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Toutefois, la publication susmentionnée est un compte rendu textuel des délibérations et, en tant que tel, est transcrite dans l'une ou l'autre des deux langues officielles, compte tenu de la langue utilisée par le participant à l'audience.
TRANSCRIPT OF PROCEEDINGS BEFORE
THE CANADIAN RADIO‑TELEVISION AND
TELECOMMUNICATIONS
COMMISSION
TRANSCRIPTION
DES AUDIENCES DEVANT
LE
CONSEIL DE LA RADIODIFFUSION
ET
DES TÉLÉCOMMUNICATIONS CANADIENNES
SUBJECT
/ SUJET:
VARIOUS BROADCASTING APPLICATIONS /
PLUSIEURS DEMANDES EN RADIODIFFUSION
HELD AT: TENUE À:
Best Western Inn Best Western Inn
2402 Highway 97 North 2402, autoroute 97 Nord
Kelowna, B.C. Kelowna (C.-B.)
October 31, 2007 Le 31 octobre 2007
Transcripts
In order to meet the requirements of the Official Languages
Act, transcripts of proceedings before the Commission will be
bilingual as to their covers, the listing of the CRTC members
and staff attending the public hearings, and the Table of
Contents.
However, the aforementioned publication is the recorded
verbatim transcript and, as such, is taped and transcribed in
either of the official languages, depending on the language
spoken by the participant at the public hearing.
Transcription
Afin de rencontrer les exigences de la Loi sur
les langues
officielles, les procès‑verbaux pour le
Conseil seront
bilingues en ce qui a trait à la page
couverture, la liste des
membres et du personnel du CRTC participant à
l'audience
publique ainsi que la table des matières.
Toutefois, la publication susmentionnée est un
compte rendu
textuel des délibérations et, en tant que tel,
est enregistrée
et transcrite dans l'une ou l'autre des deux
langues
officielles, compte tenu de la langue utilisée
par le
participant à l'audience publique.
Canadian
Radio‑television and
Telecommunications
Commission
Conseil
de la radiodiffusion et des
télécommunications
canadiennes
Transcript
/ Transcription
VARIOUS
BROADCASTING APPLICATIONS /
PLUSIEURS
DEMANDES EN RADIODIFFUSION
BEFORE / DEVANT:
Rita Cugini Chairperson
/ Présidente
Ronald Williams Commissioner
/ Conseiller
Michel Morin Commissioner
/ Conseiller
ALSO PRESENT / AUSSI PRÉSENTES:
Cindy Ventura Secretary / Secrétaire
Véronique Lehoux Legal Counsel /
Conseillère juridique
Francine Laurier-Guy Hearing Manager /
Gérante de l'audience
HELD AT: TENUE
À:
Best Western Inn Best Western Inn
2402 Highway 97 North 2402, autoroute 97 Nord
Kelowna, B.C. Kelowna (C.-B.)
October 31, 2007 Le 31 octobre 2007
- iv -
TABLE
OF CONTENTS / TABLE DES MATIÈRES
PAGE
/ PARA
PHASE I
PRESENTATION BY / PRÉSENTATION PAR:
Northern Native Broadcasting 284 / 1532
Radio CJVR Ltd. 331 / 1767
In-House Communications Inc. 386 / 2040
Deep Waters Media Inc. 421 / 2222
Corus Radio Company 477 / 2494
PHASE II
No interventions / Aucune intervention
PHASE III
INTERVENTION BY / INTERVENTION PAR:
The Cruzeros and Cruzeroo Music Corporation 505 / 2632
Gerry Fraser 519 / 2699
Kelowna,
B.C. / Kelowna (C.‑B.)
‑‑‑ Upon resuming
on Wednesday, October 31, 2007
at 0830 /
L'audience reprend mercredi 31
octobre 2007 à 0830
LISTNUM
1 \l 1 \s 15281528 THE
SECRETARY: Hello and welcome.
LISTNUM
1 \l 11529 We
will now proceed with item 7, which is an application for Northern Native
Broadcasting (Terrace) B.C. for a licence to operate an English‑ and
Native‑languages FM type B Native radio programming undertaking in
Kelowna, British Columbia.
LISTNUM
1 \l 11530 The
new station would operate on frequency 96.3, channel 242B, with an average
effective radiated power of 7,100 watts, maximum effective radiated power of
20,000 watts, antenna height of minus 89 metres.
LISTNUM
1 \l 11531 Appearing
for the applicant is Mr. Ron Bartlett.
Please introduce your colleagues and you will have 20 minutes for your
presentation.
PRESENTATION / PRÉSENTATION
LISTNUM
1 \l 11532 MR.
BARTLETT: Thank you, Madam Chair and
Commissioners. I would like to introduce
Lynne Terbasket, who has had 20 years service with our Northern Native Network,
and also William Wesley with the same service.
LISTNUM
1 \l 11533 My
name is Ron Bartlett. I have been in
broadcasting off and on over the last 30 years.
My First Nations background comes from Kittsumkalum Village. I am a Tsimpshian, as well as Lynne is from
the Okanagan. She is a band member of
the Similkameen band and William Wesley is a band member of the Laxkw'alaams
band.
LISTNUM
1 \l 11534 We
are proposing to model our continuation of our provincial network similar to
our northern network, and we would just like to review with you how we
currently serve the First Nations communities of northern B.C. and would like
to mirror that for our southern service.
LISTNUM
1 \l 11535 We
at Northern Native Broadcasting are dedicated towards servicing the First
Nations communities in our areas, in the areas of language, culture,
communication and entertain. Northern
Native Broadcasting or CFNR has become the voice of aboriginal peoples in
northern B.C. We are a network that is
being heard in over 45 communities, north to the Yukon border, west including
all the coastal villages from Bella Bella to the Queen Charlotte Islands and
the Alaska border, Kincolith community.
We are serving as far south as Williams Lake, Quesnell and the east as
well.
LISTNUM
1 \l 11536 We
have become an important part of the daily lives of the listening area,
including the remote communities, as well as the urban centres that we serve.
LISTNUM
1 \l 11537 We
have a website, myCFNR.com, which our station has been streamed. We are being heard world wide. We were one of the first stations in Canada
to have a streaming audio on our website.
We serve eight different tribal groups in our listening area. Each tribal group has a completely different
language and custom. This is reflective
of the large and diverse number of different languages and cultures throughout
B.C. This prompted us to taking a
different approach towards implementing language and culture components. We have developed some community radio
models.
LISTNUM
1 \l 11538 Another
approach we have been successful at is promoting our major community events and
be directly involved with these events as they take place. A lot of them take place in small villages
far away from the urban centres.
LISTNUM
1 \l 11539 The
following is a more detailed description of examples of our involvement in the
communities.
LISTNUM
1 \l 11540 Community
radio. We are currently developing a
community radio program made available to most First Nations communities in our
listening area that wish to undertake such a program. This will enable a community to air a one‑hour
program focused on their language and culture and community events. To date we have provided hands‑on
training and assistance to the communities of Kitimaat (Haisla) and New
Aiyansh, a Nisga'a community. Each
community will be able to correct to CFNR's broadcast and begin their own one‑hour
programming which covers health and wellness, local news and views, a focus on
Elders, language, youth and music. This
initiative is in its early stages.
LISTNUM
1 \l 11541 First
Nations direct community involvement. We
have been invited to co‑sponsor and broadcast community and cultural
events as well as sports events. We
travel to a fair number of these communities near and far to become involved in
their events by radio promotion and assisting in planning, as well as offering
our announcers as MCs. We also broadcast
live from their communities, showcasing their culture and people. This approach has been a win/win for both
communities and CFNR.
LISTNUM
1 \l 11542 Examples
of some of the events. The Hobiyee. It is our First Nations New Year in the
north. We have had up to 4500 First
Nations people from the eight different tribal groups come together for a
celebration similar to the Chinese New Year, we have our Native First Nations
New Year in February.
LISTNUM
1 \l 11543 Last
year we celebrated in New Aiyansh. We
had a remote broadcast from that village.
Such an event has proven to be an economic boost to their community. CFNR normally pre‑promotes the events
for up to three weeks prior to broadcasting and showcasing the event to our
network. A number of our staff members
spent the entire three days in the community assisting with broadcasting, as
well as all aspects of organization of the event.
LISTNUM
1 \l 11544 I
pre‑planned the event with the organizers a good six months ahead of
time. If you do the math, 4500 people
spend an average of about $100 a day.
They left about $150,000 in that small village in those three days.
LISTNUM
1 \l 11545 CFNR
has worked directly with other communities broadcasting live and promoting
their cultural events. Example, Kitimaat
village, a Haisla community, their Music and Friends Festival. We brought over 40,000 people. Skidegate on Haida Gwaii, they call us to
come over and broadcast their Skidegate Days.
We broadcast this last year for many other communities, including New
Aiyansh, Terrace, Prince Rupert for National Aboriginal Days, Nisga'a Cultural
Days, Lax Galts ap, Career and Employment Fair.
We assisted in planning and bringing together many stakeholders from
industry and employers and also had 1500 people coming looking for careers and
jobs, and we matched them together along with learning institutions to stream
what they needed for education.
LISTNUM
1 \l 11546 We
did this in a small village of 500 people 90 miles outside of the urban centre.
LISTNUM
1 \l 11547 We
have been invited to Moricetown, Gitanmaxx, Kitsum Kalum. We promoted their Friends of the Wild
Salmon. Kitselas and Dease Lake up near
the Yukon border, as well, we were doing remote broadcasting from there. We have been in Massett, Iskut, Lax Kawlaams,
Metlakatla. Incidentally, we have 45
communities and we have been in most of them.
My job is to be in at least one or two every week, communicating with
them and bringing their needs out.
LISTNUM
1 \l 11548 Over
the past year, we have visited these communities to participate directly with
their events and speaking directly with the people at the community level,
making sure we are engaging them and bringing out their issues and successes.
LISTNUM
1 \l 11549 The
All Native Basketball Tournament. We
have been the official broadcast sponsor of the All Native Basketball
Tournament for approximately 20 years.
This tournament has been in existence for nearly 50 years and currently
involves approximately 50 teams broken into four divisions. Thousands of fans from all over B.C. attend
this annual event which lasts for seven days.
There is 5,000 of our people that come to Prince Rupert and they will
spend up to $2.5 million during the tournament.
LISTNUM
1 \l 11550 This
event has proven to be an effective model for communities and friends to
connect and interact, as well as continuing new friendships. Another aspect of this gathering is also the
sharing of traditional food and selling of First Nations arts and crafts.
LISTNUM
1 \l 11551 Our
working relationship has proven to be a win‑win with our broadcasting
live play‑by‑play of the games throughout the entire week. The tournament began during an era when the
potlatch ceremony and gathering of nations was outlawed. It was illegal for us to gather. This tournament has proven to be an effective
alternative to the traditional method.
LISTNUM
1 \l 11552 William
Wesley, who was with me, who is of Tsimshian ancestry, received an award from
the All Native Basketball Tournament Committee for 20 years of service in
broadcasting and hosting the play‑by‑play commentary of the All
Native Basketball games.
LISTNUM
1 \l 11553 Emergency
preparedness. The First Nations
Emergency Services recently communicated with CFNR. They visited our office and asked us to
assist in working with the remote villages within our network to enable us to
be the communication link for emergency messages. Taking our communication responsibility
seriously and further, to date we have worked directly with Skidegate, Kitimaat
Village and New Aiyansh. They are able
to cut into our signal and broadcast emergency messages to their community
members. For the rest of the
communities, we receive their messages from them and broadcast them over our
network. The community members are
instructed to listen to CFNR for direction during an emergency. The flooding that took place in our listening
area during the past summer proved to be a success in our communication. We had staff broadcast live 24 hours a day
updates and safety notices to the communities that we serve. We were recognized locally for our effort.
LISTNUM
1 \l 11554 In
the event of tsunamis or forest fires, we are also the link along the coast and
rural communities.
LISTNUM
1 \l 11555 Programming. Exclusive five hours of aboriginal music
programming per week. Canadians First
Nations artists are featured.
LISTNUM
1 \l 11556 Enhancing
Canada's First Nations cultural fabric by offering a wide variety of First Nations
music, we serve the many different First Nations cultures in Canada.
LISTNUM
1 \l 11557 Promoting
Canadian First Nations talent. Also
providing a is service to play local artists in order to provide a way for the
artists to become promoted. This helps to
reflect back to the local communities what is of cultural value and to them
express the First Nations musical perspectives.
LISTNUM
1 \l 11558 Because
of the sheer vastness of First Nations communities that we serve, we are
obliged to reach a large demographic ranging from 18 to 55. The format we mainly use is Classic Rock,
although we do have a Blues program and a Good Time Oldies, and other different
music that we bring forward. CFNR has a
family friendly format. You will not
hear any rude jokes or profanity. We
play the hits from the 60s to the 90s normally.
Again, our people are fairly conservative and would not like us to do
anything else but that.
LISTNUM
1 \l 11559 Lynne
Terbasket is our host of our Tribal Trax program, an employee of 20 years. Lynne came to us straight out of BCIT. Lynne has been an important part of CFNR and
has established herself well with close contacts with First Nations people
throughout B.C. With her communication
of events, issues and all things related to our people, Lynne hosts Tribal
Trax, a one‑hour program that focuses on culture, individual success
stories and developments that occur throughout B.C. Lynne tells the stories of successful
individuals, role models, interviews Elders, events, tells stories of our past,
culture. Lynne has become an important
link with our First Nations communities, enabling them to keep up to date with
information regarding the issues of our people.
LISTNUM
1 \l 11560 Wilp
Wilxo'oskwhl Nisga'a 411 community calendar.
This CFNR program runs five times a day, which enables the First Nations
communities to announce meetings, fundraisers, event, funerals, potlatches,
pole raisings. When Kitkatla needed to
announce an important treaty meeting, they used CFNR to reach their membership,
both on reserve as well as members living throughout our broadcast area in the
urban centres. This service is free to
our listeners.
LISTNUM
1 \l 11561 Tri
Corp on the Road. We currently have a
phone‑in feature weekly involving Peter Lantin from Tri Corp, a lending
institution based outside of Prince Rupert.
He is currently visiting communities within our listening area and
calling from each one, covering and sharing stories of economic and community‑based
programs with the rest of our listeners in the other tribal groups. Recently he interviewed the Chief of Bella
Bella, just north of Vancouver Island, who spoke of a $2 million initiative and
the benefits it will bring their community.
LISTNUM
1 \l 11562 The
Western Association of Aboriginal Broadcasters or WAAB. Northern Native Broadcasting, CFNR, along
with our counterparts in the four western provinces have joined forces. This association, now a society, registered,
enables us to better bring forward the better sharing of ideas and resources
and joint programming. We share as well
and produce programs that run on all of our networks. Example, the top 30 aboriginal countdown.
LISTNUM
1 \l 11563 Residential
school settlement programs. We have
recently run four programs dedicated to assist our people who are the survivors
of the residential school system. Our
next program will be a live call‑in program based from Manitoba through
NCI. WAAB will be hosting the call‑in
program from Winnipeg, with a panel made up of national aboriginal leaders,
counsellors, as well as money management experts.
LISTNUM
1 \l 11564 Aboriginal
People's Choice Awards, CAMAs and more.
With the Western Association of Aboriginal Broadcasters, we can now
reach 450,000 people in four western provinces.
LISTNUM
1 \l 11565 NNB
(CFNR) is committed to mentoring, providing training and employment
opportunities for aboriginal peoples we serve.
We have been successful in training and mentoring our people to become
some of the best in their chosen field within the broadcast industry.
LISTNUM
1 \l 11566 Our
entire Board of Directors, management and most of our staff are of aboriginal
descent. Our entire group is dedicated
and focused to providing a first class product for our listening audience, with
a blend of providing a language and culture component.
LISTNUM
1 \l 11567 With
respect, it is our intention to meaningful consult with the Okanagan First
Nation Alliance and the Westbank First nations, and we look forward to hiring
and training and creating an opportunity for a culturally relevant radio.
LISTNUM
1 \l 11568 I
thank you very much for the opportunity to take part in this process.
LISTNUM
1 \l 11569 I
would like to invite Lynne Terbasket to share her story.
LISTNUM
1 \l 11570 Way',
my name is Tminatkw Ktapasktw. That
means hello. My name is Lynne Terbasket. Tminatkw means rising of the dirty brown
waters. It comes from our old language
which is now extinct. I come from
Simikameex, people of the eagle. I am a
member of the Lower Similkameen Indian Bank.
It has been a long journey to get here.
I had two mentors inspire my journey.
One was an Elder who taught me all the stories, the history, the
legends, just really deep, the medicines, the place names, really beautiful
stories, and this is what inspired me to begin this journey into broadcasting.
LISTNUM
1 \l 11571 The
second person who inspired this journey was the late great George Manual, who
was the President of the Union of B.C. Indian Chiefs in the 80s asked me what I
am going to do to help the people.
LISTNUM
1 \l 11572 I
said, what do you need? He said, we need
people to tell our story. So, as a young
teenager I said, all right, I will get into radio. It is our way that we honour our word and I
have been committed to this for the past 30 years.
LISTNUM
1 \l 11573 I
would really like to be able to bring this wonderful tool that we have to the
Okanagan because we really help a lot of the people in the area where we do
work. We bring great understanding
between First Nations and non‑First Nations. We bring a great love of the land, and we
look at the environment in a different way and we help people to come to love
the environment, the mountains and to really come to know the place and to love
it really well.
LISTNUM
1 \l 11574 So,
these are some of the things that we get to do and some of the programs that we
do by reaching out to the Elders and their sharing of the stories of the land
and the people who live here.
LISTNUM
1 \l 11575 We
do chance losing our language. I was
told by one Elder that two words in the Navajo language can be expressed 354,000
different ways, three words in the Navajo language will fill more than the
Webster's dictionary, and there is a vast area of knowledge that is completely
untapped. The next discoveries in
science and all other areas will be related to this because there is a whole
area of knowledge and information that we, in English language, have not tapped
into yet. This is something that we can
share on our broadcasts that also makes it exciting because we are accessing
the people who have this knowledge that is unexposed.
LISTNUM
1 \l 11576 We
are extremely successful, and we have been working at it since 1985. That is when I first came on board. Our first program aired December 1985. From there we have just gone straight up, I
guess you could say, to our satellite distribution network, opening up, and
this was in 1989 to the communities that we are linked to.
LISTNUM
1 \l 11577 In
1999 we reached a world wide web audience, and as of 2001 we were on Star
Choice satellite across Canada.
LISTNUM
1 \l 11578 There
are many reasons why we need the licence.
In the story of Terbasket, that means opening of the clouds. As part of the story where one of the
brothers brings back to life his older brother, and it involves shooting an
arrow into the sky. In many ways you
resemble that arrow because when that arrow came back down it went into the
hole he had cut into his brother's buckskin jacket and his brother came back to
life and the clouds moved back like that and the sun came shining down on them
like this.
LISTNUM
1 \l 11579 This
is the kind of reawakening that you can bring to the people here that we have
brought to the people of the north, and I really do encourage you to give us
that licence.
LISTNUM
1 \l 11580 Thank
you.
LISTNUM
1 \l 11581 MR.
BARTLETT: I would like to encourage
William to speak, please.
LISTNUM
1 \l 11582 MR.
WESLEY: Madam Chair, members of the
Commission, am‑daala‑whaan, hi, how are you?
LISTNUM
1 \l 11583 Just
to add to Ron's presentation to you, I want to give you my views of
communication.
LISTNUM
1 \l 11584 In
the spirit of communication, I feel it is important to introduce myself. My name is William Wesley. I am a Tsimshian from Lax‑kw'alaams,
which is also known as Port Simpson on the north coast of B.C. My Indian name is Hey‑wuxth. I am a warrior and protector of my Chief and
my people and my tribe. One day I will
be the Chief.
LISTNUM
1 \l 11585 I
was accepted and started radio training in 1986 and started my career with
Northern Native Broadcasting in July of 1987.
LISTNUM
1 \l 11586 My
choice of career in radio broadcasting comes from a desire to positively impact
the non‑native community for the betterment of our people.
LISTNUM
1 \l 11587 I
believe communication vehicles offer an avenue of hope to improve life for
native people.
LISTNUM
1 \l 11588 Communication
provides a means by which we can interpret our own reality, define our own
identity and, in turn, express these to the world community as a whole.
LISTNUM
1 \l 11589 To
those of us who choose this path, the responsibilities are numerous. We are the present day story tellers, as most
of our history is orally passed down from our Elders to us. We are the messengers between the villages
and the nations.
LISTNUM
1 \l 11590 As
well, we are the native presence in the information age where we stand strong on
aboriginal awareness between the aboriginal and non‑aboriginal
communities. We are the carriers of the
word.
LISTNUM
1 \l 11591 We
are the communicators just as the raven is the communicator in our traditional
stories and myths. In many ways we are
today's tribal historians.
LISTNUM
1 \l 11592 Our
heritage and legacy as the first people of the land demand that we meet these
responsibilities for future generations.
LISTNUM
1 \l 11593 We
can, through radio, preserve, our language and culture through preserving our
traditional stories. We are the
watchdogs of native governments, organizations and agencies as well.
LISTNUM
1 \l 11594 Just
as important, we have the responsibility to ensure that all First Nations are
kept informed of federal and provincial government policies and laws which
affect and influence our lives. In many
ways, we represent the only glimpses many non‑First Nations have of our
culture, heritage and communities.
LISTNUM
1 \l 11595 If
our communities are to improve, we need a strong and free radio.
LISTNUM
1 \l 11596 Classic
Rock CFNR's past and current mandate to initiate freedom of the radio in First
Nations communities, as a necessary step towards that agenda or goal, it is my
belief that only communication between all members of our First Nations will
improve the quality of life of all native people. That has always been the responsibility of
communications in our societies, a goal we share at CFNR.
LISTNUM
1 \l 11597 We
are linked to the Western Association of Aboriginal Broadcasters for the betterment
of communities in western Canada.
LISTNUM
1 \l 11598 Thank
you.
LISTNUM
1 \l 11599 MR.
BARTLETT: We would like to thank you
again, Madam Chair and Commissioners, and this completes our presentation.
LISTNUM
1 \l 11600 THE
CHAIRPERSON: Thank you very much.
LISTNUM
1 \l 11601 I
will ask Commissioner Williams to lead the questioning. Thank you.
LISTNUM
1 \l 11602 COMMISSIONER
WILLIAMS: Good morning, Mr. Wesley and
Ms Terbasket, and I am sorry, I missed your name.
LISTNUM
1 \l 11603 MR.
BARTLETT: Ron Bartlett.
LISTNUM
1 \l 11604 COMMISSIONER
WILLIAMS: Thank you, Mr. Bartlett. Who should I direct my questions to, to you,
Mr. Bartlett?
LISTNUM
1 \l 11605 MR.
BARTLETT: Yes, I would be glad to answer
your questions.
LISTNUM
1 \l 11606 COMMISSIONER
WILLIAMS: Thank you. Welcome to our hearing.
LISTNUM
1 \l 11607 As
you know, the CRTC Native Broadcasting Policy states that native undertaking
should, amongst other things, be specifically oriented to the native population
and reflect the interests and needs specific to the native audience it is
licensed to serve. It has a distinct
role in fostering the development of aboriginal cultures and, where possible,
the preservation of ancestral languages.
LISTNUM
1 \l 11608 I
have a series of questions in this area.
LISTNUM
1 \l 11609 We
have, of course, as you know, received some interventions from local aboriginal
community that have suggested they are not in support of your application.
LISTNUM
1 \l 11610 Can
you please tell me what level of local consultation that you went through, and
maybe also comment on the importance of local ownership and involvement in
order for this type of service to succeed.
LISTNUM
1 \l 11611 MR.
BARTLETT: Yes. I think if you look at the models of our
western Canada broadcast system for aboriginal broadcasters, we do consult
with, but the process of the CRTC does not allow for meaningful
consultation. The short time lines that
were there for us to apply for the licence, again in our culture, consultation
is more than a word. It means
accommodation, and consultation is something that we do on an ongoing basis,
not just when we are applying for a licence or appearing before a Commission.
