610 MS
SPENRATH: Yes. What we have identified here is clearly over
and above the basic CCD and the basic CCD we will make in addition to this
amount that is promised.
LISTNUM
1 \l 13611 COMMISSIONER
MENZIES: Okay, thank you. Your application ‑‑ as you
have said, all your programming will be local.
LISTNUM
1 \l 13612 Are
there synergies to your advantage in other areas?
LISTNUM
1 \l 13613 MR.
JONES: You mean as far as our ‑‑
LISTNUM
1 \l 13614 COMMISSIONER
MENZIES: Your other operations.
LISTNUM
1 \l 13615 MR.
JONES: Yes. They are few and far between. They do exist and where appropriate we would
certainly take advantage of them.
LISTNUM
1 \l 13616 For
example, across Atlantic Canada last week there was a major winter storm that
kept power out in parts of Prince Edward Island for upwards of a week. Our news operation in Prince Edward Island
was able to share that with the rest of our Atlantic Canadian stations who were
also very interested in that story.
LISTNUM
1 \l 13617 There
may be programming cases ‑‑ as I mentioned earlier, if a
certain artist is playing in Calgary on a cross‑Canada tour and we can
interview him in Calgary and share that interview with Peterborough so that when
the artist comes to that community we have a programming edge on our
competitors, we would certainly take advantage of those.
LISTNUM
1 \l 13618 But
as I mentioned, off the top those synergies are few and far between and are not
really the foundation of our application, which is to be intensely local.
LISTNUM
1 \l 13619 COMMISSIONER
MENZIES: Okay. You mentioned this in your presentation and
touched on it quite confidently but I would like you to expand on it a bit
more.
LISTNUM
1 \l 13620 If
you get a licence in this market you will have CTV and Corus incumbents to deal
with. As you have noted, you will have
Rogers and Astral to the south of you, and as you also noted, you have Quebecor
with the Peterborough paper.
LISTNUM
1 \l 13621 That
is a pretty tough company to compete with and I just want to give you the
opportunity to expand briefly on why I need to believe you are tough enough to
make it through that crowd.
LISTNUM
1 \l 13622 MR.
MURRAY: Right, thank you.
LISTNUM
1 \l 13623 Well,
we compete with these large broadcasters in many of our markets, in Ottawa and
in Calgary and in Edmonton, and we hold our own and do quite well. I mean they are very good broadcasters and
they do get a good share of the market.
LISTNUM
1 \l 13624 Now,
I think, as Steve has said, the key to success in Peterborough is to be
intensely local and to repatriate a lot of that 40 percent or ‑‑
we have heard different numbers depending on which BBM book you are looking at.
LISTNUM
1 \l 13625 But
that 30‑40 percent of out‑of‑market tuning, once that is
repatriated and we create an intensely local product, we will get our share of
the audience and that is all you need to have.
You need to have that niche audience in our format and then we can ‑‑
Scott can sell it.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 13626 COMMISSIONER
MENZIES: Okay, thank you. How many licences do you think this market
can handle?
LISTNUM
1 \l 13627 MR.
MURRAY: We think that probably ‑‑
our business plan was based on the fact that you might approve two new licences
for Peterborough.
LISTNUM
1 \l 13628 COMMISSIONER
MENZIES: I am not going to answer that
question.
LISTNUM
1 \l 13629 MR.
MURRAY: Which one? Do you have anything in mind?
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 13630 COMMISSIONER
MENZIES: But is that what you think it
can handle? I mean if you think it can
handle four, tell me. If you think it
can handle just one, tell me.
LISTNUM
1 \l 13631 MR.
MURRAY: Right. Well, I think the difficulty with more than
two is that there is really only one reliable good frequency, 96.7. As everybody has applied for and all of their
engineering consultants have advised them, that is the plum frequency.
LISTNUM
1 \l 13632 Every
other frequency has some adjacency problems which could get ironed out but the
reality is it is going to be ‑‑ you would get those at a much
lower power and much lower coverage.
LISTNUM
1 \l 13633 So
a possible alternative ‑‑ it appeared from yesterday's hearing
and from our analysis of our engineering information that 102.5 might be the
best secondary frequency but it appears to only be applicable or acceptable off
the Corus site.
LISTNUM
1 \l 13634 So
I don't believe Corus has given anyone else permission to use their tower. So probably 102.5 would only work for
Corus. So it might be acceptable in
their flip but we think that the best use of 96.7 would be a new licence to
bring some new people to ‑‑ new formats available to the
public for Peterborough.
LISTNUM
1 \l 13635 COMMISSIONER
MENZIES: Okay, thanks. You spoke about the commitment to diversity
and reflecting the ethnic community of Peterborough, et cetera.
LISTNUM
1 \l 13636 Can
you give me some idea what Peterborough looks like demographically in terms of
that, its cultural makeup and its ethnic makeup, et cetera?
LISTNUM
1 \l 13637 MS
SPENRATH: Yes. With that market and with all the markets
that we operate in we tend to look to Stats Canada as a standard for our
research.
LISTNUM
1 \l 13638 It
does have a small Aboriginal and ethnic population, not as much as the major
metropolitan areas like Toronto or Montreal, but there is, according to the
information that we have, just under 4 percent on the ethnic, and Aboriginal is
close actually to the ethnic community.
LISTNUM
1 \l 13639 COMMISSIONER
MENZIES: Okay. Now, what would ‑‑ a couple
of years from now if you were to launch in Peterborough and I were to walk down
the street and ask people about you, how would they describe you?
LISTNUM
1 \l 13640 MS
SPENRATH: I would say a big part of the
fabric of the community and, you know, a welcome member.
LISTNUM
1 \l 13641 COMMISSIONER
MENZIES: Okay. Anybody else?
LISTNUM
1 \l 13642 MR.
JONES: Just to expand a bit on that.
LISTNUM
1 \l 13643 From
a programming point of view, I would like to have people recognize us, as
Glenda noted, as being very much involved in the community, intensely local, a
fun and entertaining radio station that is on top of what is going on in
Peterborough.
LISTNUM
1 \l 13644 And
from a corporate perspective, I think we would like to be recognized as a
contributing member of the corporate community and a positive influence on the
business community.
LISTNUM
1 \l 13645 COMMISSIONER
MENZIES: Okay, thanks.
LISTNUM
1 \l 13646 Could
you just expand a little bit on your revenue sources, just give me some
examples of 40 per cent of first year revenues will derived from non‑radio
advertisers, including new radio advertisers and advertisers in other media?
LISTNUM
1 \l 13647 As
you mentioned, I don't think the guys at Quebecor are probably that interested
in giving up the revenue that they have.
Can you expand a little bit on where that is going to come from and how
you are going to get it and what trends there are in the market that make it
possible?
LISTNUM
1 \l 13648 MR.
MURRAY: Sure. I will ask Scott Broderick to expand on those
percentages and give you an idea.
LISTNUM
1 \l 13649 But
I will say first that, you know, through our experience and with operating in
many markets of this size, like Moncton and Charlottetown and Fredericton, et
cetera, we believe that our projections are quite conservative. We have exceeded those projections in most of
the markets where we have started up new licences.
LISTNUM
1 \l 13650 And
I will ask Scott to talk about the actual percentages and the clients, et
cetera.
LISTNUM
1 \l 13651 MR.
BRODERICK: Sure thing. I think, as you said, yes, I don't think
Quebecor is anxious to be giving up anything.
But I think there is a trend. I
mean, radio revenues I think are up something like 25 per cent over the last
five years, whereas newspaper revenues in terms of dailies are down something
like 17 per cent. So there is a trend
and that has to do with circulation numbers I think overall.
LISTNUM
1 \l 13652 There
is a scene from All the President's Men, and they kept saying follow the money,
follow the money. And in this case, that
is what is going to happen here. I think
that it is most likely going to come from newspaper. I think that the tuning that we repatriate
into the marketplace is going to be very saleable to the local advertisers. So whereas before there wasn't a local radio
solution available demographically, they are going to find a really palatable
and very cost‑effective solution.
LISTNUM
1 \l 13653 And
the other thing is, and this is kind of an answer to your other question about,
like how do we know that we can compete with these giants? And it is because I think our sales approach
is results‑based, it is not directly tied to ratings. It is activity and account by account
management. And I think that when you
look at our projections, by the end of our first quarter, we need approximately
10 clients active on the radio station on a weekly basis.
LISTNUM
1 \l 13654 By
the end of our first year each of our five representatives would need eight
clients, each, active on the radio station on a weekly basis. I think any sales manager, you know, here today
would say that those are pretty reasonable expectations and it really comes
from having a radio representative in front of a business person asking
business questions and providing radio solutions. And that is just going to naturally grow the
radio revenues in the marketplace, so we are very confident.
LISTNUM
1 \l 13655 COMMISSIONER
MENZIES: Why does it work commercially
for you and/or why is it culturally relevant, important, to repatriate
listeners? I know it is the term common
usage, but repatriating people from a Toronto station to Peterborough, why does
that matter?
LISTNUM
1 \l 13656 MR.
BRODERICK: Honestly, one of the things I
often say to people is that we don't create spending in the marketplace, we
move market share around. People are
going to, you know, spend their money where they choose. We are able to introduce new clients, new
opportunities to the listeners.
LISTNUM
1 \l 13657 And
if they are not listening to Peterborough radio stations, they are not going to
be introduced to Peterborough businesses.
And I think repatriating those listeners on behalf of the business
owners is a big part of the business plan.
LISTNUM
1 \l 13658 COMMISSIONER
MENZIES: In your business plan your
total revenue is 1.1 for the first year.
You seem to bite off a very large chunk right off the bat and then
predict, well, I wouldn't call it modest, but not excessive growth after that.
LISTNUM
1 \l 13659 MR.
BRODERICK: M'hmm.
LISTNUM
1 \l 13660 COMMISSIONER
MENZIES: How can you hit the market that
hard and that fast and get that much revenue that quickly?
LISTNUM
1 \l 13661 MR.
BRODERICK: Again, I think that is what
makes us a little bit different. Because
of our experience in the small and medium markets where ratings are much less
part of the sales game, so we are used to selling without ratings. In fact, depending upon when the station
launches, we could be without ratings for quite a while. So it is about transferring confidence and
sitting down. And, frankly, a good idea
will work on any radio station, so we focus on ideas with our salespeople. So that is why I think we will have more
success early on.
LISTNUM
1 \l 13662 But
it is about activity management and it is about getting out, getting in front
of people and asking questions. So you
are not going to necessarily make twice as many calls in your seventh year as
in your first year. Hopefully, with good
sales management, you are going to make about the same because we are just
going to be out there visiting, talking to people, providing solutions and
getting results. So it won't change
dramatically over the term of the licence.
LISTNUM
1 \l 13663 COMMISSIONER
MENZIES: I am interested in that, how
you sell without ratings in terms of that.
And just to confirm what you indicate, is you are basically going to get
in there and get yourself entrenched early.
And then most of the growth ‑‑ there is some increase
in the client base, but it looks like a lot of it is a rate after that.
LISTNUM
1 \l 13664 MR.
BRODERICK: Not necessarily. I think that what happens is you have some
success with clients early on and those stories become ‑‑ the
results that you are getting for other clients become what you are really
selling. Saying, hey listen, we have had
a tremendous amount of success, in particular maybe in the automotive
category. So I think those success
stories become very marketable.
LISTNUM
1 \l 13665 COMMISSIONER
MENZIES: Okay. Yes?
LISTNUM
1 \l 13666 MR.
MURRAY: Yes, if I could add just
something and I will just hand it back to Scott.
LISTNUM
1 \l 13667 An
example of that is that we were recently approved for an AM/FM conversion for
Carbonear, Newfoundland. And this year
Carbonear AM will do approximately $600,000 of revenue total for the year. And we plan to launch that new FM station in
February. Last week we went into the
market and pre‑sold $400,000 on Carbonear FM in three days. So it was a very systematic approach, we did
our blitz of our salespeople from St. John's, which is 45 minutes away and, you
know, created that through stories and, as Scott is saying, through
confidence. And we have done, whatever
that is, two‑thirds of last years' results already into this year with
that FM.
LISTNUM
1 \l 13668 So
we would do a similar thing in any new market that we started. The sales force would be hired two months prior
launch and we would go with a large blitz and then we would be selling and
telling our story throughout the lead‑up period and also, obviously,
after we launch.
LISTNUM
1 \l 13669 COMMISSIONER
MENZIES: Okay. I just have, I think, just one more question,
forgive me if there is another.
LISTNUM
1 \l 13670 Can
you tell me how comprehensive your research was into that market, how many
people were surveyed and how many businesses?
LISTNUM
1 \l 13671 Actually,
I will have one more question. Go ahead.
LISTNUM
1 \l 13672 MR.
JONES: Our research was conducted by
Mark Kassof & Company, who has appeared before you earlier in the hearings
for Owen Sound and, I believe, for Windsor.
LISTNUM
1 \l 13673 Mark
has done a great deal of research for Newcap.
We take a great deal of pride in the amount of research we do, research
is a compass. And if you are lost in the
woods, if you don't have a compass, you know, you could end up further away
from your goal with every step you take.
So we try to gauge our direction first before we take any big steps.
LISTNUM
1 \l 13674 Our
research in Peterborough was nine different formats and 300 individuals 18‑64.
The margin of error in that research would be, on the ratings projections, 3.4
per cent plus or minus.
LISTNUM
1 \l 13675 COMMISSIONER
MENZIES: Within the structure in terms
of that?
LISTNUM
1 \l 13676 MR.
JONES: I am sorry?
LISTNUM
1 \l 13677 COMMISSIONER
MENZIES: The margin of error is 3.4 per
cent within the ratings structure?
LISTNUM
1 \l 13678 MR.
JONES: Yes, within the final ratings
projections.
LISTNUM
1 \l 13679 COMMISSIONER
MENZIES: Okay, thanks. Have you surveyed the potential advertisers
in terms of that and had any sense of any interest or otherwise from them in
the marketplace or is that premature?
LISTNUM
1 \l 13680 MR.
MURRAY: Yes, we had not done that.
LISTNUM
1 \l 13681 COMMISSIONER
MENZIES: Okay. That is it for me, thank you.
LISTNUM
1 \l 13682 THE
CHAIRPERSON: Thank you, Commissioner
Menzies. The more of these you will do,
the quicker you will learn you never say I have one final question.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 13683 THE
CHAIRPERSON: I just have a couple of
follow‑up questions and one has to deal with growth. I, obviously, just heard your conversation
with Commissioner Menzies. But one area
in which you don't project growth is in your audience share. It is steady at 13 per cent for year one
through to year seven. What is your
rationale for not including any growth in share of tuning?
LISTNUM
1 \l 13684 MR.
JONES: We believe that there is a hunger
for this format in Peterborough and that hunger isn't necessarily going to take
a long time to wrap up or grow exponentially once it is on the air. We have seen, in the case of the recent CKPT
flip, where the station immediately gained a 20 share plus in the first book.
LISTNUM
1 \l 13685 So
when there is a hunger for a new format there generally isn't a long ramp‑up
of escalating ratings. Things can
happen, quite often, fairly quickly and we believe we can sustain that over the
course of the licence.
LISTNUM
1 \l 13686 MR.
MURRAY: And I would add that it is not
like instant 13 and then 13 forever. It
is, you know, our average ratings for year one will be 13, our average ratings
for year two will be 13, et cetera, because that is what we believe ‑‑
that is what our research told us that we would enjoy. Obviously, there is going to be fluctuations
and you are going to have great book ‑‑ BBM is not
particularly reliable in all situations.
LISTNUM
1 \l 13687 And
as Scott said, you know, we really don't depend on ratings, we depend on
providing results for clients and our community involvement and our local
local ‑‑ and ratings are nice but, you know, they are not
critical.
LISTNUM
1 \l 13688 THE
CHAIRPERSON: Okay, thank you. And in
terms of format, I did have up here your amended sample playlist. In light of the format change in the market,
in particular CKPT, what are the differences between that format and what I see
here in your amended playlist? Because a
lot of these artists and a lot of these songs could fit into the Hot AC format,
could it not?
LISTNUM
1 \l 13689 MR.
JONES: Yes and no. We did look at CKPT's current playlist and
did an analysis of what we would project the overlap would be. And it would be about 10 percent or less and
it would primarily be in certain artists that are Canadian for the most
part. There is not a lot of crossover.
LISTNUM
1 \l 13690 For
example, CKPT's current playlist includes 60 percent from 2006 and 2007 so only
40 percent of their current spins are derived from previous to 2005. On our approach only 10 percent of our entire
spins would be from 2000 to today.
LISTNUM
1 \l 13691 So
we are really looking at two stations that although on the surface may have
some artist overlap, the actual overlap is quite small.
LISTNUM
1 \l 13692 THE
CHAIRPERSON: Okay, thank you for that.
LISTNUM
1 \l 13693 In
terms of your news and spoken word in your oral presentation you said:
"The station's news director
will supervise a team of two news journalists/announcers in
Peterborough." (As read)
LISTNUM
1 \l 13694 THE
CHAIRPERSON: You have among all the
applicants ‑‑ wrong stickie.
Excuse me for just a second.
LISTNUM
1 \l 13695 Yes,
amongst all the applicants you have the highest level of programming
expenditures, not that that's a bad thing.
But just for comparison purposes what do you include in your programming
line? Is that just news staff or is it
also the rest of your programming staff, like I say for comparison purposes
because yours is the highest?
LISTNUM
1 \l 13696 MR.
MURRAY: Sure. We do that in detail and Glenda can.
LISTNUM
1 \l 13697 THE
CHAIRPERSON: Okay, terrific.
LISTNUM
1 \l 13698 MS
SPENRATH: Yes, that would include the
entire programming costs, including of course the biggest is our payroll staff
complement. But it would also include
our broadcast news, the cost of any news vehicles; any other supplies or costs
are included in running the news and programming departments.
LISTNUM
1 \l 13699 THE
CHAIRPERSON: So how many staff members
does that line item include?
LISTNUM
1 \l 13700 MS
SPENRATH: That includes the equivalent
of five programming and part time and three fulltime news, and a part time as
well news person.
LISTNUM
1 \l 13701 THE
CHAIRPERSON: Okay, thank you.
LISTNUM
1 \l 13702 So
it's not like you just pay the greatest salaries?
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 13703 MS
SPENRATH: We think so.
LISTNUM
1 \l 13704 THE
CHAIRPERSON: To attract the best people.
LISTNUM
1 \l 13705 Again,
in your oral presentation you said:
"The station will benefit from
Newcap's existing news resources in Ontario and across Canada." (As read)
LISTNUM
1 \l 13706 THE
CHAIRPERSON: And I am wondering if you
could elaborate a bit for us on that in that is it ‑‑ are we
talking about synergies with resources or news stories? How is the station going to benefit?
LISTNUM
1 \l 13707 MR.
JONES: Well, as I mentioned to
Commissioner Menzies earlier, the synergies are minimal but they are
there. And the benefit would primarily
be in content that is locally relevant to all those radio stations.
LISTNUM
1 \l 13708 The
example earlier was the snowstorm on the east coast where the content that
happened in Charlottetown was really very relevant to our audience in Halifax
or St. John's, Newfoundland because those communities are so interconnected in
terms of travel and family members.
LISTNUM
1 \l 13709 So
when news breaks in Ottawa where we have two radio stations there may be an
opportunity. If the news that breaks in
Ottawa is relevant to Peterborough, we can share those resources with our
station in Peterborough.
LISTNUM
1 \l 13710 THE
CHAIRPERSON: So it's not that Newcap has
or is planning on having a centralized newsgathering?
LISTNUM
1 \l 13711 MR.
JONES: Right. At this point we don't have that and don't
have plans to do that, although I will elaborate slightly on one point in terms
of the east coast.
LISTNUM
1 \l 13712 We
have radio stations in all of the Atlantic capital cities and created a report
we call "The Capital Report" that airs in each market each day that
details the lead stories affecting each capital city across Atlantic Canada.
LISTNUM
1 \l 13713 So
as our company expands, you know, that may be something we look at, but at this
point we don't have any kind of central news service.
LISTNUM
1 \l 13714 THE
CHAIRPERSON: And would you consider
that ‑‑ the example you just gave about Atlantic Canada, would
you consider that network programming?
LISTNUM
1 \l 13715 MR.
JONES: Not so much network programming
as simply sharing the synergies that exist between the stations because each
radio station in that group contributes to it.
It's not something that's, you know, beamed down centrally. It's a group effort.
LISTNUM
1 \l 13716 THE
CHAIRPERSON: Okay.
LISTNUM
1 \l 13717 MR.
MURRAY: Just to expand a little bit on
that, all of our stations use broadcast news.
We also use a product called KLZ which is a computerized network news
system and it allows us to post news stories on a website and any of our
stations can access that and draw those stories down.
LISTNUM
1 \l 13718 As
an example, our VOCM full service news talk station in Newfoundland provides a
large number of stories to BN and we get a huge credit for that. So those stories are also available to our
other stations directly from VOCM.
LISTNUM
1 \l 13719 THE
CHAIRPERSON: Okay. Thank you very much.
LISTNUM
1 \l 13720 Legal
counsel.
LISTNUM
1 \l 13721 MS
SMITH: I have just a few questions for
you.
LISTNUM
1 \l 13722 We
note your comment from your letter of September 27, 2007, page three, where you
state that:
"The use of 100.5 would
generate 10 to 15 percent fewer sales and would cause you not to reach a
breakeven PBIT until year seven."
(As read)
LISTNUM
1 \l 13723 MS
SMITH: Would you accept licensing on
this alternative frequency?
LISTNUM
1 \l 13724 MR.
MURRAY: Since that letter and since
coming to the hearing we have received more information from our engineering
experts. And 100.5 has additional
problems that we weren't aware of then.
So it's difficult to know what the impact would be.
LISTNUM
1 \l 13725 I
think ‑‑ apparently there is interference, potential
interference with a Bellville station. So basically what they said, you would need
Bellville's permission to use 100.5 at a certain power level and they would
have to agree to not increase their power in the future. So it's not likely that they are going to do
that. They now have permission to
operate at a higher parameter.
LISTNUM
1 \l 13726 So
I think 100.5 is a core alternative in Peterborough and I think what ‑‑
so the answer is "no".
LISTNUM
1 \l 13727 MS
SMITH: Thank you.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 13728 MS
SMITH: I just have two CCD questions for
you.
LISTNUM
1 \l 13729 Could
you confirm your understanding that if licensed your station would have to
contribute a basic annual CCD contribution imposed by COL until the regulations
are amended, based on the station's total annual revenues and in the amounts as
set out in paragraph 116 of new radio policy, Public Notice CRTC 2006‑158?
LISTNUM
1 \l 13730 MS
SPENRATH: Yes, that is my
understanding. And we will be making
basic CCD contributions in addition to the contributions that we have made in
this application.
LISTNUM
1 \l 13731 MS
SMITH: Thank you, just one additional
question.
LISTNUM
1 \l 13732 Could
you confirm your understanding as well that of this basic annual amount no less
than 60 percent of the station's basic annual CCD contribution must be
allocated to either FACTOR or MusicAction and that the remaining amount, if
any, may be directed to any eligible CCD initiative at your discretion?
LISTNUM
1 \l 13733 MS
SPENRATH: Yes, I understand that 60
percent must ‑‑ at least must go to FACTOR or MusicAction.
LISTNUM
1 \l 13734 MS
SMITH: Thank you very much.
LISTNUM
1 \l 13735 THE
CHAIRPERSON: Mr. Murray or Mr.
Steele ‑‑ I'm not sure who it is ‑‑ but you
have your final two minutes to give us your best pitch.
LISTNUM
1 \l 13736 Mr.
Steele.
LISTNUM
1 \l 13737 MR.
STEELE: And thank you, I appreciate
that. I will be very brief and I will
just cover some of the salient points.
LISTNUM
1 \l 13738 Well,
thank you, Madam Chair.
LISTNUM
1 \l 13739 We
believe that our application for 96.7 The River provides the best possible use
of 96.7.
LISTNUM
1 \l 13740 96.7
is the only available frequency that can provide reliable coverage of
Peterborough and the Kawarthas. Our
application would maximize the public benefit from use of this scarce spectrum
in four significant respects.
LISTNUM
1 \l 13741 First,
we would be a new entrant and a strong new editorial voice in the market with a
broad appeal format designed to add the greatest diversity.
LISTNUM
1 \l 13742 And
secondly, we are an experienced midsize radio operator with the resources, the
expertise necessary to compete successfully against the large experienced
broadcasters who dominate the Peterborough radio landscape.
LISTNUM
1 \l 13743 And
third, our contribution to the development of Canadian content of over one
million is by the far highest before you and includes significant support for
Peterborough's Trent University.
LISTNUM
1 \l 13744 And
finally, our commitment to 17 hours of local spoken word, including over six
hours of local news focusing on local and regional content is both one of the
highest and will specifically appeal to residents of Peterborough and the
broader region.
LISTNUM
1 \l 13745 We
appreciate your consideration of our application and we look forward to
subsequent phases of this proceeding.
LISTNUM
1 \l 13746 THE
CHAIRPERSON: Thank you very much, and
thank you to your colleagues.
LISTNUM
1 \l 13747 We
will take a very short five‑minute break to allow for the change in
panels.
‑‑‑ Upon recessing
at 1000 / Suspension à 1000
‑‑‑ Upon resuming
at 1005 / Reprise à 1005
LISTNUM
1 \l 13748 THE
CHAIRPERSON: Madam Secretary.
LISTNUM
1 \l 13749 THE
SECRETARY: Thank you, Madam Chair.
LISTNUM
1 \l 13750 We
will proceed with item 9, which is an application by Larche Communications Inc.
for a licence to operate an English‑language FM commercial radio
programming undertaking in Peterborough.
LISTNUM
1 \l 13751 The
new station would operate on frequency 96.7 MHz (channel 244B) with an average
effective radiated power of 17,000 watts (maximum effective radiated power of
50,000 watts/antenna height of 96.8).
LISTNUM
1 \l 13752 Appearing
for the applicant is Mr. Paul Larche.
LISTNUM
1 \l 13753 Please
introduce your colleagues and you will then have 20 minutes to make your
presentation.
PRESENTATION / PRÉSENTATION
LISTNUM
1 \l 13754 MR.
LARCHE: Thank you and good morning,
Commissioners. Good morning, Chair, good
morning CRTC staff.
LISTNUM
1 \l 13755 My
name Paul Larche. I am President of
Larche Communication.
LISTNUM
1 \l 13756 Again,
it's very much always a privilege to present before you and we are doing that
today for a new FM undertaking in Peterborough.
LISTNUM
1 \l 13757 Joining
me is Mora Austin, Vice‑President of our company. Next to Mora is our company's Music and
Program Director, Ted Roop, and next to Ted is our Marketing Director from CITZ
FM Kitchener, Beth Warren.
LISTNUM
1 \l 13758 Now,
since we just presented to you the other day and this is pretty much the same
panel, for the sake of saving everyone some time we are going to skip some of
the background on our company and our people and our vision and accomplishments
as they are already on the public record and get right to the meat of the
application.
LISTNUM
1 \l 13759 So
Madam Chair and Commissioners, we are thrilled again to be here. Much like Owen Sound which we talked about the
other day, the Kawarthas Region is like home to us because it so closely
mirrors Simcoe County where our Midland operation resides.
LISTNUM
1 \l 13760 Both
are considered cottage country to much of Southern Ontario. Their populations swell in the summer. They both rely heavily on tourism with a
multitude of recreational opportunities.
They are not only connected by the Trent‑Severn Waterway but by
vibrant dynamic communities that share much of the same culture, values and
challenges. Their economies are also
alike and intertwined. That's why this
application along with our application for Owen Sound, which is also part of
cottage country, makes so much strategic sense for us.
LISTNUM
1 \l 13761 So
let's get right into the business plan.
LISTNUM
1 \l 13762 Mora.
LISTNUM
1 \l 13763 MS
AUSTIN: Thanks, Paul.
LISTNUM
1 \l 13764 Good
morning, Commissioners.
LISTNUM
1 \l 13765 The
Classic Hits format is the clear choice for Peterborough. LCI commissioned Radio Index Inc. to conduct
a comprehensive market analysis to determine an underserved format opportunity
for a new station and its impact on existing stations.
LISTNUM
1 \l 13766 The
purpose of the study was to research the market viability of the top three FM
radio formats currently not available on the FM dial in Peterborough at the
time of the research; Top 40, CHR, Classic Hits and Adult Contemporary.
LISTNUM
1 \l 13767 Although
all three formats showed a clear demand, Classic Hits showed the highest
interest particularly with listeners 25 to 54.
Over 43 percent of listeners in that demographic rated a high likeliness
of listening to a Classic Hits station compared to 35 percent for CHR and 32
percent for Adult Contemporary.
LISTNUM
1 \l 13768 Furthermore,
the radio index study concluded that 72 percent of listeners could not identify
a local station that features Classic Hits music. It is the clear format void.
LISTNUM
1 \l 13769 Offering
a local Classic Hits station will also bring listeners back to
Peterborough. Many local listeners have
left local radio and found Classic Hits on CKLY FM in Lindsay and CHUC FM in
Cobourg or found other alternatives to get their Classic Hits music such as
iPods, the internet and satellite radio.
Currently, CKLY FM and CHUC FM garner a 4.3 share of hours tuned in
Peterborough.
LISTNUM
1 \l 13770 To
tell you more about our proposed Classic Hits format I will pass it to Ted.
LISTNUM
1 \l 13771 MR.
ROOP: Thank you very much, Mora.
LISTNUM
1 \l 13772 Our
new station is going to be called Classic Hits 96 and will feature a broad‑based
music format that will air the biggest hits from the sixties to today with the
primary focus on the eighties and nineties.
LISTNUM
1 \l 13773 The
Classic Hits format derives much of its popularity from a very wide and diverse
playlist covering many popular genres. Core
artists would include Bryan Adams, Fleetwood Mac, Madonna, John Mellancamp,
Corey Hart, Blondie, Tom Cochrane, Bonnie Tyler, B‑52s, The Police, Glass
Tiger, Men Without Hats and Hootie and the Blowfish.
LISTNUM
1 \l 13774 Classic
Hits 96's programming will be 100 percent locally produced and
originating. We believe the only way to
truly reflect the community you serve is to ensure all programming originates
from the station.
LISTNUM
1 \l 13775 As
mentioned in our Owen Sound application, our non‑music programming in a
nutshell will be local, local and more local.
LISTNUM
1 \l 13776 Classic
Hits 96 will offer Peterborough listeners over 12‑and‑a‑half
hours weekly in comprehensive and local talk reflecting the community. This represents 10 percent of our total
weekly programming and will include news, sports, weather, traffic reports,
business reports and more.
LISTNUM
1 \l 13777 Our
newsroom will broadcast every half hour in the mornings and again during
selected hours during the day and weekend and we will provide close to four
hours of news per week. The addition of
this distinct news voice in Peterborough will increase diversity and add an
alternatives news perspective to the market.
LISTNUM
1 \l 13778 Classic
Hits 96 will also provide daily recreation reports from our station boat or
station snowmobile on activities in the area.
We will also provide daily relevant spoken word features such as
community clips and the Peterborough Sounding Board on issues revolving around
their lifestyle and local activities, and events that reflect the fabric and
cultural makeup of Peterborough.
LISTNUM
1 \l 13779 We
anticipate the impact on local stations will be minimal considering the current
incumbent stations' formats and market growth.
We will be repatriating out of market listeners and bringing back radio
dollars that have left the market.
LISTNUM
1 \l 13780 Now,
to talk about some of our exciting CCD initiatives here is Beth.
LISTNUM
1 \l 13781 MS
WARREN: Thanks, Ted.
LISTNUM
1 \l 13782 Although
we are applying for a Classic Hits format, LCI is dedicated to assisting and
developing emerging Canadian talent.
After all, today's current artists will become tomorrow's classics. That's just part of the reason why LCI is
committing a total of $350,000 over the first licence term.
LISTNUM
1 \l 13783 Fostering
emerging talent is not only an investment in radio but also in the artists, the
music industry and in Canadian culture and heritage. Without the foundation to assist Canadian
talent on record, most Canadian artists would never be able to afford to
record. $20,000 per year will go to
FACTOR in order to contribute to the growth and development of the Canadian
recording industry.
LISTNUM
1 \l 13784 To
help nurture the love of music in our young people another $10,000 per year
will go towards the purchase of new musical instruments and equipment for
Peterborough elementary and secondary schools.
LISTNUM
1 \l 13785 We
have also committed $10,000 per year towards the Peterborough Kiwanis Festival
of Music. These music festivals have
been instrumental in developing the careers of some of Canada's biggest stars.
LISTNUM
1 \l 13786 Classic
Hits 96 will also host the Star Quest Talent Search at a cost of $10,000 per
year. This will be modeled on the
successful Star Quest we conduct in Midland and Kitchener. The winner will receive studio time,
reproduction and of course airtime on our station.
LISTNUM
1 \l 13787 Our
application also outlines a commitment of $50,000 per year in airtime and
features devoted to promotion of music‑related activities in Peterborough
and area as it relates to emerging artists.
This would include the promotion of concerts and performances by local
artists, artistic and musical programs in the community and release of CDs by
local artists.
LISTNUM
1 \l 13788 We
are also planning a weekly one‑hour show called "Future
Classics" featuring new Canadian music that fits the overall feel of the
format.
LISTNUM
1 \l 13789 These
are truly superior CCD initiatives that we believe exceed and surpass the
Commission's CCD plan as outlined in the most recent radio review.
LISTNUM
1 \l 13790 Again,
as mentioned in our Owen Sound application, LCI is committed to Canadian
music. It's our lifeline and we realize
we need a steady supply of high quality talent for our listeners. We always strive to introduce Canadian and
emerging artists any time we are able to, often opening for a popular headliner
so that there is a built‑in audience.
LISTNUM
1 \l 13791 LCI
has presented many Country music concerts in both central Ontario and Kitchener‑Waterloo
at our own expense and our own risk. As
well, we often present concerts at no cost to the audience, creating a
memorable experience for both the artist and our listeners.
LISTNUM
1 \l 13792 We
hope to have the chance to do this in Peterborough.
LISTNUM
1 \l 13793 Paul.
LISTNUM
1 \l 13794 MR.
LARCHE: Thank you, Beth.
LISTNUM
1 \l 13795 Again,
sorry for the fact that we are repeating ourselves a bit, but we all do
consider this a privilege.
LISTNUM
1 \l 13796 We
understand and appreciate our mandate to the Broadcast Act, to give back, to
bring value to our communities, to reflect like a mirror who we are as
Canadians.
LISTNUM
1 \l 13797 Profits
are not our main motivator. Sure, we
need to stay economically sound, but an analysis of our returns over the past
several years will show we invest our profits right back into our product.
LISTNUM
1 \l 13798 Too
many in our industry are driven primarily by margin targets and shareholder
expectations and others will run their operations on a shoestring, often
because they can. Our motivator is to
create great radio. We have a deep
burning passion for this fantastic medium.
To continue doing great radio we need some economies of scale to become
more efficient, to weather the ups and downs of our business.
LISTNUM
1 \l 13799 Again,
you have several great applications in front of you today by some really good
broadcasters but we think ours holds up.
To sum up, approval of this application will fill the largest
underserved format in the market.
Independent research clearly demonstrates the significant void Classic
Hits will fill. This format will also
repatriate some out‑of‑market tuning.
LISTNUM
1 \l 13800 We
will provide a new distinct news voice.
This application will result in over 12‑and‑a‑half
hours of distinct and local news and spoken word programming in Peterborough.
LISTNUM
1 \l 13801 We
will add an alternative news perspective to the market.
LISTNUM
1 \l 13802 We
will invest considerably in Canadian talent development with $350,000 of
expenditure over seven years.
LISTNUM
1 \l 13803 And
also, approval of this application will benefit the Canadian broadcast
system. As I mentioned in my
introduction, Peterborough and the Kawarthas is part of cottage country and we
know how to do great radio in cottage country.
We have done it successfully for 10 years. Imagine the cross‑promotional
opportunities and synergies that we could bring between our stations in
Midland, soon to be Orillia, Peterborough and maybe even Owen Sound. They would not only be connected by water but
by a group of radio stations that would reflect events throughout the
region. Boating, fishing, snowmobiling,
camping, cottaging, skiing, hiking, golfing; the list goes on.
LISTNUM
1 \l 13804 LCI
could be the common bond and glue that pulls these communities together for the
betterment of all. And isn't that what
the Broadcasting Act is all about?
LISTNUM
1 \l 13805 Thank
you.
LISTNUM
1 \l 13806 THE
CHAIRPERSON: Thank you, Mr. Larche, and
your colleagues. Welcome back.
LISTNUM
1 \l 13807 MR.
LARCHE: You are welcome.
LISTNUM
1 \l 13808 THE
CHAIRPERSON: And just so we are not
accused of being repetitive I am going to ask you the CCD questions right off
the top.
LISTNUM
1 \l 13809 So
please confirm your understanding that if licensed your station will have to
contribute a basic annual CCD contribution imposed by condition of licence
until the regulations are amended, based on the station's total annual revenues
and in the amounts as set out in paragraph 116 of the new radio policy, Public
Notice CRTC 2006‑158.
LISTNUM
1 \l 13810 MR.
LARCHE: Confirmed.
LISTNUM
1 \l 13811 THE
CHAIRPERSON: Please confirm your
understanding that of this base annual amount no less than 60 percent of the
station's basic annual CCD contribution must be allocated to either FACTOR or
MusicAction and the remaining amount, if any, may be directed to any eligible
CCD initiatives at your discretion?
LISTNUM
1 \l 13812 MR.
LARCHE: Confirmed.
LISTNUM
1 \l 13813 THE
CHAIRPERSON: Thank you.
LISTNUM
1 \l 13814 And
now we will move on to the specifics of your application. And as you know ‑‑ I will be
repetitive here because I do like to start with format.
LISTNUM
1 \l 13815 MR.
LARCHE: M'hm.
LISTNUM
1 \l 13816 THE
CHAIRPERSON: And would I characterize
your proposed format as the softer side of Classic Hits? Is that a fair characterization of what you
are proposing?
LISTNUM
1 \l 13817 MR.
LARCHE: I think the best
characterization, and I'm sure Ted could talk more about this, we
probably ‑‑ what we are proposing is as mainstream a Classic
Hits format as you can without having launched it yet.
LISTNUM
1 \l 13818 Anytime
you are going to launch a radio station you find the hole. But before we would launch we are also big
believers in doing additional research, fine tuning, doing auditory and music
testing to make sure that the music that we are going to play is exactly what
the listener wants.
LISTNUM
1 \l 13819 So
in a general sense I wouldn't want to say we are on the softer side of what a
Classic Hits format would be because we would be Classic Hits and we would fine
tune it to what the market wants, you know, if we have the good fortune to be
approved for this.
LISTNUM
1 \l 13820 Ted,
do you have anything to add to that?
LISTNUM
1 \l 13821 MR.
ROOP: I would just ‑‑
as far as eras go with the music that we would be playing or playlists that we
would probably be playing, about 20 percent from the sixties, 40 percent from
the seventies, 20 percent from the eighties, 15 percent from the nineties and 5
percent current music.
LISTNUM
1 \l 13822 THE
CHAIRPERSON: And just so I can increase
my knowledge base what is auditory music testing? Is that ‑‑ do you bring in a
focus group and play them a sample of what you will be playing on the station?
LISTNUM
1 \l 13823 MR.
LARCHE: That is precisely what it is and
the technology today allows an independent research company to bring in ‑‑
usually we do it with 75 to 100 people that fit the demographic we are going
after. We will have them listen to
basically hooks of upwards of 200, 300, 400, 500 songs and they have a little
dial and they can punch in what they think of it. And we get data from that that allows us to
tell us which songs they would prefer, which songs they feel they have heard
too much and are burnt in the market.
Again, it makes it very, very tuned to those listeners in Peterborough.
LISTNUM
1 \l 13824 THE
CHAIRPERSON: And is this something you
would typically do only once you are granted the licence as opposed to part of
your application research?
LISTNUM
1 \l 13825 MR.
LARCHE: Actually, many stations do it
once a year. And online research as
well ‑‑ you know, with our Country stations, Country is very
much a current format versus a Gold Based format. So it's very important to find out things
like you know, are people liking the music.
And even more important is when are they getting tired of it because you
can burn a song.
LISTNUM
1 \l 13826 And
we do a lot of online research with a company called "Rate the Music"
where we have literally hundreds and hundreds of listeners each week that will
go through little clips of current songs.
We get data back to tell us, okay, this song is getting a little tired,
this one they really, really like.
LISTNUM
1 \l 13827 And
what has been really great about that, you know from our perspective, is we
found that a lot of Canadian music, and I'm talking Country, really fares very
well. You know we don't have to
pigeonhole what we are doing with music in terms of is it Canadian or not. We just want to play the music that people want
and they are liking the most.