LISTNUM
1 \l 11612 I
am visiting communities each week, at least one or two villages within our 45
communities in our broadcast area to make sure I am continually consulting with
them, bringing out their issues, bringing out their needs and what they would
like to see. Then we bring those needs
forward and be their voice to the other tribal groups. We are more than just a single village or a
single tribal group. In southern B.C.,
we want to ‑‑ now we have matured for 20 years. We have become successful in what we are
doing, we have become a voice of the First Nations people throughout B.C. We want to extend our network, as we have in
the north, to the south. We are
financially able to do that.
LISTNUM
1 \l 11613 So,
what we hope to do is to first and foremost consult the Westbank First Nation
and the Okanagan Alliance and to make sure that their needs of communication
are brought into what we would do.
LISTNUM
1 \l 11614 That
we will promise to do, and make them part of what we are going forward as an
organization.
LISTNUM
1 \l 11615 We
have a strong component already of their people. Lynne Terbasket is of the Okanagan peoples, and
we are really, if you could imagine, a multi‑national First Nations
organization.
LISTNUM
1 \l 11616 British
Columbia has over 20 different tribal groups, with close to 200 villages. The second largest population of aboriginal
peoples in Canada live in B.C. So, we
have to take into account the interests of certainly the First Nations people
of Okanagan, but also of the 12 other tribal groups of southern B.C., and they
have different cultures and different languages as different as French and
English. So, again, we have to represent
them all globally and we certainly will consult with them.
LISTNUM
1 \l 11617 COMMISSIONER
WILLIAMS: So, if I understand you, have
you had meetings with any of the local groups, the Okanagan Nation Alliance or
the Westbank First Nation prior to now?
LISTNUM
1 \l 11618 MR.
BARTLETT: Yes, we have actually. Chief Louis had come to our station. Perhaps I can let William or Lynne, who had a
firsthand visit with him, I wasn't in the station at the time he was there, but
he had expressed an interest that we come and do exactly the same thing here.
LISTNUM
1 \l 11619 Lynne
has been communicating with many of her associates and relatives within the
Okanagan communities. Again, the
indication is that we are welcomed with what we have.
LISTNUM
1 \l 11620 We
haven't had the opportunity to communicate directly on a government‑to‑business
basis, but, again, that is our opportunity.
It is our intention to do that as we go forward.
LISTNUM
1 \l 11621 Perhaps
Lynne or William, if you wanted to recount Chief Louis' visit.
LISTNUM
1 \l 11622 MS
TERBASKET: Over the past number of years
we have met with Okanagan Nation Alliance and the Chiefs of the Okanagan. They did support our efforts a number of
years ago and encouraged us to keep going and to bring this to the area, to the
region and develop it.
LISTNUM
1 \l 11623 Unfortunately,
we haven't been able to sit down with Westbank First Nation or Okanagan Nation
Alliance. However, due to our short
notice that we were going to bring together the application, we never had the
opportunity to contact them, although we would not proceed without having them
directly involved with the programming, the sound of the station, et cetera.
LISTNUM
1 \l 11624 COMMISSIONER
WILLIAMS: What specific measures would
you put into place to bring their involvement to a state where it was
supportive? What would you be offering
and what would you be providing them to gain their support?
LISTNUM
1 \l 11625 MR.
BARTLETT: Again, we don't operate in
isolation. We need their involvement. We will be looking at this being the head
office, just as we have a mirror of our northern network where in Terrace we
have our head office and studio. We
would propose to do exactly the same thing here in Kelowna and we need people,
we need First Nations people. We would
draw from their people and employ them and train them and mentor them. So I think we would have a very good
significant involvement with their community.
LISTNUM
1 \l 11626 This,
again, as we do in the north, would be the head office of our southern
network. We are proposing that we would
do a similar network in the north into the south where we would rebroadcast via
satellite to the remote villages throughout southern B.C. as well as to where
opportunity presents to the urban centres where many First Nations live.
LISTNUM
1 \l 11627 Because
we are building our head office here, we would engage them directly again in
employment, in training and having their people work in our organization, and
we would consult them again.
LISTNUM
1 \l 11628 Again,
apologies. The time line of the
application doesn't provide for meaningful consultation, and that is the word
that I think that we would like to bring forward. Meaningful consultation again means
accommodation, and that is something that is actually entrenched in law, in
First Nations law. So we understand that
and we would go forward doing that. We
have had no problem to this point in any other part of B.C.
LISTNUM
1 \l 11629 But,
again, this is going to be a head office that serves 12 other First Nations
groups with different languages and different cultures. So, we would also have to consult with them
as well and make sure that the programming is going to be relevant to all the
First Nations in the south, just as we are doing it now in the north. We have a proven model in the north.
LISTNUM
1 \l 11630 COMMISSIONER
WILLIAMS: That is a good lead into the
next question.
LISTNUM
1 \l 11631 Give
us a description of the programs that will be broadcast and how are they going
to be relevant to the Kelowna aboriginal population, keeping in mind that the
Native Broadcasting Policy, as I have said at the outset of the questioning, be
specifically oriented to the native population and reflect the interests and
needs specific to the audience that it is licensed to serve. So, if it is licensed for the Kelowna market,
describe some of the programming that will be relevant to the Kelowna
aboriginal population.
LISTNUM
1 \l 11632 MR.
BARTLETT: Oh yes, by all means.
LISTNUM
1 \l 11633 Again,
we would have an opportunity to bring to the Kelowna market, as we do in the
north right now, the complete aboriginal community from western Canada. With our association of the Western
Association of Aboriginal Broadcasters, the local people here need to have an
understanding of what is happening to their fellow First Nations people
throughout Canada, and we bring that opportunity through our association here,
through also shared programming.
LISTNUM
1 \l 11634 As
an example, our residential school program you would not hear on any other
network or broadcaster except through our medium. We presently have four programs that we have
run recently. They have been run
throughout western Canada where we have been able to have high profile First
Nations leaders, Canadian leaders address our people, as well as people that
have been involved in putting together the residential school agreement. We have had counsellors to help with the
issues around healing with the residential school issue, plus money management
people to help the survivors better manage what they are going to be receiving.
LISTNUM
1 \l 11635 Again,
you would not hear that in any other network but ours. From there, we have a live call‑in
program coming up on November 25th, that is going to link all of western
Canada, and the people here will benefit from that. There are many survivors here that need this
information that aren't going to get it many other ways.
LISTNUM
1 \l 11636 We
will, again through meaningful consultation with the Westbank First Nation and
the Okanagan Alliance, we will consult them, that is a promise. We will from there bring out what they need
to have brought out, and not just to these communities here, but their issues
will be brought out to the greater audience through B.C. We are a B.C.‑wide network as well.
LISTNUM
1 \l 11637 So,
we will consult them, yes, on a local basis and we will bring in valuable
information to them on a daily basis from the outside connections of our
association.
LISTNUM
1 \l 11638 COMMISSIONER
WILLIAMS: Thank you, Mr. Bartlett.
LISTNUM
1 \l 11639 You
propose to broadcast 12 hours of spoken word programming, which includes three
hours of news, seven hours of other talk and two hours of public affairs. How will your spoken word programming be
distinct, specifically oriented to the needs of the Kelowna marketplace?
LISTNUM
1 \l 11640 MR.
BARTLETT: For one thing we will have
their own language being broadcast, which is specifically looking at the
Okanagan people. We will broadcast their
language.
LISTNUM
1 \l 11641 We
will also bring out their needs as far as communication from one community to
another.
LISTNUM
1 \l 11642 Our
people, they are in tribal groups and they have relatives from one community to
another. When there are things like
feasts, which is our potlatch, or our judicial system, we will broadcast
those. Then from there, if there is any
events, whether it be deaths or meetings or simply fundraising for their
community groups, we will do that. We will
work right there with them side by side, which we do in the north. We will do here for them as well.
LISTNUM
1 \l 11643 So,
we will focus on bringing and building capacity and showcasing their events in
their different communities. Their
different cultural programs we will do as well, specifically directed to the
Okanagan First Nation.
LISTNUM
1 \l 11644 COMMISSIONER
WILLIAMS: Have you decided on any
specific type of programming or any specific local people that are involved to
help you put this together?
LISTNUM
1 \l 11645 MR.
BARTLETT: Lynne actually has been doing
that now for approximately 20 years. We
have been bringing the news and views of the Okanagan people to the north. Lynne is from the Okanagan and she has family
here that are in different levels of government.
LISTNUM
1 \l 11646 Lynne
is heading our Tribal Trax program, which is a very important part of our
day. We are going to mirror that program
here. She would be here and directly
involved in producing it.
LISTNUM
1 \l 11647 So,
you know, we have direct contact with the Okanagan First Nations people through
Lynne Terbasket, an Okanagan member.
LISTNUM
1 \l 11648 COMMISSIONER
WILLIAMS: The programming in your
southern network would be different than the programming in the northern?
LISTNUM
1 \l 11649 MR.
BARTLETT: We would take the good things
that would work from the northern network, but again with consultation from the
local peoples. We would develop what
they want to hear.
LISTNUM
1 \l 11650 COMMISSIONER
WILLIAMS: Out of the 126 hours of
programming per broadcast week, how many hours will be dedicated to native
programming, both in English and aboriginal languages and maybe if you can give
us a break down between the spoken word and the music programming.
LISTNUM
1 \l 11651 So,
the question is out of the 126 hours of programming, how many hours will be
dedicated to native programming?
LISTNUM
1 \l 11652 MR.
BARTLETT: We would have at least 20
hours per week dedicated specifically to local First Nations programming.
LISTNUM
1 \l 11653 COMMISSIONER
WILLIAMS: Of that 20 hours, how much of
it is spoken word and how much is music or is that all spoken word?
LISTNUM
1 \l 11654 MR.
BARTLETT: That would be a mixture of
both, mostly spoken word.
LISTNUM
1 \l 11655 We
have a one‑hour spoken word program daily. That is the Tribal Trax program that runs one
hour every day.
LISTNUM
1 \l 11656 COMMISSIONER
WILLIAMS: That is seven hours.
LISTNUM
1 \l 11657 MR.
BARTLETT: That is seven hours. Then through the day our announcers are
continuously interacting with our listeners bringing out birthday requests or
meeting announcements.
LISTNUM
1 \l 11658 We
have live people working all day long interacting with our listeners and
bringing out what they need to be brought out, plus our news programs are all
local. We will have three people
dedicated to the local news gathering, and that will be brought out each day.
LISTNUM
1 \l 11659 With
regard to sports, we will also bring that component out as well, again focusing
on the First Nations sports activities and any cultural events we would
certainly be there to bring that forward.
LISTNUM
1 \l 11660 COMMISSIONER
WILLIAMS: So, how many hours would that
be total now?
LISTNUM
1 \l 11661 MR.
BARTLETT: A minimum of 20 hours. It goes longer than that. When we are working with a community
promoting their events, it is almost every other word that we speak is directing
people to the event to encourage them to come out and support their brothers
and sisters in these different communities.
That we do on quite a regular basis.
LISTNUM
1 \l 11662 COMMISSIONER
WILLIAMS: Your application proposes
three hours of news. How many hours of
local news stories will be during each broadcast week, like how much of this
news is going to be local?
LISTNUM
1 \l 11663 MR.
BARTLETT: It is pretty much all local
actually. The national news would be
brought in from our WAAB association or anything that is important to our
people. But, again, our focus is to be
local, again distinctive to the south rather than the north. So we would bring forward more issues and news
from this area.
LISTNUM
1 \l 11664 COMMISSIONER
WILLIAMS: Of the three hours, what
percentage would be dedicated to the Kelowna marketplace?
LISTNUM
1 \l 11665 MR.
BARTLETT: At least one hour, you
know. Again, it depends on what is
happening within the First Nations communities in southern B.C. We would certainly focus ‑‑
this is going to be the head office and this would be the centre of focus, but
there is other issues that would affect our peoples on a daily basis throughout
B.C., southern B.C. first, then B.C. and then western Canada. We would bring those components into the day.
LISTNUM
1 \l 11666 COMMISSIONER
WILLIAMS: With respect to newscasts, how
many will be offered over the course of a broadcast week or a broadcast day?
LISTNUM
1 \l 11667 MR.
BARTLETT: At the top and the bottom of
every hour for ten hours a day. That is
not just news.
LISTNUM
1 \l 11668 Our
peoples, if you can imagine living in the rural communities, a road report is
not a luxury. On the coast, the weather
reports are not a luxury. They are a
necessity. If you are travelling many
miles to an urban centre for your goods and services, for the safety of your
family you need to listen to the road reports.
We have detailed road reports that would cover and encompass the full
travel distance of the Okanagan First Nation first and then what is happening
around.
LISTNUM
1 \l 11669 From
there, the different elements that they would need during the day to keep
themselves going, we would bring that in as well.
LISTNUM
1 \l 11670 COMMISSIONER
WILLIAMS: So, a typical newscast, what
would be the average length of this newscast?
How much time would it be?
LISTNUM
1 \l 11671 MR.
BARTLETT: About ten minutes per ‑‑
we have one major news report at the top of the hour and a shortened one at the
bottom of the hour. So, then ten minutes
and then five minutes.
LISTNUM
1 \l 11672 COMMISSIONER
WILLIAMS: Is this the case seven days a
week or is that just Monday to Friday?
LISTNUM
1 \l 11673 MR.
BARTLETT: Monday to Friday, yes.
LISTNUM
1 \l 11674 COMMISSIONER
WILLIAMS: What happens on the weekends?
LISTNUM
1 \l 11675 MR.
BARTLETT: On the weekends, we do have
different programs running on the weekends but our news is basically Monday to
Friday.
LISTNUM
1 \l 11676 COMMISSIONER
WILLIAMS: I note that you will be live‑to‑air
60 hours per week. Can you tell me
exactly when this would occur. Is it
10:00 to 10:00 or 6:00 to 8:00?
LISTNUM
1 \l 11677 MR.
BARTLETT: 6:00 a.m. to 6:00 p.m. daily.
LISTNUM
1 \l 11678 COMMISSIONER
WILLIAMS: Okay, 6:00 to 6:00 daily. And that is seven days a week or what happens
on the weekends?
LISTNUM
1 \l 11679 MR.
BARTLETT: On the weekends we have
prerecorded programming a lot of times but if we are involved with on event it
is live broadcasting from those communities.
LISTNUM
1 \l 11680 A
big component of what we do, we actually travel to the villages that we serve
and broadcast from their villages as well.
LISTNUM
1 \l 11681 COMMISSIONER
WILLIAMS: I guess we note your proposed
musical format would consist of a mixture of popular music as well as blues and
country, and we have heard about classic rock which you are using in your
network now. As you know, the native
policy states that aboriginal broadcasters must play an effective leading role
in the development and airplay of native musical talent.
LISTNUM
1 \l 11682 What
initiatives do you have proposed in that ‑‑
LISTNUM
1 \l 11683 MR.
BARTLETT: Presently with our WAAB
association, Western Association of Aboriginal Broadcasters, every week we
broadcast the top aboriginal 30 countdown weekly and in doing so promote our
aboriginal artists.
LISTNUM
1 \l 11684 With
Lynne's Tribal Trax program she features First Nations artists through her
program, and that is on a local basis.
When we are broadcasting in Kelowna, as we hope to do, that would be
bringing in local people here, local First Nations people and promoting them on
our program.
LISTNUM
1 \l 11685 We
also have quite often brought in the artists during the day part and
interviewed them as they are going along and played their music as they are
sitting there, and it is quite an interesting component. But we do promote local aboriginal artists on
a regular basis.
LISTNUM
1 \l 11686 COMMISSIONER
WILLIAMS: Coming back to one of my first
questions, could you please now tell us the importance of local ownership and
involvement in an undertaking such as yours serving this area?
LISTNUM
1 \l 11687 MR.
BARTLETT: I appreciate the question,
and, again, our focus will be first the Okanagan First Nations people and for
their betterment to bring in our opportunities for communication from the B.C.
wide audience as well as western Canada, bringing it here so we can communicate
back and forth for them, bringing their views out and the other views in.
LISTNUM
1 \l 11688 But,
again, we will be hiring local people to fill the positions here. We will be training and mentoring, just as we
have for William and Lynne, bringing them up to a place where they can work in
any environment anywhere.
LISTNUM
1 \l 11689 Right
now, our First Nations component of our staffing is about 80 per cent. I don't think you would have that even if you
started a local station because you would have to have expertise brought in to
first train and go. But we offer as well
a much greater depth that we can bring to the Okanagan people with our
experience and our successes, and this will be brought into our radio station
here locally. Again, we will be hiring
local people.
LISTNUM
1 \l 11690 COMMISSIONER
WILLIAMS: Thank you, Mr. Bartlett for
that.
LISTNUM
1 \l 11691 Do
you see any opportunities for the local people in terms of, say, ownership or a
joint venture or positions on the Board of Directors or senior managers of the
organization, or is that something that you will provide from northern B.C. and
just train people for the operation?
LISTNUM
1 \l 11692 MR.
BARTLETT: I am sure that those
opportunities will arise, but we really need to have meaningful consultation,
which again your process hasn't allowed us to.
LISTNUM
1 \l 11693 We
were simply applying for a licence first and then once we have the licence, we
will come in and we will consult. Much
like our northern operation, our Board of Directors are made of representatives
from the different tribal groups and we would need that input here.
LISTNUM
1 \l 11694 Certainly
senior management, there are many qualified people in this area that we will
bring on board to assist us and guide us and help us build a network relevant
to the communities here. Then from
employment, we need to mentor and train again people from this area. So we would provide that.
LISTNUM
1 \l 11695 COMMISSIONER
WILLIAMS: Okay, Mr. Bartlett and Ms
Terbasket and Mr. Wesley, thank you very much for your presentation. That concludes my line of questioning.
LISTNUM
1 \l 11696 THE
CHAIRPERSON: Thank you.
LISTNUM
1 \l 11697 I
just have a couple of follow‑up questions.
LISTNUM
1 \l 11698 You
have mentioned it a couple of times that our process does not allow you to do
consultation. Can you educate me on what
are the barriers to our process that do not allow you to do that and is there
anything about our process that we could change?
LISTNUM
1 \l 11699 MR.
BARTLETT: We were simply applying for a
licence. We appreciate the opportunity,
but meaningful consultation would have to take place over a period of time, and
we want to make sure that we would devote that time.
LISTNUM
1 \l 11700 So,
with the short time line we had for applying for the licence we did. And our intention is to consult with again
the local First Nations.
LISTNUM
1 \l 11701 Again,
consultation means accommodation, not just to talk or send a letter. So, accommodation means, and this is actually
entrenched in law with the Delgamuuxth decision that happened some time back,
where consultation has to be engaging of both parties and also accommodating
both parties.
LISTNUM
1 \l 11702 So,
that is what we mean by consultation. It
is a higher level of discussion. It is not
discussion. It is consultation.
LISTNUM
1 \l 11703 THE
CHAIRPERSON: Is there anything about our
process that we could change that would allow you to do that in a more
meaningful way the next time?
LISTNUM
1 \l 11704 MR.
BARTLETT: Well, if we had a few months
to apply.
LISTNUM
1 \l 11705 THE
CHAIRPERSON: So it is just a matter of
time?
LISTNUM
1 \l 11706 MR.
BARTLETT: It is time. We do appreciate again the opportunity, but
we apologize to the local First Nations groups that consultation, the way we
understand it, couldn't happen in that time line. But, again, it is our intention and we go on
record as saying we will consult with the local First Nations.
LISTNUM
1 \l 11707 THE
CHAIRPERSON: Thank you for that.
LISTNUM
1 \l 11708 I
am asking this question only as it relates to your share projections. Can you tell me what percentage of the
population in this market is aboriginal and, therefore, would be your target
core audience?
LISTNUM
1 \l 11709 MR.
BARTLETT: Again, that is a difficult
question to quantify because there are a number of aboriginal peoples living in
the urban centre here. You can get the
totals of the villages, but the urban centre, it is really a multi‑national
group that lives in Kelowna.
LISTNUM
1 \l 11710 William
was visiting his sister here last night and he has a nephew here. There are many other peoples that have come
to live in Kelowna because of the economic opportunities from the 200 villages
throughout B.C. living in the urban centre.
LISTNUM
1 \l 11711 So,
there are many people of aboriginal descent.
I would suggest 15, maybe 20 per cent in that area. That would be conservatively.
LISTNUM
1 \l 11712 THE
CHAIRPERSON: That would be conservative?
LISTNUM
1 \l 11713 MR.
BARTLETT: Yes. In the north we actually have a huge
population of aboriginal peoples there, but it is a little less in the south
with the larger urban populations.
LISTNUM
1 \l 11714 THE
CHAIRPERSON: Therefore, if you don't
have an exact number, and perhaps you haven't done that kind of demographic
study, what factors went into these share projections that you have filed with
us in the application? In other words,
how did you come up with these projections because some might argue that for
your type of radio station, for a specialty format, these are a bit high.
LISTNUM
1 \l 11715 MR.
BARTLETT: Okay. We are going by best information provided at
that time. So, that, to the best of our
knowledge, is what we understand to be the case.
LISTNUM
1 \l 11716 THE
CHAIRPERSON: You spoke a little bit with
Commissioner Williams about your format.
Do you have an estimate as to what percentage of the music will feature
aboriginal artists or whichever way you choose to quantify it.
LISTNUM
1 \l 11717 MR.
BARTLETT: About 10 to 15 per cent.
LISTNUM
1 \l 11718 THE
CHAIRPERSON: Ten to 15 per cent of the
music will feature aboriginal artists?
LISTNUM
1 \l 11719 MR.
BARTLETT: Yes. At different day parts it will be 100 per
cent. During the Tribal Trax program, it
is between 6:00 and 7:00 every night, it is all aboriginal. Our top 30 countdown which happens once a
week is all aboriginal. From there it is
a mixture through our day.
LISTNUM
1 \l 11720 But
aboriginal people love music as well, so from there we are just like you.
LISTNUM
1 \l 11721 THE
CHAIRPERSON: Sure.
LISTNUM
1 \l 11722 MR.
WESLEY: It depends on what time of day
it is. Usually throughout the day we
still play a lot of the recorded artists internationally known, Buffy Sainte‑Marie,
Robbie Robertson. We still do a little
bit of Kashtin.
LISTNUM
1 \l 11723 THE
CHAIRPERSON: And this would be throughout
the broadcast week?
LISTNUM
1 \l 11724 MR.
WESLEY: That is right.
LISTNUM
1 \l 11725 THE
CHAIRPERSON: What percentage of your
spoken word programming would be in aboriginal languages?
LISTNUM
1 \l 11726 MR.
BARTLETT: We committed to ‑‑
like the aboriginal language specifically?
LISTNUM
1 \l 11727 THE
CHAIRPERSON: Yes.
LISTNUM
1 \l 11728 MR.
BARTLETT: One and a half hours per week
would be aboriginal language.
LISTNUM
1 \l 11729 Again,
it is a really important part of what we offer.
The average speaker of our language is 55 years old now, and it has been
well noted that our language is at risk of being lost very soon. So, it is an important part of what we do,
not just the language, the culture as well.
Our culture, we are so bombarded by outside influences today that it is
very difficult to be of aboriginal descent and retain your culture in an urban
environment specifically, and more so in the south than the north. In the north we have many supports but here it
is very difficult.
LISTNUM
1 \l 11730 Our
first and foremost wish is to aid in the retention of the language and also be
a benefit to the people and their culture.
LISTNUM
1 \l 11731 THE
CHAIRPERSON: And that is why we asked
the question as to how much of your programming will in fact target specifically
the aboriginal community because it also provides for the distinctiveness of
your service when compared to what is currently available in the market.
LISTNUM
1 \l 11732 I
understand from your proposal that this mixture of different types of music is
what will best address the tastes and needs of the aboriginal community, but we
must also look at it from the point of view of the impact it is going to have
on the market and on the incumbents. I
am wondering if you have had an opportunity to assess what impact you will
have?
LISTNUM
1 \l 11733 MR.