LISTNUM
1 \l 13828 But
to answer your question, auditorium testing is often done on an annual basis or
every second or every two years, especially on a Gold Based format like we are
talking about.
LISTNUM
1 \l 13829 THE
CHAIRPERSON: Okay. Well, thank you for that.
LISTNUM
1 \l 13830 Have
you done a comparison of your proposed format with what is currently being
offered in the market in terms ‑‑ to determine how much if any
overlap there would be in terms of spins?
We know that there might be in terms of artists but in terms of
individual spins have you done that comparison?
LISTNUM
1 \l 13831 MR.
LARCHE: The one that we would probably
have the most spins with ‑‑ and again, Ted could talk more to
this ‑‑ would probably be the Corus station, The Wolf.
LISTNUM
1 \l 13832 But
our research shows that 72 percent of the listeners in Peterborough could not
identify a station that would be considered Classic Hits in the definition that
we gave them for Classic Hits. That
station would probably have the most duplication but that's a rock
station. They obviously would be, you
know, considerably harder. They would
also be playing some current rock. So we
would have much of a different sound.
LISTNUM
1 \l 13833 In
terms of AC, sure there would ‑‑ you know some artists in the
seventies and eighties, the softer Elton Johns and so on and so forth, there
would be some duplication there. But our
sound would be very unique in the sense that we are very much an era‑based
format. We are more of a Gold Based, a
little more up tempo and not as soft as an AC station and that would really
separate us from the pack there.
LISTNUM
1 \l 13834 Ted,
anything to add to that?
LISTNUM
1 \l 13835 MR.
ROOP: Yes, as far as duplication goes I
think it would be probably about 50 percent between the current rock station
Corus owns in Peterborough right now. It
would be 50 percent, yes.
LISTNUM
1 \l 13836 THE
CHAIRPERSON: 50 or 15?
LISTNUM
1 \l 13837 MR.
ROOP: 50.
LISTNUM
1 \l 13838 THE
CHAIRPERSON: 50.
LISTNUM
1 \l 13839 MR.
ROOP: I mean they would be a lot harder
than we would be, and then as far as the Hot AC station goes we would be a
little hotter than they would be, a little edgier than they would be.
LISTNUM
1 \l 13840 THE
CHAIRPERSON: And your target demo is 25
to 54 with a focus on 35 to 49?
LISTNUM
1 \l 13841 THE
ROOP: And the median age probably would
be ‑‑ well, it would be a 42 year old adult.
LISTNUM
1 \l 13842 THE
CHAIRPERSON: You are a quick study,
thank you.
LISTNUM
1 \l 13843 MR.
ROOP: A man or a woman, sorry.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 13844 THE
CHAIRPERSON: We heard the previous applicant
characterize Peterborough as "the land of giants" in that you would
be competing with the two Corus and the two CTVglobemedia combo. As well, though, you will be competing with
the out‑of‑market tuning to Kawartha Lakes, to Cobourg, to
Toronto. I think the out‑of‑market
tuning is as high as 43 percent in this market.
LISTNUM
1 \l 13845 What
is going to allow Larche Communications to compete in this land of giants as it
has been characterized?
LISTNUM
1 \l 13846 MR.
LARCHE: That's a great term. It just came up this morning.
LISTNUM
1 \l 13847 Obviously,
we wouldn't have applied if we didn't think we could compete.
LISTNUM
1 \l 13848 I
think there are a few things we can bring to the table. Obviously, our experience. We compete in other markets, in Kitchener and
in central Ontario, in Midland, Orillia and Barrie, with Corus and with Rogers
and with CTV in these markets, and we hold our own. We run successful businesses.
LISTNUM
1 \l 13849 Also,
one of the things I try to get across with our business plan ‑‑
and I say it time and time again ‑‑ is that we try to make it
realistic, in the sense that we are not here with the highest cost for
programming and for marketing and promotions.
LISTNUM
1 \l 13850 We
are also not here with the highest revenue projections. We try to be conservative, because we know,
as a small operator, that we have to live to the mandate of providing what we
say we are going to provide in our applications, and give to the community, but
we want to make sure that we are doing it not in a position where, financially,
we could really get ourselves into some trouble.
LISTNUM
1 \l 13851 I
think, if you were to look at our expenses, programming and otherwise, you
would find that they are probably in the middle of the pack, but they are very
realistic.
LISTNUM
1 \l 13852 I
think that our revenue projections are also a little lower.
LISTNUM
1 \l 13853 We
know that these are conservative numbers, and if that's the way it goes, then
we can still weather it.
LISTNUM
1 \l 13854 I
think there are a couple of other things, too.
We will have some synergies throughout that region ‑‑
throughout central Ontario.
LISTNUM
1 \l 13855 Again,
one of the things that excited me so much about the fact that there was a call
for Owen Sound and Peterborough is that they are nice bookends for the part of
the province that we live in and that we want to call home.
LISTNUM
1 \l 13856 There
is no doubt that there are all kinds of great synergies that would abound,
particularly when it comes to a lot of the culture in the area. We talk a lot about snowmobiling and skiing
and golfing and boating. We all do a lot
of it, because that is what people do in our area.
LISTNUM
1 \l 13857 We
imagine having a marine team ‑‑ we do have one in Georgian
Bay, but we imagine having another one in Peterborough, and possibly Owen
Sound. On weekends they could be
saying: If you are taking your boat
through the Trent‑Severn system, let's see what the conditions are like
on Lake Simcoe. Let's go to our sister
station.
LISTNUM
1 \l 13858 That
would be something that we could offer that wouldn't cost us any additional
money, but would allow us to have a unique selling proposition, for lack of a
better term, and keep our costs down.
LISTNUM
1 \l 13859 Then,
of course, we would have the synergy of an engineer. We could have one engineer look after all of
these radio properties, because they would be within an hour or an hour and a
half's drive from where we are based.
And accounting, and so on and so forth.
LISTNUM
1 \l 13860 To
answer your question, because it is a good question and I was thoroughly
expecting it: We could compete with no
problem, if we were given the opportunity.
LISTNUM
1 \l 13861 I
know you will probably ask about the frequency issue, so ‑‑
LISTNUM
1 \l 13862 THE
CHAIRPERSON: Sure, jump ahead. Go for it.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 13863 MR.
LARCHE: When I say all of this, I want
to preface it by saying that we would only be able to do this, we feel, if we
received the frequency we applied for.
LISTNUM
1 \l 13864 We
know that this is a competitive hearing.
We know that there are a couple of other frequencies that are
possibilities.
LISTNUM
1 \l 13865 Our
alternate frequency is the same alternate frequency that Mr. Murray talked
about this morning. Just a week ago we
found out through Industry Canada that there could be issues with that
frequency that could greatly diminish the coverage that that frequency would
give us.
LISTNUM
1 \l 13866 THE
CHAIRPERSON: So, as a result ‑‑
I believe it was in response to questions of clarification ‑‑
you said that it would have minimal impact on your business plan.
LISTNUM
1 \l 13867 MR.
LARCHE: We say that it would have
minimal impact on our deficiencies.
LISTNUM
1 \l 13868 THE
CHAIRPERSON: Right.
LISTNUM
1 \l 13869 MR.
LARCHE: But, again, since that time,
Industry Canada ‑‑ and I think you will hear this, probably,
from other applicants, as well, today.
Many of us have applied for the same main frequency and alternate
frequency, and there is an issue now with that alternate frequency.
LISTNUM
1 \l 13870 THE
CHAIRPERSON: So is 96.7 the only viable
frequency available in the market?
LISTNUM
1 \l 13871 MR.
LARCHE: We believe it would be the only
viable frequency available to us to be able to survive in that market, in the
land of giants.
LISTNUM
1 \l 13872 THE
CHAIRPERSON: If we were to grant
you ‑‑ just to be absolutely sure, if we were to grant you a
licence that was an approval, in part, which said, "Great idea. Yes, we approve your application, but go out
and find another frequency," you would not accept that licence?
LISTNUM
1 \l 13873 MR.
LARCHE: No, I wouldn't.
LISTNUM
1 \l 13874 THE
CHAIRPERSON: Okay. Thank you.
Best to be sure.
LISTNUM
1 \l 13875 In
terms of the other characterization of the market, which is that of cottage
country ‑‑ and we know that means that the population can
swell on weekends, and in the summer in particular. How do you adjust in terms of audience share,
and therefore advertisers, when you are in a market such as this, where the
population does swell at different times of the year and throughout the week?
LISTNUM
1 \l 13876 MR.
LARCHE: Again, we have been doing this
for 10 years now. I think I mentioned
the other day that, although we don't have an opportunity to translate a lot of
the cottagers and people that come up during the summer into ratings, because,
unfortunately, they are not rated, we do have a great opportunity to monetize
them, in the sense that the local retail community knows that those people are
going to be spending money in that area.
LISTNUM
1 \l 13877 It
could be a box store, it could be a boutique, it could be groceries, it could
be anything and everything in between.
LISTNUM
1 \l 13878 Obviously,
when we are laying out our sales plan for the year, we know that. We build that into our cycle and we make sure
that we are approaching clients at the right time to take advantage of that.
LISTNUM
1 \l 13879 But
the population up there, again ‑‑ you know, you are looking
across that region at a population base of probably close to 500,000 people, if
you were to include the whole population base.
Obviously, the people who live there buy their cars there and do most of
their retail there, and those people we look after all year long.
LISTNUM
1 \l 13880 Mora,
do you have anything to add to that?
LISTNUM
1 \l 13881 MS
AUSTIN: As far as some of the things
that we might do differently, if I understand your question correctly, about
our on‑air product during the summertime?
LISTNUM
1 \l 13882 THE
CHAIRPERSON: Yes.
LISTNUM
1 \l 13883 MS
AUSTIN: We do some specialty programming
at that time of year, such as "Cottage Country Traffic", for
example. We probably triple our traffic
reports on Friday evening and Sunday afternoon and Sunday evening, because
there are so many people coming up from Toronto.
LISTNUM
1 \l 13884 As
well, on Friday nights we do a drive‑through request show. We go to different ‑‑ we are
out of Midland, but we certainly service a lot of other communities around
there.
LISTNUM
1 \l 13885 So
we would go there, and we would ask people to stop by and actually drive
through and make a request. We are
finding that we have the local people that come through, but, as well, we have
some of the cottagers coming through, getting geared up for the weekend. They want to hear their favourite song.
LISTNUM
1 \l 13886 That
kind of thing is where we would kind of tweak our programming.
LISTNUM
1 \l 13887 THE
CHAIRPERSON: So, as it is commonly
referred to, the DJ banter and the spoken word programming are then
customized ‑‑
LISTNUM
1 \l 13888 MS
AUSTIN: Yes.
LISTNUM
1 \l 13889 THE
CHAIRPERSON: ‑‑ for those population swells at different
times of the year.
LISTNUM
1 \l 13890 MS
AUSTIN: Exactly, realizing that our main
focus is our local residents.
LISTNUM
1 \l 13891 THE
CHAIRPERSON: In speaking of spoken word,
just to confirm, your application is proposing 12 hours and 38 minutes in total
of spoken word programming?
LISTNUM
1 \l 13892 MR.
LARCHE: That's correct.
LISTNUM
1 \l 13893 THE
CHAIRPERSON: Seven hours of information
programming, of which four hours would be news.
LISTNUM
1 \l 13894 MR.
LARCHE: That's correct.
LISTNUM
1 \l 13895 THE
CHAIRPERSON: The difference between the
seven and the four, is that surveillance material for the most part?
LISTNUM
1 \l 13896 You
say seven hours of information programming, and four would be news.
LISTNUM
1 \l 13897 MR.
LARCHE: Yes. Four would be strictly news ‑‑
three hours and 58 minutes ‑‑ and then other surveillance
material would make up a lot of the rest of it:
traffic reports, obviously, being a big one; weather; sports ‑‑
Peterborough Petes coverage.
LISTNUM
1 \l 13898 We
also are proposing community clips, which would be daily vignettes that reflect
issues that are going on in the community.
LISTNUM
1 \l 13899 These
are things that we currently do.
LISTNUM
1 \l 13900 Also,
there will be features like the "Peterborough Sounding Board", where
we allow people from Peterborough to give us their feedback on an issue of the
day.
LISTNUM
1 \l 13901 Each
day we talk about a local issue that is relevant, and usually we try to do it
on something that is quite perishable.
It is an issue that came up at council last night, or something to that
effect. We would ask a question ‑‑
"Call on this line and leave your feedback", and the next day we
would provide little snippets of people's comments in the area as it relates to
that subject.
LISTNUM
1 \l 13902 We
also do commentaries. One of our news
directors, Brian Wicks ‑‑ we call it "Words of
Wicksdom", where he will give 90 seconds of, basically, his opinion, or
interpretation, of an issue, and we always solicit feedback on it.
LISTNUM
1 \l 13903 It
is to give, again, an alternate perspective to what the mainstream might be
doing.
LISTNUM
1 \l 13904 We
also have in there entertainment reports and morning show interviews, and so
on.
LISTNUM
1 \l 13905 THE
CHAIRPERSON: As far as the news is
concerned, the breakdown between local and national, regional, international?
LISTNUM
1 \l 13906 MR.
LARCHE: We put 60 percent local, 20
percent regional, and 20 percent national/international.
LISTNUM
1 \l 13907 Again,
those are guidelines, depending on what is going on.
LISTNUM
1 \l 13908 THE
CHAIRPERSON: And for the regional news,
there might be some synergies there with your Midland and Kitchener stations?
LISTNUM
1 \l 13909 MR.
LARCHE: Yes, there would be.
LISTNUM
1 \l 13910 THE
CHAIRPERSON: I believe your application
calls for the hiring of two full‑time newspeople to produce this level of
news.
LISTNUM
1 \l 13911 MR.
LARCHE: That is correct.
LISTNUM
1 \l 13912 THE
CHAIRPERSON: You heard my conversation
with the previous applicant, in terms of programming expenses, and I believe
yours are on the low side, when we compare those expenditures with the other
applicants in this proceeding.
LISTNUM
1 \l 13913 Could
you tell us what it is that you include in that expense line, just so we can
compare that with what everybody else is doing?
LISTNUM
1 \l 13914 MR.
LARCHE: We would include all of our on‑air
staff, including news.
LISTNUM
1 \l 13915 THE
CHAIRPERSON: What would that total? What would the staff complement be?
LISTNUM
1 \l 13916 MR.
LARCHE: We have a total staff complement
of 13 now. we have four on‑air,
two news, and then there would be two part‑time news and two part‑time
on‑air.
LISTNUM
1 \l 13917 So
there would be six, and four part‑time.
LISTNUM
1 \l 13918 THE
CHAIRPERSON: Which would translate into
two full‑time, I guess; right?
LISTNUM
1 \l 13919 MR.
LARCHE: Yes.
LISTNUM
1 \l 13920 THE
CHAIRPERSON: Your expenditure line
includes eight full‑time ‑‑
LISTNUM
1 \l 13921 MR.
LARCHE: That's correct.
LISTNUM
1 \l 13922 THE
CHAIRPERSON: ‑‑ equivalent full‑time people.
LISTNUM
1 \l 13923 MR.
LARCHE: Yes.
LISTNUM
1 \l 13924 THE
CHAIRPERSON: And their primary function
is programming, whether it's news or ‑‑
LISTNUM
1 \l 13925 MR.
LARCHE: It's programming produced on‑air,
correct.
LISTNUM
1 \l 13926 THE
CHAIRPERSON: Thank you for that.
LISTNUM
1 \l 13927 The
capacity of the market to absorb new commercial radio stations.
LISTNUM
1 \l 13928 What
do you believe the market can sustain?
LISTNUM
1 \l 13929 MR.
LARCHE: The market can certainly sustain
one. It possibly could sustain two.
LISTNUM
1 \l 13930 There
are unique issues with this market: the
application by Corus to flip their AM to FM, and the fact that there is only
one, right now, really good frequency that is in the market.
LISTNUM
1 \l 13931 It
goes back to what I said earlier. I
think the market could possibly sustain two, but I wouldn't be the one that
would want the frequency that may have an issue with it.
LISTNUM
1 \l 13932 I
would need to have some very clear indication that there would be no issue that
just popped up last week with an alternate frequency.
LISTNUM
1 \l 13933 To
answer your question, I think the market could probably, for sure, absorb one,
possibly two.
LISTNUM
1 \l 13934 It
would depend on which two, as well; how the formats duplicate each other.
LISTNUM
1 \l 13935 If
you were to license one that was going for a much younger demographic, and
another station that was skewing older, then the impact wouldn't be as big.
LISTNUM
1 \l 13936 But
it is a very healthy, vibrant market, there is no doubt about it.
LISTNUM
1 \l 13937 THE
CHAIRPERSON: When you say that it could
sustain two, does that include the Corus flip plus one, or is it the Corus flip
plus two?
LISTNUM
1 \l 13938 MR.
LARCHE: No, the Corus flip plus one.
LISTNUM
1 \l 13939 But
if the Corus flip gave them 96.7 ‑‑
LISTNUM
1 \l 13940 THE
CHAIRPERSON: Right, the frequency issue.
LISTNUM
1 \l 13941 MR.
LARCHE: ‑‑ then it would be very tough for the plus one.
LISTNUM
1 \l 13942 I
am speaking for myself. I certainly
don't want to speak for ‑‑
LISTNUM
1 \l 13943 THE
CHAIRPERSON: You are the only one you
can speak for.
LISTNUM
1 \l 13944 MR.
LARCHE: That's right.
LISTNUM
1 \l 13945 They
might gladly jump on whatever frequency is there.
LISTNUM
1 \l 13946 THE
CHAIRPERSON: Okay. Thank you very much.
LISTNUM
1 \l 13947 Colleagues?
LISTNUM
1 \l 13948 Legal
counsel?
LISTNUM
1 \l 13949 MS
SMITH: I have no questions. Thank you.
LISTNUM
1 \l 13950 THE
CHAIRPERSON: Mr. Larche, you have your
final two minutes.
LISTNUM
1 \l 13951 MR.
LARCHE: Thank you very much. I will try to take half of that.
LISTNUM
1 \l 13952 Again,
it is always a privilege and an honour to be in front of you. We are a young group of broadcasters ‑‑
well, I'm not that young, but most of the people who work with me are
relatively young ‑‑ who, again, have a real passion for this
business. Maybe the reason my costs
aren't as high is because I bring in a lot of new people who are starting out
in the business.
LISTNUM
1 \l 13953 Frankly,
that is all I can afford, but I do look for ‑‑ we call them
PLUs, people like us, who have that same passion for this industry and do what
we do well. That is why I am really
blessed with the fact that I have had employees who have been with me since Day
1, who are still here.
LISTNUM
1 \l 13954 We
want an opportunity, again, to do that in Peterborough, but in a bigger
sense ‑‑ and talking about Peterborough specifically ‑‑
I think our format choice is bang on. I
think we are offering a format that will bring diversity to that market,
because it is not there.
LISTNUM
1 \l 13955 Our
research shows that 72 percent of the people couldn't identify a format like
that.
LISTNUM
1 \l 13956 Obviously,
we are going to bring in a new news voice.
LISTNUM
1 \l 13957 We
are going to have minimal impact on the incumbents.
LISTNUM
1 \l 13958 We
think we are bringing a pretty healthy CCD contribution for a company our size.
LISTNUM
1 \l 13959 Again,
and finally, the bigger premise of this for us, from a strategic point of view,
is that it would really allow us to solidify our company in cottage country, in
that part of Ontario where we live and where we have decided we want to stay
and contribute to the communities we serve, grow with them, and do good radio.
LISTNUM
1 \l 13960 That's
it.
LISTNUM
1 \l 13961 THE
CHAIRPERSON: Thank you very much, you
and your colleagues.
LISTNUM
1 \l 13962 MR.
LARCHE: Thank you.
LISTNUM
1 \l 13963 THE
CHAIRPERSON: We will now take a 15‑minute
break. Thank you.
‑‑‑ Upon recessing
at 1045 / Suspension à 1045
‑‑‑ Upon resuming
at 1100 / Reprise à 1100
LISTNUM
1 \l 13964 THE
SECRETARY: We will now proceed with Item
10, which is an application by Pineridge Broadcasting Inc. for a licence to
operate an English‑language FM Commercial Radio Programming Undertaking
in Peterborough, Ontario.
LISTNUM
1 \l 13965 The
new station would operate on Frequency 96.7, Channel 244B, with an average
effective radiated power of 13,000 watts, maximum effective radiated power of
50,000 watts, antenna height of 150 metres.
LISTNUM
1 \l 13966 Appearing
for the Applicant is Mr. Don Conway.
LISTNUM
1 \l 13967 Please
introduce your colleagues. You will have
20 minutes to make your presentation.
PRESENTATION / PRÉSENTATION
LISTNUM
1 \l 13968 MR.
CONWAY: Thank you.
LISTNUM
1 \l 13969 Good
morning, Madam Chair, Members of the Commission, and Commission Staff.
LISTNUM
1 \l 13970 Before
we begin our presentation for a new FM licence to serve Peterborough, which we
are calling Home 96.7, I would like to introduce our team.
LISTNUM
1 \l 13971 This
is only our second oral presentation to the CRTC in our long history of
providing quality radio service in the small market of Northumberland
County. The first was in 1983, when we
purchased CHUC‑AM out of bankruptcy.
LISTNUM
1 \l 13972 We
have submitted a number of applications, so you are very familiar with us
through the written and non‑appearing process. We know that you will appreciate that writing
is not quite the same as appearing before you, so please excuse any
nervousness, although we have been assured that you will not bite.
LISTNUM
1 \l 13973 THE
CHAIRPERSON: We haven't so far.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 13974 MR.
CONWAY: Thanks. That's really encouraging.
LISTNUM
1 \l 13975 I
am Don Conway, President and controlling shareholder of Pineridge
Broadcasting. I have almost 35 years of
experience in small market radio, in both Brockville and Northumberland County.
LISTNUM
1 \l 13976 Sitting
at my immediate left is Dave Hughes, my business partner and General Sales
Manager of our two Northumberland County radio stations, CHUC‑FM, known
as 107.9 The Breeze, and CKSG‑FM, known as Star 93.3.
LISTNUM
1 \l 13977 Dave
has more than 30 years of management and on‑air experience in the radio
business.
LISTNUM
1 \l 13978 Next
to Dave is Jennifer Thomson, our Retail Sales Manager. Jennifer has been with us for six years. She has a background in the financial
industry, as well as in radio sales.
LISTNUM
1 \l 13979 To
my immediate right is the newest member of our team, Jen Hudson. Jen is our recently appointed News
Director. She has a great background in
radio news. Most recently, she spent
several years in Moncton, New Brunswick, and has also worked for Blackburn
Radio in Chatham, and CJOJ and CJBQ in Belleville.
LISTNUM
1 \l 13980 Rounding
out our team, on my far right is Joel Scott, our Program Director. Joel has been with us since 2002. He previously worked for the CHUM radio stations
in Ottawa, Kingston and Brockville.
LISTNUM
1 \l 13981 Just
before starting, I would draw your attention to the tabs in the folders that I
presented to you. We will be referring
to them during the presentation.
LISTNUM
1 \l 13982 Today
we would like to describe to you the exciting new radio station that we propose
to bring to the people of Peterborough, Home 96.7.
LISTNUM
1 \l 13983 We
also want to tell you a bit about our company, and outline what led us to apply
for a Peterborough radio licence.
LISTNUM
1 \l 13984 Almost
all of the research conducted for this hearing came to a similar
conclusion: What is missing in
Peterborough is an adult contemporary radio station.
LISTNUM
1 \l 13985 AC
is the most popular format in North America.
In Canada, for example, Statistics Canada data for 2006 confirms that AC
received the largest share of tuning of all radio formats, with more than one‑fifth
of all hours tuned.
LISTNUM
1 \l 13986 Of
particular note for Peterborough is the strong interest in this format by those
over 35 years of age, and by women. Yet
the FM dial in the market only has rock, country, and now a younger targeted
hot AC/CHR.
LISTNUM
1 \l 13987 If
you approve the Corus application, it will add an FM station focused on oldies
or classic hits.
LISTNUM
1 \l 13988 Those
who want the best pop and softer rock music available are not currently served
by stations in the Peterborough market.
In fact, they cannot even listen well to AC stations from Toronto
because of the topography of the area.
LISTNUM
1 \l 13989 This
is one of the reasons that Pineridge AC stations have drawn some listenership.
LISTNUM
1 \l 13990 We
have included two maps under Tab 1 to demonstrate this.
LISTNUM
1 \l 13991 The
spreadsheet and charts provided at Tab 2 of your binder are based on the fall
2007 BBM results, released just last week.
It shows that people from a number of demographics listen to
Peterborough stations.
LISTNUM
1 \l 13992 For
example, teens listen predominantly to two stations, CKPT and CKWF.
LISTNUM
1 \l 13993 Women
aged 18 to 34 listen mostly to CKPT, with some tuning to other stations,
including out‑of‑market stations.
LISTNUM
1 \l 13994 Men
18 to 34 listen predominantly to the local rock station, CKWF, while older men
listen to that station and to CKPT.
LISTNUM
1 \l 13995 But
women 35 to 54 spread their listening across three stations, with a fair amount
of listening to the market's only AM station.
LISTNUM
1 \l 13996 They
may listen to out‑of‑market stations if they can receive them.
LISTNUM
1 \l 13997 To
us, this means that there is no one station in Peterborough that is directed
primarily to them. They settle for a
rock station if they don't like country, or for a country station if they don't
like rock or younger pop.
LISTNUM
1 \l 13998 In
our view, what is clearly missing is a station that serves women from 35 to
54. This group makes up approximately
20,000 people in Peterborough.
LISTNUM
1 \l 13999 Five
of the seven Peterborough applicants are proposing some variant of AC, whether
soft pop and rock, or gold‑based AC, or mainstream AC. The exact mix of music they offer varies
because no one really knew what the market would sound like. Researchers draw conclusions based on what
respondents tell them is going on in a particular market. And there was a big change in the market just
prior to the close of this call, unfortunately after the research was
completed.
LISTNUM
1 \l 14000 CHUM
had proposed a seamless transition for CKPT from AM to the FM band. This didn't come to pass. The station re‑launched as a hot AC/CHR
hybrid, with a different sound and different audience appeal than their
promised adult standards.
LISTNUM
1 \l 14001 We
had foreseen that change, and therefore looked to other formats.
LISTNUM
1 \l 14002 Here
to describe to you how our proposed station, Home 96.7 FM, will provide the
format that will serve the largest unserved group is Joel Scott.
LISTNUM
1 \l 14003 MR.
SCOTT: Thanks, Don.
LISTNUM
1 \l 14004 Good
morning, Madam Chair and Commissioners.
LISTNUM
1 \l 14005 Home
96.7 will provide a music mix that is present in markets across Canada, but not
in Peterborough. Home 96.7 will program
a fairly broad range of mainstream pop and softer rock that will appeal to the
whole of the under‑served group that Don mentioned.
LISTNUM
1 \l 14006 We
will draw music from the sixties right through to the present, with about half
of our music being relatively current from softer rock and pop artists like
Celine Dion, Jan Arden, the new Anne Murray duets album, Michael Buble and Matt
Dusk, as well as foreign artists like Phil Collins, Rod Stewart and Cheryl
Crow.
LISTNUM
1 \l 14007 While
the music will be on the softer side, it will not be the new easy‑listening. Rather, the music will be bright ‑‑
an at‑work and at‑home radio station aimed at adults 25 to 54, with
a strong focus on women 35 to 54.
LISTNUM
1 \l 14008 If
you want to think of a similar station, think of CHFI‑FM in Toronto,
Majic 100 in Ottawa, CHQM‑FM in Vancouver, or perhaps Light 96 in
Calgary.
LISTNUM
1 \l 14009 We
recently conducted a comparison of one week of CHFI‑FM's playlist to the
three Peterborough FMs using Mediabase, and we have included a summary at Tab 3
of your folder.
LISTNUM
1 \l 14010 Here
is what we found.
LISTNUM
1 \l 14011 Eighty‑seven
percent of all of the AC music broadcast on CHFI was not aired in the
Peterborough market on FMs.
LISTNUM
1 \l 14012 Some
45 mainstream AC Canadian artists were not heard on Peterborough FMs that
week. These included such stars as
Celine Dion, Anne Murray, Diana Krall, Gordon Lightfoot, Burton Cummings, Jim
Cuddy, David Foster, Corey Hart, Chantal Kreviazuk, Andy Kim and Jim Brickman.
LISTNUM
1 \l 14013 There
are also a number of AC artists who are rising stars that are not heard on
Peterborough radio. They include Ryan
Malcolm, Amanda Stott and Shawn Desman.
LISTNUM
1 \l 14014 We
have called our proposed station Home 96.7 for a number of reasons. Home 96.7 will be built on a strong
foundation of familiar music and artists.
Turning it on will be like coming home.
LISTNUM
1 \l 14015 We
want Home 96.7 to be a station where listeners feel welcome, come to sit down,
get comfortable and stay. In other
words, long hours tuned.
LISTNUM
1 \l 14016 Home
96.7 will provide a wide range of features aimed at the heart and soul of most
homes, the working and stay‑at‑home moms. In most homes the kitchen and family room are
the heart of activity.
LISTNUM
1 \l 14017 For
us, the morning and afternoon drive will be a beehive activity, with news
features, and the best music available.
LISTNUM
1 \l 14018 Homes
also have entertainment rooms. They have
music rooms, and many have recreation rooms.
Our equivalence will be the specialty programs.
LISTNUM
1 \l 14019 At
noon every weekday we move into the dining room with our "All‑request
Bistro", providing an opportunity for our listeners to program the radio
station.
LISTNUM
1 \l 14020 Each
weeknight we will move into the bedroom with Peterborough's "Pillow
Talk" from seven to midnight. The
emphasis will be on relaxing and romantic music.
LISTNUM
1 \l 14021 Saturday
nights we move into the recreation and party room with "Party at Home". Here the music will be more uptempo and
conducive to a party atmosphere.
LISTNUM
1 \l 14022 Sunday
mornings we will put a hint of nostalgia in our morning brunch on the patio
with "At Home with the Oldies".
LISTNUM
1 \l 14023 And
Sunday evening we will venture out into the backyard to "Catch a Rising
Star".
LISTNUM
1 \l 14024 But,
of course, a radio station is much more than just the music, and to talk a bit
about our news and community involvement, here is Jen Hudson.
LISTNUM
1 \l 14025 MS
HUDSON: Thanks, Joel.
LISTNUM
1 \l 14026 Good
morning, Commissioners.
LISTNUM
1 \l 14027 I
just arrived at Pineridge from Moncton, but I do know that Pineridge puts a
tremendous emphasis on news and other community involvement.
LISTNUM
1 \l 14028 For
example, Don is the past president of the Northumberland Hospital Foundation
and the Northumberland United Way.
LISTNUM
1 \l 14029 Dave
is the current president of the Northumberland Central Chamber of Commerce.
LISTNUM
1 \l 14030 Jennifer
is past president of the Northumberland Sunrise Rotary Club.
LISTNUM
1 \l 14031 Joel
is very active in children's sports and the YMCA.
LISTNUM
1 \l 14032 In
fact, every employee of Pineridge is involved in community volunteer
activities.
LISTNUM
1 \l 14033 My
new bosses have already asked me to join one of the many service organizations,
and, in fact, I am about to join Hospice Northumberland.
LISTNUM
1 \l 14034 Our
approach to serving Peterborough will have the same dedication to local
coverage as the two Northumberland stations have today. We will hire two full‑time and two part‑time
news staff to cover the market and to be our on‑air voices.
LISTNUM
1 \l 14035 Their
work will also be supported by three regional stringers.
LISTNUM
1 \l 14036 During
the summer months their work will be supplemented by the interns that we intend
to hire.
LISTNUM
1 \l 14037 As
well, our Peterborough news team will be supported by news stories developed in
our Northumberland newsroom.
LISTNUM
1 \l 14038 The
Peterborough news operation will be run separately, but where there are stories
of common interest, we will benefit from the coverage initiated in
Northumberland.
LISTNUM
1 \l 14039 Home
96.7 FM will broadcast six hours and 10 minutes per week of news, with over
half of that devoted to coverage of Peterborough.
LISTNUM
1 \l 14040 But
the news will only be the start of our reflection of the city. In our application we outlined the various
scripted spoken‑word features that we will broadcast, news and features
totalling 18 hours per week. Now, you
will notice in your folders it says 12 ‑‑ 12 plus 6,
apparently, equal 12 when we were typing.
LISTNUM
1 \l 14041 The
real core of what we will do will be the unscripted, the improvised and the
unexpected.
LISTNUM
1 \l 14042 In
Northumberland our stations are deeply involved in the communities we serve. Here are just a few examples.
LISTNUM
1 \l 14043 Our
morning shows have regular visits from those active in the community: social, charitable and political events. These include the mayors of the two major
centres we serve, Cobourg and Port Hope, United Way organizers and local
entertainers.
LISTNUM
1 \l 14044 We
are very involved in the United Way of Northumberland, with on‑air
promotions, interviews and even contests.
Last year United Way recognized us for our contributions to setting a
new fundraising record.
LISTNUM
1 \l 14045 When
the Humane Society was in danger of closing we approached them to see how we
could help. We were able to help raise
enough money to get them back on their feet.
LISTNUM
1 \l 14046 We
spearheaded a campaign to save the historic Capital Theatre in Port Hope. That campaign raised a million dollars.
LISTNUM
1 \l 14047 We
are particularly proud of the initiative we took to get local residents to line
the bridges over the 401 to show support when the bodies of slain Canadian
soldiers from Afghanistan are brought from CFB Trenton to Toronto. That portion of the 401 is now known as the
Highway of Heroes.
LISTNUM
1 \l 14048 We
intend to follow these examples in Peterborough with regular morning show
interviews and guest appearances by Peterborough Mayor Paul Ayotte; Len
Lifchus, Executive Director of the United Way of Peterborough; Stu Harrison,
General Manager of Peterborough and District Chamber of Commerce; just to name
a few.
LISTNUM
1 \l 14049 These
activities are above and beyond our hours of spoken word.
LISTNUM
1 \l 14050 Now,
to detail our proposed contributions to Canadian content development, I would
like to again call upon Joel Scott.
LISTNUM
1 \l 14051 MR.
SCOTT: The format we are proposing is
not one that generally breaks new artists, it is based upon familiarity, but we
will introduce our listeners to new AC Canadian artists through a number of
initiatives.
LISTNUM
1 \l 14052 While
our proposed format does not lend itself to an elevated degree of Canadian
content, our record at Pineridge speaks for itself. We always exceed the required 35 percent
Canadian content level and Peterborough will be no different.
LISTNUM
1 \l 14053 Over
and above our basic CCD commitment, we will contribute $25,000 annually to the
development of Canadian content.
LISTNUM
1 \l 14054 In
addition to our contribution to FACTOR, we will make annual contributions to
developing new journalistic talent through scholarships and bursaries at our
local school boards; support young emerging talent through a contribution to the
Peterborough Kiwanis Music Festival; bring Canadian talent to summer concert
stages through our contribution to Peterborough's Summer Festival of Lights;
and bring emerging Canadian artists to the Showplace Performance Centre.
LISTNUM
1 \l 14055 While
mainstream AC stations don't usually break new artists we believe that we have
found an innovative way to feature new artists.
Our program "The Rising Star of the Month" will provide
exposure and experience to emerging Canadian artists.
LISTNUM
1 \l 14056 Each
month we will feature an emerging Canadian artist whose music is compatible
with our format. We will feature
selections from their recordings, interview them on the air and link our
website to theirs to help ensure that Peterborough residents know all about
them.
LISTNUM
1 \l 14057 In
addition to their exposure in the drive periods, our Sunday evening program
will provide a longer look at them and we will try to tee this up with artists'
touring schedules so as to create a buzz before they reach Peterborough.
LISTNUM
1 \l 14058 This
initiative builds upon our commitment in Northumberland County to local
artists. When we can we try to marry
local community charitable and other activities with local artists and we will
bring this approach to Peterborough as well.
LISTNUM
1 \l 14059 Don
Conway now would like to tell you a little bit more about our company.
LISTNUM
1 \l 14060 MR.
CONWAY: Pineridge began in 1957 as a
standalone AM station, CHUC‑AM in Cobourg, the largest commercial centre
in Northumberland County.
LISTNUM
1 \l 14061 We
purchased the company out of bankruptcy in 1983. With a poor signal and competition flooding
into our market from Peterborough and Toronto, we knew we had a long uphill
fight to make the operation viable.
LISTNUM
1 \l 14062 In
those early days, CHUC's signal and programming were so poor they were known
locally as Upchuck Radio. Money was
scarce and we had to learn to be very efficient and effective.
LISTNUM
1 \l 14063 In
1996 Dave Hughes joined Pineridge as a shareholder and General Sales Manager. Dave and I are the shareholders who run the
station day to day.
LISTNUM
1 \l 14064 Over
the years, through hard work, dedication to local and community service and
thanks to the Commission's licensing process, we were able to put an FM station
on air and convert our AM station to the FM band, giving us a more competitive
playing field in our home market located just 20 kilometres south of
Peterborough.
LISTNUM
1 \l 14065 The
principal towns in our home market of Northumberland County are Port Hope and
Cobourg, with a population of 18,000.
Many of our residents commute north to Peterborough each day to work, to
shop, study and be entertained.
LISTNUM
1 \l 14066 We
have a relationship with many Peterborough merchants who wish to attract our
Northumberland audience to their retail outlets and we have come to know
Peterborough well.
LISTNUM
1 \l 14067 To
tell you a bit more about the Peterborough market here is Jennifer Thomson.
LISTNUM
1 \l 14068 MS
THOMSON: Thank you, Don.
LISTNUM
1 \l 14069 Good
morning, Madam Chair and commissioners.
LISTNUM
1 \l 14070 When
the Commission issued the call for applications in Peterborough we saw a great
opportunity to develop a strong business plan to build upon our strengths and
knowledge of the marketplace, and most importantly, to give our small
independent company a new business opportunity.
LISTNUM
1 \l 14071 Our
optimism is based on a number of factors:
‑ the relatively few radio
stations now in Peterborough compared to other cities of its size;
‑ a growing population
with the CMA expected to grow to 135,000 by our first year of operations, 2009,
and this population is bolstered every summer by over 30,000 cottagers and
tourists;
‑ a diversified economy
with strengths in regional health and other services catering to a much larger
market of 350,000 people;
‑ a strong private sector
with employers such as Quaker Oats, General Electric, Siemens, Minute Maid and
SGS Lakefield Research, to mention just a few.
LISTNUM
1 \l 14072 Peterborough
acts as a regional retail centre attracting shoppers from Northumberland County
to the south, from the new city of Kawartha Lakes to the west, and from
Hastings County in the east.
LISTNUM
1 \l 14073 This
results in a strong retail sales market that FP Markets indicates are 9 percent
higher than the national average and these sales are expected to grow by
another 8 percent by 2009.
LISTNUM
1 \l 14074 All
of these indicators make us extremely optimistic about the capacity of the
market to support a new radio station.
LISTNUM
1 \l 14075 You
will see in Tab 4 that the topography makes a huge difference in the
competitiveness of the radio listening market.
While Pineridge competes in Northumberland with almost 100 stations, the
Peterborough stations compete with only 20.
LISTNUM
1 \l 14076 At
the same time we believe that a new station entering the market will not have
it easy. Peterborough already has four
commercial stations currently serving the city, operated by two of Canada's
largest broadcasters, CTV and Corus.
LISTNUM
1 \l 14077 In
addition to its two Peterborough FM stations, CTV also has an FM station in
nearby Lindsay, now part of the city of Kawartha Lakes, which has a presence on
the streets of Peterborough.
LISTNUM
1 \l 14078 At
the same time Corus not only has its AM/FM combination, and they are here at
this hearing to seek to make it two FMs, but it also has a Peterborough
television station with a rebroadcaster serving neighbouring Oshawa‑Durham,
with a sales presence throughout the larger Peterborough, Northumberland and
Durham regions.
LISTNUM
1 \l 14079 Here
is Dave Hughes with some further information.
LISTNUM
1 \l 14080 MR.
HUGHES: Thank you, Jennifer.
LISTNUM
1 \l 14081 In
order to be successful in Peterborough, a new station will have to pick the
right format and have the market knowledge to take on these two existing
giants, and it would help to be able to put the station on air with a minimal
back office expense.
LISTNUM
1 \l 14082 We
have that knowledge and we have those synergies. Here are a number of comparisons drawn from
the competing applications that demonstrate this.
LISTNUM
1 \l 14083 The
revenues.
LISTNUM
1 \l 14084 Our
projected seven‑year revenues will all but match those of Corus at $6.6
million versus their $6.3 million. All
other Peterborough commercial applicants are considerably higher, from a half‑million
higher in the case of Evanov to about $3.5 million over seven years in the case
of Newcap and K‑Rock.