BARTLETT: I think that in looking at the
unique aspect of our programming and our delivery, we will have a minimal
effect on what is being broadcast and what is being presented to the Kelowna
market. We will have a major effect on
the aboriginal population. I use the
word aboriginal because it is more than First Nations. There are Métis, there are Inuit, there are
others. And again, living in this urban
centre there are many other First Nations here.
LISTNUM
1 \l 11734 So,
our appeal is to them, and I am sure we will have some crossover in
listeners. In the north we are who we
are, and we don't hide our First Nations identity in any way. Almost every other ID is Canada's First
Nations radio and on and on. But we do
have popularity in the north through other peoples listening.
LISTNUM
1 \l 11735 THE
CHAIRPERSON: So if I understand your
position correctly, you acknowledge that there may be some overlap with the
existing radio stations in this market, but it is the manner in which you will
package your radio station that will cause it to be distinct and address the
needs and tastes of the aboriginal community.
Have I got that right?
LISTNUM
1 \l 11736 MR.
BARTLETT: Yes. I think one of the reasons for our success is
that we have been able to, through 20 years of experience now, do that in a
very upbeat and very positive way.
Because it is so upbeat and positive, a lot of the non‑First
Nations people like listening to that as well.
LISTNUM
1 \l 11737 We
do have some listeners of the non‑aboriginal population.
LISTNUM
1 \l 11738 THE
CHAIRPERSON: Thank you. One final question which we are asking all
applicants. How many radio stations do
you believe the Kelowna market can sustain?
LISTNUM
1 \l 11739 MR.
BARTLETT: Coming from where we are right
now, which has been a depressed economy and we have been working in communities
a fifth this size with many, many radio stations to compete against and we are
successful as well as they, I would suggest you could have two mainstream radio
stations and as well two alternate stations here without much of a
problem. Again citing the 45,000
increase in population since the last licence was here and the demographics
that are here that aren't being served, this radio market is underserved, to my
understanding.
LISTNUM
1 \l 11740 THE
CHAIRPERSON: If we were to licence, as
you are suggesting, two commercial FM stations, would any of the proposals that
we have before us this week have more or less of an impact on your proposal?
LISTNUM
1 \l 11741 MR.
BARTLETT: Not at all. Again, we are a unique commodity. Our first and foremost focus is the
aboriginal population. Theirs is not.
LISTNUM
1 \l 11742 I
don't know if I could relate to you, but my first job that I had gotten in
industry, my application said, yes, Indian in pencil written on it. I was a token Indian. That is not the case with our station. We are First Nations first. We are 80 per cent First Nations of staffing
and management. Our focus will be on the
First Nations and aboriginal populations.
LISTNUM
1 \l 11743 Again,
we are not going to be trying to reach the major market.
LISTNUM
1 \l 11744 THE
CHAIRPERSON: Thank you very much.
LISTNUM
1 \l 11745 Legal
counsel?
LISTNUM
1 \l 11746 MS
LEHOUX: No.
LISTNUM
1 \l 11747 THE
CHAIRPERSON: Thank you.
LISTNUM
1 \l 11748 Mr.
Bartlett, you have two minutes to give us your final pitch.
LISTNUM
1 \l 11749 MR.
BARTLETT: Again, thank you, Madam Chair
and Commissioners.
LISTNUM
1 \l 11750 Thank
you for the opportunity to apply for a broadcast licence for Kelowna. Our plan again is to consult with the local
First Nations first, and then from there continue our provincial network
similar to our northern network, with the main studio and head office in
Kelowna, employing people from this area and engaging them in management as
well.
LISTNUM
1 \l 11751 We
will also be serving the 12 different tribal groups and many aboriginal peoples
in the urban centres with many different languages and cultures.
LISTNUM
1 \l 11752 We
are asking for no more than our sister networks in western Canada, like NCI of
Manitoba, who now serve most of Manitoba, including Winnipeg. With the other networks from western Canada
continuing to expand and better serve their peoples, we are asking for the same
thing.
LISTNUM
1 \l 11753 Our
language and culture is disappearing, with the average speaker being 55 years
old. With our association of Western
Association of Aboriginal Broadcasters, we bring many resources, as well as
over 20 years broadcast service servicing the tribal groups in the north.
LISTNUM
1 \l 11754 B.C.
has the second largest population of aboriginal peoples in Canada and are the
fastest growing population of people in Canada.
Northern Native Broadcasting, CFNR, is the best option to serve our
people of B.C. and I would encourage you to approve our licence application for
Kelowna.
LISTNUM
1 \l 11755 Again,
we will continue to consult the local First Nations to bring their views and
input to our station.
LISTNUM
1 \l 11756 Thank
you for this opportunity.
LISTNUM
1 \l 11757 THE
CHAIRPERSON: To Mr. Bartlett and your
colleagues, thank you very much.
LISTNUM
1 \l 11758 Madam
Secretary.
LISTNUM
1 \l 11759 THE
SECRETARY: Thank you, Madam Chair.
LISTNUM
1 \l 11760 I
would now ask Radio CJVR Limited to come forward to the presentation table.
‑‑‑ Pause
LISTNUM
1 \l 11761 THE
CHAIRPERSON: We will take five minutes.
‑‑‑ Upon recessing
at 0931 / Suspension à 0931
‑‑‑ Upon resuming
at 0940 / Reprise à 0940
LISTNUM
1 \l 11762 THE
CHAIRPERSON: Madam Secretary.
LISTNUM
1 \l 11763 THE
SECRETARY: Please be seated, we will
begin.
LISTNUM
1 \l 11764 We
will now proceed with item 8 which is an application by Radio CJVR Limited for
a licence to operate an English‑language FM radio programming undertaking
in Kelowna, British Columbia.
LISTNUM
1 \l 11765 The
new station would operate on frequency 96.3, with an average effective radiated
power of 7,100 watts, maximum effective radiated power of 20,000 watts, antenna
height of minus 89 metres.
LISTNUM
1 \l 11766 Appearing
to the applicant is Mr. Ken Singer.
Please introduce your colleagues, and you will then have 20 minutes to
make your presentation.
PRESENTATION / PRÉSENTATION
LISTNUM
1 \l 11767 MR.
SINGER: Good morning, Madam Chair,
Commissioners and staff. Thank you for
allowing this opportunity to appear before you once again.
LISTNUM
1 \l 11768 Before
we begin our presentation for a new FM licence in Kelowna, I would like to
introduce the members of our team.
LISTNUM
1 \l 11769 My
name is Ken Singer. I have been with
Radio CJVR Limited for the past 11 years of my 40 year broadcasting
career. I am Vice‑President of
Broadcast Operations for our company, responsible for our two Saskatchewan
stations, CJVR‑FM and CKJH‑AM in Melfort, as well as CIXM‑FM
in Whitecourt, Alberta.
LISTNUM
1 \l 11770 To
my right is Kevin Gemmell, Station Manager and Sales Manager of our two Melfort
stations. Kevin has been with our
company over 11 years.
LISTNUM
1 \l 11771 On
my far left is Dean Sinclair, a broadcast veteran, whose 30‑plus career
includes programming, on‑air, sales, senior management experience. Dean has provided input and direction for our
proposed Blended Country musical format.
LISTNUM
1 \l 11772 Behind
Dean is Lang McGilp. Lang has over ten
years of market research experience working with some of the largest research
firms in Canada, including Ipsos‑Reid, and is currently Vice‑President
of Research Services for Insightrix Research Inc. of Saskatoon.
LISTNUM
1 \l 11773 To
his right is Linda Rheaume, Administrative Manager for our stations. Linda has been a part of our team for the
past 16 years.
LISTNUM
1 \l 11774 On
my immediate left is Gene Fabro, the President and owner of Fabmar Investments
Limited of Alberta. As a prominent
western Canadian entrepreneur, the Fabro family have been in business for over
a half a century and, through its holding company Fabmar Investments, have over
the past 25 years invested heavily in a broad cross‑section of industrial
activities, including land development and home building, manufacturing, wood
lot management, oil and gas exploration, coal resource holdings, office and
retail buildings and, for the past 15 years, radio broadcasting.
LISTNUM
1 \l 11775 MR.
FABRO: Madam Chair and Commissioners,
Radio CJVR comes before you today asking for approval to establish an FM
programming undertaking on frequency 96.3 to serve Kelowna and surrounding
communities within the Central Okanagan.
LISTNUM
1 \l 11776 Such
approval will result in a dynamic new FM radio service that is programmed to
meet the unfulfilled listening needs and preferences of the region's rapidly
growing and underserved 45‑plus demographic spectrum.
LISTNUM
1 \l 11777 CJVR's
Blended Country format will greatly enhance the existing level of programming
diversity within the market, champion the development of local talent and offer
Kelowna businesses an alternative advertising vehicle to target specific age
groups on a more cost efficient basis.
LISTNUM
1 \l 11778 In
addition to enhancing the diversity of editorial voices and local programming
choices, Country 96 will further strengthen Kelowna's radio sector by
establishing competitive balance in the market and adding diversity to the
ownership structure of British Columbia's private broadcasting spectrum.
LISTNUM
1 \l 11779 Approval
of Country 96 will, in essence, restore the presence of a strong independent local
radio voice within the Kelowna market that is presently owned and controlled by
two large multimedia companies with broadcasting licences across western Canada
and beyond.
LISTNUM
1 \l 11780 As
the Commission knows, over the past two years, CJVR has applied for new
broadcasting licenses in various underserved markets across western Canada in
an effort to expand our radio business and assume a larger role as an
independent within Canada's private broadcasting sector.
LISTNUM
1 \l 11781 As
a dedicated radio company, CJVR brings to Kelowna 41 years of broadcast
experience, a nationally acclaimed reputation for programming excellence, a
talent development track record that is second to none, a corporate culture
which embodies a deep‑rooted sense of community and motivated owners
committed to making a difference in the lives of their employees, their
listeners and their communities.
LISTNUM
1 \l 11782 Based
on the stated needs and listening preferences of Kelowna residents, CJVR's
unique musical and spoken word programming initiatives, will help bridge the
service disparity gaps within the 45 to 64 and 65‑plus age groups whose
combined demos represent 55 per cent of Kelowna's adult population.
LISTNUM
1 \l 11783 MR.
SINGER: Madam Chair, Kelowna's incumbent
radio operators would have you believe that the programming formats being
proposed at this hearing are already covered by five existing stations, thus
negating the need for a new FM undertaking on the premise that it will bring
little, if any, added diversity to the local market.
LISTNUM
1 \l 11784 Further,
they maintain that Kelowna residents are well satisfied with the listening
choices currently available to them on local radio.
LISTNUM
1 \l 11785 In
looking beyond the posturing of these two ownership groups, CJVR, through its
extensive consumer demand research, has discovered that such arguments are
inconsistent with the expressed needs and programming voids identified by the
hundreds of Kelowna residents who participated in our two consumer studies.
LISTNUM
1 \l 11786 By
way of example, 65 per cent of Kelowna residents surveyed said they would
listen to radio more often if the programming they liked was available. 57 per cent agreed that Kelowna's existing
stations offer similar programming, and 50 per cent stated that often there is
very little on the radio that they like to listen to.
LISTNUM
1 \l 11787 The
study conducted by Insightrix Research Services notes that a large segment of
dissatisfied listeners falls within the 45‑plus age group and, in
particular, those aged 55‑plus.
This is consistent with CJVR's analysis of current local musical and
spoken word programming which shows that existing stations are largely catering
to the younger 18 to 44 age group, at the near exclusion of the 45‑plus
age group, the largest and most rapidly growing cohort within Kelowna's broader
community.
LISTNUM
1 \l 11788 MR.
GEMMELL: Madam Chair, CJVR commissioned
IRS to go into the field to explore the musical preferences of Kelowna's
residents. In all, a battery of 17
different music genres were presented to 400 respondents between the ages of 18
and 70.
LISTNUM
1 \l 11789 Of
all the music styles presented, country proved to be the music of preference,
as 44 per cent of respondents overall said they wanted to hear more country
music on Kelowna radio. The IRS survey
also indicated an interest in both new country and traditional country music
styles.
LISTNUM
1 \l 11790 After
viewing the survey results, CJVR concluded that a Blended Country music format
would better serve Kelowna's population than either a new or traditional
country station on their own. To test
this theory, CJVR had IRS survey an additional 400 Kelowna residents aged 35 to
70.
LISTNUM
1 \l 11791 The
results of this second survey indicated that 58 per cent of respondents were interested
in the proposed Blended Country music station.
While 69 per cent of both males and females aged 55‑plus stated
they were very interested in such a station, followed by 67 per cent of females
aged 35 to 44.
LISTNUM
1 \l 11792 In
terms of spoken word programming, many felt the need for more information on
events and activities within the Kelowna area.
Nearly 37 per cent were less than satisfied with the amount of coverage
that existing stations are providing to artists and performers, and 40 per cent
of respondents expressed the view that Kelowna's cultural diversity is not well
reflected on current local stations.
LISTNUM
1 \l 11793 MR.
SINGER: Madam Chair, in recent weeks
Kelowna's underserved 45‑plus listenership spectrum has been further
impacted by two format changes undertaken by both incumbent ownership groups.
LISTNUM
1 \l 11794 Standard/Astral's
CKFR‑AM has opted to change from an Oldies format to a News/Information
station, thus removing one of the few local music sources of interest to Kelowna's
older demographic. As well, Pattison's
CKOV, in converting from AM to FM, has aborted its approved Soft Vocals format
in favour of a Hot New Country music station.
LISTNUM
1 \l 11795 CJVR's
concern is that our application may get short circuited by another broadcast
organization's change of heart. Before
you discount us as just another Country station for Kelowna, CJVR would urge
the Commission to look at our application for what it will mean to Kelowna
residents, to new and emerging talent and to the Canadian broadcasting system.
LISTNUM
1 \l 11796 As
a matter of principle, CJVR takes issue with the sequence of events leading up
to this hearing, events which have changed the dynamics of the marketplace and
of this public process. First, CKOV
proceeded after the fact to abandon the Soft Vocals format. Next, there is an attempt by a competing
applicant to materially change their application just 13 days prior to the
start of this public hearing. Both of
these actions have placed CJVR's application, among others, in a highly
prejudicial position at these hearings.
LISTNUM
1 \l 11797 MR.
FABRO: Madam Chair, my family and my
colleagues are excited and optimistic about the prospect of establishing a
first class FM radio service at Kelowna, the hub of the Central Okanagan and
the largest centre for urban development, business, commerce, retail and health
care services between Greater Vancouver and Alberta.
LISTNUM
1 \l 11798 I
would add that we do not agree with the economic portrait of Kelowna as painted
by the two incumbent broadcast groups who maintain that the local market
economy is too fragile to support a new FM station without wreaking havoc and
throwing the market into a tail spin.
LISTNUM
1 \l 11799 In
looking beyond the posturing and self‑interests of these incumbent
broadcast groups, CJVR, through the results of the IRS economic analysis,
advertiser survey, and consumer demand studies, finds their prognosis to be
somewhat contradictory of the economic reality of the local market economy.
LISTNUM
1 \l 11800 MS
RHEAUME: Madam Chair, among the key
indicators noted in the IRS economic analysis, which confirm the vibrant growth
of Kelowna's market economy and its ability to support an additional local FM
station are the following:
LISTNUM
1 \l 11801 Kelowna's
population grew by 11 per cent between 2001 and 2006 and is projected to
increase by 138 per cent over the next 25 years, while the province is only
expected to grow by 30 per cent.
LISTNUM
1 \l 11802 Retail
sales in Kelowna are estimated by FP markets to be in excess of $2.7 billion
for 2007, some 27 per cent above the national average and are projected to
increase on average more than 6 per cent per year to just over $3 billion in
2009 and to nearly $3.7 billion by 2012.
LISTNUM
1 \l 11803 The
FP markets study indicates the average family income in Kelowna is 73,500 per
year.
LISTNUM
1 \l 11804 The
participation rate in the economy has grown to its highest point since 1994,
reaching 65 per cent.
LISTNUM
1 \l 11805 The
number of housing starts has doubled between 2001 and 2004, while building
permits in 2005 achieved record levels with a 74 per cent increase over 2004.
LISTNUM
1 \l 11806 MR.
GEMMELL: Madam Chair, CJVR's market
analysis, based on the FP Canadian markets retail sales report, estimates that
total market advertising expenditures are approximately 4 per cent of retail
sales, indicating that total advertising dollars available to all media in the
Kelowna market in 2007 is over $108 million.
LISTNUM
1 \l 11807 Based
on FP markets report, CJVR concludes that 12 per cent or $12.9 million of that
figure should be obtainable by all local radio.
We believe that five existing stations would garner approximately $10
million of that amount, with the remaining $2.9 million in untapped radio
advertising available to a new market entrant.
LISTNUM
1 \l 11808 CJVR's
estimated revenue in year one is $1.7 million.
Of this amount, we anticipate that only 6 per cent will come from
existing radio stations.
LISTNUM
1 \l 11809 The
IRS advertiser survey confirmed the desire of Kelowna's business community for
a new FM station that will add an element of competitive balance to a market
that is currently dominated by the two existing ownership groups. CJVR's proposed Country 96 was well received
by local advertisers who were near unanimous in their view that Kelowna could
definitely sustain a new station.
LISTNUM
1 \l 11810 MR.
SINCLAIR: Madam Chair, CJVR's style of
providing great music and locally relevant community driven spoken word
programming is fully in step with the stated needs of Kelowna's 45‑plus
listenership, and in particular those aged 55 to 70, whose current programming
choices fall well short of what is available to younger age groups.
LISTNUM
1 \l 11811 In
terms of Country 96's musical approach, the IRS survey indicated that Kelowna's
Country fans are quite eclectic in their tastes for different styles of Country
music, as evidenced by the fact that nearly 52 per cent of respondents who want
to hear more Hot New Country also want to hear more Traditional Country music.
LISTNUM
1 \l 11812 Hence,
Country 96 will offer a full spectrum of Country music styles, rich in history
and in heritage. Essentially, we will
blend mainstream Country artists from past decades who have formed the
foundation for today's country music, in addition to showcasing new and
emerging artists. From Hank Williams to
Hank Snow, George Strait to Doc Walker, Buck Owens to Tommy Hunter, Vince Gill
to Tammy Wynette, Reba to Terri Clark and, of course, Kelowna's own Cruzeros,
Country 96 will play them all.
LISTNUM
1 \l 11813 This
Blended Country music format is an artist driven sound with a big fan base that
is fiercely loyal. It is all about this
blended sound.
‑‑‑ Audio
presentation / présentation audio
LISTNUM
1 \l 11814 MR.
SINCLAIR: Madam Chair, make no mistake,
Country 96's Blended Country music format will bring pure musical diversity to
the Kelowna market in spite of the sudden arrival on the scene of Pattison's
CKOV‑FM Country, which for all intent and purpose is a near clone of
their Vancouver Country station CJJR.
LISTNUM
1 \l 11815 A
top line comparison of CKOV and CJVR's proposed Blended Country format
graphically illustrates that Country 96 is truly different and, as such, will
add fresh diversity to Kelowna's private radio sector, while quenching Country
fans thirst for a mix of different Country music styles.
LISTNUM
1 \l 11816 Aimed
at the 45‑plus listener, most of Country 96's 1500 song playlist will
cover the past five decades. By
comparison CKOV's Hot New Country format is aimed at an 18 to 34 audience, with
about 60 per cent of their 500 song playlist from the past two years.
LISTNUM
1 \l 11817 In
terms of Canadian content, CKOV plays the minimum regulated 35 per cent,
whereas Country 96 has committed to no less than 40 per cent, of which 30 per
cent will be devoted to new and emerging artists.
LISTNUM
1 \l 11818 With
respect to current and incremental dollars for Canadian content development,
CKOV will contribute $91,000 over seven years, as compared to Country 96's
commitment to $1 million in direct expenditures over the term of the licence.
LISTNUM
1 \l 11819 MR.
SINGER: Madam Chair, a further diverse
component to Country 96's musical agenda evolves around the creation of a
series of special music based programs that will be produced in studio and
aired on the station's regular program schedule.
LISTNUM
1 \l 11820 The
creation of these special programs is in keeping with CJVR's approach to CCD
that combines on‑air exposure of Canadian talent along with financial
support through a series of direct expenditures on a diverse mix of
initiatives.
LISTNUM
1 \l 11821 The
following programs are largely devoted to the on‑air promotion and
exposure of Canadian Country music artists and will feature many new and
emerging artists:
LISTNUM
1 \l 11822 Country
96 Release Party; Canadian Coast to Coast; Country 96 Club Night Live; Okanagan
Country Gospel; West Coast Country Sunday; and Country Roots.
LISTNUM
1 \l 11823 Madam
Chair, in addition to its great music, Country 96 will provide listeners with
locally relevant, community driven spoken word programming that will reflect
and portray Kelowna, its people, and its culture, through the daily coverage of
local events and activities that are happening in the city and surrounding
communities.
LISTNUM
1 \l 11824 To
ensure that Country 96 achieves these objectives, CJVR has formulated a
broadcast plan that will enable the station to keep a steady finger on the
daily pulse of life and times within Kelowna and the Central Okanagan. This will be achieved in a number of ways,
including a series of spoken word features as outlined in our supplementary
brief. These include among others:
LISTNUM
1 \l 11825 Okanagan
Connections; Culturally Speaking; Okanagan Mosaics; Kelowna Lifestyle; and City
Beat.
LISTNUM
1 \l 11826 County
96 will also produce a weekly 60‑minute news magazine styled program
entitled "An Okanagan Perspective" which airs Sunday mornings at
10:00 and features four 15‑minute segments that are directly relevant to
Kelowna and area residents.
LISTNUM
1 \l 11827 Country
96 will also provide throughout the broadcast week day and up until noon on
weekends, regular local news and surveillance information packages to round out
the programming needs and preferences of its 45‑plus listenership
spectrum.
LISTNUM
1 \l 11828 CJVR
is also committed to reflecting the diversity of the region's cultural heritage
through its daily musical and spoken word programming as well as through
vignettes provided by groups and individuals from various backgrounds with a
story to tell.
LISTNUM
1 \l 11829 In
recognition of Kelowna's cultural achievements, CJVR will establish a full time
arts and culture coordinator, who will provide comprehensive coverage of the
city's dynamic arts and culture universe, as well as coordinate Country 96's
participation in all such matters.
LISTNUM
1 \l 11830 MR.
GEMMELL: Madam Chair, approve of CJVR's
application will have a highly beneficial impact on Canadian talent in Kelowna
and the Central Okanagan as Country 96 implements its creative and meaningful
array of direct and indirect spending initiatives and special programming
undertakings, designed to develop, promote and expose local talent.
LISTNUM
1 \l 11831 CJVR
brings to Kelowna and Country 96 a proud legacy of excellence, achievement and
commitment to talent development that has significantly impacted on the careers
of many successful Canadian Country music artists. It will be Country 96's goal to build on that
legacy which first took root on the prairies of Saskatchewan over 41 years ago.
LISTNUM
1 \l 11832 Following
the new Commercial Radio Policy 2006 guidelines, CJVR's CCD plans over the term
of the licence call for a minimum direct expenditure of $1 million, plus an
indirect on‑air expenditure of $1 million.
LISTNUM
1 \l 11833 The
eight direct expenditure initiatives as outlined in detail in our supplementary
brief are as follows:
LISTNUM
1 \l 11834 $219,000,
FACTOR talent fund; $140,000 Music Business 101; $103,500, Okanagan Symphony
Youth Extended Educational Program; $244,500, Opening Act; $147,500 Kelowna
Parks Alive Festival ‑ Country 96 Free Stage; $43,500, Kelowna
Canadian Day Folk Fest and Taste of Home; $55,500, Komasket First Nation Music
Festival; and $46,500, B.C. Country Music Association.
LISTNUM
1 \l 11835 MR.
FABRO: Madam Chair, it is my family's
firm conviction that CJVR's musical and spoken word programming initiatives,
coupled with its very substantial CCD commitments, truly reflects our
unyielding commitment to Kelowna, its residents, the business community and
local developing talent.
LISTNUM
1 \l 11836 Kelowna
wants and needs Country 96 with its unduplicated Blended Country music format,
locally relevant community driven spoken word programming, and its exciting
array of CCD commitments, all of which, if approved, will take local radio to
another level.
LISTNUM
1 \l 11837 In
turn, CJVR, as a dedicated career broadcaster, needs Kelowna and Country 96 as
we continue to expand our business, enhance our competitiveness, maintain a
strong independent radio voice and position ourselves as a viable licensing
alternative in markets across western Canada.
LISTNUM
1 \l 11838 Again,
we would urge the Commission to look at our application for the real diversity
and listener choice that it represents to an ever growing and underserved 45‑plus
population and for its ability to strengthen and enhance Kelowna's private
radio sector and the Canadian broadcasting system as a whole.
LISTNUM
1 \l 11839 Madam
Chair, the operation and co‑existence of two distinctly different Country
formatted radio stations in Kelowna would not be precedence setting. The Commission need look no further than the
October 30, 2006 Regina hearing and subsequent decision which approved Standard
Broadcasting for a new Country station for Regina whose market conditions and
population virtually parallel those in Kelowna. Further, in the Saskatoon, Brandon and Halifax
markets, which are somewhat similar in size, a Hot New Country and a
Traditional Country station co‑exist.
LISTNUM
1 \l 11840 We
respectfully urge you to approve our application to provide Kelowna and its
residents the quality of radio service they so richly deserve.
LISTNUM
1 \l 11841 We
thank you and the Commission for this opportunity to present our application,
and will be happy to answer any questions the panel may have.
LISTNUM
1 \l 11842 THE
CHAIRPERSON: Thank you, Mr. Fabro and
your colleagues. I will ask Commissioner
Morin to lead the questioning.
LISTNUM
1 \l 11843 COMMISSIONER
MORIN: Good morning.
LISTNUM
1 \l 11844 As
the CRTC, we are always wondering about the local impact of a proposed
station. When I am reading at your oral
presentation this morning on page 7, you said that:
"CJVR's estimated revenue in
year one will be $1.7 million. Of this
amount, we anticipate that only 6 per cent will come from existing radio
stations."
LISTNUM
1 \l 11845 My
question is simple. How did you get
those numbers?
LISTNUM
1 \l 11846 MR.
SINGER: Thank you, Commissioner Morin.
LISTNUM
1 \l 11847 I
would like to have Kevin comment on that, if you will allow, please.
LISTNUM
1 \l 11848 MR.
GEMMELL: Thank you, Mr. Commissioner.
LISTNUM
1 \l 11849 We
have been looking at various markets where new stations have entered the
market. I guess I would like to draw you
to first of all the Edmonton comparison.
LISTNUM
1 \l 11850 In
2003 the Commission allowed three new licence options in that market. Over the course of 2005 and 2006 they were
implemented. We see, when a new station
enters the market, a substantial growth in revenue because of those new
licences.
LISTNUM
1 \l 11851 In
the case of Edmonton, 2004 revenue with 12 stations was about $52 million. In 2006 with now 15 stations on the air, the
market revenue grew by $12 million. So
there was almost a minimal effect on the incumbent operators because the market
grew at that point.
LISTNUM
1 \l 11852 So,
again, the $102,000 or the 6 per cent that we show, which is just 1 per cent of
the current market revenue, would be of minimal impact to the incumbent
operators.
LISTNUM
1 \l 11853 COMMISSIONER
MORIN: We note that CKOV‑FM, Jim
Pattison is offering a Country music format targeting a similar
demographic. Is your County format still
viable with the decision of Jim Pattison's group to occupy a Country format?
LISTNUM
1 \l 11854 MR.
SINGER: Thank you.
LISTNUM
1 \l 11855 First
of all, we believe that the Pattison format, as outlined in our oral presentation,
is not the same demographic target.
Certainly, we are both playing country music, should we be licensed for
Kelowna, but two totally different approaches.
LISTNUM
1 \l 11856 Perhaps
I will ask Dean Sinclair to comment on those differences a bit further.
LISTNUM
1 \l 11857 MR.
SINCLAIR: Thanks, ken.
LISTNUM
1 \l 11858 Commissioner
Morin, essentially, just to follow on Ken's lead, the incumbent station right
now targets an audience that is younger, about 18 to 34. That goes without any BBM ratings at this
point. But if you take the style of the
radio station parallel to their style of station in Vancouver, and other
markets across country, the radio station caters really to playing hot new
music, breaking new music and spinning records at high rotation.
LISTNUM
1 \l 11859 It
is a small playlist, as we alluded to in our piece today, of about 500 songs.
LISTNUM
1 \l 11860 The
difference of that and the proposal that we are putting together is a blended
sound that goes back over five decades.
About over 60 per cent of the music that this station in the market
currently plays is from the last three years.
Ours would go back over a much greater period of time.
LISTNUM
1 \l 11861 One
of the visuals we used in the room, and we talked about it in terms of how we describe
the differences, if you took my little yellow notepad of the CKOV playlist, it
would be about this big, and ours is about that big.
LISTNUM
1 \l 11862 That
is sort of the basis of the style of music that we have, and then how those
songs are treated on the air is somewhat different. We would eventually add the music that the
station breaks in this market down the road but not initially. We would really draw on our past catalogue.
LISTNUM
1 \l 11863 MR.
SINGER: Mr. Commissioner, if I could add
further to that, when evaluating the differences in the format, I think you
also have to take into consideration the other elements of the format. Many of our spoken word initiatives are
clearly targeting a 45‑plus demographic.
LISTNUM
1 \l 11864 So,
it is the full service mixture of what we are proposing I feel adds more
credence to the overall difference between the incumbent and ourselves.
LISTNUM
1 \l 11865 COMMISSIONER
MORIN: You are proposing that you are
targeting the 55‑plus age group.
Will your proposed service cater to a specific core age group and, if
so, what would it be?
LISTNUM
1 \l 11866 MR.
SINGER: I will again ask Dean to give
you a bit of an overview on that.
LISTNUM
1 \l 11867 MR.
SINCLAIR: Thanks, Ken.
LISTNUM
1 \l 11868 Commissioner
Morin, actually the main thrust of the radio station is 45‑plus is where
it starts off at. It will certainly
cater to 55‑plus.
LISTNUM
1 \l 11869 The
footprint of the radio station is big.
In the case of Country radio, if you have a station in markets like we
see in Edmonton, Calgary, Winnipeg, Regina, Saskatoon, where one station leaves
off the other doesn't pick up necessarily, so there is a little bit of
overlap. But the bullet target of our
station probably is around the age of 44, 45.
LISTNUM
1 \l 11870 COMMISSIONER
MORIN: On page 54 of your written
application, you said that there is a significant degree of dissatisfaction
expressed by the respondents, including about the amount of information
available about local news.
LISTNUM
1 \l 11871 What
percentage of your broadcasts would be devoted to local news, I mean pure news,
excluding surveillance material?
LISTNUM
1 \l 11872 MR.
SINGER: Mr. Commissioner, we are
proposing eight hours of news and related surveillance. That does not include the weather, sports and
traffic. Eight hours and 52 minutes, I
am sorry, is our figure. Just about all
of that would be local news.
LISTNUM
1 \l 11873 COMMISSIONER
MORIN: As a matter of fact, according to
the calculations of the CRTC, news and surveillance would only total five hours
and 32 minutes per broadcast week and not eight hours, 52 minutes, as you just
said.
LISTNUM
1 \l 11874 Could
you explain this discrepancy and how did you get your numbers?
LISTNUM
1 \l 11875 MR.
SINGER: Our news figures, our total
minutes are 152 minutes and 30 seconds of news alone. What does that work out to, Kevin?
LISTNUM
1 \l 11876 If
you give me a minute, Mr. Commissioner, I would just like to ‑‑
we have 128 minutes of news, Monday through Friday; we have another 12 and a
half minutes on Saturday; and we have another 12 and a half minutes on Sunday.
LISTNUM
1 \l 11877 I
am really not sure how that ‑‑ I am sorry, I apologize for the
further discrepancy, but if we could possibly file a break out of our
calculations as soon as we are finished here today, if that would be allowable,
Madam Chair, we would appreciate that opportunity to come back to you with
that.
LISTNUM
1 \l 11878 THE
CHAIRPERSON: Yes, as long as you are
confident you can file that before the start of Phase II.
LISTNUM
1 \l 11879 MR.
SINGER: We will get to work on that as
soon as we are done here this morning.
LISTNUM
1 \l 11880 THE
CHAIRPERSON: That would be great. You have a lunch break. Thanks.
LISTNUM
1 \l 11881 COMMISSIONER
MORIN: As far as the news, sports
information and programming is concerned, I understand that four full‑time
employees will be involved. But I see,
for example, that one person will be the News Director, reporter and
announcer. So, how much time will this
person spend gathering news, the local news, of which I understand the people
of Kelowna are deprived?
LISTNUM
1 \l 11882 MR.
SINGER: Our news staff, of course their
first priority is the news department and the preparation of the
newscasts. Our News Director, when I say
News Director/reporter/announcer, means that that individual will not only
direct the department, but will be in charge of going out covering stories and
actually being on the air, most likely being the news reporter or news
announcer on the morning show.
LISTNUM
1 \l 11883 The
other positions, two news positions, would be handling other beats on the radio
station in terms of shifts, going out and doing reporting.
LISTNUM
1 \l 11884 We
certainly feel that that is a strong contingent for a market this size and do
believe that the resources are there to produce the news content that we have
indicated.
LISTNUM
1 \l 11885 COMMISSIONER
MORIN: Aren't you worried that these
employees, and not just this one, aren't you worried that these employees won't
have enough time to cover and gather the news, I mean the local news?
LISTNUM
1 \l 11886 MR.
SINGER: We have similar commitments in
our other radio stations with a contingency similar to this. Certainly it does at times provide challenges
of being everywhere at all times, but I should also say that under our spoken
word programming, we are developing a very all‑inclusive program of
spoken word, which will involve many correspondents in terms of community
correspondents as news contacts for our News Department and other areas, our
Programming Department, who will all be, I guess, helping us to be more eyes
and ears in the marketplace.
LISTNUM
1 \l 11887 I
am not trying to imply that these are part of our hired staff, but it does make
the job a bit easier because whether you have three news people or six news
people, you have to look outside for some additional help. Without question, when you marry these
resources and I guess the contacts that we hope to endeavour to develop within
the new market, we certainly feel that, once again, we have the resources to
deliver on our promise.
LISTNUM
1 \l 11888 COMMISSIONER
MORIN: You project that in the first
year you will get a 10 per cent share of the listenership. This percentage is projected to be 28 per
cent by the end of the licence. What
will happen if you only get 15 per cent?
LISTNUM
1 \l 11889 MR.
SINGER: Mr. Commissioner, I don't think
we would be here today if we were not up to the challenge of whatever lays
ahead here.
LISTNUM
1 \l 11890 I
can assure you that we did not just quickly put this application together and
we certainly put a lot of thought into the potential for operators such as
ourselves.
LISTNUM
1 \l 11891 But
I can tell you this that should we fall short of our expectations, we are here
for the long term. Most definitely, Mr.
Fabro and his family have indicated and shown to us over a period of many years
the type of support that is behind our operations. We are well funded and we certainly have the
belief that you have to be patient and grow your operations.
LISTNUM
1 \l 11892 Gene,
if you would like to comment further on that.
LISTNUM
1 \l 11893 MR.
FABRO: Mr. Commissioner, my family, as
we mentioned, we own Fabmar Investments Limited, which is a family‑owned
holding company. The radio business,
CJVR Limited, by gross revenue basis is about 5 per cent of our total annual
income. So there is not a major concern
for us if we were to miss the mark on what happens in Kelowna. We have the financial resources to support
this as long as it takes to make it successful.
LISTNUM
1 \l 11894 That
being said, I was just talking to Linda yesterday, and we find the top ten
employees with us, the longest time maybe have got 19 years of experience on
average, and diversified experience, good solid radio experience. So I don't think there is a problem with us
coming into this market and adjusting to make the business plan work,
notwithstanding I think we have an excellent business plan right now.
LISTNUM
1 \l 11895 COMMISSIONER
MORIN: I appreciate your answer, but I
am just wondering about your share projection of 28 per cent by year seven.
LISTNUM
1 \l 11896 If
you don't mind, could you clarify the methodology and assumptions that have
been used to establish this number and those which have been forecasted before
year seven?
LISTNUM
1 \l 11897 MR.
SINGER: I will turn this over to Lang
McGilp from Insightrix to comment further.
We have been operating in this business for four decades and certainly
believe in our format evaluations and the potential format in relationship to
what is being offered in the market.
LISTNUM
1 \l 11898 We
also understand that there is a tremendous amount of out‑of‑market
tuning presently in this market. So,
right off the get go, I guess, by filling a void as identified in our research,
we hope to repatriate a fair amount of that listening.
LISTNUM
1 \l 11899 Having
said that, I will ask Lang to comment on this further.
LISTNUM
1 \l 11900 MR.
McGILP: Thank you, Ken, and thank you
Mr. Commissioner.
LISTNUM
1 \l 11901 A
variety of assumptions and estimations were made to develop market share
estimates for CJVR with this proposed Country 96.
LISTNUM
1 \l 11902 In
the first year, there is obviously an estimate that the size of the market will
grow in terms of number of hours tuned.
We have obviously conducted research that suggests that a large portion
of people would be interested in listening more often to the radio if a new
station was available, playing something that they like.
LISTNUM
1 \l 11903 In
fact, 59 per cent of those over the age of 55 indicated that they would listen
to the radio more often. So, that was
definitely one element that factored into what sort of share there would be.
LISTNUM
1 \l 11904 In
terms of coming up with a 10 per cent originally estimated for the first year,
we took a look at those that expressed strong interest with the montage of the
Blended Country station that was played to them over the telephone. Those who said they would very much like the
station as in rating it a 5 on a 1 to 5 scale, if they only spend 20 per cent
of their time listening to that new station, which is a conservative estimate,
and those who rated a 4, which show some level of interest obviously in that
Blended station, if only 9 per cent of their time is spent listening to the new
station, that comes out to, when you run the numbers, without getting into all
those details, it comes out to a 10 per cent market share.
LISTNUM
1 \l 11905 For
the subsequent years, a variety of increase in listenership due to the fiercely
loyal listenership within that age range, as Mr. Sinclair has mentioned, was
used to arrive at a gradual increase in market share.
LISTNUM
1 \l 11906 MR.
SINGER: Mr. Commissioner, just further
to that and very briefly, again because our target is a 45‑plus
demographic, and that is clearly the fastest growing and most predominant
portion of the marketplace, we feel also that in terms of our projected growth,
if we continue to cater to the 45‑plus, we feel that there is a much
greater opportunity for that growth as opposed to catering to the 18 to 34s
that are being served by at least two of the four FM stations in the market
now.
LISTNUM
1 \l 11907 COMMISSIONER
MORIN: My last question: Why do you believe that your format will
provide the greatest degree of programming diversity and represent the best
choice of format to serve the adult population of Kelowna?
LISTNUM
1 \l 11908 MR.
SINGER: I can ask Mr. Sinclair, if you
wish, Mr. Commissioner, to elaborate further on the musical component, but in a
general way, let me say that our full service approach to serving this
community with a radio station that provides not just a diverse musical mix
with our Blended Country format, but also the very all encompassing spoken word
elements, I feel are unique to the marketplace in terms of the broad range of
spoken word and special programming we are intending to implement, and most definitely
combine that with our CCD initiatives that are not just the cash, but the
involvement in the community through those initiatives.
LISTNUM
1 \l 11909 So,
our mandate is to engage the local market and to involve them or act as a
service to them in every possible way.
LISTNUM
1 \l 11910 As
far as the musical components, if you wish again to have Mr. Sinclair elaborate
further on the diversities of those formats or of our two formats, I would be
happy to turn it over to him.
LISTNUM
1 \l 11911 MR.
SINCLAIR: Thanks, Ken.
LISTNUM
1 \l 11912 Commissioner
Morin, the other thing I would just add into this in the market now, we have
outlined the background of comparison between what the current country station
in the market does right now in terms of being a Hot New Country station, we
have talked about our target audience of 45‑plus and up into the 55‑plus
demographic.
LISTNUM
1 \l 11913 If
you look at the spectrums of radio stations is in the market now, one of the
factors that plays into our favour despite some of the changes that have
happened recently is if you have two radio stations that have essentially
abandoned the 45‑plus market already.
One of those was an Oldies station that plays 50s and 60s music that
became a News/Talk station recent weeks ago, and then the other stations we
have talked about with Pattison CKOV, which essentially was a Soft Vocals radio
station with bits of talk and information in there that abandoned that to go
Hot Country.
LISTNUM
1 \l 11914 Those
two stations catered to the 45‑plus audience in the market, and they have
disappeared.
LISTNUM
1 \l 11915 What
you have now in the market is you have those two stations, one is a News/Talk,
one is a young Country radio station and then you have a Rock station that
spans a wide range, as we have heard from other applicants talk about, in the
market now that caters to 12‑plus, which isn't a demographic really, is a
family reunion.
LISTNUM
1 \l 11916 Then
you have two Adult Contemporary stations that again start young and go into the
upper end. But again they are getting
audience in the marketplace more by accident than by design. So that upper echelon, that upper audience of
45‑plus presently has, outside of maybe the CBC, nothing to turn to.
LISTNUM
1 \l 11917 I
hope that helps.
LISTNUM
1 \l 11918 COMMISSIONER
MORIN: Thank you.
LISTNUM
1 \l 11919 THE
CHAIRPERSON: Thank you.
LISTNUM
1 \l 11920 Commissioner
Williams.
LISTNUM
1 \l 11921 COMMISSIONER
WILLIAMS: Good morning, Mr. Fabro and
Mr. Singer and panellists.
LISTNUM
1 \l 11922 Mr.
Fabro and Mr. Singer, I will address these couple of questions to both of you.
LISTNUM
1 \l 11923 Could
you please give us your views as to the importance of small independent
broadcasters to ensure the success of the Canadian broadcasting system,
please? How important are small independent
broadcasters in the Canadian broadcasting system?
LISTNUM
1 \l 11924 MR.
SINGER: Thank you, Commissioner
Williams.
LISTNUM
1 \l 11925 We
obviously think they are very, very important or we wouldn't have been in front
of you as many times as we have in the past two years.
LISTNUM
1 \l 11926 Our
industry has changed a tremendous amount in most markets, especially the
smaller markets. Years ago there was
quite a balance between the bigger players, which by comparison today, really
maybe couldn't be called bigger players, but there were a fair amount of
independents throughout the markets in our country.
LISTNUM
1 \l 11927 Today,
with all of the convergences and most recently we are seeing the very biggest
getting even bigger, it is leaving very, very few smaller independent operators
in the business. I think that has been
pointed out on previous appearances at this hearing by the independents once
again.
LISTNUM
1 \l 11928 Our
feeling is that our type of locally focused community driven radio is still a
unique aspect to the broadcasting system.
We make our decisions on the ground here at home base. We most definitely believe in more of a one‑on‑one
with our audience than perhaps some of the bigger operators do. Consequently, it takes a few more resources,
but certainly we believe that that local element of radio that we have
practised for 40 years is unique to the smaller players.
LISTNUM
1 \l 11929 We
have to work a little harder to achieve a market status, but we feel we have
the resources even though we are smaller.
LISTNUM
1 \l 11930 I
guess, again, just looking at the change in our industry over the 40 years that
I have been involved in this business, at times it is kind of frightening to
think what is the next big takeover in terms of, when you look at the cable
business as an example, the concentration of ownership in that field, is radio
going that direction?
LISTNUM
1 \l 11931 I
wonder, Gene, do you have something further to add to that?
LISTNUM
1 \l 11932 MR.
FABRO: Yes, I do, Mr. Commissioner, and
Ken.
LISTNUM
1 \l 11933 Our
coverage area, we think we have the largest FM coverage area in Canada. Our coverage area on our FM is 58,000 square
kilometres. That is almost twice the
size of Vancouver Island. That is huge.
LISTNUM
1 \l 11934 We
service 125,000 people in over 100 tiny communities. When I go to the station, I am just truly
amazed about the culture there and it is all about delivering what people want
to hear in their own little tiny communities, whether the bus is running to get
to school in the morning or the three hockey teams we cover or the U of S
Huskies that are in our coverage area or at least we cover.
LISTNUM
1 \l 11935 It
is truly amazing. Some of the sales
staff will actually cover as on‑air staff when required. They will cover the local council
meeting. They will do interviews with
the Mayor. They will have what we call
community salutes, where we actually do a salute to each community in our
listening area. It is truly a different
type of radio than what I believe the larger, national operators operate.
LISTNUM
1 \l 11936 They
tend to do it more from an economic point of view. We do it from an economics point of view, but
also from a love of the business. Trust
me, you really have to listen to our stations to really get that feel of community
driven.
LISTNUM
1 \l 11937 In
addition to, like I mentioned earlier, because of the long history we have of
the top ten people that run our stations, it is like a big city station in a
small city market because we have excellent programming from the music
perspective, but we have tremendous life blood of the community. It is in their veins. That is the type of thing that we can bring
to this market.
LISTNUM
1 \l 11938 Could
you imagine if we bring the size of Vancouver Island, 125,000 people, come to
Kelowna market, which is similar in size and this really concentrated area and
deliver the same type of service? It
would just truly be a tremendous thing for the community to bring the life and
blood of Saskatchewan and Alberta into B.C.
I think it would really make a difference. That is a long way around to say that is the
difference from the big guys to the small guys.
LISTNUM
1 \l 11939 COMMISSIONER
WILLIAMS: So, small independent
broadcasters are very important to the Canadian broadcasting system?
LISTNUM
1 \l 11940 MR.
FABRO: Absolutely.
LISTNUM
1 \l 11941 COMMISSIONER
WILLIAMS: How important is local
ownership and the accountability that may come with that?
LISTNUM
1 \l 11942 MR.
FABRO: When you say local ownership, Mr.
Commissioner, do you mean local as in local right here in the Valley, for
example, or local as in western Canada?
LISTNUM
1 \l 11943 COMMISSIONER
WILLIAMS: I think if you can answer both
ways, that would be good, local as right in Yorkton, for example, and local as
in western Canada.
LISTNUM
1 \l 11944 MR.
FABRO: I think western Canadians tend to
have a different perspective. No slight
against people from central Ontario or from the east coast, but we have a
different perspective.
LISTNUM
1 \l 11945 My
own personal view is we are a little bit more entrepreneurial.
LISTNUM
1 \l 11946 My
father was in the coal mining business for his entire life. Him and his partner developed a coal mine in
southeastern British Columbia. My uncle
was in the radio business in Cranbrook.
That is where we got our love of the business.
LISTNUM
1 \l 11947 We
tend to understand the western aspect of the people out here.
LISTNUM
1 \l 11948 I
don't truly believe you have to be local in ownership, but I think you have to
have a local understanding of what the market is doing and what is going on
locally in the community.
LISTNUM
1 \l 11949 I
guess the short answer is we are from the west.
We understand the western ways in the fabric of the small western
Canadian towns and I think Kelowna is one of those.
LISTNUM
1 \l 11950 MR.
SINGER: Further to that, Commissioner
Williams, I think as important as locally owned is locally engaged. I can assure you our style of radio, the
ownership of CJVR is locally engaged.
LISTNUM
1 \l 11951 We
are not proposing a radio station to be operated in Kelowna, but directed from
our corporate hub, as many of the larger operators do. We will have a distinctive local staff here,
program director, station manager, that, as mentioned earlier, will be making
decisions that are best for Kelowna, not necessarily something that is going to
fit well for all of our stations.
LISTNUM
1 \l 11952 Certainly
there are synergies there, but it is not our intent to have a station here that
is merely a wing of our other radio stations, if you know where I am going with
that.
LISTNUM
1 \l 11953 MR.
FABRO: Can I just add something, Mr.
Commissioner?
LISTNUM
1 \l 11954 COMMISSIONER
WILLIAMS: Absolutely.
LISTNUM
1 \l 11955 MR.