LISTNUM
1 \l 14085 Advertising
rates.
LISTNUM
1 \l 14086 We
project an average first year of operation 30‑second unit rate of
$15.00. The other applicants who have
provided rates are projecting rates that in our experience are significantly
above the current market rate.
LISTNUM
1 \l 14087 Expenses.
LISTNUM
1 \l 14088 We
project to spend about the same as Corus, $5.6 million over seven years to
their $5.8 million. All the other
commercial applicants are much higher, ranging from $1 million to an astounding
$3.5 million higher, and they are higher in the backroom costs as well for tech
sales, promotion and administration.
LISTNUM
1 \l 14089 But
at the same time our experience in efficient operations will ensure that we
will provide as good or better a service as any of the applicants and I believe
that Joel and Jen have made that adequately described in how they can do this.
LISTNUM
1 \l 14090 Don.
LISTNUM
1 \l 14091 MR.
CONWAY: Thanks, Dave.
LISTNUM
1 \l 14092 Madam
Chair, members of the Commission and Commission staff, we believe our
application addresses all of the evaluation criteria.
LISTNUM
1 \l 14093 The
Peterborough market can more than adequately absorb a new commercial FM station
even with the conversion of Corus AM station.
LISTNUM
1 \l 14094 We
have demonstrated that we can compete with Corus and CHUM, now CTV, two well‑entrenched
broadcasting giants.
LISTNUM
1 \l 14095 We
will provide a new editorial voice to Peterborough, one that is adequately
resourced and has demonstrated its ability to serve local markets even in the
most competitive of circumstances.
LISTNUM
1 \l 14096 We
have proposed a high‑quality application, a robust and realistic business
plan based upon the largest unserved format void in the market, a strong plan
for local reflection, a record of exceeding our Canadian content requirements
and strong locally focused Canadian content development proposals and an
innovative on‑air support program for new Canadian softer pop and rock
artists.
LISTNUM
1 \l 14097 Pineridge
is a small independent company with two stations in a small market inundated
with almost 100 signals from surrounding markets, including Toronto,
Belleville, Oshawa, Peterborough, as well as many U.S. signals.
LISTNUM
1 \l 14098 We
have competed with CHUM and Corus for years.
Their signals penetrate our market and their sales and promotion people
are active in Northumberland County.
LISTNUM
1 \l 14099 Despite
these challenges, we have maintained profitability through hard work and strong
community involvement.
LISTNUM
1 \l 14100 We
ask that you permit us to bring the same attention to community to the
Peterborough market.
LISTNUM
1 \l 14101 In
our application we noted that we have two corporate reasons to apply for
Peterborough. An additional source of
revenues will help maintain our company on its solid footing.
LISTNUM
1 \l 14102 The
recent fall 2007 BBM showed again that Peterborough stations draw more tuning
in our market than do our two stations.
The Peterborough stations put a good signal into Northumberland County.
LISTNUM
1 \l 14103 With
the recent conversion of the CTV station to the FM band and the likely
conversion of the Corus AM station we expect them to be even more competitive
for audience in our market.
LISTNUM
1 \l 14104 In
fact, for the first time Corus paid a premium to BBM for this fall to be
included as the Northumberland market radio station. The only reason can be to draw off revenue
from Pineridge stations.
LISTNUM
1 \l 14105 And
even further, Corus, unlike any other applicant here, put less signal over the
Peterborough market in order to push their 3‑millivolt contour over most
of Northumberland County.
LISTNUM
1 \l 14106 Add
to those conditions the addition of yet another new Peterborough FM station
with a 3‑millivolt signal in parts of our market and a listenable signal
throughout the whole market and we will lose further listening. This would raise serious issues for us as to
our ongoing financial integrity.
LISTNUM
1 \l 14107 Thank
you for your time and attention and we are more than prepared to answer any
questions.
LISTNUM
1 \l 14108 THE
CHAIRPERSON: Thank you, Mr. Conway and
to your colleagues. Good morning.
LISTNUM
1 \l 14109 I
see that you have done your research and you have figured out the cities in
which all of us live when you cite examples of radio stations that are similar
to your format.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14110 THE
CHAIRPERSON: I will ask Commissioner del
Val to lead the questioning. Thank you.
LISTNUM
1 \l 14111 COMMISSIONER
DEL VAL: Thank you, Mr. Conway and your
panel.
LISTNUM
1 \l 14112 Your
application provides a lot of detail and your presentation this morning also
covers quite a few of the areas that I had wanted to question you on, which is
very good. So let's start with your
success story in Northumberland County.
LISTNUM
1 \l 14113 When
I was looking at page 9 of your supplementary brief, and you looked at the
chart that you showed on the tuning for 12+ and what you have gained and how you
have beaten up the giants, I don't want you to give away your trade secrets,
and you touched on this, but what is setting you apart, do you think, in your
market?
LISTNUM
1 \l 14114 MR.
CONWAY: First, Madam Commissioner, page
9, I have the various formats, so I just want to make sure I am on the
same ‑‑
LISTNUM
1 \l 14115 COMMISSIONER
DEL VAL: Oh! 11, I am sorry.
LISTNUM
1 \l 14116 MR.
CONWAY: Page 11, okay.
LISTNUM
1 \l 14117 COMMISSIONER
DEL VAL: I should learn to count.
LISTNUM
1 \l 14118 MR.
CONWAY: Now this is showing 2006 ‑‑
LISTNUM
1 \l 14119 COMMISSIONER
DEL VAL: Yes.
LISTNUM
1 \l 14120 MR.
CONWAY: ‑‑ and what I included in the tab ‑‑
and I can't recall which tab it is, I think it is 4 ‑‑ shows
the share of tuning based on the most recent numbers of fall 2007. It is right after Tab 4.
LISTNUM
1 \l 14121 COMMISSIONER
DEL VAL: Yes.
LISTNUM
1 \l 14122 MR.
CONWAY: So presently we have 15
percent ‑‑
LISTNUM
1 \l 14123 COMMISSIONER
DEL VAL: Yes.
LISTNUM
1 \l 14124 MR.
CONWAY: ‑‑ and in the page you are referring to it was 17
percent, so somewhat similar.
LISTNUM
1 \l 14125 COMMISSIONER
DEL VAL: A little bit but I see the CHUM
CHQM has come up.
LISTNUM
1 \l 14126 But
you are obviously competing very effectively in that market, which is the point
you make, that you are up to the fight in this market.
LISTNUM
1 \l 14127 Now,
what is it do you think that CHUM is doing to have given them a lead now in
that market or what do you think you have been doing that has made it slip?
LISTNUM
1 \l 14128 MR.
CONWAY: Well, Madam Commissioner, let me
go back to the beginning.
LISTNUM
1 \l 14129 COMMISSIONER
DEL VAL: Yes.
LISTNUM
1 \l 14130 MR.
CONWAY: Let me go back to 1983 because
that is pretty well base, when you buy a station out of bankruptcy and it is
called Upchuck Radio.
LISTNUM
1 \l 14131 It
took us quite a long time to turn that station around as an AM station in a
small market. In fact, in our
presentation, our supplementary, we said 55 stations competing in the market
and that was, I think, unsuppressed that we had purchased three‑four
years previously, and we said, okay, well let's see what it is now, a couple of
weeks ago, and it is now ‑‑ 93, in fact, is what the new ones
are.
LISTNUM
1 \l 14132 So
the only way you can compete when you sleep beside the lion is to be very
locally involved and that is how we have competed. Local news, we are out reporting on
everything that goes on in the market.
LISTNUM
1 \l 14133 As
you heard here, our people are all involved in various community
organizations. We are very, very strong
community people and that is something we intend, obviously, to bring to the
Peterborough market.
LISTNUM
1 \l 14134 This
year ‑‑ well, it goes up and down but the Peterborough
stations put a very strong signal into our market ‑‑ very
strong. So we have had to compete with
them, you know ‑‑ even in 1983, CKQM, the country station, was
there. It was the number one station in
the market. And there were Toronto
stations that were ‑‑ I mean we have brought them up since
then.
LISTNUM
1 \l 14135 Maybe
Joel would like to talk just about some of the community involvement that we
have.
LISTNUM
1 \l 14136 MR.
SCOTT: Commissioners, our community
involvement with all of our staff, we encourage them to be involved in the
community on any level they can. For
those of us that are married a lot of us sit on our school councils and help
out in the school areas. A lot of us
have had involvement with United Way organizations.
LISTNUM
1 \l 14137 It
really boils down to being involved any way you can because our source of
survival is reflecting that back on the air.
The more that our staff are in the community, the more that our staff
are talking about people in the community and referencing people in the
community or talking to people in the community, be it on the air, it really is
what separates us from the giants.
LISTNUM
1 \l 14138 When
your morning show is up against "Roger, Rick & Marilyn" and Erin
Davis in the morning and these established talents, you have to do something to
provide local and we have done the best we can to try and create partnerships
in the community with a number of different organizations, a number of special
events in the community.
LISTNUM
1 \l 14139 What
we have seen through those partnerships ‑‑ for example, with
the Town of Cobourg Events Department we have been involved with their Cobourg
Sandcastle Festival, which has become one of the marquee tourism events in the
region.
LISTNUM
1 \l 14140 Christmas
Magic, which was an endeavour that was started by CHUC 10 years ago, where we
put $150,000 Christmas lights in the downtown as a tourism venture, they get
bus tours through.
LISTNUM
1 \l 14141 Those
types of partnerships are what separate us from the other guys and that
separate us from the Toronto and the American signals and it has been one of
our sources of survival.
LISTNUM
1 \l 14142 COMMISSIONER
DEL VAL: Thank you. I just want to go back to the signals from
Peterborough and that leads to the question that has been quite obvious in this
hearing, the frequencies.
LISTNUM
1 \l 14143 Now,
as you know, you are asking for the best frequency for which everyone else is
asking. So the bottom line is: If you were not granted that frequency, would
you take the licence?
LISTNUM
1 \l 14144 MR.
CONWAY: There are two frequencies.
LISTNUM
1 \l 14145 COMMISSIONER
DEL VAL: Okay.
LISTNUM
1 \l 14146 MR.
CONWAY: What CHUM has ‑‑
or Corus has proposed is 96.7 with an orientation north‑south. It drives their 3‑millivolt
contour. They have shifted, as you can
see, from all the other applicants. They
have shifted it to the south in order to be able to put a stronger signal into
Northumberland County.
LISTNUM
1 \l 14147 We
had first looked at ‑‑ when we heard about the hearing we had
looked at 96.7. Our engineers had come
back actually with an east‑west orientation, which would have put the 3‑millivolt
above Rice Lake. I don't know if you are
familiar with where the lake is, between Peterborough and Cobourg.
LISTNUM
1 \l 14148 It
would have not been in Northumberland County.
We felt that was going to be what most people would look at because it
was a good signal over Peterborough.
LISTNUM
1 \l 14149 COMMISSIONER
DEL VAL: I am sorry, so that would be
the same frequency but with a different orientation?
LISTNUM
1 \l 14150 MR.
CONWAY: That is correct, it is an east‑west. They chose, however, to go north‑south
and deep into Northumberland County. So
they obviously had intentions of getting listenership in Northumberland County.
LISTNUM
1 \l 14151 So
then when we found out that we could not go on the Corus tower ‑‑
we thought we could. We were given first
indications that we could and then corporately they said no, we couldn't.
LISTNUM
1 \l 14152 So
we looked at, first of all, other towers that we could use 96.7 on and we ended
up with the CTV tower, which is off of Pigeon Lake.
LISTNUM
1 \l 14153 We
also said, okay, are there other frequencies?
We asked our engineer to look at other frequencies and he described
102.5 as another frequency probably better suited to Corus.
LISTNUM
1 \l 14154 In
fact, he wondered why Corus wasn't taking that because the pop counts for 102.5
are exactly the same as 980 KRUZ. You
asked the question yesterday and we already knew that. So it was surprising that 96.7 is what they
ended up choosing but the pop counts are exactly the same for 102.5.
LISTNUM
1 \l 14155 So
in our case if we were to have a choice, 96.7 running east and west, Corus
having 102.5.
LISTNUM
1 \l 14156 COMMISSIONER
DEL VAL: Okay.
LISTNUM
1 \l 14157 MR.
CONWAY: And I believe you will see that
map of 96.7 east and west was in the ‑‑
LISTNUM
1 \l 14158 COMMISSIONER
DEL VAL: In your intervention?
LISTNUM
1 \l 14159 MR.
CONWAY: In the Corus intervention,
correct.
LISTNUM
1 \l 14160 COMMISSIONER
DEL VAL: Okay. Thank you, that is helpful.
LISTNUM
1 \l 14161 Well,
while we are ‑‑ well, we might as well stay on your business
case since we are here already.
LISTNUM
1 \l 14162 Now
given that you were not aware of CHUM's change to the new format on their flip
to FM, can you lead me through the impact, if any, on your proposed business
plan?
LISTNUM
1 \l 14163 Because
I know you addressed this morning that that ‑‑ it sounded like
you had anticipated part of it but is there any impact on your business plan
that we should be aware of right now?
LISTNUM
1 \l 14164 MR.
CONWAY: Maybe I am going to let our
Sales Manager talk about the revenue potential of the Peterborough market.
LISTNUM
1 \l 14165 Dave.
LISTNUM
1 \l 14166 MR.
HUGHES: Thank you very much, Don.
LISTNUM
1 \l 14167 In
answer to your question we had some inside sort of knowledge that CKPT was
going to be going to a hot AC format. So
when we put our business plan together we had that knowledge already in advance
of. So it was easy for us ‑‑
not necessarily easy but it was helpful for us to have that information.
LISTNUM
1 \l 14168 When
we put together our business plan we assumed that KRUZ would be getting their
flip and there would be a second frequency in the marketplace and that is the
frequency, obviously, that we are going for.
LISTNUM
1 \l 14169 We
have a tremendously strong working knowledge of the marketplace. We looked at building our business plan two
ways.
LISTNUM
1 \l 14170 We
looked top down, looking at the FP Markets information and the percentages
spent on advertising by retailers and how much money is then allocated for
radio.
LISTNUM
1 \l 14171 We
then did a bottom up formula because we have such a good working knowledge of
the marketplace and ironically, I guess, or maybe by design we came to almost
the same figure.
LISTNUM
1 \l 14172 So
we chose the optimistic figure from the FP model and that is how we came up
with our revenue projections.
LISTNUM
1 \l 14173 COMMISSIONER
DEL VAL: Now, what about the ‑‑
you did talk about the revenue projection today and how yours is comparatively
very realistic.
LISTNUM
1 \l 14174 Now,
the programming cost that you have included in your business case though, if
you compare it to the rest, is on the low side.
Would you care to comment on that?
LISTNUM
1 \l 14175 MR.
CONWAY: Sure. Included in the programming, we have between
programming and news seven and a half persons ‑‑
LISTNUM
1 \l 14176 COMMISSIONER
DEL VAL: Mm‑hmm.
LISTNUM
1 \l 14177 MR.
CONWAY: ‑‑ and we have the various things that you would do
to run the programming department. We
have two people in our news department and some production and some on‑air
announcers.
LISTNUM
1 \l 14178 COMMISSIONER
DEL VAL: Mm‑hmm.
LISTNUM
1 \l 14179 MR.
CONWAY: The rest of the things that we
would include in there would be the SOCAN fees and vehicles and that type of
thing.
LISTNUM
1 \l 14180 COMMISSIONER
DEL VAL: Okay. Now on the ‑‑ according to
how you have run, and from your experience with your Cobourg stations, you are
quite comfortable that those programming costs will allow you to compete very
effectively with the giants?
LISTNUM
1 \l 14181 MR.
CONWAY: Yes, no doubt, Madam
Commissioner.
LISTNUM
1 \l 14182 When
you buy a radio station out of bankruptcy you don't have a lot of resources to
work with. So we have learned, in a
small market surrounded by a lot of big players, that you have to do a lot of
multitasking. So everyone pitches in and
does various things.
LISTNUM
1 \l 14183 So
the news director, Jen, would also be the co‑host on one of our stations
and also works in the news. Okay, so she
does more than one task. It would be the
same thing with the music director. The
music director could be afternoon announcer as well as doing the news, as well
as possibly assisting with promotions.
So there is a lot of multitasking and we have learned how to do that
pretty well.
LISTNUM
1 \l 14184 COMMISSIONER
del VAL: So then say your staffing
costs ‑‑
LISTNUM
1 \l 14185 MR.
CONWAY: Correct.
LISTNUM
1 \l 14186 COMMISSIONER
del VAL: ‑‑ that are in the programming expenses, do
they ‑‑ the staffing costs of say those who are multitasking,
some of them would, you know, the same person would be performing some
programming or administrative function.
Which line do you put that in?
Are those in your admin and general costs or would you put those in
programming?
LISTNUM
1 \l 14187 MR.
CONWAY: I mentioned the 7.5, they are
all in programming and news. That
includes four fulltime announcers, that includes two fulltime news, plus the
part‑timers.
LISTNUM
1 \l 14188 COMMISSIONER
del VAL: Okay, good, thank you.
LISTNUM
1 \l 14189 Now,
you also commented on page 15 of your brief that you have some limited
programming synergies with the Cobourg stations. So those would also lead to lower programming
costs, would that be fair ‑‑
LISTNUM
1 \l 14190 MR.
CONWAY: Particularly in the news
department, there are some synergies, the fact that the Cobourg stations would
be close, and it is a very regional area that we live in, between Peterborough
and Northumberland.
LISTNUM
1 \l 14191 Maybe
I can ask Jen to speak to that.
LISTNUM
1 \l 14192 MS
HUDSON: Certainly. When it comes to the news department, for
example, when we are talking about synergies between the Cobourg station and
the proposed Peterborough station, as Don mentioned, it is a very regional
place in which we live. For example, the
school board is located in Peterborough but it oversees the schools in Cobourg.
LISTNUM
1 \l 14193 Currently,
it takes some resources for us to be able to send a reporter up to Peterborough
to cover those meetings. Whereas, if we
were to have a radio station in Peterborough we would have the staff that would
be able to not only cover that for their Peterborough market, but to funnel the
stories down to us in Cobourg as well.
So it saves us a reporter's salary to go up there, the gas, you know,
all of the little necessary expenses that go on there.
LISTNUM
1 \l 14194 COMMISSIONER
del VAL: Thank you. Do your synergies,
with the Cobourg stations, would that include similar plans for packaging of
sales, et cetera?
LISTNUM
1 \l 14195 MR.
CONWAY: Well, we don't package presently
and I will let Dave go further on that.
LISTNUM
1 \l 14196 MR.
HUGHES: The Peterborough market will be
standalone, sales for Peterborough will be Peterborough driven and in the
market.
LISTNUM
1 \l 14197 COMMISSIONER
del VAL: Now, if a licence in the
Peterborough market were granted to someone other than yourself, what do you
see would be the impact on your Cobourg stations?
LISTNUM
1 \l 14198 MR.
CONWAY: Well, we will continue to
compete, we have always competed against the big guys. But it would seriously impact on our
financial ability. As you saw from 96.7,
the other applicants, most of them come south of Rice Lake with their 3mV. So that means they are going to be well‑listened
to in Northumberland County or available to be listened to.
LISTNUM
1 \l 14199 So
you are going to have CTV, who has just flipped with a big station, who has
taken share away from us because we were getting Peterborough's share by
default. Basically, they have gone from
a 2 to a 20, so they have taken that away from us.
LISTNUM
1 \l 14200 Corus,
when they do their flip to classic hits, they will end up ‑‑
well, as you saw, if they use the 96.7 they are going to be all over
Northumberland County. And if you
licence someone else on a different frequency, we know from the map on 102.5,
it does come into Northumberland County.
So it would have a serious impact on us.
LISTNUM
1 \l 14201 COMMISSIONER
del VAL: Now, CTV's KRUZ right now, from
what I remember yesterday, was that they want to maintain the same footprint.
So right now, the KRUZ 980, is that all over Northumberland County?
LISTNUM
1 \l 14202 MR.
CONWAY: It can be heard in
Northumberland County. But if you look
at their contours, their contours are to the northeast and their footprint for
the FM proposed is to the direct south, which is coming into the two most
populated towns in Northumberland County, so it is slightly different.
LISTNUM
1 \l 14203 COMMISSIONER
del VAL: Thank you. Okay, let us go onto
something a bit easier, your format.
LISTNUM
1 \l 14204 You
may have covered it, I know you have given a lot more information here, how
much of your regulated broadcast week would you devote to live‑to‑air
programming?
LISTNUM
1 \l 14205 MR.
CONWAY: I am going to let Joel speak to
that.
LISTNUM
1 \l 14206 MR.
SCOTT: We are looking at producing 120
hours. We allowed for 120 hours a week
of local programming, that allows for a potential weekend countdown show or
syndicated program. As far as being live
to air, we have endeavoured to try and make it 99 hours a week, being life
primarily 6:00 a.m. to 9:00 p.m. at a minimum, Monday to Friday, and then 6:00
a.m. to 6:00 p.m. on weekends as well.
LISTNUM
1 \l 14207 COMMISSIONER
del VAL: Okay. Then so the balance would be voice tracked or
automated?
LISTNUM
1 \l 14208 MR.
SCOTT: Off‑peak times, from 9:00
p.m. and overnights, yes, voice tracking done on a local level.
LISTNUM
1 \l 14209 COMMISSIONER
del VAL: Okay. Your plans regarding the newsroom staff. I know you have given us some information
about the programming staff and there might be some overlap. Now, who will be
responsible for the news content?
LISTNUM
1 \l 14210 MR.
CONWAY: Well, our news team would make
decisions on a day to day basis.
LISTNUM
1 \l 14211 I
am going to let Jen say, just a little bit more, how we operate presently.
LISTNUM
1 \l 14212 MS
HUDSON: Well, currently, the way that it
works is in my position as news director I am also doing the morning on‑air
newsrun as well as co‑hosting on The Breeze. So my job and my priority every morning is
not only to just do that news and gather the news and present it, but it is
also an assignment editor for our reporters.
LISTNUM
1 \l 14213 Our
on‑air news personalities also are sent out to do some reporting. We have some part‑timers, some
stringers, so we send those out as well in order to have really good coverage
of Northumberland County, the people, the events that happen and that make it
what it is. We would endeavour to do the
same thing in Peterborough.
LISTNUM
1 \l 14214 COMMISSIONER
del VAL: And will you have student
interns in Peterborough as well?
LISTNUM
1 \l 14215 MS
HUDSON: We are looking to do that. As well, we are looking to hire two summer
interns ‑‑
LISTNUM
1 \l 14216 COMMISSIONER
del VAL: Okay
LISTNUM
1 \l 14217 MS
HUDSON: ‑‑ to come on into the newsroom so that we can help
mentor them and guide them and bring them along and have them really get some
hands‑on knowledge of the industry.
LISTNUM
1 \l 14218 COMMISSIONER
del VAL: And who typically is charged
with mentoring or overseeing the interns' work?
LISTNUM
1 \l 14219 MS
HUDSON: That would be the news director.
LISTNUM
1 \l 14220 COMMISSIONER
del VAL: The staffing plans for on‑air
talent, I think you have gone through that a bit. Do you care to elaborate with respect to news
or..?
LISTNUM
1 \l 14221 MS
HUDSON: Well, again, as a small
operation and really, in the long‑run, it makes you a much better
broadcaster if you wear a number of different hats because you have an
opportunity to experience the other parts of the station, it works much more
cohesively that way. And instead of
sitting there and not understanding why something works the way that it does,
say in the programming department, you have a much better handle on it because
you have been there.
LISTNUM
1 \l 14222 With
our news department, we want to see everybody become embedded and entrenched in
the community. And the more that we can
send out our on‑air announcers to do some reporting as well, they are
going to get to know the newsmakers, they are going to get to know the people
in the community, not just the people that are heads of organizations or, you
know, the mayors, but they are going to get to know the people, in general, of
the community. And that is what a good
radio station is supposed to do, it is supposed to reflect your community. So the more that we can do that, the more
that our staff can get out and work in the community, then the better job we
are going to be able to do.
LISTNUM
1 \l 14223 MR.
CONWAY: I can just follow‑up with
that, Madam Commissioner. We have, in
the planned station, two fulltime and two part‑time. I give you an example about how community
involved and how we talk about multitasking.
Everyone of our staff is charged with letting the news department know
what is happening in the community.
LISTNUM
1 \l 14224 So,
for instance, I will give you an example.
There was a horrendous crash last winter where it closed the 401, it closed
the 401 for the better part of two days.
And one of our staff happened to be returning from a sales call and was
able to provide live‑to‑air reports from the scene. Their car ended up being stopped about half a
kilometre away. And so they knew, call
in, let us get to air right away with this and then continue to provide
reports. So everyone is charged with
helping the station broadcast events that are happening in the communities.
LISTNUM
1 \l 14225 COMMISSIONER
del VAL: What about syndicated programming? Do you have any plans for that as matters now
stand?
LISTNUM
1 \l 14226 MR.
CONWAY: Joel?
LISTNUM
1 \l 14227 MR.
SCOTT; We left room for it in our
application, if possible. We would
evaluate that at the time of launch. It
wouldn't be a necessity. But if there
would be something there that we could capitalize on from a programming
standpoint and a revenue standpoint then, yes, we would evaluate it at the
time.
LISTNUM
1 \l 14228 COMMISSIONER
del VAL: You haven't yet offered a
specific commitment regarding the weekly level of spoken word. And would you be prepared to do so?
LISTNUM
1 \l 14229 MR.
SCOTT: Our spoken word commitment that
we are looking at, above and beyond our proposed news coverage, is 12.3 hours
per week. And the spoken word coverage that
we have defined is broken down under categories outside of newscasts, like
frequent weather coverage, additional sports coverage in the community, traffic
reports in morning and afternoon drives, public service announcements by the
announcers, background information on our artists, both new and emerging, an
artist spotlight feature that would feature an artist once an hour through the
daytime show and also, on weekends, community cruiser reports and, during the
week, parent guide reports focusing on community events that families in our
target demo would like to attend.
LISTNUM
1 \l 14230 COMMISSIONER
del VAL: And ‑‑
LISTNUM
1 \l 14231 MR.
CONWAY: Madam Commissioner, at the very
last page, right before the back cover, is a summary of our application and you
will see the breakdown there of the spoken word.
LISTNUM
1 \l 14232 COMMISSIONER
del VAL: Yes. You know, I just remembered the sheets. Now, would you be prepared to commit to the
overall level of spoken word as a condition of licence?
LISTNUM
1 \l 14233 MR.
CONWAY: Yes, absolutely.
LISTNUM
1 \l 14234 COMMISSIONER
del VAL: Now, going back to the
frequency. If 96.7 were awarded to
someone else, would you be prepared to accept a licence on, a partial approval,
on the basis that you find another frequency?
Would you accept such a licence?
LISTNUM
1 \l 14235 MR.
CONWAY: Our first choice is 96.7 because
of what I explained to you before about ‑‑
LISTNUM
1 \l 14236 COMMISSIONER
del VAL: Yes.
LISTNUM
1 \l 14237 MR.
CONWAY: ‑‑ people coming into Northumberland County. But 102.5 would be our alternate choice.
LISTNUM
1 \l 14238 COMMISSIONER
del VAL: Okay. And outside of those two?
LISTNUM
1 \l 14239 MR.
CONWAY: Nothing else really works,
Madam.
LISTNUM
1 \l 14240 COMMISSIONER
del VAL: Okay, thank you very much.
LISTNUM
1 \l 14241 MR.
CONWAY: You are welcome.
LISTNUM
1 \l 14242 COMMISSIONER
del VAL: Thanks for your time.
LISTNUM
1 \l 14243 Those
are my questions, Madam Chair, thank you.
LISTNUM
1 \l 14244 THE
CHAIRPERSON: Commissioner Menzies.
LISTNUM
1 \l 14245 COMMISSIONER
MENZIES: I noticed that in your
presentation that your expenses were low and your revenue predictions were
lower than some of the other applicants.
Is there anything that we need to know on that that you might not
already have touched on?
LISTNUM
1 \l 14246 MR.
CONWAY: Well, we know the market I think
a little bit better than maybe some of the other applicants, and maybe I can
let Dave speak to that.
LISTNUM
1 \l 14247 MR.
HUGHES: With respect to the revenue, Mr.
Commissioner, we also took into account that CKPT was moving to the Hot AC
format. And it certainly is acknowledged, when the BBM results came out, that
they had about a 22 share in adults 25‑54, which is substantial.
LISTNUM
1 \l 14248 When
CTVglobemedia did their projections for revenue at their hearing in December of
2006 they projected first year sales of approximately $400,000. Well, with a 22.1 share of the market, adults
25‑54, one can assume that they are going to do a little bit better than
$400,000.
LISTNUM
1 \l 14249 So
we factored those things into our revenue projections. That, in addition to the fact that we have a
presence in the market, we understand the market, and the market sets rates for
individual commercial units, the market bears so much. We predict that the going I rate is about
$15. When we did that and based our sell
out rate at about 60 per cent for the first year, that is how we arrived at our
first year revenue projections.
LISTNUM
1 \l 14250 COMMISSIONER
MENZIES: Okay, thank you. I am curious on knowing, and I know you have
talked about it a bit here, but your corporate culture of embedding yourself in
the community ‑‑ which I think is an excellent idea, most
people who stay in newsrooms just reflect newsrooms and not their
community ‑‑ and your commitments to things like school
councils and chambers of commerce, etc. that is excellent.
LISTNUM
1 \l 14251 It
is a bit of an open‑ended question, but I want to know a bit more about
your corporate culture, how you manage to do all that. Because you have an
operation that is operating 24 hours a day, you have a small staff, you are a
lean, efficient operation, how do you sustain yourselves at those levels of
commitment for a long period of time and retain staff and community
involvement?
LISTNUM
1 \l 14252 MR.
CONWAY: I am there seven days a week.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14253 COMMISSIONER
MENZIES: Okay, I want to know how you do
that. Is anybody else there with you?
LISTNUM
1 \l 14254 MR.
CONWAY: Actually, yes. Jen, on Saturday, there is a perfect example.
LISTNUM
1 \l 14255 MS
HUDSON: This past weekend there was a
terrible and tragic incident that happened on the highway just south of
Peterborough. It is something that made
not only local news, regional news, also went national as well in regards to
the two people that police were following from London ended up just south of
Peterborough, when police approached the vehicle the two were dead.
LISTNUM
1 \l 14256 I
got a phone call at home, so I immediately said good‑bye to my children,
my husband, said love you, and I got in the car and went straight to the
station and started making some phone calls to see what I could find out.
LISTNUM
1 \l 14257 This
is the kind of organization that it is and it takes special people in order to
make it all work. And I think that
Pineridge Broadcasting has done an excellent job of searching out ‑‑
they don't hire people based on the fact that I need somebody here next
week. They hire people based on the fact
that they are ready to make that kind of commitment to the communities in which
they live and to the company in which they work.
LISTNUM
1 \l 14258 So
when Pineridge hires somebody that is all part of the interviewing process,
that is all part of, you know, when you come on board you know this. And you know that this is the way that it is
going to be, but you are doing it because it is what you love, it is part of
who you are and part of what makes you proud to be in your community.
LISTNUM
1 \l 14259 MR.
SCOTT: If I can add to that
further. When we go through the hiring
process, as Jen mentioned, we traditionally may take longer to hire people than
we normally do because we are looking for those kinds of people. We look for people that are community
involved.
LISTNUM
1 \l 14260 For
example, our promotion director, York Bell‑Smith, came to us as a part‑time
guy on weekends, he was let go from another radio station, he fit our format,
he fit the dedication to community, he was involved in Kiwanis, moreover just
loved radio, wanted to do anything he could.
So York has covered off ‑‑ when he first came to us he
was doing part‑time on weekends, he was doing production, he was helping
out in promotion, helped do a little bit in sales. And when the time came in
our growth that we had to add another person York was the natural fit, because
he could fill an on‑air shift for us competently, he could run our
promotions department because he had experience in promotions.
LISTNUM
1 \l 14261 We
have an evening announcer right now that has done production, promotion and
he's done some music work, he even cut the grass this summer, so that is ‑‑
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14262 MR.
SCOTT: And we tell people when they come
in and say, listen, this is a little bit different operation, we encourage you
to try every aspect of the radio station because, as the radio market changes
and as the personnel changes, we don't know where our needs may fall. And if we have got someone internally we can
put into those places right away to grow their career and move them up, then
that is where we look first.
LISTNUM
1 \l 14263 COMMISSIONER
MENZIES: Thank you.
LISTNUM
1 \l 14264 Your
last comment, not your most recent one, but in your opening presentation, in
the concluding sentence you made reference to serious issues for ongoing
financial integrity.
LISTNUM
1 \l 14265 Now,
I just want to make sure I heard accurately what you were saying. What I heard, more or less, was you think
these other guys are trying to mow your lawn and ‑‑
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14266 COMMISSIONER
MENZIES: ‑‑ and you need to have a bigger lawn if that is
going to happen for you to compete.
LISTNUM
1 \l 14267 MR.
CONWAY: I like your reasoning. We have been through the process for the last
five years. Let me just spend sometime
and take you back.
LISTNUM
1 \l 14268 In
2002 we applied for an FM radio station.
We all thought it was going to be ‑‑ we applied for a
Northumberland radio station, Contours Northumberland whatever.. I provided you with a topography because, as
we have seen today and yesterday, the other applicants have no idea why there is
only 13 per cent Toronto tuning in Toronto.
The Oak Ridges Moraine prevents signals from Toronto getting into
Peterborough, so they have got nobody to listen to other than the Peterborough
radio stations.
LISTNUM
1 \l 14269 In
2002 we applied for and we launched Star 93.3.
The second day we were on I got a call from a guy. He said, "Are you the owner?" I said, "Yes, sir." "Are you really the owner?" I said, "Yes, sir." "Not a big company?" I said,
"No, sir, it's independent, this is it, you're talking to the guy that
sits in the corner that signs the cheques." Fine.
LISTNUM
1 \l 14270 And
I won't use the words he used, he says, "I came from Hamilton,
Ontario," he says, "I now live in Peterborough, I could sit in my
office and all of my employees could hear almost any radio station format they
wanted to. I had to move to this,"
whatever, "community and," he says, "I have to sit here and
listen to rock or country, thank ‑‑ that you guys are here
with the format, because now I can listen to music." "And if you need 100 people in my
office, because I own an insurance company, if you need 100 letters to the CRTC
then we will right them for you in support."
LISTNUM
1 \l 14271 That
was the second day we were on air on Star.
Peterborough was starved for an adult contemporary radio station. And we are there by default, we didn't know
we could get in there, we didn't know about the Oak Ridges Moraine either. But that is how this whole thing started.
LISTNUM
1 \l 14272 The
Corus and CHUM absolutely had this little pie that they split up between
themselves, they had four radio stations, the rates are low, they just split up
the advertisers and all of a sudden we came in from outside. And as you go back
over the various applications that we have had to increase our signal in our
own little community, because we have got a very bad signal along the 401, they
have fought us everyway they could.
LISTNUM
1 \l 14273 And
this past week when the BBMs came out and the fact that they are in BBM in
Northumberland County, there is only one reason, they want to take revenue
right away from us. They just hate
us. Thank you.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14274 COMMISSIONER
MENZIES: Or they want your money.
LISTNUM
1 \l 14275 MR.
CONWAY: Yes.
LISTNUM
1 \l 14276 COMMISSIONER
MENZIES: So what I am getting a bit from
this and, again, I don't want to put words in your mouth, this is what I am
understanding and I want you to confirm or clarify for me; is that you are up
to the task of competing with all the big boys and girls in Peterborough and
Toronto, but it can't last forever.
LISTNUM
1 \l 14277 MR.
CONWAY: Well, right now, we are
okay. But we have just got a competitor
who was on AM 1420, he has just flipped and has stolen where we felt we
had ‑‑ you saw the research.
The research showed CKSG was being listened to in the Peterborough
market. Now, we are a Northumberland
radio station, we promote ourselves a Northumberland radio station, but a lot
of our people drive to Peterborough to study, to work, to be entertained,
whatever. So we do put Peterborough news
and information on, surveillance information.
LISTNUM
1 \l 14278 I
lost my train of thought, sorry.
LISTNUM
1 \l 14279 MR.
HUGHES: Do you want me to jump in?
LISTNUM
1 \l 14280 MR.
CONWAY: Yes, go ahead, sorry.
LISTNUM
1 \l 14281 MR.
HUGHES: As Don was saying, we went to
Peterborough by default, that really was what happened. When we did our application for Star there
was no letters of intervention from anyone.
It was a non‑appearing item and we got a brand new radio station.
LISTNUM
1 \l 14282 Since
that time the giants have woken up and they said, "Oh, my God, these guys
are competition". And for 20 or 30
years they had no competition. It was a
pretty cozy little setting.
LISTNUM
1 \l 14283 So
now at every turn ‑‑ we needed to apply a few years ago to
improve our technical on Star so that we could better serve the market that we
are licensed to. They challenged us on
that. They challenge us at any turn that
they possibly can. I worked there five
days a week and I have to wear some armoured clothing to get ‑‑
there is so much going on trying to get us.
LISTNUM
1 \l 14284 So
this is just the final indication when they have taken and bought ‑‑
built coverage through BBM into Northumberland for The Wolf. I think they are just trying to get us out of
the picture.
LISTNUM
1 \l 14285 COMMISSIONER
MENZIES: Okay. I'm sorry.
I didn't mean to light you guys up like this.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14286 COMMISSIONER
MENZIES: But you are capable ‑‑
what I am trying to get at, you are capable of ‑‑ you are
capable of fighting back.
LISTNUM
1 \l 14287 MR.
CONWAY: We are. It's just it's going to get worse,
though. That's where the line was going,
is CTV has flipped; Corus will probably flip.
So they are going to come down into our market. So it's going to get very much tighter.
LISTNUM
1 \l 14288 COMMISSIONER
MENZIES: Okay.
LISTNUM
1 \l 14289 MR.
HUGHES: Could I just add the geography?
LISTNUM
1 \l 14290 I
think it's very, very important to make it clear that from the top end of
Northumberland County to the City Hall in Peterborough is 20 kilometres. So we are virtually one market. The continuation of Northumberland just flows
right into Peterborough.
LISTNUM
1 \l 14291 So
you know we have to compete with the giants we have. And we have done it very successfully, not
just with the launch of Star back in 2002.
We had a standalone AM station, CHUC, that had to compete with at the
time Power, Corus and CHUM regardless of having an FM.
LISTNUM
1 \l 14292 We
didn't have an FM. We had an AM station. And there was many, many events that go on in
our home market communities of Cobourg and Port Hope that were presented by the
Peterborough radio stations for some of the festivals. That was very frustrating on our part that
they would come into our market and present a festival.
LISTNUM
1 \l 14293 So
those are the challenges that we have had not just for five years but for a
number of years, frankly since the company was purchased at a bankruptcy in
1983. I guess that's when it really
started.
LISTNUM
1 \l 14294 COMMISSIONER
MENZIES: Okay. Thanks very much.
LISTNUM
1 \l 14295 THE
CHAIRPERSON: Just a couple of follow‑up
questions.
LISTNUM
1 \l 14296 In
your oral presentation on page 13 where you talk about your revenue projections
and of course it's in the context of you know the market and you know what is
realistic and that all other applicants have projected a much higher revenue
potential. The other side of the coin,
however, of your revenue projections could be you have underestimated so that
you could underestimate the impact on the incumbents.
LISTNUM
1 \l 14297 How
would you react to that characterization?
LISTNUM
1 \l 14298 MR.
HUGHES: I believe that the Peterborough
market has been underdeveloped with respect to radio spend. Our estimates were based on 12 percent of
radio share of radio dollars. In a lot
of markets the size of Peterborough it's probably 15 percent share of radio
spent in the marketplace.
LISTNUM
1 \l 14299 I
did have to go by what the street level talk is. As I said earlier, the market sets the rates;
the radio station doesn't. And we have a
tremendous history, for five years specifically, selling Star 93.3 in that
marketplace to Peterborough advertisers who want to reach the populace in
Northumberland County.
LISTNUM
1 \l 14300 So
we know the rates. We are up against
every radio station in some of those instances and we know where the market
trades.
LISTNUM
1 \l 14301 I
did not want to inflate the rates and imply that we could do a million dollars
in our first year of operation because I know we couldn't do that. It wasn't even conceivable to do that.
LISTNUM
1 \l 14302 THE
CHAIRPERSON: What percentage of your
revenue currently comes from your Peterborough market?
LISTNUM
1 \l 14303 MR.
HUGHES: Our revenue in Peterborough, we
have a 3 share for each radio station today and that is 12 plus. When you go to the 25‑54 breakout; the
demo breakout, our share combined is 4.8.