FABRO: My family is a history of
entrepreneurs. As I mentioned, my father
started with a coal mine and my brothers and sister all have had their own
entrepreneurial business.
LISTNUM
1 \l 11956 When
you are an entrepreneur, you have to deal with the big guy and the small guy as
competitors. You have to be quick on
your feet. You have to have the right people,
capital, resources and longevity. You
have to have enough staying power to make sure that the job gets done.
LISTNUM
1 \l 11957 As
I mentioned earlier, our radio business is around 5 per cent of our total
revenue for our holding company. So we
are not afraid to play in the big markets with the big guys and we are not
afraid to play with the Pattisons of this world in Kelowna or wherever we
go. We know how to play and succeed in
any market that we are in in any business.
LISTNUM
1 \l 11958 As
a matter of fact, just to go on from there, about the Valley here, the Okanagan
Valley, our development company, Sure Developments Limited, just yesterday
signed a purchase and sale agreement to purchase some land in The Rise in
Vernon. We believe in the Valley. We think there's a long‑term growth
here.
LISTNUM
1 \l 11959 We
are going to look at Kelowna as perhaps a place to develop our
condominiums. We are in discussions with
a potential joint venture partner in Penticton.
LISTNUM
1 \l 11960 In
addition, the whole Valley here, as there are in places like Victoria and
southern Ontario, are where the baby boomers are going to flock to. There is like 10 million baby boomers in the
country, and they will probably inherit something like $1 trillion in the next
25 years. So there will be a lot of
people flocking to the warm sections of the country, which the Okanagan
is. And we think the growth will be
tremendous here. If we are not here in
the radio business, we will be here in the development business.
LISTNUM
1 \l 11961 We
believe in this Valley and we believe in Kelowna.
LISTNUM
1 \l 11962 COMMISSIONER
WILLIAMS: Mr. Singer, you used the
phrase "locally engaged."
Given that your company is not from Kelowna, what was the extent of your
local consultation prior to submitting your application?
LISTNUM
1 \l 11963 MR.
SINGER: Mr. Commissioner, Kevin and I
visited the market quite some time ago at the call of the application. We walked the streets. We stopped and visited with people. We talked to local organizers and a broad
range of community organizations, talked to retailers, average people in the
market and certainly got a sense of their feelings about the market, the
available choices on the radio dial and the future of the market in terms of
their anticipated growth.
LISTNUM
1 \l 11964 Then
we went into the field using Lang's company, Insightrix Research, to evaluate
that further. Our early discussions were
quite clear to us that there was a void here and, again, our broadcasting
experience told us there was a void here when we looked at the various things
that the radio stations were doing.
LISTNUM
1 \l 11965 I
would like to point out, too, that our early discussions with the community
here, they were very complimentary to the services that are on the radio dial
here in Kelowna, but just as importantly, they felt that Kelowna has grown to a
size that it is time for more choices on the dial and, in particular, the older
the person we talked to, the more they felt that way.
LISTNUM
1 \l 11966 COMMISSIONER
WILLIAMS: Thank you very much, Mr. Fabro
and Mr. Singer. That concludes my
questions, Madam Chair.
LISTNUM
1 \l 11967 THE
CHAIRPERSON: Thank you.
LISTNUM
1 \l 11968 I
have no doubt of your commitment not only to the medium but to the genre
because during the audio clip I saw a few of your heads bopping to the
music. I thought it was great.
LISTNUM
1 \l 11969 I
want to understand fully your position in light of the new dynamic in the
market, and that is of course the change in format that we have talked about.
LISTNUM
1 \l 11970 You
filed your application prior to that change in format of the incumbent and,
therefore, all of your projections were based, I am assuming, on you being the
only Country station in the market.
LISTNUM
1 \l 11971 Is
it your position that despite the format change that you will achieve the
audience share that you had filed, that you will achieve, therefore, the
revenue projections that you had filed and that, therefore, in other words the
change in format of the incumbent will not have a material impact on your
financial projections?
LISTNUM
1 \l 11972 MR.
SINGER: We are confident that what we
filed prior to the change by CKLV still stands today. The reason we feel that way, Madam Chair, is
that we are focusing at a demographic that is underserved in the marketplace.
LISTNUM
1 \l 11973 Our
research substantiated that a Blended Country format was what they
preferred. Remember, we researched the
market twice, once with a more Hot New Country mix and we weren't satisfied
with what we heard there. It tested well
and clearly at that time there was no other choice other than The Giant in
Penticton for country music fans. So, it
tested fairly well and it encouraged us that we should pursue Country, but we
evaluated that research and said, gee, you know, it is not as strong as it
should be and went back into the field with another sample of 400 and tested an
actual montage more similar to what you heard here today, more of a blended mix
and a broader range of eras, and clearly the 45‑plus and older demo
indicated that is the one.
LISTNUM
1 \l 11974 With
Pattison coming on stream and not doing that, we said, well, gee, that is a
good thing.
LISTNUM
1 \l 11975 Here
is the other thing that has happened too which I think strengthens us holding
the line on our original application is that with what has happened with
Standard's AM station abandoning another music format for Talk, and that was an
Oldies format that was appealing to a 45‑ and a 55‑plus demo in
particular, so now people with a taste for that particular music have been left
without a musical choice and because the Pattison AM station catered to a much
older demographic than they are with their new FM, they have taken a 45‑plus
demo and said, okay, now somebody else will have to cater to that.
LISTNUM
1 \l 11976 So,
now we have two pods of audience here that have had some local radio interest
that have now been sort of set aside for somebody else to target. Again, I go back to the balance in the market
of the incumbent FM stations, the majority of them are now programming again to
the 18 to 34s.
LISTNUM
1 \l 11977 So,
yes, we feel that it is frustrating, yet that is the reality. We certainly respect that the Pattison Group
change was well within the regulations, but we feel the end result at the end
of the day is we still got a strong, strong alternative here and we can achieve
those shares that we projected based on serving a very important and
significant number of 45‑plus listeners in the market.
LISTNUM
1 \l 11978 MR.
GEMMELL: Madam Chair, perhaps if I can
just reinforce a little bit what Ken said and maybe refer you at some point to
the interviews we did with the business community, we surveyed a dozen
companies with Lang's company, and to quote, we would advertise on this station
for demographic reasons, not for format reasons. Another quote that says I am not a big fan
myself, but the music is popular and would give me the audience I am looking
for.
LISTNUM
1 \l 11979 So,
the clients that would generate the revenue that we stand behind would buy for
the purpose of demographic, for the purpose of targeting, not for the purpose
of I like the format.
LISTNUM
1 \l 11980 THE
CHAIRPERSON: On that note, as you know,
there are ten applications before us this week and you are not the only ones
targeting this ever growing demographic group.
LISTNUM
1 \l 11981 So,
if we were to licence you and licence somebody else, which of the other
applicants before us would have the least impact and which would have the
greatest impact?
LISTNUM
1 \l 11982 MR.
SINGER: We certainly feel that, I agree
there are others that are targeting the 45‑plus as well. The difference, however, is that the 45‑plus
demo that we are targeting is more of an audience that I guess isn't listening
to ‑‑ they are not finding the kind of radio they are looking
for, where some of the 45‑plus applicants certainly will have an impact
on the incumbents more so than ours will.
LISTNUM
1 \l 11983 So,
we feel if you are going to licence two, perhaps you should be looking at the
two ends of the spectrum, the CHUM CTV approach to a very young demographic,
and we feel that that is another underserved element of the marketplace, the 12
to 34 demo in particular, that would have the least impact on us if you were to
licence them.
LISTNUM
1 \l 11984 On
the other side of the spectrum, we feel that we should be the one to serve the
45‑plus demographic.
LISTNUM
1 \l 11985 We
also feel that the Northern Native Broadcasting would have the least impact as
well on both the incumbents and on our particular. So I guess either CHUM CTV on the least end
and of course we are going to put in our vote for Country 96.
LISTNUM
1 \l 11986 THE
CHAIRPERSON: You wouldn't be sitting
there if you didn't.
LISTNUM
1 \l 11987 MR.
SINGER: Yes.
LISTNUM
1 \l 11988 THE
CHAIRPERSON: Because this is a
demographic group that is growing and will continue to grow from all
projections, is there room for two services that will serve this demographic
group, yours plus?
LISTNUM
1 \l 11989 MR.
SINGER: Yes, in the 45‑plus. Well, I guess it would be hard to argue that
there is an awful lot to serve there. I
guess the answer to that is likely two operators could do that. But, again, I think that would have a greater
impact on the incumbents to licence two for a 45‑plus target because
right now what has happened, and it is always the case in a market that is
underserved, is that the incumbents have an opportunity to be less focused and
can win by default a much broader audience.
LISTNUM
1 \l 11990 Regardless
of a one licence, two licence situation, there is going to be an impact
initially on the incumbent broadcasters, but over the period of time, and as
Kevin alluded to in his comparisons to what has happened in other markets with
new licensing, every operator has an opportunity to refocus and become more
focused and, again, it gets back down to what type of a resource are we
offering to the retail community, because after all they pay the bills.
LISTNUM
1 \l 11991 So,
by strengthening everyone's position with new competition, we all should be
more effective in terms of our ability to derive advertising in the market and
make it effective for our clients.
LISTNUM
1 \l 11992 THE
CHAIRPERSON: So what is your
recommendation to us as to the maximum number of services we should licence?
LISTNUM
1 \l 11993 MR.
SINGER: I don't think it should be more
than two of the mainstream formats. If
you were to go beyond that, I would suggest you should consider one of the
specialty or, as I say, the Northern Native Broadcasting group would be maybe
the third option.
LISTNUM
1 \l 11994 THE
CHAIRPERSON: Thank you very much.
LISTNUM
1 \l 11995 Legal
counsel.
LISTNUM
1 \l 11996 MS
LEHOUX: Thank you, Madam Chair.
LISTNUM
1 \l 11997 MR.
FABRO: Madam Chair, can I just add a
couple more things that we didn't get questioned on.
LISTNUM
1 \l 11998 I
think it is important for the Commission to know that our family is in it for
the long term. My three brothers and my
sister and my father are long‑term holders. We don't buy and sell businesses. I mean, anything is for sale at the right
price, right, but it is not what we do.
LISTNUM
1 \l 11999 I
see these flippers that come into the market just to play on licences. We are not doing that. We are here for the long term. I think it is important for you to know that.
LISTNUM
1 \l 12000 Also
important to know in our Melfort operations and in Whitecourt, we have invested
heavily there. We haven't taken anything
back. We have put more in. It is not all about the money and the return
on investment either. Just recently we
put a repeater in Carrot River because our engineer said there were some nulls
there. We could have turned our back and
said so what, it is a very small community, we get some funds out of there, but
it is not going to be a short‑term pay back, but it was about the right
thing to do in the market.
LISTNUM
1 \l 12001 That
is the type of people we are. We are
honest, hard‑working people. The
people with CJVR, they are the same way.
They wouldn't be around for 19 years on average, the top ten people
unless they were with people that are straight shooters.
LISTNUM
1 \l 12002 The
short answer is we have been before you many times in the last two years. We know some of these other applicants have
been here and received licences. We are
honestly disappointed because we believe that we are everything that a
broadcaster should be, and we are western Canadian. So, it is a bit of a tough thing to take, and
the morale, my morale has been down, but certainly at the station it has been
up because that is the type of people they are.
LISTNUM
1 \l 12003 If
we are not successful here, we are going to be back again. We are going to either build or buy this
operation. You will see us many times in
the future. With that said, if you have
any more questions we can answer them, otherwise I have a two‑minute
summary.
LISTNUM
1 \l 12004 THE
CHAIRPERSON: Absolutely, and we look
forward to seeing you again and again.
LISTNUM
1 \l 12005 But
I will have to ask legal counsel to ask you just a couple more before I give
you your two minutes.
LISTNUM
1 \l 12006 MS
LEHOUX: Thank you.
LISTNUM
1 \l 12007 With
respect to your CCD contributions, on page 10 of your oral presentation you
said that you will make CCD contributions over the term of the licence of a
minimum of $1 million. How much will you
allocate to your over and above CCD contributions over the licence term,
because you are aware that they don't fluctuate with the revenues so we need to
what is the amount of your over and above CCD contributions?
LISTNUM
1 \l 12008 MR.
SINGER: Over the basic amount is
$953,298.
LISTNUM
1 \l 12009 MS
LEHOUX: Okay.
LISTNUM
1 \l 12010 MR.
SINGER: I hope I am answering that
correctly. Our basic ‑‑
using the formula in the commercial policy, over the seven years comes to
$46,702, and our total commitment of $1 million. So I am giving you the difference between our
basic and the $1 million.
LISTNUM
1 \l 12011 MS
LEHOUX: Okay. I just want to clarify because in your
application you had $781,000 as the over and above.
LISTNUM
1 \l 12012 MR.
SINGER: Yes, I am sorry.
LISTNUM
1 \l 12013 MS
LEHOUX: I just want to verify if you are
not increasing ‑‑
LISTNUM
1 \l 12014 MR.
SINGER: That is the difference, the
$781,319 is the difference between our $1 million and the FACTOR. Is that the number you are looking for, then,
because I am a little confused.
LISTNUM
1 \l 12015 MS
LEHOUX: What I am looking for is your
over and above contribution. We know
that with respect to the over and above contribution, 20 per cent of that over
and above has to go to FACTOR.
LISTNUM
1 \l 12016 MR.
SINGER: Yes.
LISTNUM
1 \l 12017 MS
LEHOUX: But I need to know the amount of
the over and above, including the 20 per cent of the FACTOR. I just want confirmation of that.
LISTNUM
1 \l 12018 MR.
SINGER: I would be happy to file the
actual spreadsheet that we have with those calculations, but our basic, based
on our revenues of $16,690,328 over seven years, our revenues exceeding our
$7,940,328, our basic is of course the thousand, and then the 5 per cent of
that that is over $1.25 million is another 39.7. This is a lot of numbers, isn't it?
LISTNUM
1 \l 12019 MS
LEHOUX: Yes.
LISTNUM
1 \l 12020 MR.
SINGER: Could I just file this with
you? It has the calculations for our $1
million.
LISTNUM
1 \l 12021 MS
LEHOUX: Absolutely. Thank you very much. That was the first thing.
LISTNUM
1 \l 12022 The
other thing is that you have undertaken to file a break out of the time devoted
to news and surveillance material by the end of Phase I. For your guidance, when staff calculated the
five hours and 32 minutes of the news and surveillance per broadcast week, they
used your spoken word programming chart that you have submitted with your
letter dated 5 of July. So that might
help you to look at it.
LISTNUM
1 \l 12023 MR.
SINGER: Okay. I apologize.
I have a spreadsheet and I don't have that in front of me right
now. So we will file that promptly with
you.
LISTNUM
1 \l 12024 MS
LEHOUX: Thank you very much.
LISTNUM
1 \l 12025 THE
CHAIRPERSON: You have your two minutes,
Mr. Fabro.
LISTNUM
1 \l 12026 MR.
FABRO: Madam Chair, CJVR is asking for
your approval of our application because we feel it meets and serves the
programming needs and listener preferences of Kelowna's underserved 45‑plus
population and, in doing so, will maximize the utilization of the 96.3
frequency.
LISTNUM
1 \l 12027 If
licensed, Country 96 will yield many significant benefits to the listening
public, to local talent, the business community and Canada's broadcasting
system. These benefits are well
documented and discussed in full detail in our application.
LISTNUM
1 \l 12028 Beyond
the public benefits and the dynamic new FM programming service that Country 96
will bring to Kelowna and the Central Okanagan is CJVR's greater need for this
licence to help our dedicated radio company grow and compete in today's
challenging broadcasting environment.
LISTNUM
1 \l 12029 CJVR
represents 41 years of hard‑earned broadcast experience, a nationally
acclaimed reputation for programming excellence, a development track record
that is second to none, a corporate culture that embodies a deep‑rooted
sense of community, and a motivated ownership committed to making a difference.
LISTNUM
1 \l 12030 Further
to its broadcasting credentials, it is important to understand that CJVR is
fully supported by, and has direct access to its parent company, Fabmar
Investments Limited and Fabmar's business acumen and depth of financial
resources.
LISTNUM
1 \l 12031 Fabmar's
commitment to CJVR is reflected in an improvement and expansion of its Melfort
and Whitecourt operations and in the significant investment of time, financial
and human resources over the past two years in pursuit of the new broadcasting
opportunities in various markets across western Canada.
LISTNUM
1 \l 12032 In
Kelowna we have once again funded a high quality application that will greatly
enhance the local radio sector, bring competitive balance and a strong
independent editorial voice to the market, add fresh programming and ownership
diversity and provide a minimum of $1 million in direct CCD initiatives.
LISTNUM
1 \l 12033 Madam
Chair and Commissioners, CJVR has been poised for some time to grow its business
and to play a larger role as a strong independent radio voice in western
Canada. We have the expertise, the
financial and human resources and the corporate will to succeed. We ask the Commission to believe in our
ability to get the job done and we respectfully urge you to approve our
application.
LISTNUM
1 \l 12034 Thank
you very much.
LISTNUM
1 \l 12035 THE
CHAIRPERSON: Mr. Fabro, thank you, and
to your colleagues, thank you very much.
LISTNUM
1 \l 12036 We
will now take a 15‑minute break and come back at 11:10.
‑‑‑ Upon recessing
at 1056 / Suspension à 1056
‑‑‑ Upon resuming
at 1115 / Reprise à 1115
LISTNUM
1 \l 12037 THE
SECRETARY: Please be seated. We will now proceed with item 9, which is an
application by In‑House Communications Inc. for a licence to operate an
English‑language FM commercial specialty radio programming undertaking in
Kelowna, British Columbia.
LISTNUM
1 \l 12038 The
new station would operate on frequency 103.9, class 280C1 with an average
effective radiated power of 3,600 watts, maximum effective radiated power
6,800, antenna height of 508 metres.
LISTNUM
1 \l 12039 Appearing
for the applicant is Mr. Pat Lough.
Please introduce your colleague and you will have 20 minutes to make
your presentation.
PRESENTATION / PRÉSENTATION
LISTNUM
1 \l 12040 MR.
PAT LOUGH: Good morning, Madam Chair, my
name is Pat Lough, President of In‑House Communications. With me today is my wife and business partner
Dulaine Lough.
LISTNUM
1 \l 12041 It
is with great enthusiasm and excitement that we appear before you today to
present our application for a new Christian music station to serve
Kelowna. If licensed, 103.9 CHRV‑FM
will truly complement the existing radio market with an appealing mix of
Contemporary Christian music and Praise and Worship Music.
LISTNUM
1 \l 12042 Our
target audience will be adults age 18 to 54 and our station will be sensitive
to the entire family audience.
LISTNUM
1 \l 12043 Our
application for CHRV was submitted in 2004 after recognizing a strong support
for a Christian‑based station in the Okanagan. Although we reluctantly withdrew our
application in 2005 at the request of the Commission, support for our station
has continued to grow. To date, over
1800 individuals have publicly expressed their support for our station through
petitions and letters of support.
LISTNUM
1 \l 12044 In
addition, nearly 60 businesses wrote letters in support of our application,
many expressing their interest in being first‑time advertisers on our
niche focused Christian station.
LISTNUM
1 \l 12045 The
introduction of CHRV will provide a fresh and unique perspective on local news
and information, and will increase the diversity of the music choices in the
Okanagan. With two major broadcasters
owning all of the radio stations in the Valley, now totally 25 frequencies, a
diversity of voice is now even more necessary.
LISTNUM
1 \l 12046 As
there is no Christian music available on the airwaves in the Okanagan, many
listeners turn to satellite radio or to the internet in search of Christian
music. If they continue to do so, we
will lose an irreplaceable opportunity to promote Canadian music and will lose
the opportunity to showcase local talent and emerging artists.
LISTNUM
1 \l 12047 Canadian
music will be prominently featured in our programming. We will commit to a full 15 per cent Canadian
content and will ensure significant airplay of near Canadian music. Fifty per cent of our Canadian songs will be
released in the year 2000 or later.
LISTNUM
1 \l 12048 MR.
DULAINE LOUGH: Madam Chair,
Commissioners, CRTC staff, In‑House Communications is the only applicant
committed to moving our family and entire business operations to the market
that we will be licensed to serve. As a
result, CHRV will be the only station in the Okanagan that will be 100 per cent
locally owned and operated.
LISTNUM
1 \l 12049 Being
locally owned and living in the community, we will have greater ability to see
the needs of the community than if we were owned and managed from another
market. Our kids will attend local
schools and will play on local sports teams, and our family will be active
participants of Kelowna's church community.
LISTNUM
1 \l 12050 Letters
received in support of our application and results from our marketing survey
indicated that residents would much prefer their new radio station to be local
and to have ownership in the community.
LISTNUM
1 \l 12051 With
a higher than average Christian population and a growing number of younger
families moving into the area, the Okanagan is ready to embrace our positive
family‑safe format. Many in the 55
years and older age category will appreciate southern gospel music which we
will play on the weekends.
LISTNUM
1 \l 12052 Kelowna
is B.C.'s fastest growing city. Now a
market of 162,000 people, Kelowna experienced an incredible growth rate of 8.2
per cent from 1996 to 2001 and an additional 9.8 per cent from 2001 to 2006.
LISTNUM
1 \l 12053 The
city has seen a population increase of 25,000 people or 19 per cent since the
last time a new station was licensed.
LISTNUM
1 \l 12054 Kelowna
is experiencing economic growth at a healthy sustainable rate and major
retailers with significant budgets are also seeing the economic advantage of
being located in Kelowna. Major
employers such as Home Depot, Wal‑Mart and Superstore have all realized
the benefit of doing business in this great city.
LISTNUM
1 \l 12055 MR.
PAT LOUGH: In the 1999 hearing, Nick
Frost, then owner of CILK‑FM, when referencing his marketing research,
said with a little help from the church community, Christian music choice went
through the roof. Clearly in 1999 there
was a strong preference for a new Christian music station, although the
applicant submitted a county music application.
LISTNUM
1 \l 12056 The
idea of Christian radio in Kelowna has been a hope and desire for many people
since the 1999 survey. Three Christian
radio applications in 2004, along with an additional one this year, confirms
this community desires a Christian station.
Many hours that we spent in the community promoting our application has
resulted in a significant amount of support from the residents and potential
advertisers.
LISTNUM
1 \l 12057 Potential
advertisers reveal that they aren't currently advertising on radio for a
variety of reasons. Yet, they would
strongly consider advertising on CHRV, should our family‑safe format be
licensed. Many of Kelowna's 132 churches
also indicated that they would like to advertise their activities to the
greater church community. Equally as
important, some of those churches indicated that they would continue to run
their advertising campaigns on mainstream stations, as that effectively
achieves a specific marketing goal.
LISTNUM
1 \l 12058 In
CRTC Decision 2005‑87 and 2006‑127, CILK‑FM and Pattison
Broadcasting both indicated support for the notion of a Christian station, and
they indicated that a Christian station could complement the market quite
well. However, for both applications
these broadcasters expressed great concern over the licensing of an LPFM
station and emphasized the lack of support that the applicants demonstrated
with their applications. Comments
recently made by Pattison Broadcasting confirmed once again that they would
prefer to have a new licensee be a niche‑focused station.
LISTNUM
1 \l 12059 In
our original application, and this one today, we have addressed the concerns of
the incumbent broadcasters by applying for a high‑powered station and by
garnering the support of the community with nearly 1900 individuals and
businesses publicly expressing their support for our application.
LISTNUM
1 \l 12060 MR.
DULAINE LOUGH: CHRV is about diversity;
diversity in ownership, diversity in CCD initiatives, diversity in advertisers
and diversity in programming.
LISTNUM
1 \l 12061 Obviously,
In‑House Communications will be a new entrant into the radio market. We will, therefore, add a diversity of voice
and ownership by our very presence. We
believe that this diversity is important, as it ensures that the radio market
be reflective of the incredible diversity of our Canadian culture. Furthermore, we will bring a new voice to the
Christian music format, offering balance and perspective among Christian
broadcasters in western Canadian.
LISTNUM
1 \l 12062 We
have proposed a broad‑based Christian music station to ensure we
effectively serve a wide range of musical interests and preferences. Survey respondents indicated that they want a
station that plays a greater variety and not just the hits. We have intentionally included youth
programming in the evening when the older generation tunes into the talk radio
in Penticton.
LISTNUM
1 \l 12063 Because
we believe in Canadian artists and we want to see the Christian music industry
grow and develop, we have committed to a full 15 per cent of Canadian content
as a minimum.
LISTNUM
1 \l 12064 When
we go to air, we will have a live breakfast show running from 6:00 a.m. to 9:00
a.m., a live afternoon drive from 3:00 p.m. to 6:00 p.m. and a live evening
program from 7:00 to 10:00 p.m., totalling nine hours a day of live‑to‑air
programming.
LISTNUM
1 \l 12065 In
the mid‑day time slot, not including our locally produced newscasts at 12
noon and 1:00 p.m., we may utilize services from Golden West Broadcasting to
offer more diversity. This relationship
with Golden West will help us get on our feet as new broadcasters. We wanted to use a Canadian source for
programming instead of using an American‑based satellite feed.
LISTNUM
1 \l 12066 On
Saturday, our station will be live‑to‑air from 8:00 a.m. to 3:00
p.m.
LISTNUM
1 \l 12067 Totally
Canadian will be a pre‑recorded 60‑minute weekly program focusing
entirely on Canadian artists and will be placed on Sunday nights at 5:00
p.m. We will have an on‑air
promotion of this unique and exciting program throughout the week to encourage
our listeners to tune in. Other locally
produced feature programs include Gospel in the Valley, A Retro Sunday Night,
Let Us Worship, Sunday Praise, Sunday Gospel and Kelowna This Week.
LISTNUM
1 \l 12068 MR.
PAT LOUGH: Our spoken word will reflect
Kelowna's diversity and will provide listeners with a balance of news,
entertainment and community information.
Content is king for a new radio station in Kelowna. CHRV focuses on the need for strong, local
programming that is safe for all members of the family.
LISTNUM
1 \l 12069 Content
starts with on‑air talent, but it does not end there. CHRV will look to all members of our team to
contribute creative ideas, production segments, and voice‑over bits with
the host, but behind the scenes.
Utilizing our diverse support staff will help us achieve a strong
commitment to local content and will allow us to go to air with qualify
programming right from day one.
LISTNUM
1 \l 12070 Our
spoken word programming is what clearly will differentiate us from American
broadcasters streaming on the internet.
Noticeably absent from our programming schedule is American‑style
talk programming. This content is
currently available on other stations in the Okanagan, and we don't feel the
need to duplicate. These are concerns
echoed by the incumbent broadcasters and we want to be sensitive to their
programming.
LISTNUM
1 \l 12071 Furthermore,
when we commissioned our survey, we specifically asked our potential audience
if they listen to Christian talk programming on 100.7 FM The Giant out of
Penticton. Many respondents said that
they either seldom or never listen to the existing talk programming. However, in our deficiency letter dated
August 13, 2007 we made a commitment to balanced programming should we air more
than ten hours of religious talk programs, such as Focus on the Family, Insight
for Living, et cetera.
LISTNUM
1 \l 12072 Our
spoken word commitment is 15 per cent, totalling 19 hours per week. Spoken word includes normal DJ commentaries
and local reflection, a music calendar highlighting upcoming concerts and a
community calendar. Crime stopper
reports, stock market and business reports, agriculture reports, ski reports,
public service announcements and various charity initiatives are all included
in our spoken word commitment.
LISTNUM
1 \l 12073 Spoken
word also includes various forms of listener input. DJs will be encouraged to incorporate
listeners' calls into their programs.
This listener interaction will provide a local perspective and encourage
a dialogue between listeners on air.
LISTNUM
1 \l 12074 Another
source of spoken word will come from our listener feedback line which will
provide our audience an opportunity to leave messages and commentary on a
variety of subjects. These messages will
then be produced and scheduled as on‑air programming content, covering
topics like the possibility of a teacher's strike, input for an upcoming city
hall decision, or local reaction to a provincial candidates' debate. This interactivity will also be carried
through our website, generating an enhanced level of input and participation
from our listeners.
LISTNUM
1 \l 12075 Topics
raised on the listener feedback line will allow us an opportunity to go deeper
with our talk program, Kelowna This Week.
Kelowna This Week will be a local program looking at current events from
our listeners' perspective. Guests on
this program may be the local Member of Parliament, Provincial Health Minister,
or a city planner. The intention is to
engage our audience and solicit this input.
Kelowna This Week will attract a slightly different audience, as it will
air Saturday mornings from 8:00 to 9:00 a.m.
LISTNUM
1 \l 12076 MR.
DULAINE LOUGH: Our station will
establish itself as an important source of local news and information. Our news will always have our target audience
in mind. With CHRV being our first radio
station, we can focus exclusively on content that is relevant and unique to the
Okanagan. CHRV will have 71 newscasts
totalling 320 minutes of news each week as a minimum.
LISTNUM
1 \l 12077 Our
news team will have five part‑time reporters. Seventy‑five per cent of our news
coverage will be local; the remaining 25 per cent will be national and
international. One key component of our
news coverage is to deliver breaking news that will extend through CHRV
insiders, our e‑mail distribution list.
We recognize that a number of our listeners may not be able to listen to
the radio when they are at work or out of our coverage area. Tying our News Department directly to our e‑mail
distribution list will keep people informed and enhance our listeners'
experience.
LISTNUM
1 \l 12078 As
a station that invites family listenership, we will make every effort to be
sensitive to our audience. We want to be
sure that parents can listen to the news on our station without their children
potentially being frightened by our news content. We will try, when possible, to give a
positive human‑interest element to our news items.
LISTNUM
1 \l 12079 Although
it is expected that PBIT will take a hit when a new mainstream format is
licensed in a community, it is often minimized when a Christian station is
licensed.
LISTNUM
1 \l 12080 Christian
broadcasters that we have talked to testify that they have had little impact on
mainstream broadcasters in their respective markets.
LISTNUM
1 \l 12081 Our
potential advertisers have admitted that they don't currently advertise on the
radio because they are unable to reach their intended audience. Because of our niche‑focused format, we
will introduce new advertisers to Kelowna's radio market.
LISTNUM
1 \l 12082 The
average 2006 PBIT for Kelowna's stations is almost 12 per cent. Recent ownership changes and the CKOV flip
will have a very positive impact on Kelowna's PBIT as it continues to move
forward.
LISTNUM
1 \l 12083 By
building a bridge with Golden West Broadcasting, one of western Canada's larger
broadcasters, we have created an opportunity for some of their national
advertisers to advertise in the Okanagan.
We would like to point out that Golden West has two successful Christian
radio stations in their large family of mainstream stations.
LISTNUM
1 \l 12084 There
are many ways that a station can support Canadian artists, most notably through
air play, SOCAN fees and CCD commitments.
We are confident that our initiatives not only exceed the requirements
identified by the CAB, but they are also focused on the community that we will
be serving.
LISTNUM
1 \l 12085 Our
CCD initiatives are substantial for a Christian broadcaster and are intended to
find and support talent right here in the Okanagan.
LISTNUM
1 \l 12086 Our
investment totalling $35,000 in direct and $70,000 of indirect support will go a
long way in supporting the under‑financed Christian music industry over
this seven‑year licence term. To
ensure that monies are spent in compliance with the directives of the
Commission, all of our prizes will be in the form of bursaries for recording time
in a local recording studio.
LISTNUM
1 \l 12087 We
believe that our CCD ratio is well laid out.
Outside of the required FACTOR contribution, we are proposing nearly
$1,000 or 20 per cent of our funding to go towards the Gospel Music Association
of Canada. As GMA Canada members, we
have proposed that this money go towards a songwriters' competition. The other $4,000 or 80 per cent will be spent
on artist development right here in the Okanagan. Everyone wants to see his or her home town
talent do well on a national or international scale. Our plan is designed to find and support
local talent through airplay, promotions, and sponsorship, and to champion the
local talent onto the national scale.
LISTNUM
1 \l 12088 In
efforts to offer further diversity in the community, CHRV has proposed to
donate some acquired equipment to help the development of an Aboriginal Voices
Radio presence in the Okanagan. We
talked about the AVRN repeater in our brief, and have the full support of the
AVRN network. Currently, the Okanagan is
not on the list of proposed AVRN sites, so our initiative will be outside the
scope of AVRN's current plans.
LISTNUM
1 \l 12089 MR.
PAT LOUGH: In‑House Communications
is excited to bring a unique Christian radio station to Kelowna. As you know, we have been in dialogue with
the community and believe the Okanagan greatly desires an uplifting music
choice. It is our belief that listeners
want a local voice which we will be.
LISTNUM
1 \l 12090 Our
music will be the heart beat of our station.
It will be positive, uplifting and will bring more listeners to the
local radio market.
LISTNUM
1 \l 12091 We
have made every effort to see to it that the Christian community gets a new
station by proposing a format that is diverse, as diverse as the Christian community
itself. We have also proposed 15 per
cent Canadian content because we believe that there is quality music in a
variety of genres to meet this amount.
Our CCD initiatives will be focused mainly in the Okanagan, as we
believe there is talent in the region that begs to be found.
LISTNUM
1 \l 12092 Our
newscasts will be as family sensitive as the rest of our programming, focusing
on local news, sports, traffic and weather.
We are pleased to include community events, seasonal reports, and local
charity spots as part of our radio broadcasts.
LISTNUM
1 \l 12093 In
conclusion we are proposing to offer Kelowna area listeners their very own
local destination for Christian music.
They deserve it. No other format
provides as many loyal listeners as a Christian‑based radio station.
LISTNUM
1 \l 12094 We
want to thank you for your time and are glad to entertain any questions.
LISTNUM
1 \l 12095 THE
CHAIRPERSON: Thank you, Mr. and Mrs.
Lough. I do have some questions for you.
LISTNUM
1 \l 12096 I
am going to start with the nature of this radio station that you are proposing,
so I want to make sure that I have it clear.
Obviously I just heard your oral presentation, I have read your response
of August 10th, I believe it is.
LISTNUM
1 \l 12097 So,
right now, your position is the way in which you have programmed this radio
station, you do not consider it to fall under the Religious Broadcasting
Policy. Is that correct?
LISTNUM
1 \l 12098 MR.
PAT LOUGH: That is correct.
LISTNUM
1 \l 12099 THE
CHAIRPERSON: And that you, however, say
if we decide that we do need to have more spoken word programming, I think you
say up to ten hours, of that type of programming that would move you over into
being a religious broadcaster, you would then accept the condition of licence
that you would have to provide balanced programming?
LISTNUM
1 \l 12100 MR.
PAT LOUGH: That is correct.
LISTNUM
1 \l 12101 THE
CHAIRPERSON: What factors would you take
into consideration in deciding whether or not to include those ten hours of
religious programming because from your response you say there is enough of it
in this market from out‑of‑market radio stations and you don't feel
that the Kelowna market needs more religious spoken word programming.
LISTNUM
1 \l 12102 MR.
PAT LOUGH: Right.
LISTNUM
1 \l 12103 THE
CHAIRPERSON: But what would change your
mind?
LISTNUM
1 \l 12104 MR.
PAT LOUGH: Currently there is 21 hours a
week of Christian talk programming coming out of The Giant. There is an additional I think it is one or
two hours on the local AM station here.
LISTNUM
1 \l 12105 So,
what would cause us to change our view of not airing any Christian talk? Later on in this hearing you are going to
hear the acquisition proposal by Pattison Broadcasting. Whenever there is a change of leadership or
ownership, changes happen, and that is part of that process. We don't want to see Pattison drop that
programming. It serves a good need. It also allows us to be a little more diverse
in our programming.
LISTNUM
1 \l 12106 We
have indicated our evening programming, we are going youth. The Commission recognizes that youth are not
tuning to the radio market, so we don't want to have to, I guess, pursue talk
programming that has historically been in the market. However, we recognize that may happen. If it does, then we will obviously provide
some Christian talk programming.
LISTNUM
1 \l 12107 THE
CHAIRPERSON: And come back to us and ask
for an amendment to your licence or actually a change in your licence to one of
being a religious broadcaster?
LISTNUM
1 \l 12108 MR.
PAT LOUGH: Well, I don't believe airing
ten hours makes you a religious broadcaster.
I think going significantly beyond that, maybe then you fall into that
category. That is why we picked the ten
hours threshold. There is a lot of
Christian broadcasters that are not labelling themselves as religious
broadcasters and they air Christian talk programming.
LISTNUM
1 \l 12109 THE
CHAIRPERSON: I think your position is
clear on that. Thank you.
LISTNUM
1 \l 12110 Is
there one format of music that will be featured on this radio station over any
of the others?
LISTNUM
1 \l 12111 MR.
PAT LOUGH: The bulk of our programming
will be a blend of Contemporary Christian music and Praise and Worship. Of the bulk of that programming, probably a
little more like 60 per cent of that will be more the CCM format.
LISTNUM
1 \l 12112 So,
we recognize that Kelowna is different than Calgary. It is different than Vancouver. Vancouver, the Christian radio station there
is Praise and Worship. It has a very
loyal following.
LISTNUM
1 \l 12113 A
lot of our survey participants referenced Praise 106. So we know there is a need there to provide
the praise and worship music. But we
also want to incorporate the Contemporary Christian music because that is
definitely where we see a lot more of the emerging artists.
LISTNUM
1 \l 12114 THE
CHAIRPERSON: Because in your application
you do say that your target audience is 18 to 54. I am going to use the phrase again that I
used earlier in these proceedings: You
are casting a wide net. That is a large
demographic group.
LISTNUM
1 \l 12115 MR.
PAT LOUGH: Yes.
LISTNUM
1 \l 12116 THE
CHAIRPERSON: How is an 18 year old going
to relate to your radio station as much as a 54 year old would?
LISTNUM
1 \l 12117 MR.
PAT LOUGH: We have proposed block
programming. When the older generation
is tuning to The Giant, we are doing youth programming. That is definitely a block programming within
a day.
LISTNUM
1 \l 12118 The
older generation will be satisfied more so on the weekends with southern gospel
music. We have a couple southern gospel
programs. More Praise and Worship I
think we will be airing on the weekend.
Mid day will be more Praise and Worship/Contemporary split.
LISTNUM
1 \l 12119 Our
morning and afternoon drive times, though, we have anticipated being mostly
Contemporary Christian music.
LISTNUM
1 \l 12120 So,
we do have some block programming. We
have some blended programming as well.
LISTNUM
1 \l 12121 THE
CHAIRPERSON: You may have been here in
the room when we talked with Touch Canada and if you weren't, I am sure you
read their application.
LISTNUM
1 \l 12122 Have
you done an analysis on what are the similarities and the differences between
your application and theirs?
LISTNUM
1 \l 12123 MR.
PAT LOUGH: I guess that is the advantage
of being number 9, right?
LISTNUM
1 \l 12124 First
of all, our applications are similar.
First of all, we are proposing the Contemporary Christian music. They are proposing the Contemporary Christian
music.
LISTNUM
1 \l 12125 Secondly,
we are proposing a number of the same syndicated programs that they are
proposing.
LISTNUM
1 \l 12126 But
apart from that, we will then be significantly different. Our research told us that a successful
Kelowna station will need to air a significant amount of praise and worship as
well. Looking at the presentation
yesterday for Touch Canada, the video, I didn't see a lot of demonstration of
praise and worship music in what they were presenting there. I know they have a great program, Power
Praise Sunday mornings in Calgary and Edmonton and probably Grande Prairie, but
I think Kelowna is different.
LISTNUM
1 \l 12127 I
think with the older demographic, that requires a broadcaster to be a little
bit different than how it operates in other centres.
LISTNUM
1 \l 12128 So,
we are not proposing a Hot AC format which is what we see in Calgary and
Edmonton. Therefore, we won't be a
repetitive station. We will have a
quality local news team. We won't be
relying on a news service. We are going
to be locally owned and operated. That
means we are going to live in the community.
We are going to be part of the community.
LISTNUM
1 \l 12129 If
we see a need arise to the school system or the health system, it is a lot
easier for us to have empathy and jump on board.
LISTNUM
1 \l 12130 We
are going to have more local input through our listener line, through Kelowna
This Week. Touch Canada has not proposed
any call‑in program. We have. Our call‑in program is not a religious
program. That is not the intention of
that. It is to give our listeners
perspective on what they are hearing coming out of Ottawa or Victoria or here
in Kelowna.
LISTNUM
1 \l 12131 I
think because of the older demographic here, we are going to have probably a
little bit older personalities.
LISTNUM
1 \l 12132 THE
CHAIRPERSON: You have mentioned older
demographic a couple of times. Are you,
therefore, targeting the older part of that 18 to 54 demographic that we talked
about earlier? I guess specifically the
question is: What is the median age of
your average listener?
LISTNUM
1 \l 12133 MR.
PAT LOUGH: We are targeting 35 year
olds. We are our target is kind of what
we view. We do recognize that some of
our letters said, you know what, I am not going to listen to your station, but
I want you to get the licence because my daughter or my son will.
LISTNUM
1 \l 12134 THE
CHAIRPERSON: And you believe that this
will be equally appealing to both men and women or do you think it will skew
male or female?
LISTNUM
1 \l 12135 MR.
PAT LOUGH: Christian music definitely
skews more female, yes. We have proposed
our Kelowna Today. I think that will
actually attract probably a little more male audience than we normally will
have throughout the week. Southern
Gospel might be a little more of an even split.
But I think the Contemporary Christian during the day will definitely be
females.
LISTNUM
1 \l 12136 THE
CHAIRPERSON: Could we licence both you
and Touch and would you both be able to survive in this market?
LISTNUM
1 \l 12137 MR.
PAT LOUGH: I think that is a fair
question. I look at the decisions over
the last three years, and I say, there has been no licences given to any of the
proposed Christian stations. I think it
would be difficult to licence two Christian stations now. Had one of the licences been granted in 2003,
2004, and then another one come along today, that could be radically different.
LISTNUM
1 \l 12138 But
to propose two stations really offering the same format, I think that is tough,
unless there is a commitment from one to go totally youth and the other one to
go more towards the older generation.
LISTNUM
1 \l 12139 THE
CHAIRPERSON: Now we get into numbers
which is always the fun part. We are
going to start with your commitment to CDD.
You did again confirm in your oral presentation that it is $35,000 over
seven years I believe it is.
LISTNUM
1 \l 12140 MR.
PAT LOUGH: Right.
LISTNUM
1 \l 12141 THE
CHAIRPERSON: Of that $35,000 or $5,000
annually, what is the over and above amount to which you are committing?
LISTNUM
1 \l 12142 MR.
PAT LOUGH: I think we identified the
over and above is the $5,000. Actually,
I think it was $4500.
LISTNUM
1 \l 12143 THE
CHAIRPERSON: I have your financial
projections here. When I look at the
CCD, it is $5,000 a year.
LISTNUM
1 \l 12144 MR.
PAT LOUGH: Right.
LISTNUM
1 \l 12145 THE
CHAIRPERSON: That is the over and above
amount?
LISTNUM
1 \l 12146 MR.
PAT LOUGH: Yes. Our discussion, after a change of analysts at
the CRTC, our discussion was we needed to identify the over and above
amount. We initially were at $4500. I think we bumped that up to about $5,000.
LISTNUM
1 \l 12147 THE
CHAIRPERSON: If that is your over and
above amount, do you recognize that you have to also make a base contribution?
LISTNUM
1 \l 12148 MR.
PAT LOUGH: Right.
LISTNUM
1 \l 12149 THE
CHAIRPERSON: Can you therefore file
amended financial projections to reflect both your base contribution and your
$5,000 over and above?
LISTNUM
1 \l 12150 MR.
PAT LOUGH: Yes, we will do that today.
LISTNUM
1 \l 12151 THE
CHAIRPERSON: And you can file that
today?
LISTNUM
1 \l 12152 MR.
PAT LOUGH: You bet.
LISTNUM
1 \l 12153 THE
CHAIRPERSON: Terrific. Thank you.
LISTNUM
1 \l 12154 Your
audience share projections, again, we looked at other similar radio stations in
other markets, and your audience share projections seem to be a bit higher than
what other Christian radio stations are garnering in other markets. Can you tell me what factors went into coming
up with the share projections that you have in this application?
LISTNUM
1 \l 12155 MR.
PAT LOUGH: Right. We had an audience share of 4.8 per cent, I
believe. That might be a little bit
higher ‑‑ it is definitely higher than the format in Calgary,
which I believe BBM, when they were rated, was 1.9 per cent or thereabouts.
LISTNUM
1 \l 12156 We
recognize, though, that there is strong demand for our station. Kelowna we see as a bible belt as well. There is good awareness of our station. We didn't throw our application in as a
response to a call. Our application has
been going since 2004. We started in
2003.
LISTNUM
1 \l 12157 We
actually had a lot of people say, you know, we thought you were dead in the
water given that we haven't heard anything beyond that. So, it is nice to see e‑mails come into
my screen saying what is up, where is CHRV?
So, we have had a presence in the Okanagan for three years.
LISTNUM
1 \l 12158 That
definitely helps us realize that a market share of 4.8 per cent is
realistic. Also with the fact that there
is only five stations here. Calgary it
is difficult to get anything substantial when you have got 12 or 14 radio
stations. Everyone is going to have a
small piece of the pie.
LISTNUM
1 \l 12159 THE
CHAIRPERSON: But there is only five
today. Who knows by the end of this
week?
LISTNUM
1 \l 12160 Along
the same lines, your revenue projections and in particular your national
advertising revenue projections, they seem to be a little bit higher than most
other radio stations in this category.
LISTNUM
1 \l 12161 Again,
have you identified national advertisers that want to advertise?
LISTNUM
1 \l 12162 MR.
PAT LOUGH: With national advertising,
our understanding is that is anything from outside of the market.
LISTNUM
1 \l 12163 So,
institutions in Calgary like Rocky Mountain College, a college that I have been
part of for the last ten years, it would be considered as a national advertiser
for us.
LISTNUM
1 \l 12164 Ambrose
University college, also a bible college in Calgary, would be considered
national.
LISTNUM
1 \l 12165 We
have some Vancouver potential advertisers that really their market is the
church market. They sell audiovisual
equipment, they sell tapes, CD, all that kind of stuff to the church
market. Audiovisual companies, that is
their target audience.
LISTNUM
1 \l 12166 So,
we recognize that $70,000 a year might be a little bit high, but we also are
realistic in that Christian business people in Kelowna do also have franchises,
whether it is a local Tim Hortons, a local Subway or whatever, and those
franchises do have national advertising campaigns. They may have a small amount available for
local advertising, but they also have the resources of the national.
LISTNUM
1 \l 12167 In
our brief we indicated that the national advertisers will be slow to come, we
recognize that, but we also recognize the strength that we have in networking
with Golden West Broadcasting. They have
32 stations. They have got two high‑quality
Christian stations. Those stations
receive a benefit from the network, from the Golden West network.
LISTNUM
1 \l 12168 I
think by us taking a little bit of programming from them, there is a spinoff,
right. They can sell advertising. We will make it attractive to them to sell
advertising or whatever. But we see that
as another potential stream for our national revenue.
LISTNUM
1 \l 12169 THE
CHAIRPERSON: Make it attractive for
Golden West to sell advertising in your programs?
LISTNUM
1 \l 12170 MR.
PAT LOUGH: Right, on our station.
LISTNUM
1 \l 12171 THE
CHAIRPERSON: Will this be brokered
programming from Golden West; in other words, they will keep some commercial
time?
LISTNUM
1 \l 12172 MR.
PAT LOUGH: Let me clarify that. The proposed voice tracking that we have from
Golden West would be strictly done each day with current events and all that
kind of stuff. That would be strictly
voice tracking for the normal mix of music.
LISTNUM
1 \l 12173 But
I think we can also go to Golden West and say, you know what, we would pay CMS
or we would pay other national advertising agencies a commission. To me that is totally fair to offer them a
commission if they are going to promote our station with their two Christian
stations.