Our share in Peterborough is about $60,000. So you can see where our revenue would be.
LISTNUM
1 \l 14304 THE
CHAIRPERSON: Yes, because in your
revenue projections you don't include a line for out‑of‑market
tuning.
LISTNUM
1 \l 14305 In
terms of your advertising revenues do you have an idea as to how much out‑of‑market
tuning you will be able to repatriate?
LISTNUM
1 \l 14306 MR.
HUGHES: Well, a lot of the ‑‑
LISTNUM
1 \l 14307 THE
CHAIRPERSON: Because it's a two‑sided
question too, of course, because of cannibalizing yourself, right?
LISTNUM
1 \l 14308 MR.
HUGHES: That's exactly true. There is going to be a lot of cannibalizing
on our radio stations. So I think the
out‑of‑market tuning ‑‑ out‑of‑market
radio revenue is really split between five and six stations. So when we add this new station we are going
to cannibalize ourselves, that's true.
LISTNUM
1 \l 14309 THE
CHAIRPERSON: Okay. And what percentage of your total revenues do
you think will come from out‑of‑market tuning?
LISTNUM
1 \l 14310 MR.
HUGHES: About 35 percent, 40 percent.
LISTNUM
1 \l 14311 THE
CHAIRPERSON: Okay. Well, let's go through this then because in
your projections you say:
"Existing Peterborough radio
service is 40 percent."
LISTNUM
1 \l 14312 THE
CHAIRPERSON: 40 percent of your revenues
will come from that. Are you including
out‑of‑market ‑‑
LISTNUM
1 \l 14313 MR.
HUGHES: Yes, I am.
LISTNUM
1 \l 14314 THE
CHAIRPERSON: ‑‑ tuning in that?
LISTNUM
1 \l 14315 MR.
HUGHES: Yes, I am.
LISTNUM
1 \l 14316 THE
CHAIRPERSON: Oh, okay, great.
LISTNUM
1 \l 14317 The
devil is in the details, gentlemen.
LISTNUM
1 \l 14318 Okay,
final question. Please confirm your
understanding that if licensed your station will have to contribute a basic
annual CCD contribution imposed by a condition of licence until the regulations
are amended based on the station's total annual revenues and in the amounts as
set out in paragraph 116 of the new radio policy, Public Notice CRTC 2006‑158.
LISTNUM
1 \l 14319 MR.
CONWAY: So confirmed.
LISTNUM
1 \l 14320 THE
CHAIRPERSON: Please confirm your
understanding that of this base annual amount no less than 60 percent of the
station's basic annual CCD contribution must be allocated to either FACTOR or
MusicAction and the remaining amount, if any, may be directed to any eligible
CCD initiatives at your discretion.
LISTNUM
1 \l 14321 MR.
CONWAY: So confirmed.
LISTNUM
1 \l 14322 THE
CHAIRPERSON: You would think I would
know these by heart by now.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14323 THE
CHAIRPERSON: Legal counsel.
LISTNUM
1 \l 14324 MS
SMITH: Yes, I have one question.
LISTNUM
1 \l 14325 You
have mentioned news and spoken word. Can
you please give us your total number of hours including news?
LISTNUM
1 \l 14326 MS
HUDSON: The total number of hours
including the news is 18 plus. We will
have four hours and nine minutes of total core news, six hours and 10 minutes
of complete newscasts and 12 hours and 20 minutes of other spoken word.
LISTNUM
1 \l 14327 MS
SMITH: Thank you very much.
LISTNUM
1 \l 14328 THE
CHAIRPERSON: Mr. Conway, you have your
final two minutes to give us your best pitch.
LISTNUM
1 \l 14329 MR.
CONWAY: Madam Chair, Commissioners,
thank you for your patience and courtesy.
I was informed correctly; you don't bite even though you are very
thorough.
LISTNUM
1 \l 14330 Pineridge
has presented an application whose approval will be fully in the public
interest for a number of reasons.
LISTNUM
1 \l 14331 Our
application assumes the conversion for CKRU to the FM band. Our format proposal takes into account the
presence of an FM oldies/classic hits station as well as the re‑launched
CTV FM station.
LISTNUM
1 \l 14332 We
have chosen a format that will serve the largest unserved demographic group,
women 35 to 54. While there are stations
in the market providing programming for younger women and men, for much older
women and men, for women who like to rock and men and women who like country,
there is no one providing mainstream AC format that we propose.
LISTNUM
1 \l 14333 Other
applicants propose various subsets of this format, some skewed a bit softer,
others a bit harder but none are as broad as we are.
LISTNUM
1 \l 14334 We
have provided a realistic and robust business plan. A new station in the market will face two of
Canada's largest radio companies. We
know the market. Our business plan
mirrors the only applicant here with on‑the‑ground operational
experience in Peterborough and that was Corus.
LISTNUM
1 \l 14335 We
are a local area broadcaster rooted in community involvement. We already have community connections and
credibility in Peterborough and we can hit the ground running with a strong
local service.
LISTNUM
1 \l 14336 Awarding
this licence to us will strengthen the small, independent regional
broadcaster. We have worked hard to make
our business a viable one through community service and involvement. An additional station will give us more scope
and scale to meet the ongoing challenges of our market.
LISTNUM
1 \l 14337 And
finally, if you award this licence to another broadcaster we will face
additional challenges in our home market.
We already face CTV and Corus with multiple stations and likely
increased market share in our community with their FM conversions. Another new signal from a nearby market will
further fragment our audience, making our job an even more challenging one.
LISTNUM
1 \l 14338 Thank
you so much for your attention.
LISTNUM
1 \l 14339 THE
CHAIRPERSON: Thank you, Mr. Conway, and
to your colleagues.
LISTNUM
1 \l 14340 MR.
CONWAY: Thank you.
LISTNUM
1 \l 14341 THE
CHAIRPERSON: Before we break for lunch I
just want to make a scheduling announcement.
LISTNUM
1 \l 14342 It's
the panel's intention ‑‑ and this way you guys can plan the
rest of your week ‑‑ it's the panel's intention to hear this
afternoon the applications from K‑Rock, Evanoff and Frank Torres. We will then adjourn for the day and begin
the day tomorrow with Andy McNabb and the Anderson Parish applications,
followed of course by the intervention phases.
LISTNUM
1 \l 14343 I
am going to ask you kindly, all applicants, to indicate to the hearing
Secretary tomorrow at the end of hearing all applications, whether or not you
intend to appear in Phase II, just to make things run as efficiently as possible. Of course, you will have to make that
decision once you have heard all applications so please don't rush to poor
Cindy's side now. But do that tomorrow.
LISTNUM
1 \l 14344 So
we will now break for lunch and we will be back at 1:30. Thank you.
‑‑‑ Upon recessing
at 1215 / Suspension à 1215
‑‑‑ Upon resuming
at 1330 / Reprise à 1330
LISTNUM
1 \l 14345 THE
SECRETARY: We will now proceed with item
11 which is an application by K‑Rock 1057 Inc. for a licence to operate
an English‑language FM commercial radio programming in Peterborough.
LISTNUM
1 \l 14346 The
new station would operate on frequency 96.7 MHz (channel 244B) with an average
effective radiated power of 12,400 watts (maximum effective radiated power of
41,000 watts/antenna height of 116 metres).
LISTNUM
1 \l 14347 Appearing
for the applicant is Mr. John Wright.
LISTNUM
1 \l 14348 Please
introduce your colleagues and you will then have 20 minutes for your
presentation.
PRESENTATION / PRÉSENTATION
LISTNUM
1 \l 14349 MR.
WRIGHT: Chairperson Cugini, Commissioner
Menzies and Commissioner del Val, CRTC staff, I am John Wright. I am owner and operator of K‑Rock 1057
in Kingston.
LISTNUM
1 \l 14350 And
with me today on the panel ‑‑ and I think they are not in the
same order that you have them on here.
So on my left is Andrew Forsythe and next to Andrew is Doug Elliott.
LISTNUM
1 \l 14351 Doug
is our ‑‑ has started with us in August. He is Manger of Special Projects and has been
responsible for product development for our Fresh FM application. And Doug came to us from Newcap in Thunder
Bay where he was Operations Manager; prior to that he helped launch CKUE, which
was talked about at the hearing in Windsor.
LISTNUM
1 \l 14352 Andrew
is an Associate with Bond & Associates, Canada's foremost radio
consultants, and Andrew has held various management and programming positions
in radio and worked closely with Glenn Williams in the development of K‑Rock.
LISTNUM
1 \l 14353 To
my immediate right is Glenn Williams. He
is our Program Director at K‑Rock.
He was the absolute first person we ever hired when we got the licence
for K‑Rock. And Glenn is the
architect of our product. He came to us
after five years with The Bear in Ottawa where he was the Promotions Director.
LISTNUM
1 \l 14354 And
next to Glenn is Kelly Spanton, and I have worked with Kelly for many, many
years. Kelly started at CFJR in
Brockville in sales. She is our Sales
Manager, I think I said, and she spent 14 years at CHUM Regional Sales in
Toronto where she developed new business for CHUM markets including the Peterborough
market.
LISTNUM
1 \l 14355 My
wife, Kim, was supposed to be here but she not only works at the station and
handles all our agency business but she is also in charge of keeping balance in
our lives. And we have a 13‑year
old and Kim is at a Christmas recital with our 13‑year old.
LISTNUM
1 \l 14356 For
Kelly, Doug and Glenn this is a first.
It's their first time appearing before the Commission at a public
hearing and they are the key members of our management team. Each of them is very excited about this
application for reasons of their own, but what is common is the knowledge that
our company has to grow to create more opportunities for all of us, and that
Peterborough is almost a twin to Kingston and the perfect community for our
growth.
LISTNUM
1 \l 14357 The
Commission has identified the key criteria on which all applicants will be
judged, and they are: In smaller markets
under 250,000 it's the ability of the market to handle a new service; diversity
of product and of ownership and the quality of the business plan along with
Canadian content development.
LISTNUM
1 \l 14358 The
challenge is clear for all of us. We
have to show that Peterborough is ready for an additional radio service and
then we have to show why our application is best of show.
LISTNUM
1 \l 14359 Peterborough
is a city of natural beauty and culture.
It's the heart of the Kawarthas and called often the "lift lock
city". Somebody was mentioning lift
lock yesterday. And it's reputed to be
the world's highest lift lock, a true wonder of engineering. It shifts pleasure boats up and down at the
height of a seven‑storey building.
LISTNUM
1 \l 14360 Peterborough
has 116,000 people in the CMA and ranks 33rd in Canada. The Economic Development Commission says
Peterborough has a healthy economy and a strong growth rate. They also say the population is expected to
grow by 20,000 people over the next 10 years or just over 1.7 percent per year.
LISTNUM
1 \l 14361 The
economy is a mix. It's a mix of
government and it's a mix of manufacturing and tourism. And the tourism sector is fuelled by its
position as Toronto's sort of growth cottage country area.
LISTNUM
1 \l 14362 General
Electric, PepsiCo, Quaker Oats, Seimens lead the manufacturing sector while the
Peterborough Regional Health Centre is the largest employer followed by school
boards and local government.
LISTNUM
1 \l 14363 Retail
sales, as we have heard before, are 9 percent above the national average.
LISTNUM
1 \l 14364 Is
this local optimism and predicted growth enough to support an additional new FM
radio service? Let's compare
Peterborough to some other similar markets.
LISTNUM
1 \l 14365 Kingston
has six commercial radio stations, Bellville has five, Moncton has six and
Peterborough if a new licence is granted will have five. With this new licence there will be one radio
station per 22,000 people in Peterborough, which is more people per station
than either Bellville or Moncton.
LISTNUM
1 \l 14366 Retail
sales tells a similar story.
Peterborough has about the same retail sales per capita as Moncton and
it's about 7 percent greater than Bellville.
LISTNUM
1 \l 14367 And
finally let's have a look at profitability.
Between the years of 2001 and 2005 Peterborough averaged 21.2 percent
PBIT. During the same period Moncton was
23.1 percent and our home market of Kingston was a lowly 6.3 percent.
LISTNUM
1 \l 14368 The
Peterborough we are looking at has a healthy economy, a population that's
expected to grow by 20,000 people in the next 10 years, retail sales above the
national average, a very healthy five year average PBIT in excess of 20 percent
and with the addition of a new licence, a ratio of stations to people, if I can
put it that way, similar to other markets.
LISTNUM
1 \l 14369 The
two other broadcasters in Peterborough, CHUM and Corus, both have multimedia
outlets and are well positioned to maximize their synergies and operate
profitably after the addition of a new radio service to the market.
LISTNUM
1 \l 14370 Now,
Peterborough and Kingston are very eerie in their similarities.
LISTNUM
1 \l 14371 MS
SPANTON: CHUM Peterborough has two FM
stations with a third that gets into Peterborough from Lindsay. CHUM Kingston is identical; two FM stations
in Kingston and a third that gets into Kingston from Brockville. Corus in Peterborough has two radio stations
and a TV station. Corus in Kingston has
two radio stations and a TV station. The
markets are twins.
LISTNUM
1 \l 14372 We
believe Peterborough can support the addition of a new FM radio service. The question is can a new entrant compete
against the formidable arsenal in the hands of CHUM and Corus?
LISTNUM
1 \l 14373 These
are two very big and very good broadcasters.
We are the only applicant that has successfully competed against CHUM
and Corus in a very similar small market environment.
LISTNUM
1 \l 14374 The
addition of Fresh FM to Peterborough will bring diversity to the market, a new
news voice, a new format and a new independent owner headquartered in Eastern
Ontario.
LISTNUM
1 \l 14375 Fresh
FM will bring diversity to this dual owner, multi‑broadcasting outlet
market. But even more important than
just bringing diversity, we bring experience not only surviving but thriving in
a similar market size against the same tough competition. We are currently number one, adults 25‑54,
in Kingston.
LISTNUM
1 \l 14376 MR.
FORSYTH: John retained our company, Bond
& Associates, to determine a format choice.
With country and rock already in the market, some form of adult
contemporary was clearly the choice.
LISTNUM
1 \l 14377 CHUM
stated in their application that CKPT would continue to operate as a soft
oldies station offering music from such artists as Neil Diamond, Barry Manilow
and Anne Murray.
LISTNUM
1 \l 14378 From
the get go the Fresh FM format was designed to be different from CKPT. The opening for an adult station playing
contemporary music was evident in the format search conducted prior to the
conversion of CKPT to Energy 99.3. The
format choice for Fresh FM is everything the name says. It is music that is new to Peterborough and
it is designed for the 25 to 49 year old with particular emphasis on families.
LISTNUM
1 \l 14379 As
I already mentioned, CHUM launched CKPT not as a soft oldies station but as
Energy 99.3, a hot young station as the name implies. John commissioned Totum Research to determine
how this impacted the application. The
goal of the research was to determine; one, if there had been any change in the
listening habits based on the launch of Energy 99.3; two, what effect does the
launch of Energy have on the format proposed by Fresh FM and; lastly, to see if
there is another format that would better meet the needs of the Peterborough
audience since the launch of Energy.
LISTNUM
1 \l 14380 Totum
tested four different music styles for respondents age 25 to 64. One montage was music presented in the Fresh
FM application. The other music segments
included a traditional soft adult contemporary, an older leaning gold based
adult contemporary station and classic hits.
The results show the most popular music style was the Fresh FM format
with 76 percent of the respondents indicating they would listen often or
occasionally.
LISTNUM
1 \l 14381 The
research shows that there is no one station strongly identified with the
proposed Fresh FM format. When asked if
there was a station in the market already playing the music heard in the Fresh
FM montage, only 15 percent of the respondents identified the music with
Energy; 10 identified it with the rock station, The Wolf, and 13 percent named
the out‑of‑market station Star 93.
LISTNUM
1 \l 14382 Interestingly,
the classic hits format would have had the largest impact on the existing
stations with 20 percent of the respondents identifying that music with The
Wolf.
LISTNUM
1 \l 14383 The
responses show that the proposed Fresh FM format would have a minimal impact on
the existing stations.
LISTNUM
1 \l 14384 As
a result of this additional research we determined that of the various adult
contemporary format options our Fresh format was the preferred. This format was not strongly identified with
any other station in the market and therefore there was no rationale for us to
change the format or the business plan.
LISTNUM
1 \l 14385 MR.
ELLIOTT: Our research also confirmed
that Fresh will fall quite nicely between Energy, the format, and the format
proposed by CKRU, the Corus conversion from AM to FM.
LISTNUM
1 \l 14386 Fresh
FM is contemporary adult as opposed to adult contemporary and is different than
any radio station that is in Peterborough right now.
LISTNUM
1 \l 14387 Based
on our experience with K‑Rock in Kingston we can compete well with CHUM
and Corus. It takes really good
programming, top marketing and strong community involvement and we have great
plans for Fresh in Peterborough.
LISTNUM
1 \l 14388 Fresh
FM is Sarah McLaughlin and James Blunt, Rob Thomas, Bedouin Soundclash, Suzie
McNeil, Tara Slone, Four80East, Hayley Sales.
Fresh FM's music will add diversity and complement the music programmed
in the market. Recent BDS monitoring
tells us that 85 percent of Fresh FM's music is not played on any Peterborough
radio station.
LISTNUM
1 \l 14389 Fresh
FM will be distinctly different by design with music and spoken word, targeted
to young parents that will engage in relevant conversation while still
maintaining maturity and depth.
LISTNUM
1 \l 14390 Fresh
FM is 40 percent Canadian content, 10 percent emerging Canadian artists. And based on our research we have concluded
that the Fresh FM listener wants exposure to new local music. To put this into perspective how important it
is, we have already determined that our listeners are parents of school‑aged
children and they find that exposure to new local music almost as important as
current information about school bus cancellations.
LISTNUM
1 \l 14391 At
Fresh FM we will integrate ourselves with the local musicians, the producers and
venues, like we have in Kingston so that we can play their music on the radio.
LISTNUM
1 \l 14392 Fresh
FM is about supporting Peterborough musicians who receive no airplay like Chris
Nettleton and working with local producers like Barry Haggarty.
LISTNUM
1 \l 14393 Fresh
FM is the minivan station; soccer, baseball, 5:00 a.m. hockey practice, figure
skating, dance lessons, gymnastics; almost interchangeable for the TV
commercial for the Montana minivan with the Golden Lab lying down at their
feet.
LISTNUM
1 \l 14394 The
Fresh FM listener has a thirst for local news surveillance, mature engaging
information that has relevance to their lifestyle. To that end we will commit to regularly‑scheduled
news from our local team of three fulltime news people and will consist of 75
percent local news content. We may share
regional stories with our Kingston newsroom.
However, Peterborough newscasts will be produced in Peterborough.
LISTNUM
1 \l 14395 In
addition to the consistent newscasts, Fresh FM will also provide extensive
surveillance information that young families will need; school closures, bus
cancellations, snow days, construction updates, the latest at the arenas,
public parks.
LISTNUM
1 \l 14396 In
addition to the surveillance information, Fresh FM will provide background
information through relevant spoken word for young families that are handling
life's challenges.
LISTNUM
1 \l 14397 Our
programming features will be written and produced by our experienced team in
programming and in use. For example, we
envision a daily environmental report called "The Green Report" that
will run in both drive times, be produced by our news director that not only
discusses green issues like your home and global warming but also talks about
the footprint our daily lives leave on the environment; also, to help translate
the effect on our lives by our federal government's decision at the Bali
climate summit on right now or the pressure our federal government is getting
to protect the Canadian polar bear.
LISTNUM
1 \l 14398 In
total over 13‑and‑a‑half hours weekly of spoken word, news,
surveillance and features targeted specifically for active young parents and
music played on a radio station by the artists that are listeners, are buying
at the CD retailers or downloading and buying their concert tickets.
LISTNUM
1 \l 14399 MR.
WILLIAMS: Madam Chair, Commissioners,
CRTC staff, best of the season to you; talking about Canadian content
development.
LISTNUM
1 \l 14400 You
know our Kingston radio property has experienced incredible success over the
close to seven years in operation. And
our goal there was to really make a difference not only with our advertisers,
our community, but developing Canadian talent was very, very important to us
from the get go.
LISTNUM
1 \l 14401 The
latter had a significant effect on our success for many reasons. First and foremost would be the goodwill from
our listeners and our local artists being paramount. They hear the difference on the radio.
LISTNUM
1 \l 14402 The
same strong commitment to build Canadian talent is planned for
Peterborough ‑‑ regular programming to highlight new Canadian
artists, both locally and nationally, and all focused on the end game for
aspiring bands, a chance to hear their songs on the radio.
LISTNUM
1 \l 14403 Songs
on the radio give aspiring Canadian artists a foundation to work from in their
efforts to market themselves across the country.
LISTNUM
1 \l 14404 Our
plan is pretty simply ‑‑ own your home market, then take over
the world.
LISTNUM
1 \l 14405 Think
of us as pre‑FACTOR ‑‑ out of the garage and onto a
stage in their hometown, and with some hard work and the support of our radio
station, onto the radio.
LISTNUM
1 \l 14406 The
competition is tough on the national scale fighting for their piece of FACTOR
pie. We like to work very hard to get them
ready for that adventure.
LISTNUM
1 \l 14407 Some
of our on‑air initiatives ‑‑ "Fresh and
Live": We will be consistently
supporting emerging artists through radio airplay and the opportunity for live
acoustic performances.
LISTNUM
1 \l 14408 From
our experience in Kingston, we have noticed that the feedback from our
listeners has been incredible regarding the fact that we give this very unique
opportunity to a lot of local and emerging Canadian artists to play their songs
acoustically on our radio station and to tell their stories.
LISTNUM
1 \l 14409 "Fresh
Online": Website applications that
strongly tie our artist to their sites to give them instant credibility.
LISTNUM
1 \l 14410 "Lift,
Lock and Load": Our fun, exciting,
inde show that we have proposed. We will
produce a one‑hour weekly program dedicated to emerging artists only, and
each month produce a program that will be hosted and co‑produced by local
artists themselves.
LISTNUM
1 \l 14411 "Fresh
FM Presents": We will partner
aggressively with local promoters and producers of live shows that highlight
Peterborough and area talent.
LISTNUM
1 \l 14412 In
our mission as the Pied Pipers, as we like to call ourselves, we will devote
$20,000 annually toward the Fresh FM Idol Talent Search and the Fresh FM Music
Festival.
LISTNUM
1 \l 14413 This
area has been so successful in Kingston that we exceeded our commitment by 20
percent last year to get the job done, and we loved every minute of it.
LISTNUM
1 \l 14414 Our
talent searches give us the opportunity to build relationships with the local
artists. We average about 50 bands each
year in Kingston that come in, and we begin that relationship. It is really a part of us making them shine.
LISTNUM
1 \l 14415 The
greatest part is that, throughout the entire process, we involve our listeners
in the process, which, of course, provides an opportunity for them to attach
themselves emotionally to the artists.
And, of course, we hope to have them as their future fans. That, of course, is our end game.
LISTNUM
1 \l 14416 We
have prepared a short video from some of the bands and the community leaders
that we have partnered with in Kingston, which we hope illustrates our
commitment to our community and to Canadian talent.
‑‑‑ Video
presentation / Présentation vidéo
LISTNUM
1 \l 14417 MR.
WILLIAMS: As you can see, Madam Chair
and Commissioners, we are very proud of our commitment to our community and to
our local talent development, and we believe that we will hit the ground
running in Peterborough with Fresh FM.
LISTNUM
1 \l 14418 MR.
WRIGHT: Just a few comments regarding
our business plan.
LISTNUM
1 \l 14419 The
Commission has made it very clear that the quality of the business plan is a
key criterion in determining the successful applicant.
LISTNUM
1 \l 14420 It
is also clear that the Commission understands there is a big difference between
small independent operators' business plans and those plans put together by the
big regional independents and the publicly traded companies.
LISTNUM
1 \l 14421 Really,
the biggest difference comes in the financing of individual market
applications.
LISTNUM
1 \l 14422 The
bigger independent and publicly traded companies finance individual markets
with the strength of their overall company.
We have to finance our Peterborough application based on our Peterborough
business plan.
LISTNUM
1 \l 14423 This
is a good thing. It brings a little bit
of discipline to our financial planning.
LISTNUM
1 \l 14424 Our
bankers have to be convinced that our business plan will succeed before they
will sign off on the financing, and these guys focus on three main issues:
LISTNUM
1 \l 14425 Revenue ‑‑
How much revenue are you going to get, and is it a realistic, achievable
figure?
LISTNUM
1 \l 14426 Then
they focus on the product. In our case
it's programming. They want to know if we
are going to be able to compete.
LISTNUM
1 \l 14427 Then,
the resources allocated to promotion and sales:
Is it sufficient to make people aware of the new product and monetize
the programming success?
LISTNUM
1 \l 14428 Let's
have a look at the Peterborough market.
LISTNUM
1 \l 14429 We
estimate that the current stations in launch year, when the new stations are
launched, will average about $725,000 annually on programming, sales and
promotion expenses. At an annual 3
percent increase, this will amount to about $5.6 million over the seven‑year
period.
LISTNUM
1 \l 14430 In
Peterborough right now there are only four commercial stations, so the fifth
station will not be a niche format that can be operated at a lower cost, it is
going to be a fully competitive station that will be competing to be the top
station in the market.
LISTNUM
1 \l 14431 Our
bankers and investors would not think it is logical for us to aspire to be the
top station in Peterborough with programming, sales and promotion expenses well
below the stations we are trying to beat.
LISTNUM
1 \l 14432 We
have allocated over $6.3 million in programming, sales and promotion expenses
over the term of the licence. That is
about the same as Newcap, and well above all of the other applicants. And we haven't done this accidentally. We have planned this because of our
experience competing with CHUM and Corus in a small market like Kingston.
LISTNUM
1 \l 14433 Our
programming in Peterborough must be good enough that the target group will
listen, and our promotion budget has to be big enough that we can get that
target group to our position on the dial, and our sales department has to be
strong enough that we can monetize our ratings against stations that have built
up their relationships in the Peterborough market over many, many years.
LISTNUM
1 \l 14434 Madam
Chair and Commissioners, that concludes our presentation. We welcome your questions.
LISTNUM
1 \l 14435 THE
CHAIRPERSON: Thank you, Mr. Wright, and
your colleagues.
LISTNUM
1 \l 14436 Mr.
Wright, I am sorry that you are missing your daughter's Christmas recital. Hopefully your wife has a good camera.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14437 THE
CHAIRPERSON: I would ask Commissioner
Menzies to begin the questioning.
LISTNUM
1 \l 14438 COMMISSIONER
MENZIES: Thank you.
LISTNUM
1 \l 14439 I
will start a little differently this time, because I think our questions are
becoming predictable.
LISTNUM
1 \l 14440 MR.
WRIGHT: Oh, I had it all figured out!
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14441 COMMISSIONER
MENZIES: In terms of the business
community in Peterborough, what sort of advantage would K‑Rock bring to
them?
LISTNUM
1 \l 14442 And
I mean specifically in terms of what would a new station's ability be to
stimulate retail growth, jobs, economic activity, and that sort of thing.
LISTNUM
1 \l 14443 MR.
WRIGHT: When a new station joins the
market, it adds another dimension to that particular market.
LISTNUM
1 \l 14444 When
we came to Kingston, the first year there was a bump in the amount of dollars
being spent on radio in general. In the
second year there was a further big bump, before things started to flatten out
a bit.
LISTNUM
1 \l 14445 But,
really, a new entrant brings an enthusiasm, a new product, a new way of looking
at things; and, generally, everybody brings new sales people to the market, as
well, so there are more people selling the product of radio, and that increases
the radio pie.
LISTNUM
1 \l 14446 COMMISSIONER
MENZIES: But in terms of outside the
radio pie, does it also ‑‑ if more people are buying ads, I am
going to assume that more people are responding to ads and to the advertisers
within the local market.
LISTNUM
1 \l 14447 Does
that flow through, in that sense?
LISTNUM
1 \l 14448 Because
people only buy ads if they sell stuff; right?
LISTNUM
1 \l 14449 MR.
WRIGHT: They sometimes buy ads and they
don't sell stuff, so they don't buy them again.
LISTNUM
1 \l 14450 COMMISSIONER
MENZIES: That's right.
LISTNUM
1 \l 14451 MR.
WRIGHT: We would certainly hope that it
stimulates their business and that their business grows as a result of doing
business with us, but I don't have any specific evidence of that.
LISTNUM
1 \l 14452 What
we do in the communities is, we get terribly involved with the business
community.
LISTNUM
1 \l 14453 As
an example, right now ‑‑ I think you have all been reading
about the Canadian dollar and its effect on local merchants. Kingston happens to be a community that is
quite close to the border, and people can get to the shopping malls in
Watertown pretty easily. They can get
there in about 35 or 40 minutes, except for the crowds at the border, of
course.
LISTNUM
1 \l 14454 Our
local merchants ‑‑ we had discussions with them back in
September, and we are looking at the biggest time of the entire year, leading
up to Christmas. It is a very important
part of their livelihood. They were
quite nervous that people were going to start moving and spending far more
dollars south of the border because of the impact of the Canadian dollar, and
there was a lot of publicity that the pricing was quite different on the
Canadian side.
LISTNUM
1 \l 14455 We
started a "Shop Local" campaign.
We put announcements on the radio station, telling people what was going
on and why they should be shopping locally.
LISTNUM
1 \l 14456 We
talked about the value of our merchants to the community, how our merchants
support local hockey teams, they support charities, and they stand behind their
products, so that when you buy something you know you are going to be taken
care of.
LISTNUM
1 \l 14457 We
had quite a campaign on "Shop Local".
LISTNUM
1 \l 14458 We
then put a page or a button on our website and we invited the merchants to put
items on our website that people could see on which the prices had been lowered
because of the currency issues.
LISTNUM
1 \l 14459 We
then started telling all of our people in Kingston that the merchants were
trying very hard to reduce prices, that they were trying very hard to be
competitive, and that "they deserve your support".
LISTNUM
1 \l 14460 The
results have been absolutely amazing.
LISTNUM
1 \l 14461 That
is the kind of thing that we are always looking at, and we are always trying to
accomplish. We are trying to work as
partners with the people we do business with.
LISTNUM
1 \l 14462 COMMISSIONER
MENZIES: Your sources of revenue ‑‑
you have 32 percent for new radio advertisers and 32 percent for other media
and out‑of‑market stations.
LISTNUM
1 \l 14463 In
terms of the other media and out‑of‑market stations, how would you
break that down?
LISTNUM
1 \l 14464 How
much of that is other media, and how much of it is out‑of‑market stations?
LISTNUM
1 \l 14465 MR.
WRIGHT: Kelly will have a comment on
that. I haven't got the figure right
here, but Kelly does have it, I think.
LISTNUM
1 \l 14466 MS
SPANTON: From other media, including out‑of‑market
stations, it is $250,000.
LISTNUM
1 \l 14467 COMMISSIONER
MENZIES: No, I am trying to get an idea
of, within that, how much of it is other media and how much of it is out‑of‑market
stations.
LISTNUM
1 \l 14468 Out
of the 250, is it a 125/125 split, or 150/100?
LISTNUM
1 \l 14469 MR.
WRIGHT: The out‑of‑market
number would be higher.
LISTNUM
1 \l 14470 The
out‑of‑market number would be approaching $200,000 of the $250,000.
LISTNUM
1 \l 14471 COMMISSIONER
MENZIES: Is that money that is coming
from inside the Peterborough community and being spent on out‑of‑market
media or ‑‑
LISTNUM
1 \l 14472 MR.
WRIGHT: Correct.
LISTNUM
1 \l 14473 COMMISSIONER
MENZIES: That's right?
LISTNUM
1 \l 14474 MR.
WRIGHT: That's right, yes.
LISTNUM
1 \l 14475 COMMISSIONER
MENZIES: The new radio advertisers, can
you give me some idea of who they might be?
LISTNUM
1 \l 14476 That
is a $250,000 number, too.
LISTNUM
1 \l 14477 I
don't need to know names and addresses, but I do need to know ‑‑
is it the automotive sector, is it retail?
LISTNUM
1 \l 14478 MS
SPANTON: When we refer to that, the new
revenue from new advertisers, it is because there will be a new format in
Peterborough that, maybe, advertisers who aren't currently using radio, or who
are defaulting to another radio station because they thought it was close to
their target, will now be able to use Fresh FM.
LISTNUM
1 \l 14479 COMMISSIONER
MENZIES: These are people who haven't
been advertisers before?
LISTNUM
1 \l 14480 MS
SPANTON: Oh, no, they may have been
advertising. They may have been, but
they may not have been on radio.
LISTNUM
1 \l 14481 Maybe
they have been using the newspaper, but now our format will fit the customers
they are targeting.
LISTNUM
1 \l 14482 COMMISSIONER
MENZIES: Okay. Give me an idea of what percentage of that
group are current advertisers or people who simply haven't been advertising
before and now have a good fit to advertise with.
LISTNUM
1 \l 14483 Because
it seems to me that if they are current advertisers ‑‑
LISTNUM
1 \l 14484 MR.
WRIGHT: No, they wouldn't be current
advertisers with radio, they would be current advertisers in the market, but
right now there is no station that is really targeting that female mid‑age
group, that female 35 to 44.
LISTNUM
1 \l 14485 COMMISSIONER
MENZIES: So if they are current
advertisers, this is an increased spend rather than a redirection of money that
is in the market?
LISTNUM
1 \l 14486 MR.
WRIGHT: The ones that are not on radio
that we are talking about, it could be an increased spend, or it could be that
they reallocate some money that they are currently spending somewhere else.
LISTNUM
1 \l 14487 They
could be spending it on television, or on flyers, or in print, but they haven't
been using radio because radio wasn't strong enough in that particular area.
LISTNUM
1 \l 14488 A
lot of that was going out of market, as well, so they decided, for whatever
reason, not to advertise on out‑of‑market stations. So it's underdeveloped.
LISTNUM
1 \l 14489 COMMISSIONER
MENZIES: Okay. I think I understand.
LISTNUM
1 \l 14490 If
you want to make me understand more, I am open to it, but I will let you go for
a bit.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14491 COMMISSIONER
MENZIES: I need to clarify something on
Canadian content development. You have
$8,500 a year for the Fresh Idol Talent Search, and $7,500 for the Fresh Music
Festival. Then there is $4,000 that is
allotted as a contingency, which you indicated could go to FACTOR.
LISTNUM
1 \l 14492 The
regulations state that it should go to FACTOR, and I want to clarify what your
plans are for that $4,000.
LISTNUM
1 \l 14493 MR.
WRIGHT: We firmly believe that in
smaller markets the money that can be directed to the market is the most
important money we can spend.
LISTNUM
1 \l 14494 It
does a whole bunch of things. As Glenn
said earlier, it is the pre‑FACTOR.
It is getting them out of the garage and into a performing position, and
getting them ready to go to places like FACTOR.
LISTNUM
1 \l 14495 It
is also a big economic generator for the community when we start putting on
festivals and events. It becomes an
economic driver in the community, so it helps the community that way.
LISTNUM
1 \l 14496 We
kept $4,000 in reserve, and the reason we did that was, as an example ‑‑
LISTNUM
1 \l 14497 When
was "Across the Causeway"? Was
that two years ‑‑
LISTNUM
1 \l 14498 MR.
WILLIAMS: 2002.
LISTNUM
1 \l 14499 MR.
WRIGHT: 2002.
LISTNUM
1 \l 14500 Every
year an event comes up. We plan our
spending, and then something comes up that is just so good that we would like
to get involved in it.
LISTNUM
1 \l 14501 This
year it was a Canada Day huge concert series at Fort Henry, with ‑‑
LISTNUM
1 \l 14502 Tell
me about the bands.
LISTNUM
1 \l 14503 MR.
WILLIAMS: It was a day‑long
festival, and it was to recognize the 175th Anniversary and the World Heritage
Site designation.
LISTNUM
1 \l 14504 These
are the types of things that will come up, and in our desire to be there and
help them, we have a reserve fund set aside for instances like that, and that,
I assume, would be the $4,000 that we are talking about.
LISTNUM
1 \l 14505 MR.
WRIGHT: Yes, but what bands were at that
particular event?
LISTNUM
1 \l 14506 MR.
WILLIAMS: They were all grassroots
bands. The most recognized band there,
now, because they have started to make it, would be Bedouin Soundclash, but
they were all local area bands that we have worked up through our
"Bandslam" process and in some of our club events throughout the
year. All of them got a chance to play
at an incredible venue.
LISTNUM
1 \l 14507 Some
of the national promoters have come down and looked at it now as a possible
venue for national touring shows, they love it so much.
LISTNUM
1 \l 14508 So
it was a pretty exciting day.
LISTNUM
1 \l 14509 MR.
WRIGHT: It is pretty spectacular. The back of Fort Henry is a hill that goes
right down to the water. The concert was
put on with the stage at the bottom of the hill, and then everybody would sit
on the lawns, looking down at the stage.
LISTNUM
1 \l 14510 There
were, I think, 13 local bands.
LISTNUM
1 \l 14511 They
came to us two months or three months before this, and they needed additional
funds to help them put on this huge event, so we spent $10,000.
LISTNUM
1 \l 14512 Now,
that money we did not have put aside and ready to do that, but we thought the
event was worthy, and it was dealing with emerging artists, and it was all the
things we have always been, so we wrote a cheque to Fort Henry for $10,000 and
helped put on the concert.
LISTNUM
1 \l 14513 That
is the kind of thing the $4,000 is available for.
LISTNUM
1 \l 14514 Now,
if, in the unlikely situation that something does not come along that is just
that very appropriate, wonderful thing dealing with emerging artists, then we
will write the cheque to FACTOR.
LISTNUM
1 \l 14515 COMMISSIONER
MENZIES: That is in addition to your 20
percent requirement on over‑and‑above to FACTOR?
LISTNUM
1 \l 14516 MR.
WRIGHT: That is a good point.
LISTNUM
1 \l 14517 COMMISSIONER
MENZIES: I know that it sounds like a
bit of a technicality, but ‑‑
LISTNUM
1 \l 14518 MR.
WRIGHT: No, no, you are absolutely
right.
LISTNUM
1 \l 14519 When
we put this together, I think everybody was still working on how the "over‑and‑above"
worked and where it came in. In looking
at this, we have not allocated 20 percent of the over‑and‑above to
FACTOR, the automatic part.
LISTNUM
1 \l 14520 COMMISSIONER
MENZIES: Right.
LISTNUM
1 \l 14521 MR.
WRIGHT: Right?
LISTNUM
1 \l 14522 COMMISSIONER
MENZIES: Yes.
LISTNUM
1 \l 14523 MR.
WRIGHT: I noticed that when I was
reviewing this last night, as a matter of fact.
LISTNUM
1 \l 14524 I
don't know quite what we do about that right now, but we would certainly do the
20 percent.
LISTNUM
1 \l 14525 It
was something that, I think, was missed in the letters back and forth when we
were talking about those funds.
LISTNUM
1 \l 14526 COMMISSIONER
MENZIES: So that would either be that
$4,000, or it would be ‑‑
LISTNUM
1 \l 14527 MR.
WRIGHT: In addition to.
LISTNUM
1 \l 14528 COMMISSIONER
MENZIES: ‑‑ an additional 4.‑whatever thousand it
worked out to be.
LISTNUM
1 \l 14529 MR.
WRIGHT: Correct.
LISTNUM
1 \l 14530 COMMISSIONER
MENZIES: And you are comfortable and
committed to that?
LISTNUM
1 \l 14531 MR.
WRIGHT: I am, yes.
LISTNUM
1 \l 14532 COMMISSIONER
MENZIES: Okay. Thanks.
LISTNUM
1 \l 14533 MR.
WRIGHT: It was not intended to be that
way.
LISTNUM
1 \l 14534 COMMISSIONER
MENZIES: Is there a process that ensures
that all of the Fresh Idol funding goes to third parties?
LISTNUM
1 \l 14535 MR.
WRIGHT: Yes, there is.
LISTNUM
1 \l 14536 COMMISSIONER
MENZIES: The Fresh Music Festival ‑‑
do you adopt one or do you build one?
LISTNUM
1 \l 14537 MR.
WRIGHT: Well, it could be either, but
Doug has done some investigation on this, so I will ask Doug for his comment.
LISTNUM
1 \l 14538 MR.
ELLIOTT: At this point in time we really
haven't had an opportunity to establish a phenomenal groundwork yet. However, we have had some initial
consultations with some local musicians who are extremely interested, who don't
get any airplay on the local radio stations right now.
LISTNUM
1 \l 14539 Chris
Nettleton is one of them.
LISTNUM
1 \l 14540 I
have been talking with Ronnie Hawkins' manager, who seems to be the hub of
information for the local Peterborough musicians.
LISTNUM
1 \l 14541 I
think that once the licence is granted, we could solidify those relationships a
little bit better through our reputation at K‑Rock, and then we could
easily develop either our own, or possibly help out an existing one that
doesn't already have some sort of media sponsorship, as well.