LISTNUM
1 \l 12174 THE
CHAIRPERSON: Have you had these discussions
with Golden West?
LISTNUM
1 \l 12175 MR.
PAT LOUGH: The discussions that we have
had, we received letter from them and we have talked with Elmer, a willingness
to work together, to train, to offer programming. We see another component, though. Here is a station that you can market with
CHVN and CKVN. So, we have not had those
official discussions, no, we haven't.
LISTNUM
1 \l 12176 THE
CHAIRPERSON: Because, of course, your
share projections, your revenue projections all lead to the impact that you will
have on incumbents. I note in your
projections that you project 1 per cent of advertising to come from existing
radio stations.
LISTNUM
1 \l 12177 MR.
PAT LOUGH: Correct.
LISTNUM
1 \l 12178 THE
CHAIRPERSON: I am finding a little bit
of an imbalance there in the sense that your share audience projections are a
bit high compared to other radio stations that offer the same kind of
programming, especially your national revenues are a bit high.
LISTNUM
1 \l 12179 MR.
PAT LOUGH: Right.
LISTNUM
1 \l 12180 THE
CHAIRPERSON: So, how can you say that
only 1 per cent of your revenues will come from existing radio stations in the
market?
LISTNUM
1 \l 12181 MR.
PAT LOUGH: Well, there is one Christian
broadcaster in B.C., in the northern part of the province. In discussing with other broadcasters, they
have acknowledged that really they have no impact on the incumbents in their
market.
LISTNUM
1 \l 12182 The
Christian advertiser we see would be the family‑owned business, some
church advertising, but generally new business, people that have said we can't
afford to advertise on CILK‑FM.
So, I think the amount of business ‑‑ I don't see us
taking business from Standard or Pattison.
LISTNUM
1 \l 12183 I
see the bulk of our existing broadcasters coming to us by expanding their budgets
saying that, you know what, we recognize that Kelowna has a very strong and
vibrant church community; we have a very successful campaign on CILK but,
however, we will give the new kid on a block a chance, and if they can bring us
a very defined audience, a family‑centred audience, and if they know what
they are buying, then I think the expanding of the budget is by far how we are
going to get our growth, that and the new business.
LISTNUM
1 \l 12184 THE
CHAIRPERSON: You would prefer if we
didn't licence you and Touch. How many
commercial FM radio stations do you think the Kelowna market can sustain, in
addition to yours, if you are licensed?
LISTNUM
1 \l 12185 MR.
PAT LOUGH: Again, I refer to the
decisions of the past, 2004 and 2006 or 2005, 2006. There was a real hesitancy on allowing a
niche‑focused station into the market.
LISTNUM
1 \l 12186 Have
things changed that much that would allow more than one applicant? I don't know.
Our format is very niche‑focused.
I think the market can probably handle a mainstream format and us. I don't see the mainstream format in
competition with us.
LISTNUM
1 \l 12187 I
would actually see the proposed Jazz station to be more competition with us
than a Classic Hits Rock station.
LISTNUM
1 \l 12188 THE
CHAIRPERSON: And that is more because of
the target demographic group as opposed to the actual format?
LISTNUM
1 \l 12189 MR.
PAT LOUGH: Exactly.
LISTNUM
1 \l 12190 THE
CHAIRPERSON: Thank you. I have all my answers.
LISTNUM
1 \l 12191 My
colleagues?
LISTNUM
1 \l 12192 Legal
counsel.
LISTNUM
1 \l 12193 MS
LEHOUX: Thank you.
LISTNUM
1 \l 12194 Attached
with your oral presentation, we have a market survey. Was that filed with your original
application?
LISTNUM
1 \l 12195 MR.
PAT LOUGH: The market survey was
actually filed in response to an intervention by Standard Radio. That was around October 5th.
LISTNUM
1 \l 12196 MS
LEHOUX: Who did that market survey?
LISTNUM
1 \l 12197 MR.
PAT LOUGH: That was done by myself. It was using an on‑line web service
where we notified our supporters from the last three years and said, you know
what, our application is now in competition, we need more marketing
information, please take the time to do the survey.
LISTNUM
1 \l 12198 MS
LEHOUX: What I suggest is that we will
check the public record because for the moment we don't see it on the public
record.
LISTNUM
1 \l 12199 MR.
PAT LOUGH: Okay.
LISTNUM
1 \l 12200 MS
LEHOUX: We might have more questions in
Phase IV with respect to that survey.
Thank you very much.
LISTNUM
1 \l 12201 THE
CHAIRPERSON: Thank you. Mr. Lough, you have your two minutes to
conclude your application and tell us why you are the best applicant for this
market.
LISTNUM
1 \l 12202 MR.
PAT LOUGH: All right.
LISTNUM
1 \l 12203 Our
application has demonstrated strong support for Canadian artists, both
financially and through station‑oriented music programs, which have been
strategically placed in prime listening periods.
LISTNUM
1 \l 12204 The
last three years our journey to get a licence in the Okanagan, we have built
bridges with the incumbent broadcasters.
We have been up front and open about our application and met with both
Pattison Broadcasting and Standard Radio.
I believe that our openness has resulted in very little negative
comments made about our application.
LISTNUM
1 \l 12205 It
is important to point out that upon notification of a favourable decision for
CHRV‑FM, we will engage our engineer to design a repeater for the Salmon
Arm/Shuswap area. We have had an
incredible amount of support from this area and we feel that they are a valuable
part of our listening audience.
LISTNUM
1 \l 12206 Our
application not only represents diversity of news and music, but it also
represents a balance in western Canada's Christian radio industry.
LISTNUM
1 \l 12207 Touch
Canada and ourselves have submitted applications for the same type of station,
but our viewpoint will be afresh and our music will be more diverse, reaching
out to a wider audience. We have also
sought to keep our CCD initiatives local in the Okanagan to encourage the local
Christian music scene.
LISTNUM
1 \l 12208 If
you are hesitant to give a licence to a new entrant, let us assure you that
although we have not been granted a radio licence, we are not new to
broadcasting. I have been researching
radio and the CRTC for a good ten years.
We have been doing our own independent research in our present Christian
radio market, asking people in our target demographic why they do or why they
don't listen to local Christian stations, getting feedback on how we can
improve our Christian station.
LISTNUM
1 \l 12209 Dulaine
and I have experience in successful business ownership and valuable experience
in managing staff. We have been invited
to an established successful Christian radio station to give valuable in‑station
training. Furthermore, we are passionate
about radio and faithful listeners to many genres of Christian music.
LISTNUM
1 \l 12210 To
make all this just a bit better, we will do it well because we are our target
demographic. We are not looking for our
third or our fifth licence. We are looking
for our very first. Every successful
station in this room once came before you and asked for a licence. We now believe it is our turn. We are here for the long term. We have worked hard on this application for
the last four years.
LISTNUM
1 \l 12211 THE
CHAIRPERSON: Mr. and Mrs. Lough, thank
you very much.
LISTNUM
1 \l 12212 We
will now break for lunch. We will be
back at 1:00 o'clock.
‑‑‑ Upon recessing
at 1200 / Suspension à 1200
‑‑‑ Upon resuming
at 1300 / Reprise à 1300
LISTNUM
1 \l 12213 THE
CHAIRPERSON: First of all, our apologies
for our tardiness. We had a little
restaurant challenge for lunch, but we will know better for tomorrow.
LISTNUM
1 \l 12214 I
do have a couple of housekeeping announcements before we got on to the next
applicant, and just for the sake of timing to let you know that we will
continue with the next two applicants, followed by Phase II of the hearing, and
to that end, I would ask any of the applicants who wish to appears in Phase II
to indicate such desire to Madam Secretary during the afternoon break so that
we know how many of you are intending on appearing in Phase II.
LISTNUM
1 \l 12215 We
will then finish the day with the intervenors, the panel in support of the
Vista application, the panel in support of Sun Country and the panel in support
of Harvard, after which we will adjourn for the day.
LISTNUM
1 \l 12216 Thank
you. Any questions you can ask our
Hearing Secretary.
LISTNUM
1 \l 12217 Madam
Secretary
LISTNUM
1 \l 12218 THE
SECRETARY: Thank you, Madam Chair.
LISTNUM
1 \l 12219 We
will now proceed with item 10, which is an application by Deep Waters Media
Inc. for a licence to operate an English‑language FM commercial radio
programming undertaking in Kelowna and the Central Okanagan region, British
Columbia.
LISTNUM
1 \l 12220 The
new station would operate on frequency 102.3 megahertz, channel 272B, with an
average effective radiated power of 7,100 watts, maximum effective radiated
power of 20,000 watts, antenna height of minus 89 metres.
LISTNUM
1 \l 12221 Appearing
for the applicant is Mr. Pat Bohn.
Please introduce your colleagues, and you will then have 20 minutes for
your presentation.
PRESENTATION / PRÉSENTATION
LISTNUM
1 \l 12222 MR.
BOHN: Madam Chair, members of the
Commission, Commission staff, my name is Pat Bohn and I am President of Deep
Water Media. I am also President of Bohn
& Associates, a company that provides consulting services to radio stations
across Canada.
LISTNUM
1 \l 12223 On
my right is my operations manager, Hillary Hommy. Let me make a confession right off the
top. Although I am President, actually
Hillary runs the company ‑‑ we all report to her. Hillary is one who makes sure that the rest
of us get everything done, and that it gets done right. For this application, she played a
particularly important role in putting together all aspects of our plans for
Canadian content development. She is
also behind our green commitment towards helping protect the environment.
LISTNUM
1 \l 12224 On
my left is in fact my right‑hand man, Arnie Celsie. Arnie is the senior consultant at Bohn &
Associates, and he and I have worked together for more than 15 years. While I feel I know a lot about programming,
Arnie is the true guru in this regard.
Arnie was the inspiration behind most of the programming plans for this
application.
LISTNUM
1 \l 12225 Beside
Arnie is Stephanie Friedman. Stephanie
is the General Manager of BDS Radio Canada.
BDS provides off‑the‑air music recognition for the record
and the radio industries.
LISTNUM
1 \l 12226 Behind
me on my right, your left, is Noel Wentworth.
Noel is a lifelong resident of Kelowna.
He is a singer, songwriter and musician who has recorded two CDs and he
has been recognized by Billboard magazine for his song writing.
LISTNUM
1 \l 12227 He
also operates the Wentworth Music Education Centre here in Kelowna, which
offers classes and lessons to over 300 aspiring musicians. Noel will oversee our Rising Star Initiative,
if this application is approved.
LISTNUM
1 \l 12228 Beside
Noel is Pam Leyland. Pam is the
President of Rawlco Radio. For years I
have been a great admirer of Rawlco and the way they operate their radio
stations and serve their communities.
When I first had the idea of applying for a radio station in Kelowna, I
approached Gordon Rawlinson and I was very pleased when he agreed to come in as
a minority investor.
LISTNUM
1 \l 12229 Beside
Pam is Andrew Forsyth. Andrew has been a
radio consultant with us for more than ten years. For this application, Andrew was particularly
involved in the research component.
LISTNUM
1 \l 12230 Madam
Chair, I have been working in the radio business for over 30 years, but this is
a first for me. It is the first time
that I have appeared before the Commission with an application to own and
operate my own radio station. For most
of those 30 years, I have been advising other radio owners and operators on how
to improve their stations and make them more successful. Now, today, I am asking for the opportunity
to show you that I can do for myself what I have been telling others to do, and
create a really original and successful FM radio station here in Kelowna.
LISTNUM
1 \l 12231 It
is no accident that this application is for Kelowna. I love this city. I first started coming here in 1989,
consulting to Nick Frost when he owned CILK‑FM. The relationship ended in 2003, but my
special relationship with Kelowna didn't.
LISTNUM
1 \l 12232 We
started coming here in the summer. The
lake, the agriculture and the great outdoors make Kelowna a wonderful
destination. Last year, we took the
final step and purchased a home here in the city. Kelowna now feels like home.
LISTNUM
1 \l 12233 MR.
CELSIE: Bohn & Associates has
successfully worked at radio stations across Canada. The reason for our success is the objectivity
that we bring to our analysis of radio stations in each market. Without any preconceived bias, we analyze the
programming and focus on the client station and competing stations, in order to
develop a strategic plan for the positioning and programming on our client
station.
LISTNUM
1 \l 12234 The
first step we took in preparing this application was to undertake a totally
unbiased analysis of the current Kelowna radio stations, just as we would in
any city. This analysis identified one
obvious and one somewhat surprising format opportunity. The obvious missing format was Country. The surprising one was New Music for
Adults. While SUN‑FM, the CHR Hot
AC station, is playing new music for young people, the remaining FMs are gold‑based
and not airing new music.
LISTNUM
1 \l 12235 At
this point, our extensive experience working with the JACK brand came into
play. When it was first conceived, JACK
was considered a radical departure from well‑entrenched programming
approaches. Conventional wisdom said
tight music formats were the key to success.
JACK did the opposite. It brought
Rock, Pop and Adult Contemporary music all together on one radio station. The huge audiences that were attracted to
these radio stations showed that conventional programming had it wrong.
LISTNUM
1 \l 12236 Having
found that new music for adults was largely missing in Kelowna, combined with
our background with the gold‑based JACK format led us to thinking that
playing a variety of new music from different genres would be a perfect
fit. We called the format New Variety
and decided to do some research to test the results.
LISTNUM
1 \l 12237 MR.
FORSYTH: Paragon Media Strategies
undertook the research through a telephone survey of 407 people in Kelowna 18
to 64 years of age. Our primary
objectives were to determine the appeal of two music formats, New Variety and
Country, and to arrive at an estimate of the potential audience for these
formats.
LISTNUM
1 \l 12238 The
research showed there was some interest in Country. Eight per cent said they would listen very
often, and 13 per cent indicated they would listen often. There was, however, much greater interest in
new variety, with 13 per cent stating they would listen to a radio station
featuring this music very often and 22 per cent often. Paragon conservatively estimated that Country
would garner a 6.4 share and New Variety a 10.4 share.
LISTNUM
1 \l 12239 There
were other findings in the research that convinced us that New Variety was the
needed new music format in Kelowna.
After listening to a sample of the music, 25 per cent of the respondents
found New Variety music very appealing and 36 per cent somewhat appealing, for
a total of 61 per cent.
LISTNUM
1 \l 12240 In
response to other questions, 82 per cent said they would like to hear a greater
variety of music on the radio; 72 per cent said that they felt many stations
played the same songs; and 66 per cent felt Kelowna radio stations offered
limited choice and an overall lack of variety.
LISTNUM
1 \l 12241 These
responses indicated to us that radio listeners in Kelowna feel the music on the
existing stations is too similar and that there is a lack of diversity on the
radio dial. They wanted something
different.
LISTNUM
1 \l 12242 MR.
BOHN: After seeing the research, we were
totally convinced that an FM station featuring new music from a variety of
different genres would not only be successful, but that it was what was want
needed and wanted in Kelowna.
LISTNUM
1 \l 12243 Once
we had an audience share estimate, we could develop revenue and cost
projections for our new variety station.
As all of the applicants here have already said, Kelowna is a buoyant
economic market. In terms of population
and retail sales, Kelowna is one of the fastest growing cities in Canada.
LISTNUM
1 \l 12244 Not
surprising in this environment, the current radio stations are also doing
well. Although we have only estimates to
go by since 2005, it appears reasonable to project that total radio revenues
will be about $13 million when our proposed station signs on. Our first year revenue estimate of $1.1
million is only 8.7 per cent of total market revenue, and appears conservative,
given that our estimated audience share is 10.4. It is also clear that we will not have a
significant impact on the financial situation of the existing stations.
LISTNUM
1 \l 12245 A
very important, and possibly not so obvious, part of our application is the
musical diversity of the New Variety format will bring to radio listeners in
Kelowna. Bohn & Associates operates
BDS in Canada, and understanding BDS is key to understanding the distinctly different
music we will provide.
LISTNUM
1 \l 12246 MS
FRIEDMAN: BDS utilizes some quite
amazing technology. In every significant
market in Canada, including Kelowna, BDS maintains what we call tuning closets. There, racks of computers tune to every station
that can be received in the area. The
audio is digitized as it is aired and then run through computer libraries to
see if it matches one of over 600,000 unique songs identified. When it find a match, that song is logged as
a spin. Across Canada, BDS will identify
approximately 230,000 songs broadcast by over 187 stations in a typical week.
LISTNUM
1 \l 12247 Thus,
for Kelowna, BDS can give a totally accurate picture of exactly what songs the
local radio stations are airing 24 hours a day, seven days a week. For example, at the time of filing the
application, 69 per cent of the music on POWER was pre‑2000 and 79 per
cent of the music on CILK was pre‑2000.
LISTNUM
1 \l 12248 By
creating a list of the artists and songs that would be aired on the new variety
station and comparing it with the songs actually played on the existing Kelowna
stations, we found that only about 10 per cent on CILK, around 6 per cent on
SUN and less than 1 per cent on POWER would duplicate what new variety would
air.
LISTNUM
1 \l 12249 MR.
BOHN: The BDS data provides irrevocable
evidence that the music on our New Variety station will be distinctly different
from what is currently available. So
what exactly is the New Variety format?
LISTNUM
1 \l 12250 MR.
CELSIE: The New Variety format is an
adult format that will focus on new music from five genres: Modern Adult, Adult Alternative, Smooth Jazz
Vocals, Chill and World. In percentage
terms, about 20 per cent Modern Adult, 40 per cent Adult Alternative, 30 per
cent Smooth Jazz Vocals, 5 per cent Chill and 5 per cent World.
LISTNUM
1 \l 12251 Combining
the music from these different genres will keep the music fresh and
interesting. What we have learned from
JACK is that it isn't only which songs you play, it is how you put the music
together that makes it appealing. It is
putting the songs together so that each of the tempo differences and style
differences are emphasized. It is
creating a music flow that gives listeners a broader experience when they
listen to the station.
LISTNUM
1 \l 12252 Although
most of the music is not currently available on radio in Kelowna, it is by and
large not unfamiliar music. It is music
by artists whose CDs our listeners buy when they go to the record store and by
artists, who, when they come to Kelowna, play before sold‑out
audiences. New Variety radio will have a
high degree of familiarity and, at the same time, freshness because it is new.
LISTNUM
1 \l 12253 Our
experience has taught us that playing the same music as competing radio
stations is usually the least successful way of trying to establish a radio
station. The best way is to find
distinct points of differentiation and then to emphasize the differences. Success comes when the audience recognizes
you are offering something different and delivering a good listening
experience.
LISTNUM
1 \l 12254 One
of the cornerstones of our application is our 40‑40‑40 plan. Overall, and between 6:00 a.m. and 6:00 p.m.,
a minimum of 40 per cent of our music will be Canadian. More significantly, we think, we will commit
that 40 per cent of our Canadian content will be by emerging artists.
LISTNUM
1 \l 12255 MS
FRIEDMAN: In June of this year,
Billboard magazine debuted the Canadian Hot 100 Chart. It combines digital sales and airplay
collected by BDS from 187 radio stations across Canada to produce a chart of
the most popular songs for that week.
This is a significant event because it marks the first time that Canada
has had a really accurate picture of the most popular songs in the country.
LISTNUM
1 \l 12256 I
think the most exciting thing about this new chart is that we can now draw a
realistic line between artists who have achieved success and those who are
emerging.
LISTNUM
1 \l 12257 Billboard's
definition and the one BDS is using for emerging Canadian artists is the
following.
LISTNUM
1 \l 12258 All
songs must not only qualify as Canadian under the MAPL definition, but the song
must include the A for artist. If the
artist does not qualify as Canadian, the song does not qualify as emerging.
LISTNUM
1 \l 12259 When
a song by a Canadian artist reaches the top 40 of the Canadian Hot 100 Chart,
the date is recorded. Exactly 12 months
from that date, that song and every song by that artist no longer qualify as
emerging.
LISTNUM
1 \l 12260 In
addition, only songs that have been released in the past five years qualify as
emerging.
LISTNUM
1 \l 12261 I
believe this definition captures the essence of what we all believe when we say
emerging Canadian artists.
LISTNUM
1 \l 12262 MR.
CELSIE: Our commitment to having 40 per
cent of our Canadian content by emerging artists is based on this
definition. We can make this commitment
because the New Variety format is the perfect environment for playing this new
music. Our focus is new music and
outside of Rock, Hip Hop and Country, almost all new material by emerging
Canadian artists will fit perfectly into our music flow.
LISTNUM
1 \l 12263 Extensive
exposure of emerging artists is just one part of our plans for developing
Canadian content.
LISTNUM
1 \l 12264 MS
HOMMY: Our plan for Canadian content
development begins with an estimated contribution to FACTOR of $184,000 over
seven years. We will ask FACTOR to use
these funds to support B.C. talent, particularly up and coming artists from the
Okanagan Valley.
LISTNUM
1 \l 12265 To
help sow the seeds for our Canadian artists of the future, we will contribute
$10,000 each year through our Music in Okanagan Schools proposal. These funds will be used to buy instruments
for the students and to assist them in taking that first step down a path that
may lead to a future career in music.
LISTNUM
1 \l 12266 The
Rising Star Initiative is a centre piece of our Canadian Content Development
plan. Each year, four local artists with
real potential and a desire for a musical career will be selected to
participate.
LISTNUM
1 \l 12267 As
the first step, they will have the opportunity to make a top quality CD through
our $10,000 contribution. This will
enable them to record their own music in a real studio such as ZMS Productions. They will be guided by a professional producer
and able to hire strong back‑up musicians. The end product will be a great CD that they
can sell at retail and at their own performances.
LISTNUM
1 \l 12268 When
we get the CD, we will feature the music on our radio station and make them our
Artist of the Month. This will include
artist profiles and spotlight them on our Young and the Restless program. We will also heavily promote a showcase
performance at a local venue where they can launch their new CD.
LISTNUM
1 \l 12269 Each
year we will hold our Rising Star Music Festival. We want this to become a major event in
Kelowna. Each Rising Star artist will
perform at this event, as well as a recognized headliner to attract the largest
possible crowd.
LISTNUM
1 \l 12270 What
we are doing with the Rising Star Initiative is creating a comprehensive plan
for our most talented local artists.
Over seven years, 28 local artists will have great CDs, extensive radio
airplay, high profile promotion and exceptional local performing
opportunities. We believe that only this
kind of multifaceted approach can take them to the next level.
LISTNUM
1 \l 12271 Noel
Wentworth is the person who will work with the artists participating in the
Rising Star Initiative to ensure that they make the most out of this wonderful
opportunity.
LISTNUM
1 \l 12272 MR.
WENTWORTH: As a singer, songwriter and
performer myself, all I can say is what a plan.
We do have a lot of great new talent here in this area. This was certainly in evidence at the
recently held Okanagan Music Awards. I
feel that we definitely have the talent that would do very well on the national
scene. They need funding, they need
support, and they need exposure. To me,
this is exactly what the Rising Star Initiative is designed to do.
LISTNUM
1 \l 12273 I
certainly look forward to working with this talent and helping them have real
careers. I feel my background both as a
performer and as a teacher matches perfectly with the skills needed to make the
Rising Star Initiative as successful as it possibly can be.
LISTNUM
1 \l 12274 MR.
BOHN: If our application is approved,
Deep Waters Media will bring a fresh new voice and perspective to radio in
Kelowna. Because of our many years of
experience consulting to radio stations across Canada, we have accumulated a
great deal of knowledge about what makes a radio station successful. This station will give us the opportunity to
apply this knowledge here in Kelowna. We
have the team and the resources to do what we have committed to do.
LISTNUM
1 \l 12275 The
New Variety format will add great musical diversity to the Kelowna radio
dial. At least 90 per cent of the music
we will play never gets aired in this city today. Sixty‑one per cent of those surveyed
found the music appealing, and 35 per cent said they would listen to a radio
station featuring this music. The 10.4
audience share estimated by Paragon Media Strategies is more than sufficient
for us to meet our financial projections.