LISTNUM
1 \l 14542 COMMISSIONER
MENZIES: I just need to make sure ‑‑
do you have a Plan B for these events, just in terms of assuring the Commission
that if they don't work out and you are not spending the money there that the
money still gets spent someplace else?
LISTNUM
1 \l 14543 MR.
WRIGHT: Yes, we undertake to take the
money ‑‑ to spend the money and if it is not spent on any of
the initiatives outlined, it will go to FACTOR.
LISTNUM
1 \l 14544 COMMISSIONER
MENZIES: Okay, thank you.
LISTNUM
1 \l 14545 You
spoke about the sort of natural relationship between Peterborough and Kingston.
LISTNUM
1 \l 14546 What
are some of the synergies that will work for you between the two, if any?
LISTNUM
1 \l 14547 MR.
WRIGHT: Yes, there won't be much. We have kind of looked at each area and I
think the strength of radio in smaller markets is its focus on that market. So the only synergies that we can see might
be a backroom synergy where our accounting might be done in one location for
the two sites. But other than that, the
programming is all totally separate and will remain that way.
LISTNUM
1 \l 14548 COMMISSIONER
MENZIES: Okay, thank you.
LISTNUM
1 \l 14549 You
have got the 120 hours a week being produced locally.
LISTNUM
1 \l 14550 How
does the rest of the content get put together?
LISTNUM
1 \l 14551 MR.
WRIGHT: The 120 hours ‑‑
we are allowing six hours for sort of countdowns and things like that. But of that 120 hours, I think 92 of those
hours will be live local, will be live from 6:00 a.m. to 10:00 p.m. daily
Monday to Friday and will be live from 6:00 to noon on Saturday and on Sundays.
LISTNUM
1 \l 14552 COMMISSIONER
MENZIES: Okay, but ‑‑ I
am sorry, I might have got ‑‑ either I got confused or I
confused you.
LISTNUM
1 \l 14553 MR.
WRIGHT: Or maybe I did.
LISTNUM
1 \l 14554 COMMISSIONER
MENZIES: It's the hours in addition?
LISTNUM
1 \l 14555 MR.
WRIGHT: The six hours?
LISTNUM
1 \l 14556 COMMISSIONER
MENZIES: Yes, just break that down a
little bit for me.
LISTNUM
1 \l 14557 MR.
WRIGHT: Okay. The six hours would be for a countdown if we
run it. We have allowed for some time
for a countdown, a music countdown on the weekend.
LISTNUM
1 \l 14558 COMMISSIONER
MENZIES: Okay, thanks.
LISTNUM
1 \l 14559 How
much of your overall content will be live?
LISTNUM
1 \l 14560 MR.
WRIGHT: It's 92 hours, so I think it is
seventy ‑‑ what is it? ‑‑ 75 percent, close
to 70. 92 hours out of the 126, so ‑‑
LISTNUM
1 \l 14561 COMMISSIONER
MENZIES: Whatever percentage that works
out to be?
LISTNUM
1 \l 14562 MR.
WRIGHT: Yes. Yes.
LISTNUM
1 \l 14563 COMMISSIONER
MENZIES: Okay.
LISTNUM
1 \l 14564 When
you were talking about your business plan, I noticed you expect revenue to rise
about 228 percent from years one to seven and the biggest single chunk of that
is between years one and two ‑‑
LISTNUM
1 \l 14565 MR.
WRIGHT: Yes.
LISTNUM
1 \l 14566 COMMISSIONER
MENZIES: ‑‑ which makes some sense but it looks to me like it
is ‑‑ I don't want to use risky but it looks to me like it is
based on ‑‑ that that first BBM has to be really good.
LISTNUM
1 \l 14567 I
just want to talk about like what if it isn't.
That doesn't mean that you are doing a bad job but sometimes these
things can have a little margin of error one way or the other.
LISTNUM
1 \l 14568 MR.
WRIGHT: Mm‑hmm.
LISTNUM
1 \l 14569 COMMISSIONER
MENZIES: If you are not succeeding with
your business plan, what happens to a relatively small operator if that
happens?
LISTNUM
1 \l 14570 MR.
WRIGHT: There are a couple of things in
here.
LISTNUM
1 \l 14571 First
of all, our first four years, I believe it is, our business plan calls for 90
percent of our business to be local.
While results is the game that we talk locally, ratings certainly help
contribute to results but it is not as ratings‑based as national business
is.
LISTNUM
1 \l 14572 We
based that growth number on our history in Kingston. We had a ‑‑ when we launched
in Kingston we launched with a 9 and a half share in Kingston. I had been in Kingston working in radio for
many years ‑‑ I am not mentioning the number anymore ‑‑
LISTNUM
1 \l 14573 MR.
FORSYTHE: No, no.
LISTNUM
1 \l 14574 MR.
WRIGHT: ‑‑ a long time.
Then I had been away in Toronto and I came back to Kingston with this
new licence. So I thought ‑‑
I was very optimistic. I thought I know
all these people, I know the merchants, I know the market and I should just do
gangbusters in the first year.
LISTNUM
1 \l 14575 Well,
it wasn't so easy, you know. We are
competing against CHUM and Corus and these guys are good. They are really good and they have built all
these relationships and all their management people and their salespeople have
developed very close relationships with their customers.
LISTNUM
1 \l 14576 So
we didn't just walk in the door and get the business. That is why we had the big bump‑up in
the second year. As a matter of fact, I
think year one, our first year in Kingston, the total market did about 4.7
million.
LISTNUM
1 \l 14577 In
the second year it went to 5.4 and then ‑‑ our first year was
a partial year. We were only on the air
from March to August. So that had a
little bit of a bump on the market to 4.7 million.
LISTNUM
1 \l 14578 The
first complete year the market went to 5.4 and the second it went to 6.7. So our impact really built from year two to
year three. That is really where it came
in and that is why we put our numbers together here to kind of match that
history that we are very aware of, that it takes you time to build this
business.
LISTNUM
1 \l 14579 COMMISSIONER
MENZIES: So your sales team is capable
then, or your future sales team, assuming it will be built on the model of the
current one, is capable of selling without having a book to sell from?
LISTNUM
1 \l 14580 MR.
WRIGHT: Yes, I mean ‑‑
Kelly.
LISTNUM
1 \l 14581 MS
SPANTON: Numbers, obviously, are one
tool but we believe firmly at K‑Rock that relationships with our
customers are the most important thing.
LISTNUM
1 \l 14582 We
will show them the numbers if they want to see them but we are huge believers
in getting to know our clients, finding out everything about their products,
building our presentations so they are effective and they produce results.
LISTNUM
1 \l 14583 That
does take time when you are new to a market and you have a new sales force but
hopefully we can garner some of our sales force, or all of them, from Peterborough
if that is at all possible so that there may be some relationships already
established.
LISTNUM
1 \l 14584 But
our key in the success in sales that we have in Kingston is the relationships
that our salespeople have with their clients.
The numbers are a tool but I believe, as their Sales Manager, they are
absolutely secondary.
LISTNUM
1 \l 14585 COMMISSIONER
MENZIES: I guess I just want to talk
about this a bit because if you were a new entrant into that market, and you
are up against Corus and all the others within that market, I think one of the
keys is that ability to be able to build those relationships.
LISTNUM
1 \l 14586 I
have been through a bit of that myself in the past and I know that as happy as
people might be to meet you right away, they do have relationships that build
up and it takes a while to build the trust that, as much as they may like you,
as you said, in building the relationship, if they are going to give you money
it has got to come back to them with interest on it essentially, and building
the confidence in them that that will work is not easy, especially for a
smaller competitor.
LISTNUM
1 \l 14587 I
just want to get some more of your thoughts on that.
LISTNUM
1 \l 14588 MS
SPANTON: One of the other things ‑‑
and I am sorry I didn't mention it when I first responded ‑‑
was the training that we give our sales reps.
I don't sit in Corus' and CHUM's building ‑‑ well, I
did in CHUM's once.
LISTNUM
1 \l 14589 So
the training that we provide to our sales reps is more ‑‑ I
believe is far more than Corus and CHUM do and that is a very important part of
our sales. We spend a great ‑‑
as much time training as we do out on calls, one‑on‑ones. I believe we are the best at it.
LISTNUM
1 \l 14590 COMMISSIONER
MENZIES: Thanks.
LISTNUM
1 \l 14591 Have
you done any surveying of advertisers within that market yet to see if they
would have any interest?
LISTNUM
1 \l 14592 MR.
WRIGHT: No, we haven't.
LISTNUM
1 \l 14593 COMMISSIONER
MENZIES: No. Okay.
LISTNUM
1 \l 14594 One
of the economic trends that is taking place right now involves the auto
industry. I understand that ‑‑
and you can correct me if this is wrong ‑‑ that GM is
actually, obviously not in Peterborough but is the largest industrial employer
of people who do live in Peterborough.
LISTNUM
1 \l 14595 I
just wanted to know if you have taken trends in that industry into
consideration and how much that matters to you or should it not.
LISTNUM
1 \l 14596 MR.
WRIGHT: That is a good question. It really is.
LISTNUM
1 \l 14597 We
look at the market overall and we look at the comments of the city officials
and the economic development commission people and we look at their
projections. And yes, there are sectors
that may be having some tough times right now and there are other sections that
are growing right now.
LISTNUM
1 \l 14598 So
we take the overall direction from the people in Peterborough, the economic
development commission, and they are bullish about Peterborough.
LISTNUM
1 \l 14599 I
think that some of the automotive companies may be having some difficulties. At the same time tourism seems to be
increasing quite a bit in Peterborough.
So there may be that balance that gives the economic development
commission the confidence to say that this market is healthy and it is growing.
LISTNUM
1 \l 14600 COMMISSIONER
MENZIES: Because it does have a very
healthy retail sales level.
LISTNUM
1 \l 14601 MR.
WRIGHT: Mm‑hmm.
LISTNUM
1 \l 14602 COMMISSIONER
MENZIES: And you are confident that that
won't be affected by ‑‑ or it will balance out in the future?
LISTNUM
1 \l 14603 MR.
WRIGHT: Well, I am an optimist at
heart. So I am always hoping that it
will be ‑‑
LISTNUM
1 \l 14604 COMMISSIONER
MENZIES: All entrepreneurs are.
LISTNUM
1 \l 14605 MR.
WRIGHT: ‑‑ better than we expect.
LISTNUM
1 \l 14606 COMMISSIONER
MENZIES: I am curious. I have dealt with a couple of technical
matters on the Canadian content development initiatives but I just wanted to
get into that a bit more.
LISTNUM
1 \l 14607 Do
they really work for you? The way you
spoke about it, the benefits of this come back to you in terms of building
content around that and, as much as I have heard, you seem to view them very
much as an investment.
LISTNUM
1 \l 14608 I
am not saying that anybody else doesn't, I just haven't had this conversation
with anybody else in terms of that, that it is something that comes back to you
in terms of content, in terms of marketing, in terms of goodwill in the
community.
LISTNUM
1 \l 14609 Can
you just expand on that a little bit?
LISTNUM
1 \l 14610 MR.
WRIGHT: I would be glad to and I am
going to ask Glenn to comment too.
LISTNUM
1 \l 14611 We
have a mantra, a motto at the station and Glenn referred to it earlier. We want to make a difference and we want to
make a difference with our listeners, our advertisers and our community, and
certainly the budding artists in our community are a very important part of
that.
LISTNUM
1 \l 14612 But
Glenn has something that he calls ‑‑ and this is where we
translated ‑‑ he calls it the cool factor. I will get Glenn to comment on that because
it is ‑‑
LISTNUM
1 \l 14613 COMMISSIONER
MENZIES: Is it with a "K" or
with a "C"?
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14614 MR.
WILLIAMS: Everything is with a
"K" in Kingston.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14615 MR.
WILLIAMS: How I would relate that to
cool is that, you know, we generate, obviously, business relationships and my
job in that respect is to generate my business relationships, which is our
product.
LISTNUM
1 \l 14616 As
a truly local company and a local radio station that has built its success on
that, I identified that very quickly in that market, that this is a great way
for us to start the foundations of that, to become a part of that community,
which is a part of our product. I mean
we play music. There is a rich tradition
of music, much like Peterborough, in that region. So part of it was selfish. I wanted to meet some of these bands.
LISTNUM
1 \l 14617 But
we have spent a lot of time and a lot of effort in generating those
relationships and the payback, of course, in the big picture could be monetized
and it could be turned into ratings but the payback on a smaller scale is to
actually see them progress and to see them come out of the basement. I mean a lot of us radio we are just bad
musicians.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14618 MR.
WILLIAMS: So it is to see this actually
happen. We have had so many success
stories and we have seen it happen and the part that we get at the end of the
day is that it does come back in goodwill, both from our advertisers, from the
bands, from their families.
LISTNUM
1 \l 14619 When
you are a market the size of Kingston, which is pretty much identical to
Peterborough, that is money in the bank.
It is the endorsement of your population and I think that they see it,
they hear it, they feel it. A lot of
people say it but we are sincere about it and it has worked.
LISTNUM
1 \l 14620 COMMISSIONER
MENZIES: Does it ‑‑
LISTNUM
1 \l 14621 MR.
WRIGHT: Andrew has a comment. Can we ‑‑
LISTNUM
1 \l 14622 COMMISSIONER
MENZIES: Oh! Please.
LISTNUM
1 \l 14623 MR.
WRIGHT: ‑‑ expand on it a bit? Is that all right?
LISTNUM
1 \l 14624 COMMISSIONER
MENZIES: It is your dime.
LISTNUM
1 \l 14625 MR.
WRIGHT: Thank you.
LISTNUM
1 \l 14626 Andrew
has a comment but just before we get to that.
LISTNUM
1 \l 14627 The
cool factor, I think it was our second year and we had ‑‑ it
created quite a ruckus in our building actually because we had Wide Mouth Mason
in, and they are a reasonably loud rock band.
LISTNUM
1 \l 14628 We
have created a little bit of a studio where we invite artists to come in and
they do unplugs. We have a little stage
set up and we have a chair. And they
come in and they can plug their guitar in and then they can sing and we put it
on the radio. It is really quite amazing.
LISTNUM
1 \l 14629 Well,
they came in, and it wasn't just a little unplugged and a guitar. They had their drummer and they had
everything going and we are in an office building. So we very quickly went to all the floors and
invited all the people in the building to come down because they couldn't hear
themselves think in their office.
LISTNUM
1 \l 14630 But
that is part of the cool factor. When
our listeners hear these artists in our radio station playing on the air it
gives us the cool factor and that really is a big help to our listenership. They want to listen to the station that is
the cool station, right?
LISTNUM
1 \l 14631 Andrew.
LISTNUM
1 \l 14632 MR.
FORSYTHE: I just wanted to add something
to this on the basis of ‑‑ you know, I think Glenn has very
well articulated what they do every day and I guess I am going to sort of take
the consultant's role and put it into another framework.
LISTNUM
1 \l 14633 I
am going to use the word "brand" and I know that gets kicked around
too often but I think this is a very good example.
LISTNUM
1 \l 14634 The
way that K‑Rock has taken emerging artists, taken Canadian artists and
put them on the stage and put them forefront has created not only a cool factor
for the radio station but a brand and it is the way that this group has worked
exceptionally well to be able to, for all intents and purposes, dominate a
market and change that market.
LISTNUM
1 \l 14635 You
have heard the testimonials from various artists but they have been able to
take what they do and do it well and make it an engaging activity between the
artist, the audience and the radio station.
LISTNUM
1 \l 14636 So
it is another way, I think, that this group approaches the dynamic of working
in a market differently from a lot of other groups.
LISTNUM
1 \l 14637 COMMISSIONER
MENZIES: And that brand still works with
the mini‑van thing?
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14638 COMMISSIONER
MENZIES: I mean I think it is kind of
neat that it does. Mini‑van people
still want to be cool but I just wanted to ‑‑ some people
might say there is a stretch there.
LISTNUM
1 \l 14639 MR.
WRIGHT: Well, every person has their
brands.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14640 COMMISSIONER
MENZIES: Okay.
LISTNUM
1 \l 14641 The
next one, I think you just answered.
LISTNUM
1 \l 14642 How
many new FM stations can operate in this market, in your view?
LISTNUM
1 \l 14643 MR.
WRIGHT: When we sat down and did this,
we certainly recognized that the Commission has kind of had a policy that
existing AM stations can convert to FM.
So we did our plans anticipating that KRUZ would be able to change from
AM to FM and that there would be one other licence.
LISTNUM
1 \l 14644 COMMISSIONER
MENZIES: Have you identified a frequency
that would work for you?
LISTNUM
1 \l 14645 MR.
WRIGHT: Sure have.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14646 COMMISSIONER
MENZIES: We won't talk about that one
right now but if ‑‑ I want to ask this question for the record
anyway.
LISTNUM
1 \l 14647 If
we were to grant a conditional licence based on your finding another frequency,
would that still work for you or would you ‑‑
LISTNUM
1 \l 14648 MR.
WRIGHT: I guess my concern would be that
the 102.5 seems to be ‑‑ the place it needs to be is on the
Corus ‑‑ as I understand it, on the Corus tower. Our consulting engineer wasn't available
today to get confirmation on that but that is what I am hearing from the people
here.
LISTNUM
1 \l 14649 So
from a business side it is a little scary to say that we get the licence and
the only place we can locate is on the competitor's tower and it kind of
gives ‑‑ to me, it gives the competitor the ability to charge
just about whatever they want to charge if it is the only place that you can be
located.
LISTNUM
1 \l 14650 I
would want to be at 96.7 and I think Corus should be at 102.5.
LISTNUM
1 \l 14651 COMMISSIONER
MENZIES: Okay, thank you. That is it for me.
LISTNUM
1 \l 14652 THE
CHAIRPERSON: Thank you.
LISTNUM
1 \l 14653 Let's
go back to the CCD and maybe together we can work through this.
LISTNUM
1 \l 14654 MR.
WRIGHT: Okay.
LISTNUM
1 \l 14655 THE
CHAIRPERSON: And I understand how it can
be confusing because the Regulations haven't come into force yet but they are
there.
LISTNUM
1 \l 14656 So
your total CCD commitment is $140,000 over seven years?
LISTNUM
1 \l 14657 MR.
WRIGHT: No, that is the over and above.
LISTNUM
1 \l 14658 THE
CHAIRPERSON: Okay. That is just the over and above?
LISTNUM
1 \l 14659 MR.
WRIGHT: That is correct.
LISTNUM
1 \l 14660 THE
CHAIRPERSON: So what is your total CCD?
LISTNUM
1 \l 14661 MR.
WRIGHT: Well, based on our revenues in
the model I think it is $156,000.
LISTNUM
1 \l 14662 THE
CHAIRPERSON: Okay. So do you understand that of just the base
amount ‑‑ right. Please
confirm your understanding that if licensed your station will have to
contribute that basic annual CCD imposed by condition of licence until the
Regulations come into force as amended and it is based on the station's total
annual revenues.
LISTNUM
1 \l 14663 MR.
WRIGHT: Yes, I understand that.
LISTNUM
1 \l 14664 THE
CHAIRPERSON: Okay. Now we will talk about the over and above.
LISTNUM
1 \l 14665 The
Regulations require that of the over and above, 20 percent is allocated to
FACTOR. Do you understand that?
LISTNUM
1 \l 14666 MR.
WRIGHT: Yes. I thought that there was a ‑‑
and I am not sure where I got this, maybe I made it up. I am not sure but I thought there was a ‑‑
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14667 MR.
WRIGHT: ‑‑ in markets under $250,000 that there would be the
ability to take all the over and above and do it to your own local
initiatives. Maybe it had been talked
about but it wasn't brought in, I am not sure.
LISTNUM
1 \l 14668 THE
CHAIRPERSON: That is right, it is not
part of the new Commercial Radio Policy.
LISTNUM
1 \l 14669 MR.
WRIGHT: Right. Okay.
LISTNUM
1 \l 14670 THE
CHAIRPERSON: The Commercial Radio Policy
is that 20 percent of the over and above be earmarked for FACTOR.
LISTNUM
1 \l 14671 MR.
WRIGHT: Right.
LISTNUM
1 \l 14672 THE
CHAIRPERSON: So will you accept as a
condition of licence that 20 percent of the over and above will be allocated to
FACTOR?
LISTNUM
1 \l 14673 MR.
WRIGHT: Right. I will ‑‑ I would like to be
able to slightly redo the numbers so I still have the $20,000 to be able to do
our initiatives. So it will be a minor
variance in the number to make sure ‑‑
LISTNUM
1 \l 14674 THE
CHAIRPERSON: Well, perhaps what we could
do, Mr. Wright, is if you wanted to, we could allow you whatever time ‑‑
well, I am sure the lawyer will tell me that we do have to put a limit ‑‑
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14675 THE
CHAIRPERSON: ‑‑ and she is not going to say, no, you can't
say whatever time you need, but we will allow you sometime to refile those
numbers ‑‑
LISTNUM
1 \l 14676 MR.
WRIGHT: Yes.
LISTNUM
1 \l 14677 THE
CHAIRPERSON: ‑‑ and where you would allocate those
funds. I think in light of fairness, we
would not want to see that total amount be different than what you have
proposed in your application. In other
words, the total of your over and above must still be $140,000. I wouldn't want to see ‑‑ I
couldn't allow you to increase that amount ‑‑
LISTNUM
1 \l 14678 MR.
WRIGHT: Okay.
LISTNUM
1 \l 14679 THE
CHAIRPERSON: ‑‑ based on now we are allowing you to
refile ‑‑
LISTNUM
1 \l 14680 MR.
WRIGHT: Right. Okay.
LISTNUM
1 \l 14681 THE
CHAIRPERSON: ‑‑ where you would allocate that over and above.
LISTNUM
1 \l 14682 MR.
WRIGHT: All right.
LISTNUM
1 \l 14683 THE
CHAIRPERSON: Okay. And I am sure our Legal Counsel will follow
up with a question that says: And will
you file by this date?
LISTNUM
1 \l 14684 MR.
WRIGHT: Okay. Thank you.
LISTNUM
1 \l 14685 THE
CHAIRPERSON: The second part of the CCD
question is: Please confirm your
understanding of the base annual amount.
LISTNUM
1 \l 14686 MR.
WRIGHT: Yes.
LISTNUM
1 \l 14687 THE
CHAIRPERSON: So we are going back to
that amount that is based on your revenues.
LISTNUM
1 \l 14688 No
less than 60 percent of the station's basic annual CCD contribution must be
allocated to either FACTOR or MUSICACTION and the remaining amount, if any, may
be directed to any eligible CCD initiatives at your discretion.
LISTNUM
1 \l 14689 MR.
WRIGHT: I understand that.
LISTNUM
1 \l 14690 THE
CHAIRPERSON: Okay, terrific. Thank you.
LISTNUM
1 \l 14691 Those
are all of my questions and I will turn it to Legal Counsel now. Thank you.
LISTNUM
1 \l 14692 MS
SMITH: I am going to follow up with an
additional question to your question, Commissioner Cugini.
LISTNUM
1 \l 14693 I
would like to confirm your understanding that you will file with the Commission
within one week, that is end of day, Wednesday, December 19, your over and
above CCD commitments?
LISTNUM
1 \l 14694 MR.
WRIGHT: I will.
LISTNUM
1 \l 14695 MS
SMITH: Great, thank you.
LISTNUM
1 \l 14696 That
is all my questions.
LISTNUM
1 \l 14697 THE
CHAIRPERSON: Now, Mr. Wright, you have
your final two minutes to give us your best pitch.
LISTNUM
1 \l 14698 MR.
WRIGHT: Thank you.
LISTNUM
1 \l 14699 I
think our application and our presentation today outlined all the reasons why
we think we should be best of show and chosen to receive the licence for
Peterborough. We had a lot of business
discussions, but really what drives us more than anything is our desire to make
a difference that we talked about earlier.
LISTNUM
1 \l 14700 And
I have just got a very quick story that will illustrate this. July 18, a year ago, Jenna Lambert, who is a
marathon swimmer, she is 15 years old, she has cerebral palsy and she jumped in
the lake in New York to swim across Lake Ontario and land in Kingston. And we sent our morning man, Shadow,
down. We actually organized the swim
with Vicki Keith and John Munro from the Y.
Glenn was instrumental and worked with them throughout the whole
process.
LISTNUM
1 \l 14701 Our
morning man went and he was in the kayak beside Jenna on the swim back to
Kingston. And he would do reports and we
would run all those reports on the radio on Jenna's progress on the way to
Kingston. And she was due to come into
Lake Ontario Park ‑‑ and she can only swim with her arms, her
legs don't work, so it is quite an amazing story ‑‑ and we
invited people to come down to the park to welcome Jenna in when she arrived.
LISTNUM
1 \l 14702 Well,
she hit some pretty high waves and the weather was really really brutal. So this was supposed to be a 24‑hour
swim, it turned out to be 34‑35 hours that she was in the water. So we had to keep updating everybody on the
fact that, you know, not now, not now, we will keep you posted. And Shadow would send the reports in and
Glenn was in the park and we had our entire staff down in Lake Ontario Park.
LISTNUM
1 \l 14703 We
had rented this humongous sound system that went all through the park, so that
we could welcome her in and we could do reports to all the people in the park
about the progress. And then we saw the
boat that was beside her, there was a couple of big boats, and there was a
breakwater just outside and we could see the boat and we knew that she was
really really close. And it just seemed to sit there for about a half an hour,
we just saw the boat and no movement.
LISTNUM
1 \l 14704 Shadow
gets on the phone with Glenn and Shadow says, "She's not moving,
she's ‑‑ she's trying, but she's not making forward
progress." And so it is just the
most amazing thing, Glenn gets on the microphone, 4,000 people in the park and
Glenn goes, "Jenna, Jenna."
And then the 4,000 people started screaming, "Jenna."
LISTNUM
1 \l 14705 And
then we got a call from Shadow out in the boat and Shadow said, "She heard
it, she can hear it." And just something
amazing happened. All of a sudden she
had this new energy. And after being in
one spot and not moving for a half an hour she got this superhuman effort and
she started moving. And a half an hour
later she arrived at Lake Ontario Park in Kingston with 4,000 people screaming
her name. And she raised $200,000 for
the Y and we were with it all the way.
LISTNUM
1 \l 14706 And
that is what we call making a difference and we would like to do that in
Peterborough. Thank you.
LISTNUM
1 \l 14707 THE
CHAIRPERSON: Thank you, Mr. Wright, and
to your colleagues.
LISTNUM
1 \l 14708 We
will take a short five‑minute break just to allow for the change in
panels. Thank you.
‑‑‑ Upon recessing
at 1445 / Suspension à 1445
‑‑‑ Upon resuming
at 1450 / Reprise à 1450
LISTNUM
1 \l 14709 THE
SECRETARY: We will now proceed with Item
12, which is an application by Evanov Communications Inc. for a licence to
operate an English‑language FM commercial radio programming undertaking
in Peterborough.
LISTNUM
1 \l 14710 The
new station would operate on frequency 96.7, Channel 244B with an average
effective radiated power of 13,000 watts, maximum effective radiated power of
50,000 watts, antenna height of 150 metres.
LISTNUM
1 \l 14711 Appearing
for the applicant is Mr. Paul Evanov.
Please introduce your colleagues and you will then have 20 minutes for
your presentation.
PRESENTATION / PRÉSENTATION
LISTNUM
1 \l 14712 MR.
EVANOV: Thank you. Good afternoon, Madam Chair, commissioners,
Commission staff. My name is Paul
Evanov, I am Vice‑President of Evanov Communications Inc.
LISTNUM
1 \l 14713 I
started my career in broadcasting and programming and, in fact, was the
programmer when ECI launched CIDC‑FM in its CHR format. I have overseen the launch of new services in
Halifax, Ottawa and am presently engaged in making sure Hawkesbury gets on air.
LISTNUM
1 \l 14714 I
am pleased to report that with the release of the Fall 2007 BBM we continue to
be number one among to 12‑34 demographic in the Toronto CMA with CIDC.
LISTNUM
1 \l 14715 Now,
I would like to introduce the panel here with me today. To my left is Carmela Laurignano, Vice‑President
and Group Manager. Carmela has worked
her entire professional career in broadcasting beginning with multilingual
radio in Toronto and now oversees all radio properties for ECI.
LISTNUM
1 \l 14716 To
my right is Dan Barton, Program Director for CKAD‑FM in Halifax. Dan has been in broadcasting for 18 years
working in programming, both major and minor markets. Prior to joining ECI, Dan oversaw the
programming for nine adult contemporary services.
LISTNUM
1 \l 14717 To
Dan's right is Chris Edelman, Regional Sales Manager. Chris is one of ECI's success stories,
starting with us as a sales rep, Chris's natural ability in converting
prospects to sales made him the first choice to head the sales teams for the
launch of our new stations in Ottawa and Halifax.
LISTNUM
1 \l 14718 In
the back row, from left to right, is Debra McLaughlin from Strategic Inc., the
author of our demand study and, by this point in the hearing, I am sure you
will agree she requires no further introduction.
LISTNUM
1 \l 14719 Next
to Debra is Shane Wilson, News Director for CKAD in Halifax. Shane has 20 plus years in producing news,
including both print and broadcasting, and he brings a multidiscipline approach
to news gathering and presentation.
Prior to joining ECI Shane oversaw the Halifax News Bureau for
VoicePrint Canada.
LISTNUM
1 \l 14720 Sitting
in the audience is Stewart Robinson, our legal counsel, and with Stewart is our
President and CEO, Bill Evanov, who also happens to be my dad.
LISTNUM
1 \l 14721 We
are here to present our proposal for an adult contemporary format to serve
Peterborough. Carmela will give you the
overview of our approach, Dan will provide you with the description of the
music we propose, Shane will provide details of our comprehensive presentation
of news and information, Chris will discuss the economics of the market and the
demand for the format we propose and, finally, Carmela will explain our
innovative proposal for Canadian content development
LISTNUM
1 \l 14722 Carmela.
LISTNUM
1 \l 14723 MS
LAURIGNANO: Thanks, Paul.
LISTNUM
1 \l 14724 When
the Commission issued a call for applications we examined the tuning to the
local stations, reviewed the existing formats and analyzed the tuning to out‑of‑market
services. We found an obvious format
opportunity, no one in the market was programming adult contemporary. There was significant tuning to out‑of‑market
stations playing AC with services like Star and Bob generating sellable levels
of hours tuned.
LISTNUM
1 \l 14725 AC,
in is many incarnations, is the most popular music format in Canada today. According to the most recent BBM tuning data,
tuning to AC stations account for 16.8 per cent of all time spent with radio
and is second only to news talk on a national level. If you look at tuning data on the market
level you will find that AC stations rank in the top three in most major
markets.
LISTNUM
1 \l 14726 There
are several streams of programming within the AC format. Three of the most common are CHR, Mainstream
and Hot AC. Each of these attracts a
slightly different audience with a distinctive age and/or gender skew and all
of these demos served by these formats are showing declines in tuning in
Peterborough. All three can easily coexist
in a market and, in fact, do in many areas of Canada.
LISTNUM
1 \l 14727 Our
challenge in preparing this application was in anticipating which void in the
market would be filled after CTVglobemedia CKPT flipped from AM. Through their AM format they served an older
audience. If they followed the plan they
filed with the Commission, to stick with their audience, this would leave a
void in the younger end of the AC spectrum.
As it happens, according to the BBM Fall released just last week, they
are now serving a younger audience with a Hot AC format.
LISTNUM
1 \l 14728 We
knew at the time we tested and filed the application that the market was influx
and what was happening in terms of programming would not be the case by the
time the application as heard. For that
reason, I will ask Dan to take you through what would happen today, if we were
to program today if we were on the air, and describe how it is complimentary to
the existing services.
LISTNUM
1 \l 14729 Dan.
LISTNUM
1 \l 14730 MR.
BARTON: Thanks, Carmela. And good afternoon, commissioners.
LISTNUM
1 \l 14731 As
we just mentioned, the Peterborough market now has one of the streams of AC
following CTVglobemedia's conversion to FM, Energy 99.3 is a Hot AC
format. This programming stream plays
mainly current hits with very little from before 2002 ever making it to air.
LISTNUM
1 \l 14732 According
to the last four weeks of media‑based data for the market, the
CTVglobemedia station is playing, on average, over 60 per cent of the Hot AC
chart. The audience data from BBM shows
a strong younger skew with shares among persons 18‑34 that rival the long‑established
rock station, The Wolf.
LISTNUM
1 \l 14733 It
is notable that using the same time period and same database we can see that
only 24 per cent of the Mainstream AC service is provided by originating
stations. So if we were on air today we
would fill the market need currently being addressed, in part, by outside
services and alternate sources.
LISTNUM
1 \l 14734 Our
new FM will introduce a Mainstream AC format to Peterborough, playing music
from adult contemporary artists such as Celine Dion, Chez, Michael Bublé,
Kaylynn Porter, the Eagles, James Blunt and Blue Rodeo as well as music from
the 1980s and 1990s from artists like Elton John, Chicago, Fleetwood Mac, Rod
Stewart, Amy Sky and Amanda Marshall.
LISTNUM
1 \l 14735 By
creating a playlist focusing on the adult contemporary chart this new station
will not only attract dissatisfied 25‑54 listeners, but also support new
and emerging adult contemporary artists like Ali Slaight, Hayley Sales, Justin
Hines and Brian Mello.
LISTNUM
1 \l 14736 Unlike
the predominantly current hit base of CHR and Hot AC, we propose to play
selections from the gold and recurrent categories, focusing on the 1980s and
1990s representing over 40 per cent of our spins each week with occasional
selections from the 1970s.
LISTNUM
1 \l 14737 While
this is typical of Mainstream AC stations, this balance and variety of eras of
adult contemporary music is not currently found in the Peterborough market. The programming of our Mainstream AC will
also be a nice balance to that of Hot AC where songs have a higher spin ratio
and, without the benefit of a variety of gold selections, have fewer songs at
any given time in rotation. We will have
more tracks, more artists and discernibly less repeat plays on any single
selection.
LISTNUM
1 \l 14738 The
production of Canadian music for this format is prolific because artists
producing in the rock, pop and even country music genres often cross over to
the AC chart. So we can confidently
propose to play 40 per cent Canadian content.
LISTNUM
1 \l 14739 In
addition to playing Canadian artists, a portion of our playlist will be
currents defined as less than two years old and, therefore, we will have the
opportunity to showcase new and emerging talent. It is our commitment to dedicate 30 per cent
of our Canadian content or 12 per cent of our total schedule to new and
emerging artists.
LISTNUM
1 \l 14740 I
will now ask Shane to describe our news and information component.
LISTNUM
1 \l 14741 Shane.
LISTNUM
1 \l 14742 MR.
WILSON: Our consumer demand
research demonstrated the importance of
local news to the community. Overall,
90.3 per cent of the respondents describe it as very important. I the older demographics of our sample, that
is among the 35‑44 and 45‑54 subgroups, news was the number one
programming element in the selection of the radio station.
LISTNUM
1 \l 14743 Our
schedule has been setup to ensure that our listeners get the news and
information programming they want. We
will offer 18 newscasts per day, Monday through Friday, in addition to seven
hours, five minutes of structured news every hour in morning and afternoon
weekday drive, we will offer regular surveillance on weather and traffic.
LISTNUM
1 \l 14744 We
will round out the local reflection with a community calendar, expanded
coverage of local sporting teams and interviews with local community
newsmakers. On the weekend we will offer
a lighter schedule, but still provide a frequency of newscasts that will keep our
listeners informed.
LISTNUM
1 \l 14745 In
total, we will provide 11 hours and 50 minutes of news and information
programming per week.
LISTNUM
1 \l 14746 We
take our responsibility to cover Peterborough news seriously. And, as can be confirmed by our performance
on our other radio properties, we anticipate that no less than 80 per cent of
the stories we cover will be local or regional in origin.
LISTNUM
1 \l 14747 A
second finding from our research was the importance to consumers of having
diversity in news sources. Well, we do
not purport to be a news service and will be defined as a music format,
devoting the majority of the schedule to AC selections. We will provide more news than is often found
on the AC format. We wish to provide
that diversity by on perspective and the depth of coverage we give local
events.
LISTNUM
1 \l 14748 Chris?
LISTNUM
1 \l 14749 MR.
EDELMAN: Thanks, Shane.
LISTNUM
1 \l 14750 It
has been suggested by intervenors that Peterborough is a market in
transition. While we agree this is the
case in terms of format, the economic base remains solid and expanding.
LISTNUM
1 \l 14751 Our
view of the economic indicators shows a healthy retail sales base that is 9
percent above the national average and expected to grow by 7 percent in the
next 18 months. Further growth of 12.2
percent is expected between 2009 and 2012.
LISTNUM
1 \l 14752 Population
has grown by 5.1 percent since last Census and is forecast to continue to
grow. Housing prices are on the rise,
confirming that the anticipated growth is indeed happening. In all, transition in Peterborough is to a
more prosperous position.
LISTNUM
1 \l 14753 We
met with advertisers in the market and found that limited format choice has
been a deciding factor for their choice of including radio or not. Some have opted to use print, specifically
local newspapers, while others have purchased ad time from stations originating
outside the market like Star 93.3 from Cobourg and 91.9 BOB FM from
Lindsay. It is these advertisers that we
will be working with to expand the radio sales in the market. In my own in‑market survey I heard
repeatedly that you cannot beat The Wolf if your target was men and if you
wanted younger persons Energy was an efficient buy.
LISTNUM
1 \l 14754 The
missing audience from an advertising perspective is the slightly older
female. While a country service does
deliver these listeners to some degree, it was seen as being more niche with
limited reach. And in some cases it has
been seen as being incompatible with the brands or service being advertised.
LISTNUM
1 \l 14755 Our
mainstream AC will fill the hole in the broadcasting advertising spectrum. We will deliver the 35 to 54 year old
population and, as is the case with most AC formats, we will be most efficient
in the female demographics.
LISTNUM
1 \l 14756 Our
goals are twofold; bring back the money currently leaving the market to
stations like Star, and develop new revenue by giving advertisers using other
media an effective local option.
LISTNUM
1 \l 14757 Our
increased news coverage will quickly help us build a Peterborough‑centric
brand and my experience tells me that with this established it will be easy to
convert money from other media to the effectiveness of using radio.
LISTNUM
1 \l 14758 Carmella?
LISTNUM
1 \l 14759 MS
LAURIGNANO: Thanks, Chris.
LISTNUM
1 \l 14760 We
have also stayed true to the theme of local in our CCD proposal. In addition to making the commitment to
FACTOR required by the new policy, we are proposing to support initiatives that
are above and beyond the requirements.
LISTNUM
1 \l 14761 First,
we will be giving money to the Aboriginal Media Education Fund. This funding body is a not‑for‑profit
organization that is national in its scope and yet flexible enough in its
programs to allow for regionalization of our investment. AMEF has agreed to direct the funding to
assist aboriginal youth from Peterborough and central Ontario regions in
receiving the training they need to start or advance a career in broadcasting
or audio production. We will use our
broadcast outlet in the market to promote this opportunity and partner with
AMEF to take the message of their programs to other regions that we serve.
LISTNUM
1 \l 14762 In
our second over and above initiative we will create an annual concert event
that will pair successful artists with new and emerging talent to create a high
profile showcase and at the same time provide an excellent concert experience
for consumers. Under the working title
of "Summer Rush" we have created these events for new artists for the
past 15 years in Toronto and recently introduced it in Halifax to resounding
success.
LISTNUM
1 \l 14763 This
year alone we were able to present 10 new artists over the two cities and these
are new and emerging artists. People
like Jordan Croucher, Jamie Sparks, Belly, DJ No Love, Elise Estrada, to name a
few, had the opportunity to play on the same stage in the same event with
international recording sensation Rihanna and Enrique Iglesias.
LISTNUM
1 \l 14764 Feedback
from these events from both the artists and the consumers is overwhelming. The event sells out quickly and performers
either through direct sales or through their distributors report huge spikes in
sales post‑Summer Rush.
LISTNUM
1 \l 14765 In
Ottawa our concert takes a slightly different format because of the difference
in our station format and audience but it too has made a huge impact in terms
of exposure and promoting of Canadian artists and new and emerging artists.
LISTNUM
1 \l 14766 We
have committed in our application all the money we have allocated to this concert
will be paid out to performers in fees and Evanov Communications Inc. will
underwrite the staging, promotion and event of the production. This additional investment is required to
ensure that the event has the impact it can but in actual fact raises the
commitment we are making to well above the value of the direct contribution.
LISTNUM
1 \l 14767 Based
on our experience in other markets we believe this will represent an additional
100,000 each year of the licence term.
LISTNUM
1 \l 14768 Paul?
LISTNUM
1 \l 14769 MR.
EVANOV: Thanks, Carmella.
LISTNUM
1 \l 14770 Our
proposal for a new FM service for Peterborough has been carefully constructed
to offer new music, increased coverage of news and information, while
respecting the balance that currently exists in the market.
LISTNUM
1 \l 14771 We
chose mainstream AC to fill an obvious void in the programming spectrum and to
take advantage of the opportunity to recover revenue that is currently being
placed on spill services that effectively deliver an older female audience. With only 24 percent of the mainstream AC
chart being played on local services in the market, we can launch without
forcing any current broadcasters to make radical adjustments to their playlist.
LISTNUM
1 \l 14772 Our
unique approach to news and information programming in combination with our
larger playlist, fewer repeats and higher Canadian content will ensure that our
new FM station has a distinctive sound.
We will avoid the complaints currently heard in the market that most
radio stations sound alike and there is too little variety.
LISTNUM
1 \l 14773 We
will also bring new artists and new songs to consumers, a role that the
internet has been increasingly filling.
LISTNUM
1 \l 14774 We
think that playing new artists is an excellent way of distinguishing our
sound. In markets where no commitments
have been required of ECI we are currently playing new and emerging talent in
excess of 12 percent. And this is
calculated by using the more restrictive CAB definition.
LISTNUM
1 \l 14775 Carmella?
LISTNUM
1 \l 14776 MS
LAURIGNANO: In summary, we know that AC
is a broad enough format with built in flexibility. For example, if the incumbent station decided
to abandon the younger audience and age their playlist to mainstream AC, then
we would program to the younger market with our version of a hot AC.
LISTNUM
1 \l 14777 The
point is that there are programming opportunities within the scope of our
proposal that will allow us to adjust to market forces without abandoning our
plans or competing directly with the incumbents.
LISTNUM
1 \l 14778 We
are experienced broadcasters with the energy, experience and motivation to seek
out and develop new revenue streams and new audiences. We are capable of competing with large
incumbents as a standalone and our track record confirms this.
LISTNUM
1 \l 14779 We
have direct experience in smaller markets and in particular smaller markets
that have tremendous spill from larger nearby centres. Nothing we have seen in the data or in the
hearing thus far is either new or daunting to us.
LISTNUM
1 \l 14780 Further,
we have taken a leadership role in presenting new and emerging artists.
LISTNUM
1 \l 14781 Peterborough
is an economically sound market with a solid future, ambitious plans and a
strong probability of expansion. We
think what we have proposed is ideal for the current conditions and can
withstand any challenges presented by changes in the broadcasting landscape.
LISTNUM
1 \l 14782 So
we respectfully ask for part of this market in transition and to be given the
opportunity to serve the people of Peterborough.
LISTNUM
1 \l 14783 Thank
you for your time and attention and we would be happy to answer your questions
you might have.
LISTNUM
1 \l 14784 THE
CHAIRPERSON: Thank you, Ms
Laurignano. Mr. Evanov, welcome to
you. I was planning on saying welcome
back but it's good to have the junior.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14785 THE
CHAIRPERSON: I'm going to start my
questioning with specifics unlike some of the other applicants that I have
asked, just to change things up a bit.
And the first thing we are going to talk about is your level of spoken
word programming.
LISTNUM
1 \l 14786 In
your presentation this afternoon you said that there will be a total of 11
hours and 50 minutes of news and information programming throughout the
broadcast week. Correct?
LISTNUM
1 \l 14787 MR.
EVANOV: Yes.
LISTNUM
1 \l 14788 THE
CHAIRPERSON: And of that how much is
just pure news?
LISTNUM
1 \l 14789 MR.
EVANOV: I will have Shane Wilson, our
News Director, break it down for you.
LISTNUM
1 \l 14790 THE
CHAIRPERSON: Sure.
LISTNUM
1 \l 14791 MR.
WILSON: Pure news weekly seven hours and
five minutes.
LISTNUM
1 \l 14792 THE
CHAIRPERSON: And how much will be
surveillance material?
LISTNUM
1 \l 14793 MR.
WILSON: Surveillance material will
be ‑‑ okay, for weather two hours, five minutes per week;
traffic two hours and 10 minutes per week.
LISTNUM
1 \l 14794 THE
CHAIRPERSON: Okay.
LISTNUM
1 \l 14795 And
that leaves us with another half hour.
LISTNUM
1 \l 14796 MR.
WILSON: Those would be our community‑based
features.
LISTNUM
1 \l 14797 THE
CHAIRPERSON: Community‑based
features.
LISTNUM
1 \l 14798 MR.
WILSON: M'hm.
LISTNUM
1 \l 14799 THE
CHAIRPERSON: The whole ‑‑
for the entire 30 minutes?
LISTNUM
1 \l 14800 MR.
WILSON: That's correct, spread over 90‑second
increments.
LISTNUM
1 \l 14801 MS
LAURIGNANO: There are two news features
within that. One is a community news
feature and the other one is entertainment news.
LISTNUM
1 \l 14802 THE
CHAIRPERSON: Now, usually we see these
high levels of spoken ‑‑ not just spoken word but really of
news, because this is essentially what you are offering here, in formats that
target a much older demographic than your format does.
LISTNUM
1 \l 14803 So
can you give me the rationale for these higher than what we are accustomed to
see levels of news and information programming on this format?
LISTNUM
1 \l 14804 MR.
EVANOV: I will start off and then pass
it to Dan ‑‑
LISTNUM
1 \l 14805 THE
CHAIRPERSON: Sure.
LISTNUM
1 \l 14806 Mr.
EVANOV: ‑‑ extensive experience programming the AC.
LISTNUM
1 \l 14807 We
did our research and we looked at the market along with the demand for the
mainstream AC format. We also found that
people were looking for diversity in news and information and that was a very
important component along with the music.
Over 86 percent said it was very important to them. So we wanted to incorporate that within a
radio station.
LISTNUM
1 \l 14808 Still
keeping in mind we are a music‑based station, you know our demographic is
35 to 54, we incorporated the news and the spoken word and the information in
such a way where it would allow them to hear the music they want but also get
the information, especially the local information they wanted.
LISTNUM
1 \l 14809 And
I will have Dan kind of walk through how this is done.
LISTNUM
1 \l 14810 MR.
BARTON: Thanks, Paul.
LISTNUM
1 \l 14811 In
my experience with the adult contemporary format, news and information has
always been a very important part of the format. Our research piece certainly backed that
up. News and information was ranked
second only to variety of music for what our demographic felt was important and
hearing in the radio station.
LISTNUM
1 \l 14812 In
order to differentiate ourselves from the incumbents in the marketplace what we
want to do is make sure that we are accurately reflecting our target demographic,
not just with the content of the news we are presenting but in how it's
presented. So we are going to give an
increased concentration of making sure it's reflecting the need of that 35‑54,
the core of which being 35‑44 demographic. And we are allowing ourselves the extra time
to be able to express that.
LISTNUM
1 \l 14813 THE
CHAIRPERSON: And what is the median age
of your listener?
LISTNUM
1 \l 14814 MR.
BARTON: The median age is 40.
LISTNUM
1 \l 14815 THE
CHAIRPERSON: 40, okay.
LISTNUM
1 \l 14816 Now,
in order to accomplish this level of news and information programming what are
your staffing plans in terms of how many people will you hire dedicated solely
to the news and if it is a separate component how many people will you hire to
do the other elements of your spoken word programming?
LISTNUM
1 \l 14817 MR.
EVANOV: Okay. I will have Shane go over the news department
with you and then I will cover over the other programming stuff.
LISTNUM
1 \l 14818 THE
CHAIRPERSON: Sure. Okay.
LISTNUM
1 \l 14819 MR.
WILSON: Our pure news department ‑‑
and I would like to expand on that if I can, but our pure news department will
consist of a news director who is also an anchor and reporter, a fulltime
anchor reporter and two stringers.
LISTNUM
1 \l 14820 THE
CHAIRPERSON: Okay.
LISTNUM
1 \l 14821 MR.
WILSON: And just to expand a little bit,
from my experience in our Halifax newsroom we really do bring in, in the Evanov
Radio Group ‑‑ the whole staff become news gatherers because
they are on the street. We have got
folks in the clubs. We have ‑‑
our sales reps are out. So we really do
become a team effort. But the production
of the news is the numbers that I gave you.
LISTNUM
1 \l 14822 MR.
EVANOV: And to go on the other part, in
the programming department on top of the four news people we also have eight
other people in programming consisting of a program director; music director
who will also take on duties as announcers; morning show, evening show, two
swing announcers midday to cover over their programming. So on top of the newscasts that are done by
the news people Shane explained, we also have a full line of on‑air
announcers that will communicate through jock talk, spoken word information
there.
LISTNUM
1 \l 14823 THE
CHAIRPERSON: And these are eight
fulltime positions or fulltime equivalent?
LISTNUM
1 \l 14824 MR.
EVANOV: Six are fulltime, and then we
have the two swing announcers. So they
would be part time.
LISTNUM
1 \l 14825 THE
CHAIRPERSON: Okay, because your
programming expenditures are pretty much in the middle of the pack when it
comes to the other applicants. So how
are you going to accomplish all this?
What's your secret to being so cost‑efficient?
LISTNUM
1 \l 14826 MR.
EVANOV: Years of practice.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14827 MS
LAURIGNANO: We are from the Bill Evanov
School of Economics which really is a good school to both be a student and a
graduate.
LISTNUM
1 \l 14828 Well,
as you saw, we are in the middle of a pack but approximately 36 percent of our
budget is allocated to programming. We
are experienced in running lean and efficient operations. That's how we do it.
LISTNUM
1 \l 14829 So
we are confident. We have the
breakdown. We have the actual salaries
expensed and all that and how they would work.
So it fits exactly with the plan.
LISTNUM
1 \l 14830 THE
CHAIRPERSON: The reason I am asking is,
as you know, as you heard ‑‑
LISTNUM
1 \l 14831 MS
LAURIGNANO: Yes.
LISTNUM
1 \l 14832 THE
CHAIRPERSON: This is being called the
land of giants ‑‑
LISTNUM
1 \l 14833 MS
LAURIGNANO: Yes.
LISTNUM
1 \l 14834 THE
CHAIRPERSON: ‑‑ the Peterborough market. And I guess I just want to be sure that these
staffing levels and what you are going to pay people to come to this market is
going to enable you to attract the kind of talent that you are going to need to
compete against these giants. That's the
kind of assurances that I'm looking for.
LISTNUM
1 \l 14835 MS
LAURIGNANO: Well, the assurance is again
it builds on our business plan. We feel
that we have both the staffing level and the level of compensation, you know, as
starting points that will grow throughout the years.
LISTNUM
1 \l 14836 We
are ‑‑ we have allocated a large number of our
programming ‑‑ of our expenses to the programming which takes
this into account. We do have some
synergies within the company that will help balance things out.
LISTNUM
1 \l 14837 But
finally, should there be any requirement at all we are a very solid, well
financed company. We would have no
hesitation in supplementing any of this at all.
As you know, you always start with a hypothetical situation and
that's ‑‑ in effect it is kind of that. You take your best estimate.
LISTNUM
1 \l 14838 But
should there be any shortfall whatsoever we will not hesitate to put the
necessary funds in there.
LISTNUM
1 \l 14839 If
I may, I would just like to go back to your query before about the news and why
so much. And it is true that a lot of
the AC stations don't do that kind of thing, but when we looked at it we also
looked at market conditions, what exists in the markets.
LISTNUM
1 \l 14840 So
for example, like if we were programming an AC station in Halifax today or in
Toronto, we would probably not do the same amount of news because there is a
news/talk radio station there that fulfils the mandate the whole time.
LISTNUM
1 \l 14841 So
there is a lot of factors into this that were factored. And there is also the
research per se which I am just going to ask Debra to add to ‑‑
LISTNUM
1 \l 14842 THE
CHAIRPERSON: Sure.
LISTNUM
1 \l 14843 MS
LAURIGNANO: ‑‑ a couple of points on that because it might
just frame it better for us.
LISTNUM
1 \l 14844 MS
McLAUGHLIN: As the Commission has heard
from other applicants today and yesterday in this process, there is a great
deal of spill into the market and when you are relying on bringing tuning back
from spill stations the single element that's going to help to differentiate is
that sense of local, and local is the most ‑‑ news is the most
compelling identity for news.
LISTNUM
1 \l 14845 Can
I start again?
LISTNUM
1 \l 14846 THE
CHAIRPERSON: Absolutely.
LISTNUM
1 \l 14847 MS
McLAUGHLIN: News is the most compelling
element to identify a station as local.
LISTNUM
1 \l 14848 THE
CHAIRPERSON: Right.
LISTNUM
1 \l 14849 MS
McLAUGHLIN: And if you look at the
research you see that we ask respondents to tell us what the most important
element is in choosing a station and variety of music and news, particularly
local news, was very close. They were
only separated by about one percentage point.
LISTNUM
1 \l 14850 So
we knew that if we could introduce that in an amount that may seem atypical to AC,
it would best serve the market and help us compete with those giants by
bringing that tuning back to a local service.
LISTNUM
1 \l 14851 THE
CHAIRPERSON: And of those who
responded ‑‑ I mean, did you ask the news question to those
who only responded that they want ‑‑ that they would prefer
the AC format or did you ask your whole sample?
LISTNUM
1 \l 14852 MS
McLAUGHLIN: We asked the whole sample.
LISTNUM
1 \l 14853 THE
CHAIRPERSON: Would you expect that
the ‑‑ if you were to ask only the AC, the people who
responded that AC was the preferred format, would you have expected that
percentage to be higher or lower?
LISTNUM
1 \l 14854 MS
McLAUGHLIN: Well, we actually did do
cross tabs. So what you do is you have
the people who said, "Yes, I was interested" and then you look at
their interest in news, and that news was higher. That was one of the deciding factors in
putting that higher level in. Because
often I find when you do that cross tab and people are definitely interested
particularly in, you know, music‑intensive formats like AC, that interest
in news drops off because they have a preferred news service in the market.
LISTNUM
1 \l 14855 But
it was the inverse in this market. So
that's what made me recommend, based on the research findings, that if it was at
all doable from a programming perspective, that they increase their output,
their production of news.
LISTNUM
1 \l 14856 THE
CHAIRPERSON: I want to thank you for
that additional information and I have learned a new term "cross
tab".
LISTNUM
1 \l 14857 Ms
Laurignano, you spoke of synergies and I am wondering if you could at this
point elaborate on what those synergies might be and, in particular, do you see
any synergies in the programming department?
LISTNUM
1 \l 14858 MS
LAURIGNANO: Actually, Paul will address
that.
LISTNUM
1 \l 14859 MR.
EVANOV: I can address this.
LISTNUM
1 \l 14860 Peterborough
will be locally operated with a staff of about 20 people locally in
Peterborough. So the station will run on
its own; own programming department, own news department.
LISTNUM
1 \l 14861 The
synergies we see between our stations now and our company are ‑‑
I guess Carmella was touching on that as far as a bit of cost savings and you
know, in general now accounting, some technical and some engineering. Those fall under kind of cost savings,
synergies there.
LISTNUM
1 \l 14862 The
same synergy that we feel is beneficial, and Peterborough is independent on its
own there, but the fact that we communicate with other program directors and
our other music directors in other radio stations in order to share information
and, more importantly, share information on Canadian artists and new and
emerging artists.
LISTNUM
1 \l 14863 Obviously,
local Peterborough artists are very important for this Peterborough station but
there is a whole slew of great Canadian talent across the entire country. And we have been fortunate to find quite a
bit in, you know, southern Ontario, in Ottawa and also, you know, quite a bit
in Halifax since we launched a year and a half ago.
LISTNUM
1 \l 14864 So
it's sharing the resources to the degree of if we find some great Canadian
talent in say in Halifax, new and emerging talent in Halifax ‑‑
the program director there, Dan, could contact the program director in
Peterborough and say, "Hey, take a listen to this. It might fit your format. Take a listen. I found this person, you know maybe Jamie
Sparks. Maybe not all his songs from the
album do but a few songs might fit. Take
a listen."
LISTNUM
1 \l 14865 So
it offers that opportunity there that might otherwise might not have been
found. The program director and the
music director in Peterborough might not have found Jamie Sparks who is in
Halifax because they are located in Peterborough.
LISTNUM
1 \l 14866 So
it's more of a helpful programming synergy.
But it's really kind of the sharing of ideas and to be able to discover
new and emerging Canadian talent in that sense.
LISTNUM
1 \l 14867 THE
CHAIRPERSON: And what about in the news
department, do you foresee any synergies there?
LISTNUM
1 \l 14868 MR.
EVANOV: No, with again the small
exception of our Peterborough news department is local. But if a story makes sense and actually I am
going to ask Shane to just maybe give a quick sample here ‑‑
if a story makes sense in southern Ontario or Halifax or one of our other
markets that might be compatible to Peterborough or say the prime minister is
somewhere in Halifax or Toronto or southern Ontario and something happens, or
in Ottawa and something major happens, well, we have our news department there
that can give the information or the audio say to Peterborough and it's up to
them if they want to use it. But they
might not have access to that audio or to the specific news element that's
right in that city that could be breaking all across the country that's very
important.
LISTNUM
1 \l 14869 So
it's more of a sharing of that. But the
news department is 100 percent local to Peterborough.
LISTNUM
1 \l 14870 And
Shane, I think, has an example here.
LISTNUM
1 \l 14871 MR.
WILSON: As an example, this summer was
quite a rough summer youth crime‑wise in Halifax. And we were able to share information with
Ottawa and with our Orangeville station that led into looking at individual
local issues with youth crime in Ottawa and in Orangeville. And that in turn led to a national story which
was our prime minister discussing changing the Youth Justice Act.
LISTNUM
1 \l 14872 So
it just sort of fed in from a very local level right up to a national level in
just sharing that information.
LISTNUM
1 \l 14873 THE
CHAIRPERSON: And what are your plans in
terms of the news content? How much of
it will be local versus regional and national or international?
LISTNUM
1 \l 14874 MR.
WILSON: Of course, news content is based
on the events of the day. Sometimes in
our business it's events of the hour.
LISTNUM
1 \l 14875 We
are looking at 50 to 60 percent local, approximately 30 percent regional to
take in the Kawartha Lakes area and that entire region and then the remaining
being national and international news.
LISTNUM
1 \l 14876 THE
CHAIRPERSON: And even there you don't
see any synergies in the national or international news with your other
stations?
LISTNUM
1 \l 14877 MR.
WILSON: Not ‑‑ not
really. It would be a case by case
basis, but right now I can't really think of anything that would be specific.
LISTNUM
1 \l 14878 THE
CHAIRPERSON: So even the Peterborough
station will produce its own national news?
LISTNUM
1 \l 14879 MR.
WILSON: Absolutely.
LISTNUM
1 \l 14880 THE
CHAIRPERSON: Okay. Thank you.
LISTNUM
1 \l 14881 MS
LAURIGNANO: Just to clarify, w will of course
subscribe to national services such as BN.
LISTNUM
1 \l 14882 The
synergies are really if something happens or you have an on‑the‑spot
reporter, you know that we have the advantage from the other markets of just
having them call in or if, as we mentioned even the other day, if a guest or a
newsmaker happens to come by one studio, then we feel it is incumbent upon us
to capture that and make it available to the other programmers whether it's in
the news or programming. And then the
production is always 100 percent local, at the local level.
LISTNUM
1 \l 14883 So
it's really a matter of providing content rather than any package or any
features or any news per se.
LISTNUM
1 \l 14884 THE
CHAIRPERSON: And how much of the 126
hours of the broadcast week will be live to air?
LISTNUM
1 \l 14885 MS
LAURIGNANO: We said ‑‑
within the application we said that a minimum of 100 would be local.
LISTNUM
1 \l 14886 There
are no plans to do anything but the full schedule of 126 hours local
programming, that that is something we felt might come in handy at some point
in the future. Seven years is a long
time, so it is just an option that we have, but there is really nothing in mind
or in the plans right now.
LISTNUM
1 \l 14887 Also,
because this would be the only AC station that we are operating, it is not
compatible with any other AC station.
LISTNUM
1 \l 14888 We
don't program another AC station currently, so there wouldn't really be that
much of a fit in any event.
LISTNUM
1 \l 14889 THE
CHAIRPERSON: If we go with the 100
hours, what would the other 26 be?
LISTNUM
1 \l 14890 MS
LAURIGNANO: Right now they are 100
percent local.
LISTNUM
1 \l 14891 There
are no plans to put anything but 100 percent live programming there.
LISTNUM
1 \l 14892 THE
CHAIRPERSON: Okay. And, of that, is there any voice tracking or
automated programming?
LISTNUM
1 \l 14893 MS
LAURIGNANO: No, none at all.
LISTNUM
1 \l 14894 THE
CHAIRPERSON: So you will be live‑to‑air?
LISTNUM
1 \l 14895 MS
LAURIGNANO: Live‑to‑air
through the broadcast day, 6 a.m. to midnight.
LISTNUM
1 \l 14896 THE
CHAIRPERSON: Okay. CCD ‑‑ can you confirm with
us what is your over‑and‑above commitment of CCD?
LISTNUM
1 \l 14897 MR.
EVANOV: I will have Camela address that.
LISTNUM
1 \l 14898 THE
CHAIRPERSON: You get the hot seat today.
LISTNUM
1 \l 14899 MS
LAURIGNANO: Our total commitment is
$500,000. The CCD owing under the new
policy on the minimum is $7,000 over the seven years.
LISTNUM
1 \l 14900 The
20 percent over‑and‑above totals $98,600.
LISTNUM
1 \l 14901 THE
CHAIRPERSON: The 20 percent being the 20
percent that goes to FACTOR.
LISTNUM
1 \l 14902 MS
LAURIGNANO: That's on top of that.
LISTNUM
1 \l 14903 Therefore,
our investment elsewhere is $347,200.
LISTNUM
1 \l 14904 THE
CHAIRPERSON: And you will accept that as
a condition of licence?
LISTNUM
1 \l 14905 MS
LAURIGNANO: Sure will.
LISTNUM
1 \l 14906 THE
CHAIRPERSON: Okay. Then I will move on to the questions that I
have to read to you.
LISTNUM
1 \l 14907 Please
confirm your understanding that, if licensed, your station will have to
contribute a basic annual CCD contribution, imposed by Condition of Licence
until the regulations are amended, based on the station's total annual revenues
and in the amounts as set out in paragraph 116 of the new Radio Policy, Public
Notice CRTC‑2006‑158.
LISTNUM
1 \l 14908 MS
LAURIGNANO: Confirmed.
LISTNUM
1 \l 14909 THE
CHAIRPERSON: Please confirm your
understanding that, of this basic annual amount, no less than 60 percent of the
station's basic annual CCD contribution must be allocated to either FACTOR or
Musique Action, and the remaining amount, if any, may be directed to any
eligible CCD initiative at your discretion.
LISTNUM
1 \l 14910 MS
LAURIGNANO: Confirmed ‑‑
and, luckily, you only have to do that three more times.
LISTNUM
1 \l 14911 THE
CHAIRPERSON: Maybe my colleagues will do
a couple.
LISTNUM
1 \l 14912 Thank
you for that.
LISTNUM
1 \l 14913 We
have talked about you competing against these giants.
LISTNUM
1 \l 14914 I
think Newcap is going to start to regret the fact that they called it the land
of the giants today.
LISTNUM
1 \l 14915 MS
LAURIGNANO: We think they are mini
giants.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14916 THE
CHAIRPERSON: You think you are a mini
giant?
LISTNUM
1 \l 14917 MS
LAURIGNANO: They are mini giants.
LISTNUM
1 \l 14918 THE
CHAIRPERSON: That Newcap is a mini giant?
LISTNUM
1 \l 14919 MS
LAURIGNANO: Yes.
LISTNUM
1 \l 14920 THE
CHAIRPERSON: That is a whole other
conversation.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 14921 THE
CHAIRPERSON: In terms of your impact on
these giants, your business plan projects that 35 percent of your revenues will
come from existing Peterborough stations.
LISTNUM
1 \l 14922 Once
again, can you tell us what are the factors that you considered in coming up
with that percentage?
LISTNUM
1 \l 14923 MR.
EVANOV: I am going to have Chris Edelman
walk you through how we came to all of those numbers.
LISTNUM
1 \l 14924 MR.
EDELMAN: Essentially, as you have
outlined, 35 percent of our revenue source will come from local radio stations,
but I want to frame up exactly what we mean when we refer to local radio stations.
LISTNUM
1 \l 14925 When
we refer to the local radio stations, we are including out‑of‑market
stations, such as Star 93.3 in Coburg and 91.9 Bob FM out of Lindsay, which are
taking money out of the Peterborough market, as well as the stations in Peterborough.
LISTNUM
1 \l 14926 I
can get very specific with the breakdown, if you wish.
LISTNUM
1 \l 14927 THE
CHAIRPERSON: In terms of that 35
percent, how much do you think will be repatriated and how much will come from
those incumbent radio stations in the market?
LISTNUM
1 \l 14928 MR.
EDELMAN: Absolutely. Okay.
From that figure, the 35 percent, approximately 50 percent, or $131,000
in this case, would come from the out‑of‑market stations.
LISTNUM
1 \l 14929 I
am specifically referring to the Coburg service and the Lindsay service, 91.9.
LISTNUM
1 \l 14930 The
remaining 50 percent would come from the Peterborough stations.
LISTNUM
1 \l 14931 THE
CHAIRPERSON: I don't think we need to
get more specific than that, I just wanted to get a sense of ‑‑
like I said, what the impact is that you are going to have on CTVgm and Corus,
and then the level of repatriation.
LISTNUM
1 \l 14932 MR.
EDELMAN: Overall our impact will be very
minimal.
LISTNUM
1 \l 14933 If
you do all of the additions on all of the new revenue that we plan on bringing
in, the math works out to about 82 percent of new revenue coming back into the
Peterborough market.
LISTNUM
1 \l 14934 THE
CHAIRPERSON: In terms of other media, at
35 percent, is that primarily print or ‑‑
LISTNUM
1 \l 14935 MR.
EDELMAN: Yes, absolutely.
LISTNUM
1 \l 14936 I
think the main three forces there would include print, flyers or direct mail,
and outdoor media, all of which are currently the only general advertising
grounds.
LISTNUM
1 \l 14937 What
I mean by general is, I mean addressing that 24 to 54 demographic.
LISTNUM
1 \l 14938 It
is my personal estimation that the biggest portion of this would come from the
Examiner, which currently has a monopoly on delivering Peterborough‑relevant
news through print to the 25 to 54 demographic.
LISTNUM
1 \l 14939 I
feel confident that advertisers that see value in the Examiner will also see
value in our service as a 24‑54, which would bring money into radio.
LISTNUM
1 \l 14940 THE
CHAIRPERSON: Okay. Thank you very much for that.
LISTNUM
1 \l 14941 The
other big factor in licensing, or not, of Peterborough is the frequency
issue. Initially we asked you in
deficiency questions, "If there was another frequency that would meet your
purposes..."
LISTNUM
1 \l 14942 You
did identify two others, I believe, initially, and you said that the use of
either alternative frequency would not affect your business plan.
LISTNUM
1 \l 14943 Is
that still your position?
LISTNUM
1 \l 14944 MS
LAURIGNANO: It is our position, with the
understanding that ‑‑ we also understand that there are some
site‑sensitive issues around it, limitations, and we would hope that, in
the interests of our system, and as broadcasters working together, those could
be worked out.
LISTNUM
1 \l 14945 THE
CHAIRPERSON: Would you, therefore,
accept an approval in part?
LISTNUM
1 \l 14946 MS
LAURIGNANO: We would. Obviously, we would prefer our initial
choice, but sure.
LISTNUM
1 \l 14947 THE
CHAIRPERSON: That's a given.
LISTNUM
1 \l 14948 MS
LAURIGNANO: Yes.
LISTNUM
1 \l 14949 THE
CHAIRPERSON: So you would accept an
approval in part.
LISTNUM
1 \l 14950 MS
LAURIGNANO: We would.
LISTNUM
1 \l 14951 THE
CHAIRPERSON: In terms of the overall
Peterborough market, can you tell us how many new commercial FM stations you
believe the market can absorb?
LISTNUM
1 \l 14952 MS
LAURIGNANO: If we take Corus at its word
that they are flipping the station and they are keeping the integrity of their
programming, we don't believe that that is an additional service.
LISTNUM
1 \l 14953 Therefore,
we believe that it can take up to two.
LISTNUM
1 \l 14954 THE
CHAIRPERSON: Two plus the flip?
LISTNUM
1 \l 14955 MS
LAURIGNANO: Yes.
LISTNUM
1 \l 14956 THE
CHAIRPERSON: Okay. Thank you very much, those are my questions.
LISTNUM
1 \l 14957 Do
my colleagues have any others?
LISTNUM
1 \l 14958 Commissioner
del Val.
LISTNUM
1 \l 14959 COMMISSIONER
del VAL: The first question is on your
opening statement. It is just for my own
interest. I thought it was very
interesting that you were calculating that you are playing new and emerging
talent in excess of 12 percent. This is
an average across all of your properties, is it?
LISTNUM
1 \l 14960 MR.
EVANOV: No, not all of them. More predominantly Z 103.5 in Halifax and Z
103.5 in Orangeville, in southern Ontario.
LISTNUM
1 \l 14961 It
has been an integral part of our programming.
Actually, one of the reasons for our success is being different and kind
of going against the grain of other broadcasters, playing new music and new and
emerging artists, especially Canadians.
LISTNUM
1 \l 14962 That
has given us a real advantage, we feel, in both markets, and we have seen that.
LISTNUM
1 \l 14963 I
was referring to those two radio stations in particular.
LISTNUM
1 \l 14964 MR.
BARTON: I would just like to add ‑‑
Paul is correct. Our new and emerging
talent commitment is definitely progressive, in more ways than one; first of
all, because we are synonymous with the definition of new and emerging talent
given by CAB and given by CRIA, but also because we are promising not only 12
percent of our overall playlist, but that is 12 percent of our overall playlist
played all week long.
LISTNUM
1 \l 14965 One
trend that we have seen in broadcasting for radio stations is to support new
and emerging talent, but then to take that music and ghettoize it by sticking
it in a one‑hour time block, outside peak hours, on, say, Sunday night or
early Sunday morning.
LISTNUM
1 \l 14966 We
are adamant that if you are going to expose this new and emerging talent, it
has to be part of your regular format.
LISTNUM
1 \l 14967 So
we, as Paul mentioned, currently, in both Orangeville and in Halifax, play that
new and emerging talent as part of our regular playlist, so they do get exposed
in morning drive, midday, afternoon drive, and evening, all week long.
LISTNUM
1 \l 14968 One
other commitment we have in playing this new and emerging talent is to make
sure they get an increased number of spin, so that they are actually playing
more per week than established artists.
LISTNUM
1 \l 14969 Our
CCD is definitely very aggressive, and it is a very important part of the
process, but we feel that, hand‑in‑hand with that, we are a radio
station, and part of exposing these new artists is giving them the airplay that
they need in order to be heard and appreciated.
LISTNUM
1 \l 14970 COMMISSIONER
del VAL: From the public's perspective, have
you received any response specifically to the emerging artists play that
you ‑‑
LISTNUM
1 \l 14971 MR.
BARTON: Absolutely, we have, and I can
speak directly to a Halifax experience, actually.
LISTNUM
1 \l 14972 When
that station was launched about a year and a half ago, we launched with this
pent‑up demand in the market of all of these artists coming to our door
saying, "Oh, my goodness, there is someone here who will play our
music. We are not being heard in this
market."
LISTNUM
1 \l 14973 In
addition to playing them on our regular playlist, we are at the point now,
after being in the market for a year and a half, where we have artists who have
new releases who give them to us before the label is even putting them out.
LISTNUM
1 \l 14974 We
have a feature that we run in Halifax called "Head‑to‑Head",
where we allow our listeners to vote for their favourite.
LISTNUM
1 \l 14975 These
new and emerging artists, some of whom don't even have record deals, are
absolutely killing ‑‑ the people that are calling in to vote
for these shows are loving this music, loving the fact that they have a radio
station they can hear it on, and they are voting for it in droves.
LISTNUM
1 \l 14976 We
are getting huge feedback on it.
LISTNUM
1 \l 14977 MS
LAURIGNANO: Commissioner del Val, I
would just like to add one thing about our Ottawa station, because Paul and Dan
referred to the younger stations.
LISTNUM
1 \l 14978 For
our Ottawa station, we are also doing about the same level, and we are blessed
with an abundance of new and emerging artists there, especially given that we
play instrumental artists there, so there is a wider pool to draw from.
LISTNUM
1 \l 14979 So
we are anywhere from 12 percent and up in any given week on new and emerging
artists.
LISTNUM
1 \l 14980 For
an easy‑listening station, that is quite remarkable, in our opinion.
LISTNUM
1 \l 14981 And
it is one of the things that we are proud of that makes us different, and
people tune in because they do hear something different.
LISTNUM
1 \l 14982 COMMISSIONER
del VAL: That's great. Thank you, that's good to know.
LISTNUM
1 \l 14983 I
have a follow‑up question on your response to Chair Cugini, in that you
believe the market can take up to two in addition to the flip.
LISTNUM
1 \l 14984 If
one of the licensees were you, who would you think would be the best to
complement this entire market?
LISTNUM
1 \l 14985 MS
LAURIGNANO: From a logical point of
view, it would be someone who would be serving a different demographic, and
possibly a different format. That would
just make sense.
LISTNUM
1 \l 14986 But
having said that, if there is some other wisdom out there that would come to
some other conclusion ‑‑
LISTNUM
1 \l 14987 As
we said, we are not really afraid. There
was a time when we were surrounded by giants within the same format, and we are
still here.
LISTNUM
1 \l 14988 We
are confident. We don't build our
business plans on the shares. We really
go out and get new business.
LISTNUM
1 \l 14989 I
think that Chris did some analysis just on where our revenue comes from with
our Halifax station, which is a case in point.
We are in the same situation, a stand‑alone among some giants and
multiple owners there.
LISTNUM
1 \l 14990 Quickly,
Chris, could you just tell us what your findings were there?
LISTNUM
1 \l 14991 MR.
EDELMAN: Yes, absolutely.
LISTNUM
1 \l 14992 When
I did a breakdown of where we are getting money from, I didn't want to discount
the reality of the competition in the Peterborough market.
LISTNUM
1 \l 14993 Essentially,
we will be hitting the streets against both Corus and CTV. They have stations with tremendous heritage,
such as The Wolf, which currently dominates the market.
LISTNUM
1 \l 14994 They
are not going to simply hand over a portion of the buy. It is imperative that we find revenue streams
outside current radio advertisers to survive.
LISTNUM
1 \l 14995 We
need to go after other media to bring money to radio, and we have an
outstanding track record for doing just that.
LISTNUM
1 \l 14996 A
recent initiative of mine was to be hands‑on with our Halifax operation,
Z 103.5. In doing a quick analysis in
preparation for today's hearing, I took a look at last week's sales. Seventy‑seven percent of sales from
last week were from new businesses to radio after Z 103.5 had its launch. That is a staggering number of people who are
trying the medium for the first time.
LISTNUM
1 \l 14997 I
then tried to take a trend or an average over the past four weeks to a month,
and it came up in excess of 50 percent.
LISTNUM
1 \l 14998 We
are street fighters. It is something
that we do well. It is something that we
have a long heritage of doing, and we intend to continue to do so.
LISTNUM
1 \l 14999 COMMISSIONER
del VAL: I have a question on the
frequencies. You may not have gathered
this information already, and that would be okay.
LISTNUM
1 \l 15000 I
know that everyone's number one choice would be 96.7. Would you have a ranking of, say, the other
available frequencies that you have identified?
LISTNUM
1 \l 15001 What
would be your second and third choice?
LISTNUM
1 \l 15002 MS
LAURIGNANO: I don't have one, but I
could certainly undertake to file one within the next day or so.
LISTNUM
1 \l 15003 COMMISSIONER
del VAL: That would be good. Thank you very much.
LISTNUM
1 \l 15004 Those
are my questions, Madam Chair. Thank
you.
LISTNUM
1 \l 15005 MS
SMITH: For the record, I just want to
clarify your CCD again ‑‑ over‑and‑above.
LISTNUM
1 \l 15006 You
said a total of $500,000, and then $7,000 over seven years to basic?
LISTNUM
1 \l 15007 MS
LAURIGNANO: Yes.
LISTNUM
1 \l 15008 MS
SMITH: And then you would have ‑‑
LISTNUM
1 \l 15009 MS
LAURIGNANO: I'm sorry. The compulsory is $4,200.
LISTNUM
1 \l 15010 May
I give you a chart which has it all?
LISTNUM
1 \l 15011 I
will still confirm that.
LISTNUM
1 \l 15012 MS
SMITH: If you want to read into the
record what you have there, that would be ‑‑
LISTNUM
1 \l 15013 MS
LAURIGNANO: I'm sorry, I misread
something.
LISTNUM
1 \l 15014 The
compulsory contribution is $4,200.
LISTNUM
1 \l 15015 The
whole planned contribution is $500,001, actually.
LISTNUM
1 \l 15016 MS
SMITH: And that's for your over‑and‑above. Correct?
LISTNUM
1 \l 15017 MS
LAURIGNANO: No, 20 percent of the amount
over base is $98,600. So the total
FACTOR contributions are $102,800.
LISTNUM
1 \l 15018 And,
then, to be invested elsewhere is $397,201.
LISTNUM
1 \l 15019 I
did prepare a chart, which I am prepared to file, because I know there is some
confusion.
LISTNUM
1 \l 15020 MS
SMITH: Thank you for your answer, and
perhaps you could file that on the record within one week, please.
LISTNUM
1 \l 15021 MS
LAURIGNANO: I can file it right
now. I have it.
LISTNUM
1 \l 15022 MS
SMITH: That would be great. Thanks very much.
LISTNUM
1 \l 15023 Those
are my questions. Thank you very much.
LISTNUM
1 \l 15024 THE
CHAIRPERSON: Thank you.
LISTNUM
1 \l 15025 To
you, the last word.
LISTNUM
1 \l 15026 MR.
EVANOV: Thank you.
LISTNUM
1 \l 15027 We
are here today as a member of a declining group in the Canadian broadcast
system, small independent broadcasters.
We fill a unique and irreplaceable role in serving communities through
our often singular or regional focus in the markets we are licensed to.
LISTNUM
1 \l 15028 In
the shadow of the mergers that have taken place in 2007, the disparity between
large and small broadcasters has greatly increased. If we accept the premise that the mergers
were required to arm these multi‑market and multimedia broadcasters with
the resources they need to combat new technologies and new distribution streams
like the internet, we would have to conclude that smaller broadcasters require
this to the same extent or more.
LISTNUM
1 \l 15029 Peterborough
represents an opportunity for an expansion, and these opportunities are
becoming less and less available.
LISTNUM
1 \l 15030 So
we are here before you asking for the opportunity to expand, to ensure that we
can best serve the markets in which we operate today, and, most importantly,
serve them in the future.
LISTNUM
1 \l 15031 Most
relevant to these proceedings, however, is what we are uniquely proposing for
Peterborough, and how we will be in the best position to serve the goals of the
broadcast policy long‑term.
LISTNUM
1 \l 15032 We
are the right choice for Peterborough because we offer programming that is not
currently available from a Peterborough radio station. We will add diversity.
LISTNUM
1 \l 15033 We
will make a truly substantial commitment to new and emerging artists through
broadcasting their music, throughout the day and week, along with established
artists, ensuring that the work of new and emerging artists will represent at
least 12 percent of all the music played on our station.
LISTNUM
1 \l 15034 If
you go by the CAB/CRIA definition of a new and emerging artist, our commitment
to playing their work is by far the greatest commitment in the Peterborough
call.
LISTNUM
1 \l 15035 Our
commitment of 11 hours and 50 minutes to news and information programming
ensures a new voice in the community, and will help to bring listeners back
from out‑of‑market, AC‑formatted stations to Peterborough.
LISTNUM
1 \l 15036 Our
CCD commitment is substantial, and it has been designed to be of particular
benefit to the Peterborough area. It
will also allow us to showcase a number of new and emerging artists in the
Summer Rush Concert held each year.
LISTNUM
1 \l 15037 We
will commit 40 percent of our schedule to promoting Canadian artists.
LISTNUM
1 \l 15038 We
will bring new advertisers into radio in Peterborough. That is how we run our businesses, and we
have had success in other markets bringing new money into radio, as you just
heard from Chris.
LISTNUM
1 \l 15039 With
the calibre and clout of the incumbent broadcasters, a new player must be able
to compete and withstand the rugged competition it will certainly face. Neither is out‑of‑market spill
going away. The competition for audience
and the possibility of competing broadcasters rolling over onto a new player's
format are challenges that few can survive.
LISTNUM
1 \l 15040 We
can and do survive in some of the most competitive markets in the country, and
we look forward to whatever Peterborough can offer.
LISTNUM
1 \l 15041 We
started down this path of expansion 10 years ago. We are diligently working to fulfil the
expectations of and obligations to our audience. We need to expand, we are positioned to
expand, and we hope, with your permission, to take our next steps as a result
of these proceedings.
LISTNUM
1 \l 15042 Thank
you very much for your time.
LISTNUM
1 \l 15043 THE
CHAIRPERSON: Thank you very much, Mr.
Evanov, Ms Laurignano, and the rest of your colleagues.
LISTNUM
1 \l 15044 We
will now take a 15‑minute break.
‑‑‑ Upon recessing
at 1550 / Suspension à 1550
‑‑‑ Upon resuming
at 1625 / Reprise à 1625
LISTNUM
1 \l 15045 THE
CHAIRPERSON: First of all, I just want
to thank you for your patience. The
panel had to deal with another matter and I just wanted everyone to rest
assured it had nothing to do with this hearing.
LISTNUM
1 \l 15046 Madam
Secretary.
LISTNUM
1 \l 15047 THE
SECRETARY: Thank you, Madam Chair.
LISTNUM
1 \l 15048 We
will now proceed with item 14, which is an application by Frank Torres, on
behalf of a corporation to be incorporated, for a licence to operate an English‑language
FM commercial radio programming undertaking in Kawartha Lakes/Peterborough.
LISTNUM
1 \l 15049 The
new station would operate on frequency 96.7 MHz (channel 244B) with an average
effective radiated power of 11,694 watts (maximum effective radiated power of
50,000 watts/antenna height of 116.8 metres.
LISTNUM
1 \l 15050 Appearing
for the applicant is Mr. Ed Torres.
Please introduce your colleagues and you will have 20 minutes to make
your presentation.
PRESENTATION / PRÉSENTATION
LISTNUM
1 \l 15051 MR.
E. TORRES: Good afternoon, Madam Chair,
members of the Commission and Commission staff.
LISTNUM
1 \l 15052 My
name is Ed Torres and I am the President and co‑founder of Skywords
Radio.
LISTNUM
1 \l 15053 I
would like to begin by thanking the Commission for entertaining our application
for a new blues format FM radio licence.
LISTNUM
1 \l 15054 I
will now take a moment to introduce our panel.
LISTNUM
1 \l 15055 Seated
to my right is my brother Frank Torres.
Frank is the Chief Operations Officer at Skywords, and together we
founded Skywords in 1991.
LISTNUM
1 \l 15056 Beside
Frank is Todd Bernard, the General Manager of Ottawa and Eastern Canada for
Skywords. Todd is a part of the
ownership group for this proposed licence.
LISTNUM
1 \l 15057 To
my left is Yves Trottier. Yves is the
former Program Director at Couleur FM in Gatineau and has held various program
director positions before joining us.
LISTNUM
1 \l 15058 Beside
Yves is Robyn Metcalfe, the Vice‑President of Programming for Skywords
and also a part‑owner in this application.
LISTNUM
1 \l 15059 In
the second row directly behind me is Ron Ford.
Ron is a chartered accountant and CFO for Skywords.
LISTNUM
1 \l 15060 Beside
Ron, to his right, Aubrey Clarke, Director of Business Development at Skywords
and former Sales Manager.
LISTNUM
1 \l 15061 Al
Kirkaldy, to the left of Aubrey, writes a regular blues column in the
Peterborough Examiner and has produced a blues radio show on Trent Radio 92.7
FM for the past 10 years and the blues is what this application is about.
LISTNUM
1 \l 15062 Our
presentation today will illustrate:
‑ that we have crafted a
quality application;
‑ that we are experienced
broadcasters;
‑ that the economic
condition of the market is more favourable in Kawartha Lakes than it is in
Peterborough;
‑ that we will increase
plurality and provide the only other independent news voice on mainstream
English‑language radio in the market of Kawartha Lakes;
‑ that we have created a
solid, conservative business plan based on our 14 years of selling radio advertising
in the local market; and
‑ that we provide a
missing highly‑desired radio option to the Kawartha Lakes and
Peterborough region listeners.
LISTNUM
1 \l 15063 We
will also show that our format will help break and launch new Canadian blues
artists through commercial airplay of their music on FM airwaves.
LISTNUM
1 \l 15064 Our
application includes over 400 individual letters of support, including letters
from:
‑ Rick McGee, the Mayor of
the City of Kawartha Lakes;
‑ Dave Marsh, Councillor
Ward 16 for the City of Kawartha Lakes;
‑ Barry Devolin, Member of
Parliament Haliburton‑Kawartha Lakes‑Brock;
‑ Jeff Gould, owner of
Pizza Nova, Lindsay;
‑ Terry Merrill, General
Manager, Holiday Inn Peterborough;
‑ Mary Anne Greco, owner
of the Legendary Red Dog live blues venue in the City of Peterborough;
‑ and blues artists such
as Gary Kendall of the Downchild Blues Band, Jack DeKeyser, Jim Byrne and Rick
Fines, to name a few.
LISTNUM
1 \l 15065 We
have conducted extensive formal research into the viability of our proposed
format in seven markets across Canada.
Our research is ongoing but unequivocally points to a clear need for a
blues format on commercial radio.
LISTNUM
1 \l 15066 To
supplement our formal research we created an online survey at our website
bluesincanada.com. It has garnered over
1,300 page views and generated over 350 responses. Overwhelmingly, respondents to the survey
indicated they would listen to our station.
LISTNUM
1 \l 15067 The
blues is a vibrant format. It exists on
the internet, Galaxy, SIRIUS and on XM but it is not widely available on
conventional over‑the‑air radio in Canada.
LISTNUM
1 \l 15068 Kawartha
Lakes in Peterborough has a vibrant blues scene. The area has produced some of Canada's
greatest blues artists such as Ronnie Hawkins, the Band, Rick Fines and Kevin
Carley.
LISTNUM
1 \l 15069 Brian's
Blues Fest is one of the region's biggest summer festivals. In fact, the blues is so important to
Peterborough that the Peterborough Examiner features a regular blues column and
we are fortunate to have that columnist on our panel to talk about the vibrant
blues scene in Kawartha Lakes and Peterborough.
LISTNUM
1 \l 15070 MR.
KIRKALDY: Thank you, Ed.
LISTNUM
1 \l 15071 I
have produced a blues radio show for over 10 years on Peterborough's campus community
station Trent Radio CFFF 92.7 FM and I do write a regular blues column in the
Peterborough Examiner.
LISTNUM
1 \l 15072 I
also sit on Canada's Maple Blues Awards nominating panel as well as the Blues
Foundation's Blues Music, formerly WC Handy Awards nominating panel based in
Memphis, Tennessee.
LISTNUM
1 \l 15073 In
addition, I have served as a judge for the Juno Awards Best Blues Album
category on many occasions.
LISTNUM
1 \l 15074 In
2007 alone there were some 115 new Canadian blues releases listed for
consideration in the Maple Blues nominating process, many of which I received
as a blues music programmer, but two or three hours of blues radio per week
does not even begin to expose all of the wonderful artists in this genre and
the listening public is out.
LISTNUM
1 \l 15075 A
commercial blues radio format would provide listeners with unlimited hours of
recordings by new and emerging artists from Canada and all parts of the world.
LISTNUM
1 \l 15076 I
am also a successful promoter of blues music events in Peterborough, a
community that has consistently nourished live blues music and its growing
number of venues for well over two decades, and it is one that has produced
many well‑known blues artists such as Jackson Delta, Rick Fines, Jimmy
Bowskill, Bobby Watson, Buzz Thompson and Brock Stonefish.
LISTNUM
1 \l 15077 Nightspots
like the Legendary Red Dog Tavern, Gordon Best Theatre and the Montreal House
have flourished presenting live blues in the city for decades.
LISTNUM
1 \l 15078 In
recent years they have been joined by the Black Horse Pub, the Rusty Snail, the
Phoenix Room and the Holiday Inn, whose 12‑week summer Patio Blues series
is entering its sixth year and is filled to 200‑seat capacity each and
every week.
LISTNUM
1 \l 15079 As
recently as last month a new upscale blues supper club, The Dobro, has opened
its doors with an all‑blues live entertainment format on the city's main
street.
LISTNUM
1 \l 15080 Kawartha
Lakes and Peterborough is, in my opinion, ready to support a commercial blues
radio format and the list of deserving artists, local, Canadian and
international, is endless.
LISTNUM
1 \l 15081 MR.
TROTTIER: DAWG‑FM will play 70
percent Cat 2 songs from the Rhythm and Blues and Blues Rock Category.
LISTNUM
1 \l 15082 The
70 percent will include some rock songs from blues artists. The blues is the root of most all modern
music genres and as such blues listeners expect when they attend a blues
concert you are going to hear some rock, particularly blues rock.
LISTNUM
1 \l 15083 In
Cat 2 we will play rock songs from blues artists like the "Flip Flop and
Fly" by The Downchild Blues Band or Sue Foley's "New Used Car"
or Colin James' "Into the Mystic."
LISTNUM
1 \l 15084 We
will play pop rock songs with a bluesy rhythm like "Ain't No
Sunshine" from Bill Wither, "Come Running" from Van Morrison and
"Look at Little Sister" by Stevie Ray Vaughn.
LISTNUM
1 \l 15085 We
will complete the lineup with popular pop rock songs like "Susie Q"
from CCR, "American Woman" by the Guess Who and "Fly Like An
Eagle" by the Steve Miller Band.
LISTNUM
1 \l 15086 DAWG‑FM
will play, as a condition of licence, between 20 and 30 percent of selections
from Category 3 blues, including classic blues, delta blues, Chicago blues and
contemporary blues.
LISTNUM
1 \l 15087 Our
goal is to play 29 percent blues music, the maximum that we can. Most of this will come from emerging Canadian
artists like J.W. Jones, Garrett Mason and Jimmy Bowskill. Forty percent of all selections will be
Canadian content.
LISTNUM
1 \l 15088 DAWG‑FM
will prepare specialty shows, syndication ready, for export to the rest of
Canada and the world. Two examples of
these shows are "Canadian Women of Blues" and "The Blues in
Quebec." Such features will expose
blues artists and their music globally.
LISTNUM
1 \l 15089 MR.
BERNARD: There are two compelling
reasons to locate this frequency in the City of Kawartha Lakes.
LISTNUM
1 \l 15090 Firstly,
there is only one originating commercial mainstream radio station in Kawartha
Lakes to serve a population of approximately 75,000 or on a per capita basis,
the City of Kawartha Lakes has one station for every 75,000 residents.
LISTNUM
1 \l 15091 By
comparison, Peterborough has four commercial mainstream radio stations to serve
a population of approximately 117,000 or on a per capita basis, Peterborough
has one station for every 29,000 residents.
LISTNUM
1 \l 15092 Further,
Kawartha Lakes has no independently owned news voice in the market. The only voice in the market is that of
CTVglobemedia. This fact is a concern
within the community.
LISTNUM
1 \l 15093 Member
of Parliament for Haliburton‑Kawartha Lakes‑Brock, Barry Devolin,
makes this concern very clear in his letter of support for this application and
I quote:
"As I am sure you are aware,
the City of Kawartha Lakes, with a permanent population of 75,000 and tens of
thousands of seasonal residents, is currently served by just one radio
station. Unfortunately, BOB‑FM is
a music‑driven radio station which dedicates very little time and
resources to local news coverage. To
make matters worse, the City of Kawartha Lakes no longer has a daily
newspaper. As you can imagine, this
makes it very difficult for residents to get local news. I believe this community needs a distinctive
voice for local news and public affairs." (As read)
LISTNUM
1 \l 15094 Consider
that CKLY was licensed in 1955. Since
then not a single commercial mainstream station has been licensed in the City
of Kawartha Lakes. This point is
punctuated by out‑of‑market tuning, which accounts for over 85
percent of listening.
LISTNUM
1 \l 15095 The
second compelling reason to locate the station in Kawartha Lakes is the
strength of the economy in Kawartha Lakes compared to that of Peterborough.
LISTNUM
1 \l 15096 Peterborough's
population growth from 2001 to 2006 lagged behind the national average of 5.4
percent. Kawartha Lakes, on the other
hand, saw phenomenal population growth of 7.8 percent, outpacing the Canadian
average by 2.4 percent.
LISTNUM
1 \l 15097 Peterborough
has steadily lost manufacturing jobs and the age of its population has steadily
increased. In fact, Peterborough has the
second‑oldest population in Canada.
This explains why Peterborough's largest employer is the hospital. Average household incomes in Peterborough are
7 percent below the national average and unemployment at 6.5 percent is 4
percent above the national average.
LISTNUM
1 \l 15098 Kawartha
Lakes, by contrast, has a strong agriculture‑based economy, and most
importantly, the City of Kawartha Lakes has been designated a place to grow by
the Government of Ontario's Places to Grow At.
As such, the city is part of a strategic growth plan that will see
funding for additional infrastructure and programs. This designation is a key positive economic
factor that will drive the success of our business and the City of Kawartha
Lakes.
LISTNUM
1 \l 15099 MS
METCALFE: DAWG‑FM will be a
positive and enjoyable workplace. As a
programmer I look for people with a passion for radio, a team mentality that
will work together to come up with great products and amazing radio.
LISTNUM
1 \l 15100 The
station's people are key to building a community connection and will partner
with service clubs, the BIAs, commerce chambers, churches and local community
organizations to create a radio station that is locally focused.
LISTNUM
1 \l 15101 DAWG‑FM
will be young, energetic and bring new ideas to radio. We like to say that we aren't the big dogs on
the block but we have attitude.
LISTNUM
1 \l 15102 Our
radio station will have a brand and it will have a feel. The feel is the blues.
LISTNUM
1 \l 15103 I
would like to play you a sample of our feel.
‑‑‑ Audio
presentation / Présentation audio
LISTNUM
1 \l 15104 MS
METCALFE: I am proud of our commitment
to break new blues artists. FACTOR
supports 241 blues artists and assists them with recording, marketing and in
various other capacities but without a commercial outlet the careers of these
artists hit the glass ceiling. Many are
successful and well‑known abroad, selling out venues and a large number
of CDs but at home they are virtually unknown.
LISTNUM
1 \l 15105 I
am equally proud to highlight the fact that our station will be a good
corporate citizen, engaged and connected with our community and environmentally
responsible. Yes, the blues are green.
LISTNUM
1 \l 15106 We
take pride in proposing that DAWG‑FM be the first carbon neutral
broadcaster in Canada. We will offset
our carbon footprint by using the Zerofootprint Carbon Calculator. We will seek out alternative energy, saving
ways to heat and light our operations.
LISTNUM
1 \l 15107 Further,
we will offset the impact of our carbon footprint with real, tangible,
additional benefits to the environment.
For example, if we use six tonnes of CO2 per year, we will pay the
environment by purchasing carbon credits from environmental organizations that
are researching and implementing new strategies and programs to minimize the
amount of CO2 in the atmosphere.
LISTNUM
1 \l 15108 We
want to ensure that there is a place for our future generations of our DAWGs to
play. We will examine the use of
Bullfrog Power versus hydro. We will use
envirocards for station vehicles to do our part for the earth. Through our recycling programs and our
Greenhome Minute feature we plan to take a leadership role in the promotion of
a greener Canada and an ecofriendly radio industry.
LISTNUM
1 \l 15109 Our
station will be live, local and loaded.
That is right, lots of spoken word.
LISTNUM
1 \l 15110 To
speak about our 16‑year track record in the broadcast industry and our
background in spoken word, I would like to introduce Frank Torres.
LISTNUM
1 \l 15111 MR.
F. TORRES: Thanks, Robyn.
LISTNUM
1 \l 15112 Skywords
began providing traffic reports to stations in Peterborough and Kawartha Lakes
regions in 1994. Success came quickly
through crafting a unique traffic report aimed at cottagers. Our cottage country reports are sold by our
in‑house sales force to ad agencies and to clients directly.
LISTNUM
1 \l 15113 Our
intimate knowledge of the market comes from having served it for the past 13
years. The proximity of our head office
and our experience in selling non‑traditional radio advertising in the
area make the market a perfect fit for our current operations.
LISTNUM
1 \l 15114 Over
the past 16 years we have developed a sales strategy that focuses on non‑traditional
radio advertisers. In fact, many of our
existing radio clients were introduced to radio by Skywords, companies such as
Holy Cow Canoe, Dollar Thrifty Rent A Car, Off Skintastic, Langford Canoe and a
host of others. Skywords brought these
clients to radio and in many cases these advertisers have since incremented
their radio budgets.
LISTNUM
1 \l 15115 Skywords
is a Canadian home‑grown entrepreneurial success story. The next logical extension of our business is
into full radio operations. As part of
our strategic plan we have submitted five applications in 2007 and we will
submit more in 2008.
LISTNUM
1 \l 15116 With
this background in spoken word and with 16 years of industry experience DAWG‑FM
will be live, local and loaded. We will
put the people of Kawartha Lakes first and their stories front and centre.
LISTNUM
1 \l 15117 Newscasts
will lead with City of Kawartha Lakes council activity or stories of local
interest in Kawartha Lakes, field reports will encompass Bobcaygeon, Fenelon
Falls and other smaller centres that make up this expansive city.
LISTNUM
1 \l 15118 Sportscasts
will lead with Muskie scores and then go in‑depth into other minor sports
associations of Kawartha Lakes.
LISTNUM
1 \l 15119 Our
research shows that our target listener is very interested in news and
information. Eight‑four per cent
of people surveyed feel that news and information are important. While other stations shy away from using
spoken word, DAWG‑FM embraces it.
Our background as leader in production of spoken word content means that
DAWG‑FM will provide listeners in Kawartha Lakes with high‑quality
news, weather and sports.
LISTNUM
1 \l 15120 Business
reports will air three times per day with real‑time market numbers,
school bus cancellations and snowmobile trail condition reports will air
seasonally. In addition, our commitment
to 24/7 staffing will ensure that news breaks where emergencies occur and we
will relate that important information to our listeners immediately.
LISTNUM
1 \l 15121 DAWG‑FM
will participate in the OPP's AMBER Alert Program and will play an active role
in community safety. DAWG‑FM will
take a leadership position in terms of traffic reports by providing traffic
reports every 15 minutes during morning drive and around the clock.
LISTNUM
1 \l 15122 MR.
TROTTIER: Our Canadian content
development has been carefully crafted in association with two of the most
reputable promoters of Canadian talent and Canadian musicians. DAWG‑FM will provide $350,000 over
seven years to Canadian content development.
FACTOR will receive $30,000 annually that will go to fund blues genre
artists. This is a substantial
investment in musicians that will promote the blues and help launch careers and
the music of emerging Canadian artists.
LISTNUM
1 \l 15123 Canadian
Music Week will receive $16,000 annually to sponsor the Indie Blues Artist or
Duo of the Year Award at the Independent Music Awards. Further, they will create three blues series
shows at the Canadian Music Week Festival that don't currently exist. And CMW will provide scholarships to the
TuneUp Conference during Canadian Music Week for local musicians to attend. CMW
will also direct funds on behalf of DAWG‑FM to Brian's Blues Festival.
LISTNUM
1 \l 15124 To
offset costs in school board budgets, DAWG‑FM will provide $2,000 per
year to local school boards for the purchase of musical instruments to foster
an appreciation of music in our youth.
LISTNUM
1 \l 15125 Mark
Philbin creates Canadian programming for syndication across Canada and the rest
of the world. DAWG‑FM will provide
$2,000 per year to produce blues shows in partnership with DAWG‑FM and to
syndicate these shows in Canada and on a global basis.
LISTNUM
1 \l 15126 Now,
I will ask Ed to wrap this puppy up.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 15127 MR.
ED TORRES: The approval of this
application will accrue substantial benefits to the public and, as such, it is
in the best interest of the public. It
will provide the 74,000 residents of Kawartha Lakes with a second local news
option.
LISTNUM
1 \l 15128 It
will provide a format that is not currently available on conventional over‑the‑air
radio. It will repatriate listeners that
tune to out‑of‑market stations or listen to satellite or internet
feeds for their desired programming. It
will accrue substantial benefits to the Canadian blues industry, artists,
promoters and the like. We will add
diversity to the ownership of the Canadian broadcast system and encourage the
participation of minorities and women.
LISTNUM
1 \l 15129 They
Mayor of the City of Kawartha Lakes, in support of this application states, and
I quote:
"The blues format is a new
choice for listeners and deserves to be made widely available to Canadian radio
listeners. Our area is
underserved." (As Read)
LISTNUM
1 \l 15130 Barry
Devolin, Member of Parliament for Kawartha Lakes states, and I quote:
"I believe this community needs
a distinctive voice for local news and public affairs." (As Read)
LISTNUM
1 \l 15131 And
support letters of over 400 people that we have filed with the Commission, in
addition to letters that continue to arrive after the submission deadline, are
unanimous in their call for the approval of DAWG‑FM.
LISTNUM
1 \l 15132 So
we ask that over the holidays, when you have time to reflect and possibly when
your best furry friend is curled up at your heel, we ask you to think of our
application favourably. Please expect to see us a number of times in the new
year as we continue our attempts to give the blues in Canada a commercial voice
on radio. After all, to paraphrase the
Blues Brothers, we are on a mission from DAWG.
LISTNUM
1 \l 15133 We
look forward to your questions.
LISTNUM
1 \l 15134 THE
CHAIRPERSON: I don't quite know how to
react to that.
‑‑‑ Laughter/Rires
LISTNUM
1 \l 15135 THE
CHAIRPERSON: Other than to say thank you
very much for your presentation.
LISTNUM
1 \l 15136 I
will ask Commissioner Menzies to lead the questioning.
LISTNUM
1 \l 15137 COMMISSIONER
MENZIES: Thank you.
LISTNUM
1 \l 15138 Could
you just give me a bit ‑‑ I don't need a long story, but the
Coles Notes version of Skywords?
LISTNUM
1 \l 15139 MR.
ED TORRES: Sure, the Coles Notes is in
1991 my brother and I started a company with the idea that traffic reports on
radio were really bad. We were both
pilots and we would look down at the traffic and then we would listen to it
simultaneously. And what was being
reported on radio wasn't what was happening that we could see.
LISTNUM
1 \l 15140 We
took that idea to one radio station in Toronto in 1993 and with the caveat that
we would not be exclusive to their station.
They said, sure. And the next
year we were on seven radio stations.
They year after that we were on 38 radio stations.
LISTNUM
1 \l 15141 Today
we are on 150 radio stations, we have five offices across Canada, we have an
office that we have just opened in Edmonton that we are very proud of, we have
an office in Vancouver, an office in Halifax and our head office in Markham and
our office in Ottawa.
LISTNUM
1 \l 15142 COMMISSIONER
MENZIES: Thank you. Sorry.
LISTNUM
1 \l 15143 MR.
ED TORRES: I mean, I could talk at
length about Skywords, but not only did we provide traffic reports, but a host
of other radio products. We have
diversified from our initial product offering, so we offer business ‑‑
LISTNUM
1 \l 15144 COMMISSIONER
MENZIES: You guys did this on your own?
LISTNUM
1 \l 15145 MR.
ED TORRES: Yes, we started it, my
brother and I.
LISTNUM
1 \l 15146 MR.
FRANK TORRES: And I guess, just to
further expand, but to maintain within the Coles Notes, clarification. We generate our revenue by selling air time
on the radio stations and we have done that from day one and we continue to do
that successfully 16 years later.
LISTNUM
1 \l 15147 MR.
ED TORRES: Yes, the hook for the station
was, look, we can really improve your traffic and it is not going to cost you
an extra dime. We are just going to send
that little 10‑second avail at the end of your traffic report.
LISTNUM
1 \l 15148 In
1991, in Toronto when we started, a lot of stations weren't doing traffic
reports. It is hard to believe that in a
major urban centre like Toronto a station that was based in Oshawa or Ajax,
they wouldn't do traffic reports. So we
added spoken word in the form of traffic reports from the very beginning and we
have made our revenue, again, from selling those 10‑seconds that nobody
else really wanted to sell at the time.
LISTNUM
1 \l 15149 COMMISSIONER
MENZIES: Okay, thanks. I am very curious actually to know more about
your key demographic in terms of the presentation. I am not overwhelmed by the information I
have had so far on the research into that, and so I need to know more and I
need to know roughly who your target audience is that you are going to deliver
to your advertisers.
LISTNUM
1 \l 15150 MR.
ED TORRES: Okay. Our general target is 25‑54 and I know
you have heard that before, our core target is 35‑54, and our median age
is 40 years old, and it is not a male, it is a male/female. In all our research ‑‑
‑‑‑ Laughter/Rires
LISTNUM
1 \l 15151 MR.
ED TORRES: I will tread lightly here.
LISTNUM
1 \l 15152 Our
research shows that it is almost split right down the middle. Generally, it is a 58/42 and we have
researched, again, into seven different markets, we have had formal research
carried out.
LISTNUM
1 \l 15153 So
now, let me also state that we went beyond the formal research and we created
an online survey. In fact, the online
survey at Blues In Canada is the same questions that the research company came
up with. And what happens is that when
you go online and people find this through the World Wide Web we get an email
sent to my PDA, and I received one today, and it was 35‑44.
LISTNUM
1 \l 15154 So
we have received 360 responses to the online survey. So one thing that we are pretty locked in on
is the demo. Further to that, we have
done the ground‑level research, and it is tough work, but we sent Todd
and Robyn and Jamie Campbell our Sales Manager and I may have been there as
well, but we went to the venues in Peterborough, we have been to venues in
Ottawa extensively, we have travelled to venues in Belleville, but 35‑44
are the people that are listening to the blues.
LISTNUM
1 \l 15155 And
it is the music that is happening throughout Ontario on a regular basis and
every night, Thursday, Friday, Saturday people go out to see blues bands and
those people are in that demo.
LISTNUM
1 \l 15156 COMMISSIONER
MENZIES: Okay. There is a few technical issues here, so forgive
me if I confuse them. In your
application you commit to a 110 hours of local broadcast. When the Commission asked for clarity on the
other 16 hours we heard back that 10 hours would consist of "local
programming of syndicated products."
LISTNUM
1 \l 15157 Now,
by definition, syndicated programming can't qualify as local unless it is
produced by the station or for you in the local community. Can you clarify that for us?
LISTNUM
1 \l 15158 MR.
ED TORRES: Absolutely. I mean, syndicated programming, if you want
to call it that, that is what we do at Skywords. And we certainly want to expose this music
and make it available to as many people across the country as possible, so we
would produce our own local syndicated‑ready product.
LISTNUM
1 \l 15159 So
it would be voiced in our Kawartha Lakes studio, it would originate from the
Kawartha Lakes studio but it would be national. So what would happen is the
announcer would not make reference to the local weather, he would not make
reference to time checks, it would be packaged and it would be shipped to other
stations participating on a network basis.
LISTNUM
1 \l 15160 So
we would be producing it locally and then we would be exporting it, not only to
Canada, we think that this is a viable export product into the Caribbean, into
parts of the UK and into Australia.
LISTNUM
1 \l 15161 COMMISSIONER
MENZIES: Would that carry Canadian
content as well?
LISTNUM
1 \l 15162 MR.
ED TORRES: Absolutely, yes. And we do this ‑‑
LISTNUM
1 \l 15163 COMMISSIONER
MENZIES: So the 40 per cent would be
packaged within that?
LISTNUM
1 \l 15164 MR.
ED TORRES: Yes. We do this already, we do an 1980s show that
we produce, it is called Back to the 1980s, and we syndicate it to radio
stations across Canada. It is already
packaged with the 40 per cent CanCon.
LISTNUM
1 \l 15165 What
we found that our feedback from our radio clients or affiliates, they take all
this American programming like Rick Dees and Casey Kasem and John Tesh and then
they spend hours fixing the music so that it meets Canadian content
requirements. So we said, well, if you
are going to carry an 1980s show we will give you one that is already produced
in Canada, right, by Canadians, we should know the market and the music that
Canadians want to hear, and then we will give it to you already in a package,
good to go, and we are not even going to charge you for it, just going to take
a little time.
LISTNUM
1 \l 15166 COMMISSIONER
MENZIES: You are giving it away?
LISTNUM
1 \l 15167 MR.
ED TORRES: We do a trade for
advertising.
LISTNUM
1 \l 15168 COMMISSIONER
MENZIES: Yes, okay. That makes
sense. I would have been worried if you
were giving it away.
LISTNUM
1 \l 15169 There
might be some confusion in the application regarding news content and we will
see if we can clear that up. You have
committed to 5 hours and 45 minutes of news, but in your application that seems
to include sports, business and entertainment items which were defined as
surveillance items.
LISTNUM
1 \l 15170 MR.
ED TORRES: Yes, I think we have
clarified that. Frank has a laundry list
of how it plays out.
LISTNUM
1 \l 15171 MR.
FRANK TORRES: And we did provide a
breakout of spoken word content in the response to deficiencies. And to summarize in brief on the major
points, we had a total spoke word content of 14 hours, of that news content is
4 hours and 45 minutes, and that is news not including surveillance.
LISTNUM
1 \l 15172 And we have a list of surveillance items, I won't
go into too much detail, but surveillance items that are not counted in that
news total of 4 hours and 45 minutes are weather, traffic, sports, business,
vignettes, the local features, community cruisers and entertainment reports.
LISTNUM
1 \l 15173 COMMISSIONER
MENZIES: It was 14 hours in all?
LISTNUM
1 \l 15174 MR.
FRANK TORRES: Correct, 14 hours of total
spoken word.
LISTNUM
1 \l 15175 COMMISSIONER
MENZIES: And 4.45 is news, so that leave
us with what, 9.25 of ‑‑ do those surveillance items account
for the rest of it?
LISTNUM
1 \l 15176 MR.
FRANK TORRES: Correct, 4 hours and 45
minutes are news, not including surveillance items.
LISTNUM
1 \l 15177 COMMISSIONER
MENZIES: On the news, you mentioned in
your presentation that ‑‑ was there a newspaper there once but
there isn't anymore?
LISTNUM
1 \l 15178 MR.
ED TORRES: There was, the Lindsay Post
existed until recently.
LISTNUM
1 \l 15179 COMMISSIONER
MENZIES: Okay, the newspaper is dead and
there is one radio station. And there is a need for news.
LISTNUM
1 \l 15180 Now,
help me understand how you are going to meet that with 4 hours and 45 minutes.
LISTNUM
1 \l 15181 MR.
ED TORRES: Well, that is a minimum, so
we are talking about a minimum news commitment.
So when we get into the market we will test that more with focus groups
and, you know, if we have to move that number up we certainly will.
LISTNUM
1 \l 15182 Another
thing that is not included in the spoken word content is the number of
interviews that will happen in the course of morning shows. So we have already talked about having the
mayor on once a week for the mayor's wrap‑up. So this is included in the deejay banter or
announcer speak, but it is going to be news oriented.
LISTNUM
1 \l 15183 So
again, those are minimum numbers, but the strategy and really the point of this
application is to provide news content to the people of Kawartha Lakes, because
we know that news and information drives local listening and we think that our
unique format will as well.
LISTNUM
1 \l 15184 But
we want the people of Kawartha Lakes to be able to hear, you know, their son's
name when he scores a goal playing rep hockey or that the local soccer team,
you know, beat Peterborough in the final, so that is where we are aiming. So really, these are minimum numbers.
LISTNUM
1 \l 15185 COMMISSIONER
MENZIES: Okay. In your live‑to‑air you indicate
you will have live announcers 24 hours a day.
I need from you, in order to compare with the other applicants to
identify specific commitments that will provide live‑to‑air, voice
tracked or automated programming.
LISTNUM
1 \l 15186 MR.
ED TORRES: Okay, I think Yves has a
breakdown of the 24/7 information.
LISTNUM
1 \l 15187 MR.
TROTTIER: Yes, we are going to have 24
hours live announcers on the air, so there will not be voice tracked or
something like that. So in our plan we
are going to hire five announcers fulltime and four announcers halftime, so
there will be nine at the end.
LISTNUM
1 \l 15188 COMMISSIONER
MENZIES: So you will go right through
seven days a week, 24 hours a day?
LISTNUM
1 \l 15189 MR.
TROTTIER: Yes, we will, except for the
hours of ‑‑
LISTNUM
1 \l 15190 MR.
ED TORRES: The syndicated shows.
LISTNUM
1 \l 15191 MR.
TROTTIER: ‑‑ the syndicated shows.
LISTNUM
1 \l 15192 COMMISSIONER
MENZIES: For that 10 hours of
syndication that you ‑‑
LISTNUM
1 \l 15193 MR.
ED TORRES: Yes.
LISTNUM
1 \l 15194 COMMISSIONER
MENZIES: Okay.
LISTNUM
1 \l 15195 MR.
ED TORRES: And again, the 24/7 is born
out of our frustration as content providers.
We staff our offices as late as radio stations will take our traffic
reports and our information content.
What happens is at 6:00 everyone flicks on the automation and we are out
of inventory, we can't get in there to provide reports.
LISTNUM
1 \l 15196 And
it is something that we also think is not in the public's best interest,
because when an emergency happens the radio station is your first point of
contact. And whether it is an accident,
an ice storm, we want to make sure that we are there 24/7, so when news breaks
we can put it on the air.
LISTNUM
1 \l 15197 COMMISSIONER
MENZIES: Okay. In terms of your revenue base you mention
that you are going to draw 50 per cent or your business plan has you drawing 50
per cent of your revenue from Peterborough, Peterborough comprising roughly 40
per cent of your news content or spoken word content.
LISTNUM
1 \l 15198 I
am just curious about that, because sometimes the needs of advertisers in terms
of drawing an audience and the needs of listeners don't always sync. And I am thinking that if you have half your
revenue based in Peterborough that there would be quite a temptation there to
work half your content towards the Peterborough market. Maybe you can clarify how that will work?
LISTNUM
1 \l 15199 MR.
ED TORRES: Sure. You know, we think that our audience will be
driven in Peterborough by the format.
Peterborough residents and Peterborough advertisers have enough news
choices and enough news options. We
think that it is more strategic to be Kawartha Lakes centric on the news side,
you know, the sponsorship of news is actually a premium item, sponsorship of
spoken word is a premium item, you can charge more.
LISTNUM
1 \l 15200 You
can see that with only one player in the Kawartha Lakes market if the local car
dealer locks up the news for 52 weeks a year, that shuts out all the other car
dealers. So, you know, our commitment to
drive that 50 per cent out of Kawartha Lakes is going to be what ensures that
our news and information is Kawartha Lakes centric.
LISTNUM
1 \l 15201 MR.
FRANK TORRES: And if I may expand on
that as well. Although 50 per cent of
share will be derived from Peterborough, it doesn't necessarily mean that 50 per
cent of revenues will be derived from Peterborough. In our experience of selling inventory across
Canada on over 150 radio stations most of those radio stations are
unranked. We have become very good at
selling radio inventory not based on share and that would be a perfect example.
LISTNUM
1 \l 15202 COMMISSIONER
MENZIES: Okay. I am not that familiar with these
communities, but it strikes me that it doesn't make a heck of a lot of
difference if you are in Kawartha Lakes or Peterborough in terms of that. So I am trying to figure out how anybody
would define Kawartha Lakes news from Peterborough news.
LISTNUM
1 \l 15203 MR.
ED TORRES: I mean, I live in a small
community, in Trenton, Ontario, which is just southwest of Kawartha Lakes, and
Belleville is the big brother.
Belleville has a big population centre, has the big‑box stores, so
I always here what the Bulls are doing, but I don't get the scores from the
Trenton pack. And my son plays for the
Trenton Golden Hawks and the only time I hear his name on the Belleville radio
station is when they play Belleville. So
the local market is not providing that need for me. So Lindsay is a little brother to
Peterborough, Kawartha Lakes is a little brother to Peterborough, so that is
kind of to give you some insight into the markets. That is why we have decided we are going to
serve that population.
LISTNUM
1 \l 15204 COMMISSIONER
MENZIES: Your application kind of
indicates to me that you believe that you have spotted a demographic shift or
trend so that Kawartha Lakes is the growing area whereas Peterborough ‑‑
I don't want to put words in your mouth ‑‑ not exactly in
decline, but that its pace of growth is not going to be as intense as Kawartha
Lakes and that you believe you have spotted something and are trying to get
ahead of the curve on that, is that..?
LISTNUM
1 \l 15205 MR.
ED TORRES: Well, you know what, we have
been servicing the market for 14 years and we know it intimately. And, you know, really, when the call comes
out in Peterborough which is, you know, very well served by radio, it has eight
radio stations in the market, it has one TV station and a newspaper.
LISTNUM
1 \l 15206 Then
you look at the neighbouring community, which has a population that is
comparable. Well, what we really looked
at was, wow, this is the last viable frequency.
This 96.7 actually serves Kawartha Lakes. All the other frequencies serve Peterborough
nicely, but they don't serve Kawartha Lakes nicely. So the time to act was now.
LISTNUM
1 \l 15207 COMMISSIONER
MENZIES: Okay. How many staff would you have in place at
launch?
LISTNUM
1 \l 15208 MR.
ED TORRES: I think Yves has got the
numbers.
LISTNUM
1 \l 15209 MR.
TROTTIER: Yes. Thirteen persons for programmation and the
news service. And we are going to have a
salesman ‑‑
LISTNUM
1 \l 15210 COMMISSIONER
MENZIES: Sorry, I misheard, how many
people did you say?
LISTNUM
1 \l 15211 MR.
TROTTIER: I said 13 people ‑‑
LISTNUM
1 \l 15212 COMMISSIONER
MENZIES: Okay.
LISTNUM
1 \l 15213 MR.
TROTTIER: ‑‑ for the programmation and news service. And for about the news and the direction, we
are going to have five. So four news people and one secretary who is going to
do the log at the same time.
LISTNUM
1 \l 15214 MR.
ED TORRES: Okay. Can you break the whole number down for me in
terms of what the staff structure looks like?
LISTNUM
1 \l 15215 MR.
TROTTIER: Yes.
LISTNUM
1 \l 15216 COMMISSIONER
MENZIES: You have got five news ‑‑
you got it all there?
LISTNUM
1 \l 15217 MR.
TROTTIER: We are going to have two
fulltime journalists, 40 hours each, who are going to be based in Kawartha
Lakes and one halftime in Peterborough.
LISTNUM
1 \l 15218 COMMISSIONER
MENZIES: But what other staff do you
have, salespeople, administration?
LISTNUM
1 \l 15219 MR.
TROTTIER: Yes, we have one sales
director and he will be the general manager at the same time. We have three salespeople and, after that,
the secretary is going to do the log too and, after that, we are going to the
programmation and journalist staff.
LISTNUM
1 \l 15220 COMMISSIONER
MENZIES: Okay, thank you.
LISTNUM
1 \l 15221 MR.
TROTTIER: So it is around 18.
LISTNUM
1 \l 15222 COMMISSIONER
MENZIES: Right. One question I was going to ask in terms of
your news content and the splits that you put down, would you be willing to
take that on as a condition of licence?
LISTNUM
1 \l 15223 MR.
ED TORRES: Yes, absolutely.
LISTNUM
1 \l 15224 COMMISSIONER
MENZIES: All right. Thanks.
LISTNUM
1 \l 15225 So
what happens if the revenue isn't there in terms of this, because one of the
things I basically wanted to talk about is if it isn't there and the blues
format doesn't work, how do I know you don't just change your format two years
down the road?
LISTNUM
1 \l 15226 MR.
ED TORRES: That's a good question, Mr.
Commissioner. We have indicated that we
are willing to accept as a condition of licence up to 25 per cent of
Category 3. So really what that does is
it really locks us into the format. I
mean, if we are going to play blues genre music from Category 3, there is not a
lot of ‑‑ I mean, you can tweak the other
70 per cent, but you certainly couldn't put AC, Celine Dion, Michael
Buble, you couldn't really put that. I
mean, you would end up with an odd duck.
LISTNUM
1 \l 15227 COMMISSIONER
MENZIES: Yes, it would be different.
LISTNUM
1 \l 15228 MR.
ED TORRES: Or an odd "DAWG".
LISTNUM
1 \l 15229 COMMISSIONER
MENZIES: If conditions of licence were
imposed, as you said, on format, specifically ‑‑ you may just
have answered this, but I need to get this on the record, specifically
subcategory 3, 4, jazz and blues, at 25 per cent to 30 per cent. I think you just said 20 per cent,
but if I said 25 per cent to 30 per cent, would that
still work?
LISTNUM
1 \l 15230 MR.
TROTTIER: 25 per cent would be
perfect, because we got to have 70 per cent of Cat. 2 to respect
the licence, so if we accept 25 per cent of Cat. 3 music, we are
going to have 5 per cent to be sure that we are going to be on the
edge between Cat. 2 and Cat. 3.
LISTNUM
1 \l 15231 COMMISSIONER
MENZIES: What if it was specific to
parts of the day?
LISTNUM
1 \l 15232 MR.
TROTTIER: Yes, it will be
Cat. 2 and Cat. 3 30 per cent ‑‑
30 per cent Cat. 3 music all day, in the morning ‑‑
LISTNUM
1 \l 15233 COMMISSIONER
MENZIES: 6:00 to 6:00.
LISTNUM
1 \l 15234 MR.
TROTTIER: ‑‑ 6:00 to 6:00, and 40 per cent for all
day, too.
LISTNUM
1 \l 15235 COMMISSIONER
MENZIES: All right. Is there any problem hitting Cancon
requirements in that subcategory?
LISTNUM
1 \l 15236 MR.
TROTTIER: No. As we said before in the presentation, just
for this year there were 115 new blues albums, just for this year. So there is no problem with Canadian content.
LISTNUM
1 \l 15237 COMMISSIONER
MENZIES: All right. Thank you.
LISTNUM
1 \l 15238 You
are proposing in your over and above ‑‑ which is sort of
switching now ‑‑ a $2,000 annual to Starboard to produce blues
programming.
LISTNUM
1 \l 15239 Will
you be broadcasting this, the programming that is produced?
LISTNUM
1 \l 15240 MR.
ED TORRES: Yes. I guess our intention is to foster that
talent that Mark Philbin has for creating these syndicates shows. He is the person behind our "Back to The
80s" show.
LISTNUM
1 \l 15241 Again,
we haven't looked at specifically the shows that he would produce for us, but
it was our thought that one of those shows would end up on our station.
LISTNUM
1 \l 15242 COMMISSIONER
MENZIES: Isn't that just a cost of doing
business in terms of that?
LISTNUM
1 \l 15243 MR.
ED TORRES: Well, to be honest, I never
looked at it that way. One thing that we
did with our Canadian content is we really tried to be as unselfserving as
possible.
LISTNUM
1 \l 15244 The
problem that we have with the "Back to The 80s" show is it's very
hard to syndicate into the major markets because they are all controlled by the
big five broadcasters. So we took on
this initiative with Starboard in a partnership and we are trying to bolster a
revenue stream into that until that gets its legs and gets going. So that we the idea behind it.
LISTNUM
1 \l 15245 COMMISSIONER
MENZIES: All right. I didn't quite understand that.
LISTNUM
1 \l 15246 MR.
ED TORRES: Basically we created the
"Back to The 80s" program, as we talked about, and we are trying to
create syndication products that are exportable to the United States and
Australia and across the world. It is
very hard actually to just export them into the major markets in Canada because
four weeks after we launched our "Back to The 80s" show CHUM came out
with a "Made in The 80s" show which they syndicate right against us,
right, and they have the stations in the major markets.
LISTNUM
1 \l 15247 So
they looked at our product and they saw it as competitive and they adjusted to
compete with that. So what we are
trying to do is we are trying to use some leverage as a radio station to
continue the encouragement of the production of syndicated programs that are
Canadian
LISTNUM
1 \l 15248 COMMISSIONER
MENZIES: I see.
LISTNUM
1 \l 15249 MR.
ED TORRES: Does that make it
any clearer?
LISTNUM
1 \l 15250 COMMISSIONER
MENZIES: A little bit, but I'm still
trying to figure out how you are going to do all that with $2,000.
LISTNUM
1 \l 15251 MR.
ED TORRES: Yes. I mean, that's a start.
LISTNUM
1 \l 15252 COMMISSIONER
MENZIES: All right.
LISTNUM
1 \l 15253 Is
this spoken word or music‑based stuff, or have you got there yet?
LISTNUM
1 \l 15254 MR.
ED TORRES: The...?
LISTNUM
1 \l 15255 COMMISSIONER
MENZIES: What we were just talking
about.
LISTNUM
1 \l 15256 MR.
ED TORRES: Yes, it's music‑based.
LISTNUM
1 \l 15257 COMMISSIONER
MENZIES: Music‑based.
LISTNUM
1 \l 15258 If
it was found by the Commission to be ineligible, what are your plans for it, or
do you have plans for it?
LISTNUM
1 \l 15259 MR.
ED TORRES: We would redirect those funds
to FACTOR.
LISTNUM
1 \l 15260 COMMISSIONER
MENZIES: All right.
LISTNUM
1 \l 15261 Now,
can you confirm for us that your $50,000 over and above in your
application does not include the annual basic contribution and is therefore
separate?
LISTNUM
1 \l 15262 MR.
ED TORRES: Yes, that is correct.
LISTNUM
1 \l 15263 COMMISSIONER
MENZIES: Can you confirm this would be
the case for every year of the seven year term?
LISTNUM
1 \l 15264 MR.
ED TORRES: Yes, that's correct.
LISTNUM
1 \l 15265 COMMISSIONER
MENZIES: Are you proposing to give
FACTOR $30,000 a year or 60 per cent of your over and above when you
are only required to give 20 per cent?
LISTNUM
1 \l 15266 MR.
ED TORRES: Yes, we are.
LISTNUM
1 \l 15267 COMMISSIONER
MENZIES: What if the Commission imposed
that as a condition of licence?
LISTNUM
1 \l 15268 MR.
ED TORRES: we would accept that.
LISTNUM
1 \l 15269 COMMISSIONER
MENZIES: All right.
LISTNUM
1 \l 15270 I
know you are entrepreneurial and I know you have experience selling in that
market, but one of the big issues around this whole thing is how do small
independents survive in this market where you are up against the big players,
the land of giants I think we called it ‑‑ somebody will
regret this ‑‑ but how are you going to do that?
LISTNUM
1 \l 15271 MR.
ED TORRES: Well, you have to
be David, right, if you are dealing with giants, and you have to
position yourself as the underdog, as the independent.
LISTNUM
1 \l 15272 You
have the ability to move quicker. You
can make decision a lot faster. We have
to live in the communities, we have to partner with our clients, we have to
give our clients solutions that work, and we do that on a regular basis.
LISTNUM
1 \l 15273 One
of our great success stories was the Ontario Lottery Corporation had invested a
lot of money in a marketing survey that found that people buy lottery tickets
when the jackpot rolls. They went to
radio and they said: Look, we want to
change the creative on Wednesday morning, because the jackpot ‑‑
pardon me, on Thursday morning because the jackpot is won on Wednesday
evening. Radio unequivocally said: We can't do that. We can't traffic that. Our traffic manager is not in until 9:00 in
the morning. That was money that was
earmarked for print.
LISTNUM
1 \l 15274 We
found them and we said: We can do
that. We will put a manager in place.
LISTNUM
1 \l 15275 In
fact what we want to do, though, is we need to create a system by which it's
foolproof, we know exactly what the jackpot is, our manager checks it in
the morning and then at 5:00 in the morning when my traffic reporter goes in
there he has the correct script.
LISTNUM
1 \l 15276 So
that turned to into a multi‑million dollar campaign for radio. What happened is, after we aired those spots,
radio came around and commercial radio stations started to adopt that.
LISTNUM
1 \l 15277 So
that's one example. There are many that
I could give you.
LISTNUM
1 \l 15278 MR.
FRANK TORRES: I think another way that
we can answer that question is, we are presently in that very relationship that
you mentioned. Our biggest competitor in
Canada is an American public corporation that's a global corporation that is
financed by CBS Radio. It really doesn't
get any bigger as far as giants go and that is our biggest competitor and we
still manage to find a way to provide a better product.
LISTNUM
1 \l 15279 As
far as this market goes, though, I think it's really a case where the one giant
has left the beanstalk. I think where we
will excel as far as competing against the giant in that market is to be in the
market. Kawartha Lakes has one
originating radio signal, but no head offices.
We need to be in the community and we need to be part of that community.
LISTNUM
1 \l 15280 That's
how those size markets, from our experience not only in working and selling in
the markets but in living in small markets, that's how businesses succeed in
those markets, by becoming part of the community and investing yourself in the
community. That's how the investment
comes back.
LISTNUM
1 \l 15281 MR.
ED TORRES: Aubrey likes to say
that: Forget emerging artists, I'm
looking for emerging advertisers.
LISTNUM
1 \l 15282 So
what we do is, we go through the shopper's market and we find out who are the
advertisers that are about to emerge, those guys that they are not buying big
budget items, they are not buying the Peterborough Examiner, they are buying,
you know, the coffee news. That's who we
target.
LISTNUM
1 \l 15283 We
can also leverage our current relationships.
One thing that we do that other applicants don't do is, we have our own
national sales force. We are not repped
by CBS or IMS or Target because nobody would take our little 10‑second
inventory. They couldn't understand
it. Plus, we package it all
together. So we have had to go to the
national advertisers ourselves. So that
gives us a certain amount of insight into what the national advertisers are
doing and what markets they are trying to target.
LISTNUM
1 \l 15284 MR.
CLARKE: I would like to also say that we
also train our sales force, we train them in radio, we train them in
television, we train them in all sorts of media, so when they go out there to
the advertiser they are fully equipped to be a full consultant in every area of
media. So even if they turn us down in
radio on day one, we are still in there consulting with them and by day two
they are back knocking on our doors ready to go on radio. We build strong relationships. Relationships is the key to sale, especially
in a market.
LISTNUM
1 \l 15285 Then
there is the $1.337 billion spent on internet advertising in Canada this
year alone. That is just easy
pickings. We have a specialty in taking
money from internet as well, too.
Internet is local to every market in Canada.
LISTNUM
1 \l 15286 COMMISSIONER
MENZIES: How do you take money from
internet? I'm curious to know more about
that. I think there are lots of people
who are, but I am particularly.
LISTNUM
1 \l 15287 MR.
CLARKE: Well, I mean this is a public
hearing, I would be giving away my secrets to everybody who advertised, right.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 15288 COMMISSIONER
MENZIES: But there must be ‑‑
LISTNUM
1 \l 15289 MR.
CLARKE: There is a strategic way and we
have found it. We have compiled the data
into information in order to show advertisers that when they use radio and
internet together that they increase their business.
LISTNUM
1 \l 15290 COMMISSIONER
MENZIES: All right. I'm just going to do a little devil's
advocacy on this, just because I want to get it back. I'm sure you have done this with yourselves,
but I kind of want to make sure.
LISTNUM
1 \l 15291 If
you were licensed in there and you have an incumbent heavy hitter with a
neighbouring sister heavy hitter, and if I was one of them and you guys did
have the market that you think you have, I would just swing into my playlist a
little living on faith or something like that here and there to capture that
audience. I would cut my rates here and
there strategically and target the advertisers that you do have, and I would try
to squash you like a bug.
LISTNUM
1 \l 15292 MR.
CLARKE: Well, I can answer that.
LISTNUM
1 \l 15293 75
per cent of our advertisers every year right now are new people that we are
bringing in every day. There is so much
money out there that I don't think they can squash us.
LISTNUM
1 \l 15294 MR.
ED TORRES: I think, you know, we look at
the Evanovs, who launched a dance station when there were no other dance
stations, and they built FM 108 in Burlington. They turned it into a radio station, a giant
in Toronto that cumed over 700,000. They
had similar success with Z‑103.
LISTNUM
1 \l 15295 So
we look at what they did and we weren't the only one that saw the success. Rogers and Corus saw it and they launched
formats with huge budgets, 92.5 with over a million budget, to go directly at Z‑103s
core audience.
LISTNUM
1 \l 15296 But,
you know what, "Z" had the street.
Right? They were in the
venues. They had the ear of the people. So in the face of two head‑to‑head
competitors the big guys, they gave up.
They lost money in that format and they lost share. They said, "Hey, it's easier for us to
flick a jukebox on then to go head‑to‑head with the Evanovs.
LISTNUM
1 \l 15297 So
you have to be street savvy, right, and you have to be in the community.
LISTNUM
1 \l 15298 And
we have the heritage also. We are talking
about small towns here. We have talked
to just about everybody in those bars and in those venues. If somebody, an incumbent in that station
does a quick flip, the people are going to see it for what it's worth.
LISTNUM
1 \l 15299 MR.
FRANK TORRES: I think also with this
format and this particular music style ‑‑ I would like to have
Al expand on these comments, please ‑‑ it is a very true and
honest form of music. You don't ‑‑
there is no place to hide when you play the blues. You have to be a good musician and you have
to be true to the art form.
LISTNUM
1 \l 15300 I
think listeners that would listen to our proposed radio station would be that
way. I don't think you steal that
listener away by throwing in a little Muddy Waters or a little David Wilcox in
there, but Al is the true expert in that area.
LISTNUM
1 \l 15301 MR.
KIRKALDY: Well, I think that what you
have said, Frank is true. There aren't
many bad blues bands and if there are they don't stay around very long. Much like jazz, it is driven by the
virtuosity as much as anything. The
people I think that we are trying to capture are real music fans and not
somebody that wants it on in the background or just to get news and weather and
then shut the radio off, it's people that really appreciate the blues for what
it is, much like jazz, absolutely.
LISTNUM
1 \l 15302 COMMISSIONER
MENZIES: All right.
LISTNUM
1 \l 15303 MR.
BERNARD: I would also just quickly add
that we are in sort of that situation now where in markets where the big
stations are selling traffic and weather, just like we are out there ‑‑
so again we are in situations now where we are in competition at times selling
the same products ‑‑ and they obviously do quite well selling
their traffic and weather, but we have done just fine, too. We haven't declined and we haven't maintained
status quo. We have actually grown and
thrived in that competitive environment where, again, we are looking at ‑‑
we are competing out there with similar products and services. Again, they do well, but we have managed to
do well at the same time, in the same markets, doing the same sorts of things
so it is something that we are certainly quite used to.
LISTNUM
1 \l 15304 COMMISSIONER
MENZIES: All right. Thanks.
LISTNUM
1 \l 15305 Your
revenue projections are pretty aggressive, too. They kind of caught my eye in terms of
that, particularly with the very high level of local.
LISTNUM
1 \l 15306 Can
you just expand on that a little bit?
LISTNUM
1 \l 15307 MR.
ED TORRES: Well, we looked at the retail
spending in Kawartha Lakes. We crunched
the numbers, the percentages from the Retail Council of Canada. With only one station in the market and no
print source, there is $23 million in that market available for
advertising. And there are no bus
shelters either.
LISTNUM
1 \l 15308 So
we think that there is a lot of money to be made in Kawartha Lakes, but we
think that that up market is being under utilized. It is probably so because the incumbent split
their office in Kawartha Lakes between Kawartha Lakes and Peterborough. So we think Kawartha Lakes is an attractive
market.
LISTNUM
1 \l 15309 But
we didn't go into the projections and I would say that we are middle of the
pack in terms of the other applications.
But what we did was, we went to our current exiting clients that buy the
local market and we put together a launch package.
LISTNUM
1 \l 15310 So
we have a media rate, a rate card and a media kit ready to go and we have
commitments from four of our sponsors to buy into a launch package. The launch package includes promos, it
includes 30 seconds, it includes a bunch of features that aren't available
in the market and, on top of that you get a plaque in the radio station so your
image is immortalized as a launch sponsor of our radio station.
LISTNUM
1 \l 15311 COMMISSIONER
MENZIES: So you have commitments should
you get a go ahead?
LISTNUM
1 \l 15312 MR.
ED TORRES: Yes, we have commitments.
LISTNUM
1 \l 15313 MR.
FRANK TORRES: We have also filed with
the Commission 30 letters of support from local businesses.
LISTNUM
1 \l 15314 COMMISSIONER
MENZIES: Good. All right.
Thanks.
LISTNUM
1 \l 15315 If
you were us, how many licences would you approve for this market, or grant?
LISTNUM
1 \l 15316 MR.
ED TORRES: We think that Kawartha Lakes
is in desperate need of another voice, another radio station. We certainly think that Kawartha Lakes is
healthy enough to support one.
LISTNUM
1 \l 15317 We
looked at Peterborough and the business case for an additional licence in
Peterborough to us really wasn't there.
So we look at it really as the market can handle one radio station.
LISTNUM
1 \l 15318 Maybe
the incumbent flipping would not have such a large effect. Now, I say that and, in light of what they
said yesterday, I may rethink that position, but we certainly think that 96.7
is the only frequency that will service Kawartha Lakes and, as such, we really
think that 96.7 needs to be designated for Kawartha Lakes.
LISTNUM
1 \l 15319 COMMISSIONER
MENZIES: How many licences would you
grant if you were ‑‑
LISTNUM
1 \l 15320 MR.
ED TORRES: One.
LISTNUM
1 \l 15321 COMMISSIONER
MENZIES: Thanks.
LISTNUM
1 \l 15322 Have
you identified another frequently that would work for you?
LISTNUM
1 \l 15323 MR.
ED TORRES: Yes, we have. Actually Pineridge identified it for us, it's
102.5.
LISTNUM
1 \l 15324 Now,
102.5 has what I would say is an awesome contour if you want to serve
Peterborough, not great if you want to serve Kawartha Lakes. Most of the three millivolt contour sits
right over Peterborough.
LISTNUM
1 \l 15325 So
102.5 also comes with the caveat that you have to locate it on a Corus tower,
so it really seems to be the perfect frequency for what Corus is trying to
achieve. 96.7 really provides a superior
signal to Kawartha Lakes.
LISTNUM
1 \l 15326 MR.
FRANK TORRES: We heard from another
applicant during this process that an applicant had stretched their contour
signals north and south, stretching it south towards different regions,
different geographical regions.
LISTNUM
1 \l 15327 What
we did in our plan is, we positioned the transmitter and we shaped our contours
and our signals so that we could include Kawartha Lakes and still get
Peterborough coverage as well. That
mechanical adjustment of the frequency can only be done with our chosen
frequency.
LISTNUM
1 \l 15328 COMMISSIONER
MENZIES: All right.
LISTNUM
1 \l 15329 If
the Commission were to consider granting a conditional licence based on your
finding another frequency, would you continue with this business plan or would
you decline?
LISTNUM
1 \l 15330 MR.
ED TORRES: Yes, we would continue with
the business plan.
LISTNUM
1 \l 15331 COMMISSIONER
MENZIES: All right. Thanks very much.
LISTNUM
1 \l 15332 If
it helps any, if you feel a little beat up I was tapping my toes when you
were playing the music.
LISTNUM
1 \l 15333 MR.
ED TORRES: Well, we think a lot of
people will tap their toes.
LISTNUM
1 \l 15334 Thank
you.
LISTNUM
1 \l 15335 COMMISSIONER
MENZIES: All right. Thank you.
LISTNUM
1 \l 15336 THE
CHAIRPERSON: Commissioner
del Val...?
LISTNUM
1 \l 15337 COMMISSIONER
del VAL: I have a nagging concern that I decided that I should
talk to you about.
LISTNUM
1 \l 15338 From
what I have seen, some of the limited formats, the specialty formats like jazz
and stations and all, really have a difficult time making it a go. Now, correct me if I'm wrong and your view of
that is different.
LISTNUM
1 \l 15339 If
that is the fact, why do you think blues, a specialty station with blues,
is different? Is the audience
different? Are they more like country
fans?
LISTNUM
1 \l 15340 Can
you help me out there, please?
LISTNUM
1 \l 15341 MR.
KIRKALDY: Can I just add that three are
hundreds of thousands of blues fans this summer in North America will attend
hundreds and hundreds of blues festivals.
Blues has gone on an ebb and flow.
It almost died, along with all other live forms of music in the '70s, in
the disco era. It has come back and
there has been an ebb and flow.
LISTNUM
1 \l 15342 Today,
live blues music and concerts are at a peak.
People like myself would not have believed it would have been possible
15 years ago to see the number of festivals and the crowds.
LISTNUM
1 \l 15343 One
of the large blues magazines, "Blues Review", has to insert a special
edition just for the festivals.
LISTNUM
1 \l 15344 They
have a special edition that you pull out.
It has its own staples and everything else, and it is listed state‑by‑state,
province‑by‑province, and country‑by‑country worldwide.
LISTNUM
1 \l 15345 MR.
E. TORRES: Al, if I could interrupt,
just to talk about specialty formats ‑‑ and we are fortunate
that we have Yves on our team. Yves was
the program director at Couleur FM.
LISTNUM
1 \l 15346 Certainly
we have been asked, why not apply for a Category 3 licence and just go strictly
with the Category 3?
LISTNUM
1 \l 15347 We
think that a straight Category 3 licence has limited options for success. That's why we want to be a commercial
Category 2 radio station, and we want to provide songs that are popular.
LISTNUM
1 \l 15348 If
you tap your toes to it, you will listen to it.
And those are not obscure music selections. We are not going to be in the hinterland of
playing guys with a broken instrument, we are going to be a mainstream radio
station.
LISTNUM
1 \l 15349 MR.
TROTTIER: I can say that I was the
program director of a classical and jazz radio station, and we had a share of
5.2 in Gatineau. And I was there when we
launched a jazz radio station in Montreal, which struggled a little bit with
just 2 shares.
LISTNUM
1 \l 15350 So
I know what is going on, what is good and what is not good.
LISTNUM
1 \l 15351 For
blues music, I have done a lot of research about what people like about music,
and blues is not the first choice of a lot of people, but for a lot of people
it is the second or the third choice.
LISTNUM
1 \l 15352 With
all of the radio stations in the surrounding area, if they want, they can hear
five Celine Dion songs in the same hour, but there is just one radio station
where they can hear Stevie Ray Vaughan.
That is the main difference.
LISTNUM
1 \l 15353 We
will put some good stuff on the air so that people have a choice. That choice doesn't exist right now.
LISTNUM
1 \l 15354 Blues
music is very popular. It may be the
second or third choice of all people, especially people who like rock music,
and rock stations in Ontario have had great success.
LISTNUM
1 \l 15355 MR.
E. TORRES: We went to the bars ‑‑
the venues ‑‑
LISTNUM
1 \l 15356 We
were told by our consultant not to say "bars", and I have said it
several times.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 15357 MR.
E. TORRES: We went to the venues ‑‑
LISTNUM
1 \l 15358 THE
CHAIRPERSON: We are all grown‑ups
here, it's okay.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 15359 MR.
E. TORRES: On a snowy Thursday night in
Belleville, Ontario, the sidewalks are rolled up, except for, at the Bohemian
Penguin, Garrett Mason is playing and 150 people are packed in there.
LISTNUM
1 \l 15360 If
you start to aggregate all of the small towns in Ontario, and all of the small
towns in Canada, and you go to a bar, it's a blues act that you are going to
see.
LISTNUM
1 \l 15361 This
timely front page of the Arts Section of the Ottawa Citizen is about Fred
Litwin. He is the owner of
NorthernBlues, and he has written us a letter of support. I don't know how he timed it that in
yesterday's paper he would get the full page ad, but it's there if anyone wants
to see it.
LISTNUM
1 \l 15362 What
we have seen is a trend. Blues is coming
to the forefront.
LISTNUM
1 \l 15363 When
you go home tonight, you are bound to see the Nissan Altima commercial, and its
pride and joy, Stevie Ray Vaughan, and you will tap your feet to it.
LISTNUM
1 \l 15364 Dan
Akroyd syndicates a show which is called "House of Blues". It has come out of the hinterland and onto
200 radio stations.
LISTNUM
1 \l 15365 That
is syndicated out of the U.S., We want to duplicate that and do it in Canada.
LISTNUM
1 \l 15366 I
was watching "House" the other night with my wife, and there goes Dr.
House, and he sits down at a piano and he starts playing a 12‑chord blues
song.
LISTNUM
1 \l 15367 We
really think that blues is at the tipping point.
LISTNUM
1 \l 15368 The
Ottawa Bluesfest is the second‑largest blues festival in North America.
LISTNUM
1 \l 15369 We
think that we are at the tipping point, and we can help push it over.
LISTNUM
1 \l 15370 MR.
KIRKALDY: Again, I don't mean to take up
so much time, but this is a very important question, and certainly one that we
spent a lot of time on before we even considered this type of application
format and commitment.
LISTNUM
1 \l 15371 If
we were at this seat perhaps eight years ago, we might have been having the
same discussion about smooth jazz, or about urban or dance formats and their
perceived relegation to a specialty‑type format.
LISTNUM
1 \l 15372 What
a group of committed entrepreneurs and visionary Commissioners did was, they
managed to see that the formats were at a tipping point at a certain
point. They were becoming very popular,
very successful in the mainstream.
LISTNUM
1 \l 15373 And
that article and that cover page really illustrates the fact that we are at the
same point with blues music. We may not
all know it just now, but it is out there, and it's very popular.
LISTNUM
1 \l 15374 People
know a lot more blues music than they think they know, and we will teach people
that.
LISTNUM
1 \l 15375 MR.
BERNARD: Madam Commissioner, the last
part of your question asked: Are blues
fans different?
LISTNUM
1 \l 15376 When
we started going out to the clubs and talking to people, we very quickly
realized that there are blues societies all over the country. There are, literally, dozens and dozens of
them.
LISTNUM
1 \l 15377 Then
we sort of thought to ourselves: There
aren't classic rock societies, per se.
There might be fan clubs for specific artists, but societies not so
much.
LISTNUM
1 \l 15378 Alternative
societies? No.
LISTNUM
1 \l 15379 Country
music societies?
LISTNUM
1 \l 15380 You
know, that is just another example. And yet
the one format, the one genre that doesn't get commercial mainstream FM airplay
is the one where there are, literally, dozens of blues societies from coast to
coast, where people give their free time to foster and nurture and grow the
format.
LISTNUM
1 \l 15381 I
think that is great evidence that, yes, blues fans are different. They are passionate about it. It is part of their lifestyle. It is ingrained in who they are, and they
have organized, where fans of other genres haven't so much.
LISTNUM
1 \l 15382 It
is ironic that this one group of people who have organized are the ones that
don't have the music they enjoy so much available on FM airwaves.
LISTNUM
1 \l 15383 COMMISSIONER
del VAL: Thank you.
LISTNUM
1 \l 15384 I
think earlier you said that you would commit to a COL of 25 percent blues
music.
LISTNUM
1 \l 15385 Is
that correct?
LISTNUM
1 \l 15386 MR.
TROTTIER: In Cat 3, 25 percent.
LISTNUM
1 \l 15387 COMMISSIONER
del VAL: Just on the issue of formats
for radio stations, do you think that is ‑‑
LISTNUM
1 \l 15388 You
know that we don't regulate format.
LISTNUM
1 \l 15389 Do
you think that is something to consider, in terms of, maybe, everyone should
commit to a certain percentage by COL, say, 25 percent or whatever, to a
certain category of music?
LISTNUM
1 \l 15390 MR.
E. TORRES: I think that is very hard,
and maybe I will ask Yves to comment.
LISTNUM
1 \l 15391 We
have thought about this at length, and we have been to the CAB and they have
discussed it at length, the pros and the cons.
LISTNUM
1 \l 15392 When
you look at it, I think, really, you have to let the market forces go as they
may, and it may be tough for us independents.
Certainly, if somebody flips to a blues format in Kawartha Lakes
tomorrow, we are out of luck. But I
think that is preferable to regulations that might be hand‑tying.
LISTNUM
1 \l 15393 Yves,
I don't know if you have an opinion on that, but that is just a personal
opinion.
LISTNUM
1 \l 15394 MR.
TROTTIER: The opinion of the radio
business is that we already have a lot of rules, and we don't need another one.
LISTNUM
1 \l 15395 MR.
E. TORRES: I think the Commission does a
very good job at seeing through those types of manoeuvres, and that is really
what is at the heart of my comments. You
may look at that and you may say, "I remember that. I remember that happened."
LISTNUM
1 \l 15396 We
have that faith in the Commission.
LISTNUM
1 \l 15397 COMMISSIONER
del VAL: Thank you. Those are my questions.
LISTNUM
1 \l 15398 Thank
you, Madam Chair.
LISTNUM
1 \l 15399 THE
CHAIRPERSON: Thank you.
LISTNUM
1 \l 15400 I,
too, had some questions about your format, but I think we have covered the
ground.
LISTNUM
1 \l 15401 I
also think, now that I am looking at your sample playlist, which is ‑‑
I think I am looking at the one that is more extensive than the other, and I
didn't realize, myself, that I was this much a blues fan.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 15402 THE
CHAIRPERSON: I see here, Mr. Torres,
that you did pay attention in Kelowna when you came to watch. You have Brian Ferry on here.
LISTNUM
1 \l 15403 I
would have been more impressed if you had put zukid on, but that's a whole
other story.
LISTNUM
1 \l 15404 You
used the term "man/woman". I
am not going there, but the reality is, you are applying for a Kawartha
Lakes/Peterborough station.
LISTNUM
1 \l 15405 I
mean, that is the reality ‑‑ revenue 45 percent from Kawartha
Lakes; 55 from Peterborough. The share
of your audience is fifty‑fifty.
Programming ‑‑ 60 percent to Kawartha Lakes; 40 percent
to Peterborough.
LISTNUM
1 \l 15406 This
is a Kawartha Lakes/Peterborough application.
LISTNUM
1 \l 15407 MR.
E. TORRES: We plan to serve both
markets, but, really, our studios are going to be located in Kawartha
Lakes. Our originating programming is
all going to come out of Kawartha Lakes.
Our sales force will be centred in Kawartha Lakes. Our news teams will be dispatched from
Kawartha Lakes. Our cruisers will be in
Kawartha Lakes.
LISTNUM
1 \l 15408 When
you look at what is a radio station ‑‑ I mean, they are all
regional signals that go all over the place.
LISTNUM
1 \l 15409 It
is a Kawartha Lakes radio station, and we are going to talk about the Lindsay
muskies, we are going to talk about all of the local sports. We are going to have the local mayor.
LISTNUM
1 \l 15410 If
you have to define where your radio station is from, really, it is where the
offices are, where the people are, where you are in the community.
LISTNUM
1 \l 15411 Yes,
I think our business plan is crafted because we look at Peterborough, being 25
minutes away, as a source of revenue, and I think it is balanced fairly evenly,
but, really, this is going to be a Kawartha Lakes radio station.
LISTNUM
1 \l 15412 THE
CHAIRPERSON: Your business plan was
predicated on no other radio station being licensed in Peterborough?
LISTNUM
1 \l 15413 Because,
as you know, in part of these proceedings we have radio stations that are
calling themselves Peterborough radio stations.
LISTNUM
1 \l 15414 What
would happen to your business plan if we were to license you and another
commercial FM station that qualifies itself as a Peterborough radio station?
LISTNUM
1 \l 15415 MR.
ED TORRES: Our business plan is
predicated on the revenue that we think that we can derive from the market as
it existed. If you license ‑‑
so that includes CRUZ. We think that
CRUZ flip to FM would have a negligible impact on our business plan.
LISTNUM
1 \l 15416 So
if you were to license another FM on top of the flip in Peterborough, it would
have a negative impact.
LISTNUM
1 \l 15417 I
don't know, Aubrey ‑‑ I think Aubrey has done the revenue
crunching on the numbers that we would get out of Peterborough.
LISTNUM
1 \l 15418 I
don't know if we have drilled it down to look at the effects if one or two
additional licences were added.
LISTNUM
1 \l 15419 MR.
CLARKE: Actually, it would have a
negative impact, but we would be able to survive it if you did.
LISTNUM
1 \l 15420 THE
CHAIRPERSON: All right. I accept that.
LISTNUM
1 \l 15421 Perhaps
your PBIT number might be in a later ‑‑ you might get a
positive PBIT a later year than you had projected. Is that...?
LISTNUM
1 \l 15422 MR.
ED TORRES: Yes. I think that again Peterborough is at
50 per cent of our revenue. If
we look at the impact of having nine stations in the market instead of eight,
we still think that our revenue is going to be derived by the fact that we are
different. So when we go and we sit down
at the local car dealer and there is nine guys pitching AC or Hot AC or
Soft AC or Lite AC, or whatever they are calling it, we are the Blues guys. We are going to be a little different.
LISTNUM
1 \l 15423 We
think that we can work that to our advantage. So it will have a negative impact, but I
think it would be a negligible impact.
LISTNUM
1 \l 15424 THE
CHAIRPERSON: Based on what you have
heard from those applying for Peterborough, is there one service over another
that would have the least impact and, by the same token, is there one that
would have more, the most impact?
LISTNUM
1 \l 15425 MR.
ED TORRES: No. I think they are all reputable operators and
I think that, you know, they would all do an excellent job servicing the
market. So I don't think there is one
service that would be less injurious to us.
LISTNUM
1 \l 15426 THE
CHAIRPERSON: All right.
LISTNUM
1 \l 15427 MR.
FRANK TORRES: That may be a
no comment.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 15428 THE
CHAIRPERSON: You were paying attention
earlier this week I see. All right.
LISTNUM
1 \l 15429 Please
confirm your understanding that if licensed your station will have to
contribute a basic annual CCD contribution imposed by condition of licence
until the regulations are amended based on the station's total annual revenues
and in the amounts as set out in paragraph 116 of the new radio policy, Public
Notice CRTC‑2006‑158?
LISTNUM
1 \l 15430 MR.
ED TORRES: Yes, we understand that.
LISTNUM
1 \l 15431 THE
CHAIRPERSON: Please confirm your
understanding that of this base annual amount no less than
60 per cent of the station's basic annual CCD annual CCD contribution
must be allocated to either FACTOR or MUSICACTION and that the remaining
amount, if any, may be directed to any eligible CCD initiatives at your
discretion?
LISTNUM
1 \l 15432 MR.
ED TORRES: Yes, we understand.
LISTNUM
1 \l 15433 THE
CHAIRPERSON: Thank you.
LISTNUM
1 \l 15434 Legal
counsel...?
LISTNUM
1 \l 15435 MS
SMITH: I have a few technical
questions. I'm sorry to prolong this for
you, but I just have to confirm a few things for the record.
LISTNUM
1 \l 15436 You
made reference to a condition of licence that would ensure a distinct
Kawartha Lakes/Peterborough local programming orientation in your
newscasts. I believe it was
60 per cent Kawartha Lakes and 40 per cent
Peterborough local news orientation.
LISTNUM
1 \l 15437 Can
you confirm for us that you would adhere to this split as a condition of
licence?
LISTNUM
1 \l 15438 MR.
ED TORRES: Yes, we would.
LISTNUM
1 \l 15439 MS
SMITH: Thank you.
LISTNUM
1 \l 15440 You
referred to specific subcategory 34, which is Blues, and Category 3,
which is a broader category in terms of Cancon levels.
LISTNUM
1 \l 15441 For
the record, I just have a few more questions.
LISTNUM
1 \l 15442 By
condition of licence the minimum level of subcategory 34, which is just
Blues ‑‑ sorry, Jazz and Blues to be broadcast each week.
LISTNUM
1 \l 15443 MR.
TROTTIER: Normally it's 15 per
cent. That's what you want to say for
Cat. 3 music?
‑‑‑ Pause
LISTNUM
1 \l 15444 MS
SMITH: It's 20 per cent for
subcategory 34.
LISTNUM
1 \l 15445 MR.
TROTTIER: Right now it's
20 per cent, yes.
LISTNUM
1 \l 15446 MS
SMITH: All right. So you would confirm that, 20
per cent?
LISTNUM
1 \l 15447 MR.
TROTTIER: Yes.
LISTNUM
1 \l 15448 MS
SMITH: All right. So by condition of licence the minimum level
of Canadian content to be broadcast each week overall for Category 3?
LISTNUM
1 \l 15449 MR.
TROTTIER: Yes, we accept that.
LISTNUM
1 \l 15450 MS
SMITH: So what would be the number you
would accept?
LISTNUM
1 \l 15451 MR.
TROTTIER: The minimum of
20 per cent.
LISTNUM
1 \l 15452 MS
SMITH: So the minimum amount you would
accept?
LISTNUM
1 \l 15453 MR.
TROTTIER: For Cat. 3.
LISTNUM
1 \l 15454 MS
SMITH: The minimum is
10 per cent for Cat. 3.
LISTNUM
1 \l 15455 MR.
TROTTIER: The minimum is
10 per cent?
LISTNUM
1 \l 15456 MS
SMITH: Yes.
LISTNUM
1 \l 15457 UNIDENTIFIED
SPEAKER: I think we need further
clarification on the question.
LISTNUM
1 \l 15458 MR.
TROTTIER: For Canadian content in
Cat. 3 music?
LISTNUM
1 \l 15459 MS
SMITH: It's 10 per cent.
LISTNUM
1 \l 15460 MR.
TROTTIER: It's not
20 per cent?
LISTNUM
1 \l 15461 MS
SMITH: That would be for the
subcategory 34.
LISTNUM
1 \l 15462 MR.
TROTTIER: Well, okay, we will accept
10 per cent, no problem.
LISTNUM
1 \l 15463 MS
SMITH: All right.
LISTNUM
1 \l 15464 The
new Commercial Radio Policy imposed a specific level of Canadian content which
is tied to subcategory 34 of 20 per cent.
LISTNUM
1 \l 15465 Would
you agree to this by condition of licence?
LISTNUM
1 \l 15466 MR.
TROTTIER: Yes.
LISTNUM
1 \l 15467 MS
SMITH: All right. Thank you very much. I appreciate your patience.
LISTNUM
1 \l 15468 MR.
TROTTIER: Thank you.
LISTNUM
1 \l 15469 THE
CHAIRPERSON: Mr. Torres, you have your
final two minutes to give us your best pitch.
LISTNUM
1 \l 15470 MR.
ED TORRES: All right.
LISTNUM
1 \l 15471 There
are four key points that we feel ‑‑ four compelling reasons to
license DAWG.
LISTNUM
1 \l 15472 First ‑‑
and we don't mean a dog licence, we mean a radio licence ‑‑
‑‑‑ Laughter /
rires
LISTNUM
1 \l 15473 MR.
ED TORRES: The City of Kawartha Lakes is
number one.
LISTNUM
1 \l 15474 Our
second reason is our format, the Blues.
LISTNUM
1 \l 15475 Reason
number three is our experience and our long‑term commitment.
LISTNUM
1 \l 15476 Last,
we are a new player, we are going to add diversity to the Canadian
broadcast system.
LISTNUM
1 \l 15477 Back
to Kawartha Lakes.
LISTNUM
1 \l 15478 The
City of Kawartha Lakes is clearly under serviced with only one radio station
per 74,000 residents. The last licence
was issued in Kawartha Lakes in 1955. In
fact, it is arguably one of the most under served radio markets in act, a fact
underscored by out‑of‑market tuning which runs at about
85 per cent. There is only one
news voice in that market.
LISTNUM
1 \l 15479 To
the Blues now.
LISTNUM
1 \l 15480 It
is currently available on satellite, it is on the internet, it is thriving, it
is on the front page of the Ottawa Citizen and it does pretty well in
the market as well. CBC's "Saturday
Night Blues" ranks as the number four show in Peter market, adults
12+, and it's third in the Lindsay market.
LISTNUM
1 \l 15481 Our
format is going to be mainstream Blues artists.
70 per cent of those songs will be recognizable songs just
like you were tapping your toes to, commercial Gold songs like "Leila",
"Domino", "Voodoo Thing", "Pride and Joy".
LISTNUM
1 \l 15482 The
ancillary benefit of playing approximately 25 per cent of Cat. 3
music is huge to the Blues and to emerging Canadian Blues artists. They don't have a commercial outlet to play
right now.
LISTNUM
1 \l 15483 We
are going to change that, and we are going to change it with our
experience. At the table we have over 96
years of radio experience. We look
young, but we have been at it for a while.
LISTNUM
1 \l 15484 We
are a young, enthusiastic company, we have extensive knowledge of the broadcast
system, we are committed to this format.
We have researched it across the country and we are committed to make it
available to Canadians coast‑to‑coast.
LISTNUM
1 \l 15485 Last,
we are a new player. We are going to add
diversity to the Canadian Broadcast system.
We bring cultural diversity of ownership. We want to be a role model for minorities and
women. We intend to increase the
plurality of news voices.
LISTNUM
1 \l 15486 We
are new player with fresh ideas like our environmental commitments that we have
made and, with those, I think if you license us you may send a clear
message to the rest of the broadcast system about the need for radio to be
environmentally sensitive. We think it's
in the public's best interest to license another Kawartha Lakes radio station,
the second one, that's us.
LISTNUM
1 \l 15487 Thank
you for your consideration. Please don't
stick us with a dog frequency.
‑‑‑ Laughter /
Rires
LISTNUM
1 \l 15488 THE
CHAIRPERSON: All right
LISTNUM
1 \l 15489 Mr.
Torres and your panel, thank you very much for your patience this afternoon
with our questions.
LISTNUM
1 \l 15490 We
stand adjourned. Everyone have
a great evening. We will see you at
9 o'clock tomorrow morning.
‑‑‑ Whereupon the
hearing adjourned at 1750, to resume
on Thursday,
December 13, 2007 at 0900 / L'audience
est ajournée à 1750, pour reprendre le jeudi
13 décembre 2007 à 0900
REPORTERS
____________________ ____________________
Beverley Dillabough Monique Mahoney
____________________ ____________________
Jean Desaulniers Jennifer Cheslock
- Date de modification :