LISTNUM
1 \l 12276 All
of our programming will be locally focused and have a real sense and feel of Kelowna. We will have 14 hours of spoken word
programming. Our adult audience will
expect, and we will provide comprehensive news, weather and sports when it is
most wanted and needed. Our daily
features on valley arts and culture, money and real estate, food and wine will
all be tied to the local lifestyle here in Kelowna.
LISTNUM
1 \l 12277 Our
New Variety music format lends itself to creating destination programs where we
will feature the music from genres such as Jazz, Chill and World music in more
depth than we can in regular music flow.
LISTNUM
1 \l 12278 We
have a special commitment to supporting emerging Canadian artists and
introducing them to our audience. Not
only will 40 per cent of our Canadian content be by emerging artists, but we
will also have special features profiling and showcasing these artists. In all of our programming, we will pay
particular attention to supporting local artists from the Okanagan Valley.
LISTNUM
1 \l 12279 We
are also making a special commitment to being a green radio station. In building the station, we will do
everything possible to reduce the size of our carbon footprint. Our offices and studios will all be built to
meet this objective. Reduce, reuse and
recycle will be an engrained part of our daily operation. It will be a work place that minimizes our
impact on the environment.
LISTNUM
1 \l 12280 This
same attitude will carry over to our on‑air programming. It will be reflected in the words and
attitude of our announcers. It will be
featured in Green Earth Chronicles which will be aired three times each
day. It will be seen in our whole‑hearted
support for the local community green initiatives. We will make environmental sensitivity a
defining trademark of the station.
LISTNUM
1 \l 12281 In
conclusion, Madam Chair, members of the Commission, today there are no
independent radio stations in Kelowna.
We are asking for the opportunity to establish one. We know and understand what is required for a
radio station to be successful. Our New
Variety format will add real musical diversity and the research shows that it
will be very popular in Kelowna. Our
news and spoken word programming would give listeners a new fresh perspective
and be a real alternative to what is currently available. In every way, we have the knowledge and
resources to make this station a great success.
LISTNUM
1 \l 12282 This
concludes our presentation and we look forward to answering your questions.
LISTNUM
1 \l 12283 THE
CHAIRPERSON: Thank you, Mr. Bohn. Nobody should be able to say that they have been
in the radio business for over 30 years and never have come to a CRTC
proceeding. So I am glad you are here
and hope to make this as painless for you as possible.
LISTNUM
1 \l 12284 I
am going to ask Commissioner Williams to lead the questioning.
LISTNUM
1 \l 12285 COMMISSIONER
WILLIAMS: That is where I come in,
painless as possible.
LISTNUM
1 \l 12286 Your
application and your supplementary brief have been very thorough. I was particularly impressed with the Kelowna
market overview in Appendix 1A of your supplementary brief. It goes into the history of Kelowna. I had no idea that Kelowna meant grizzly
bear, which is an interesting thing to learn, and life in Kelowna and the climate
and the culture and the events and festivals, the importance of wine country,
restaurants, dining, shopping, fashion.
It is like a very well‑written, welcome to Kelowna kind of
overview going into recreation, education, transportation. And then we get into the meat of it, the
growth projections and the retail sales growth and the housing market and
revenue and market information.
LISTNUM
1 \l 12287 But
I thought it was just such a wonderful overview that it was worth time
complimenting your team on that.
LISTNUM
1 \l 12288 MR.
BOHN: Thank you very much.
LISTNUM
1 \l 12289 COMMISSIONER
WILLIAMS: I have a series of questions
that we will go through that are in some respects quite similar to the ones
that almost everyone else has received.
LISTNUM
1 \l 12290 In
the area of programming, in your application you indicate that you will be
engaging listeners and discussions on the environment, health and
wellness. That, to me, suggests that you
will be offering some open‑line programming. Is that correct?
LISTNUM
1 \l 12291 MR.
BOHN: Mr. Celsie.
LISTNUM
1 \l 12292 MR.
CELSIE: Absolutely not. These will be scripted programs that will be
scheduled on the air in that manner.
There will be no open‑line programming on our station.
LISTNUM
1 \l 12293 COMMISSIONER
WILLIAMS: Could you briefly describe
your green commitment as it relates to your station's operations, particularly
spoken word and items being broadcast, how will you promote this?
LISTNUM
1 \l 12294 MR.
BOHN: We will take the opportunity to I
think cover off ‑‑ when we decided to make a commitment to
being a green radio station, I was in the position two years ago of being that
person that took one bag from the top of my house down and, you know what, it
took a lot of convincing, but every day I have been learning and, as a result,
I now take five containers down and get five times the exercise.
LISTNUM
1 \l 12295 It
has been a commitment of mine personally and a commitment that we have made at
Bohn & Associates. I can tell you
about the commitment we are making at the radio station, the one that we are
making on the air.
LISTNUM
1 \l 12296 COMMISSIONER
WILLIAMS: Yes, that is the one I am most
interested in, is how it will affect the on‑air portion of your radio
station, proposed radio station.
LISTNUM
1 \l 12297 MR.
BOHN: We will start with that
first. Arnie.
LISTNUM
1 \l 12298 MR.
CELSIE: There are a couple of elements
that fall into our green commitment as far as programming is concerned.
LISTNUM
1 \l 12299 First
of all, we will be having, as part of our regular scheduled news, sports,
weather, general surveillance and that kind of information an environment
report which will run four times a day and be one minute in length. It will cover off what is happening as far as
the environment locally, what local news is happening. The city has a very strong environmental
program and supports environmental programs and promotes them. We will be talking about those kinds of
things through that on a regular basis on the radio station, both Monday
through Friday and on the weekends.
LISTNUM
1 \l 12300 To
supplement that, we are going to go more in depth with a program that we have
called Green Earth Chronicles. It is
going to talk about all manner of new green technologies, ways to be green,
bring things forward that are new as far as green options for living are concerned,
and business, and that will air three times a day on the radio station.
LISTNUM
1 \l 12301 In
addition to that, we have a number of promotional and other items that will
fall into this category that, while not scheduled on a regular basis, will be
part of the programming, and Hillary has the details on those kinds of things
that will also be part of the green plan.
LISTNUM
1 \l 12302 MS
HOMMY: In trying to come up with the
green commitment and our green policy, we realized that there is five direct
areas where we can make a positive impact within the community and especially
through our radio station.
LISTNUM
1 \l 12303 The
first area was the on‑air programming that Arnie just talked about, so I
can skip that one.
LISTNUM
1 \l 12304 The
second direct positive impact area will be in our community involvement. Now, we are going to champion the recycling
and the replacement of old forms of music such as CDs, tapes. Now I just want you to picture that box of
old tapes that you have in your garage that you don't want to throw out because
you spent money on them but at the same time you have no idea what to do with
them.
LISTNUM
1 \l 12305 So,
we are going to champion the recycling and the replacement of these forms of
music to digital copies.
LISTNUM
1 \l 12306 We
are also going to organize a bicycle drive where, once again, go to your garage
or your storage room and there is that old bicycle that nobody rides any more
but it is still a good bicycle. We are
going to organize all these bicycles, fix them up and then donate them to
individuals in the community that require them.
Children, adults, whoever wants a bicycle will be able to get them from
this program.
LISTNUM
1 \l 12307 As
Arnie mentioned, Kelowna is an incredibly green environment, so we will support
any sort of community initiatives on air or just through the station, lending
support whenever we can.
LISTNUM
1 \l 12308 The
third area where we know we can make a direct positive impact is in
transportation. Every employee within
the station is going to be given a bicycle to ride to and from work. Now, to be honest, I cannot wait to see Arnie
on a bicycle. So, this is going to be
fantastic.
LISTNUM
1 \l 12309 The
second area will be hybrids. We know
that hybrids are incredibly efficient and they are also coming down in
price. So, every station vehicle will
also be a hybrid.
LISTNUM
1 \l 12310 The
third area where we know it is going to make an impact is any flights that we
take, there are many programs out there such as Zero Footprint where we can
minimize, if not equalize, our carbon footprint whenever we fly.
LISTNUM
1 \l 12311 The
fifth and must I say kind of the most exciting kind of grand finale of our
green policy is our Big Green Gathering.
This is going to be a major event in Kelowna, or we hope it is going to
be a major event in Kelowna.
LISTNUM
1 \l 12312 Picture
a big green field close to any major transportation routes, walking, biking
distance, a big field where we are going to have green vendors, a farmer's
market, anybody that lives a green lifestyle we are going to invite to take
part in this Big Green Gathering.
LISTNUM
1 \l 12313 There
will also be a green forum where we will be able to invite local or national
experts to be able to share ideas. There
are so many ways to be green now that you learn about a new one every day. So we know that if there is that opportunity
that if somebody can walk out of this green forum with just one little bit of
information like to unplug their cell phone charger when they unplug their
phone, that will be amazing.
LISTNUM
1 \l 12314 Tai
Chi and yoga classes will be throughout the day as well. Once again, can't wait to see Arnie doing
that.
LISTNUM
1 \l 12315 This
entire festival is going to be topped off by our Rising Star concert. This is part of our Canadian Content
Development plan, but our four rising stars that are chosen throughout the year
will perform throughout the afternoon and they will be headlined by a Canadian
artist. We are picturing in the evening
underneath the stars a Canadian headlining artist. It is going to attract the biggest possible
crowd and that is really how we see how we are going to directly affect the
community here in Kelowna, as well as hopefully other stations that might want
to follow a little.
LISTNUM
1 \l 12316 COMMISSIONER
WILLIAMS: Thank you for that.
LISTNUM
1 \l 12317 With
respect to your New Variety music format, you have described it as a blend of
new music from this decade drawn from five different musical genres, 20 per
cent being Modern Adult, 40 per cent Adult Alternative including Roots, Folk,
Alternative, Original, Blues, 30 per cent Smooth Jazz, both vocal and
instrumental, 5 per cent Chill and 5 per cent World.
LISTNUM
1 \l 12318 In
looking over these various styles of music, it would appear that some could be
considered belonging to category 3 music special interest, for example, sub‑category
34 is devoted to jazz and blues, sub‑category 33 devoted to world beat
and international music and sub‑category 33 is devoted to folk and folk‑oriented
music.
LISTNUM
1 \l 12319 In
order to help us determine to which extent category 3 music will be offered,
could you provide us with a description of each style of music proposed?
LISTNUM
1 \l 12320 MR.
BOHN: We can. It is a good question.
LISTNUM
1 \l 12321 We
propose formats to clients on a consistent basis, and I saw the look on your
face and I can see a number of radio company owners going, Pat, I am not a
specialty licence. You are proposing
that I enter to that territory. So, we
will try to give you the best description that we can for each one and I will
ask Arnie to do that.
LISTNUM
1 \l 12322 MR.
CELSIE: Let me begin by saying first of
all as consultants we are always looking for opportunities. We are trying to get an edge.
LISTNUM
1 \l 12323 Success
comes from identifying the unique market position and finding that point of
differentiation is critical.
LISTNUM
1 \l 12324 The
35‑plus audience, the boomers, our radios biggest fans. They provide the most hours tuned for radio;
they spend the most time with radio.
LISTNUM
1 \l 12325 The
vast majority of radio stations in Canada are gold‑based. Adults buy new music, now more than ever
perhaps because they can now find new music in a lot of locations that is no
longer intimidating to them.
LISTNUM
1 \l 12326 Our
research clearly shows that the appeal of our New Variety blend of music is
there. The profile of our potential
listeners is as follows:
LISTNUM
1 \l 12327 Thirty‑seven
per cent of those 18‑34 in our study said that they found new variety
appealing; 47 per cent of 25‑34 year olds said they found our music
appealing; 66 per cent of 34‑49 year olds said they found it appealing;
and 74 per cent of those 50 to 64 found New Variety music appealing.
LISTNUM
1 \l 12328 What
the profile shows is that our New Variety music has the greatest appeal with
the 35‑64 audience.
LISTNUM
1 \l 12329 Now,
common sense might kind of say that new music and an older audience is a little
out of sync, but conventional wisdom has it wrong in this case, just as it had
it wrong in the JACK case about what could be combined together on one radio
station.
LISTNUM
1 \l 12330 Older
listeners have a much greater interest in new music than we give them credit
for. I will tell you how it works. We are going to combine the five genres of
music. We are going to have a mix of
texture, tempo and style to create the variety mix. The new music variety, by and large the music
that is involved in that has no home on the radio at the present time. It is just simply not heard in Kelowna,
although the artist sells CDs and sellout concerts. We are going to provide a home for the
homeless in this case.
LISTNUM
1 \l 12331 Let's
start with Modern Adult. We see this as
tomorrow's AC. Typically an AC station
is gold based, focused on the 70s, 80s, 90s, while the music from this decade
represents the smallest percentage of music.
Ninety per cent of New Variety will be from this decade. Modern Adult is great new artists who are in
the headlines selling out concerts. They
are on TV, they are on‑line, they are on satellite. It is a pop‑based music style that
ranges from acoustic pop or folk kind of music to highly orchestrated
productions.
LISTNUM
1 \l 12332 Think,
for example, from Canada, Amy Sky or Hayley Sales or Aselin Devison. Think from the United States about Josh
Groban, John Legend or perhaps Dido from abroad. These are the kinds of artists that we will
mix together from our Modern Adult music category.
LISTNUM
1 \l 12333 Adult
Alternative has its roots on the rock side of Folk Rock. It is predominantly new music, although some
great heritage artists existed in this music style. Bonnie Raitt, David Gray and in Canada Blue
Rodeo, for example, would all fall under our Adult Alternative designation.
LISTNUM
1 \l 12334 There
are exciting new artists, Rufus Wainwright, Adrienne Pierce, John Mayer would
fall under that category.
LISTNUM
1 \l 12335 Adult
Alternative provides the energy and the edge and texture to the New Variety
format.
LISTNUM
1 \l 12336 The
Smooth Jazz Vocals gives a little bit of sophistication, a little bit of sex
appeal. It is a sophisticated kind of
music perhaps. And, again, the songs we
are thinking of playing are on the pop side of jazz. There is a lot of Canadian content in this
section. Holly Cole, Feist, Molly
Johnson, Remy Shand, Jack Soul all come under that kind of category, Carol
Welsman, Liberty Silver.
LISTNUM
1 \l 12337 On
the other side, from the foreign selection of that, think Anita Baker, think
Norah Jones, think Corinne Bailey Rae.
LISTNUM
1 \l 12338 People
know this music and it is appealing.
LISTNUM
1 \l 12339 Our
Chill and World sections provide the Spice category for new variety.
LISTNUM
1 \l 12340 Chill,
a slang term to express relaxing, to relax, I want to chill. That is where the music genre comes
from. It is music that is mellow, it
draws on electronica and is generally down tempo and relaxing. A lot of the music that is in the Chill
category comes from compilation CDs and that is what it has in common with
World music. The World music that we
will choose for our station will be by and large by artists who perform World
music in English or predominantly in English.
LISTNUM
1 \l 12341 An
example might be Angelique Kidgo, her new album Jin Jin. She records with Josh Stone, with Josh
Groban, Santana, Alicia Keyes. There is
a lot of music there that brings her African roots to the music but the songs
are performed and delivered in an English version.
LISTNUM
1 \l 12342 Beyond
that, the World and Chill category will have down tempo jazz ensembles like
Defazz which will be in there so to fill it all out. These songs will be woven into our
programming through the day on a limited amount and used for destination
programming through the evenings and weekends.
LISTNUM
1 \l 12343 COMMISSIONER
WILLIAMS: Thank you for that.
LISTNUM
1 \l 12344 I
guess you still consider yourself a mainstream radio station and non‑specialty
station. Is this correct?
LISTNUM
1 \l 12345 MR.
BOHN: Yes.
LISTNUM
1 \l 12346 COMMISSIONER
WILLIAMS: What would the minimum level
of category 3 be offered in any given week?
I guess that is best for Mr. Celsie.
LISTNUM
1 \l 12347 MR.
CELSIE: I guess, yes. I haven't thought anything about category 3,
to be honest with you, because we didn't consider ourselves to be a specialty
licence.
LISTNUM
1 \l 12348 COMMISSIONER
WILLIAMS: You have specified that you
plan on offering vocal and instrumental Smooth Jazz. What would the vocal to instrumental ratio or
percentage basis be during the broadcast week?
LISTNUM
1 \l 12349 MR.
CELSIE: I would say probably 99 per cent
vocal, 1 per cent instrumental overall in our mainstream programming during the
day. We would play a little more
instrumental music in our shows like Group Boutique or Sunday Smoothies, but it
would still probably account for less than 5 per cent of our music.
LISTNUM
1 \l 12350 COMMISSIONER
WILLIAMS: How many hours would this
represent?
LISTNUM
1 \l 12351 MR.
CELSIE: How many hours would it
represent? The Group Boutique is a two‑hour
show that we have planned from 10:00 to midnight Monday to Friday. It will not all be instrumental music. We have Sunday Smoothies, which is a two‑hour
program, which runs on Sunday morning.
It will not be all instrumental music.
And we have what we called our Champagne Brunch on Sunday. It will also not be all instrumental music.
LISTNUM
1 \l 12352 So
the number of hours I am not sure of at this particular point. It might total up to an hour of instrumental
music overall through the week if we were to play the good songs back to back.
LISTNUM
1 \l 12353 COMMISSIONER
WILLIAMS: Would that be a maximum amount
in your estimation?
LISTNUM
1 \l 12354 MR.
BOHN: I am the yes man. Yes.
LISTNUM
1 \l 12355 COMMISSIONER
WILLIAMS: So I might have the right guy
then.
LISTNUM
1 \l 12356 Would
you accept that commitment as a condition of licence?
LISTNUM
1 \l 12357 MR.
BOHN: Yes.
LISTNUM
1 \l 12358 COMMISSIONER
WILLIAMS: Thank you.
LISTNUM
1 \l 12359 Given
the wide range of music you plan on broadcasting, why do you feel that your
potential listeners will remain loyal to your station?
LISTNUM
1 \l 12360 MR.
CELSIE: That is a great question. Every place I go these days I run into people
first of all that talk about how tired they are of what they hear on the radio
now.
LISTNUM
1 \l 12361 As
consultants we see a lot of research, as we have stated. We see focus groups, we see perceptional
research, and one of the biggest complaints is that people are getting the same
old, same old on a lot of radio stations.
It is older gold music. It is
stuff they have heard forever.
LISTNUM
1 \l 12362 When
something fresh and interesting comes along or when they go to the Starbucks to
buy their latest CD, it is something interesting.
LISTNUM
1 \l 12363 When
you go to their homes and they put the music on for a dinner party it is rarely
the Elton John, Celine Dion, Phil Collins and Rod Stewart collection that you
get from AC stations. It is generally
much more in the line of what we are talking about here from New Variety. There are soft songs but they are from newer
artists and they have broad appeal, mixed with songs that have a little bit
more rock edge and a little bit more appeal to create an atmosphere for the
evening.
LISTNUM
1 \l 12364 You
find the same thing in coffee shops and in restaurants and on people iPods when
you drive with them in their car.
LISTNUM
1 \l 12365 Our
speculation is that because of the appeal of this music and because people are
already buying it, because people attend the concerts for these people, there
is a place for a radio station to garner an audience from it, and our research
shows that they find it very appealing and they said that they would be willing
to listen to this format.
LISTNUM
1 \l 12366 COMMISSIONER
WILLIAMS: Thank you, Mr. Celsie.
LISTNUM
1 \l 12367 I
would like to just discuss with you our choice of music format for your
proposed radio station, given the fact that Clear Sky is also proposing to
serve this demographic with a somewhat similar music offering.
LISTNUM
1 \l 12368 Firstly,
can you describe how your New Variety music format will differ from Clear Sky's
Smooth Jazz format and, secondly, why do you believe your format will provide
the greatest degree of programming diversity and represent the best choice of
format to serve the adult population of Kelowna?
LISTNUM
1 \l 12369 MR.
CELSIE: The first biggest difference
between our proposal and what Clear Sky is offering is in the era of the music
on the radio station. If I understand
their format correctly, their format will focus a considerable amount of their
music on the 70s and 80s. There is a lot
of gold music that comes into their format and the percentage of music,
although I don't recall it off the top of my head, what theirs would be is much
smaller than 90 per cent for sure. My
brain is telling me somewhere in the 20 per cent range perhaps, although I have
no real reason to stick them with that kind of label.
LISTNUM
1 \l 12370 That
is the first step, is that our format is focused on new music which gives us
the opportunity to promote new artists in Kelowna and new artists in Canada,
and that is a big difference and we think a big deal to be able to promote new
and emerging talent on the radio station.
LISTNUM
1 \l 12371 Secondly,
our format is more I guess what we used to call a foreground format. The music is active. The music is energetic. The music is for people who live a very
active lifestyle and who are engaged in what is going on in the lifestyle of Kelowna.
LISTNUM
1 \l 12372 Our
view of what the Smooth Jazz format would be more of a background format, a
very passive format and something which is sort of on in the background but not
really noticed.
LISTNUM
1 \l 12373 COMMISSIONER
WILLIAMS: We will talk in the area of
marketing now.
LISTNUM
1 \l 12374 Please
explain why you expect to have a greater audience share and revenue impact on
CKLZ than on CILK, given that CKLZ is a rock station that would seemingly
attract a younger male demographic, while CILK targeted demographic would
appear to be much more similar to that of your proposed station. So, why a larger impact on one than the
other?
LISTNUM
1 \l 12375 MR.
BOHN: Commissioner Williams, our
research and our audience share indicate that the 10.4 audience 18 to 64 from
Paragon's research, the majority of that audience would come from CILK. In our supplementary brief, I believe we
indicated that that audience would come from CILK as well.
LISTNUM
1 \l 12376 COMMISSIONER
WILLIAMS: Thank you for that clarification.
LISTNUM
1 \l 12377 Your
business plan indicates that you anticipate generating 30 per cent of your
total year two revenues from an increase in the budgets of current
advertisers. Given the relationships
that already exist between these advertisers and the existing stations in the
market, how would you propose to achieve this objective?
LISTNUM
1 \l 12378 MR.
BOHN: Well, we feel our first year
revenue of $1.1 million, gradually increasing in year seven to $2 million, they
are on the conservative side. They are
based on our audience projections, and when we filled out the revenue streams,
we allocated 30‑30‑30‑10.
I can't really do the math for you except to tell you the following.
LISTNUM
1 \l 12379 I
think that while some of them may float up to 35 or 40 per cent and the other
ones drop to 25 per cent, the audience and the revenue for this radio station,
first we will achieve our audience, the revenue will follow. I can't really tell you at this point where
that revenue is going to come once the audience is placed. As I said, it is likely to be first from
CILK. Where the rest of the revenue
falls in is, I would only be guessing and unaware of where that would come
from.
LISTNUM
1 \l 12380 The
budget, I think, and the numbers we have used to reach $1.1 million were based
on the fact of a ten share that the market was trading at 140,000 to 150,000 a
share point. So we felt that a budget of
under just $1.1 million would be conservative and we would likely do much better
than that.
LISTNUM
1 \l 12381 COMMISSIONER
WILLIAMS: And you don't feel that the
relationships that advertisers have with their current radio station
suppliers ‑‑ I guess there would be no problem swinging them
over to become loyal to you as you develop market share is what I am hearing?
LISTNUM
1 \l 12382 MR.
BOHN: My experience has taught me that
advertisers flow to where audiences go.
So, I think the advertisers have a tendency to go where the audience is.
LISTNUM
1 \l 12383 I
would think that if we deliver on our 10.4 share, the advertisers will
follow. Since our budget is based on a
high ratio of local sales, that it will be our local sales department's
responsibility to bring home the revenue based on the audience performance. And whether they are loyal to one advertiser
or to another, that will fall out, I guess, the way it will.
LISTNUM
1 \l 12384 COMMISSIONER
WILLIAMS: How many new undertakings do
you estimate the Kelowna market can sustain?
Would your business plan be negatively impacted? Should the Commission licence more than one
station?
LISTNUM
1 \l 12385 MR.
BOHN: Yes. I mean, I think the retail sales, the
population growth indicate that the market is easily positioned for one radio
station.
LISTNUM
1 \l 12386 Should
the Commission decide to licence two stations, we probably feel that our
station targeting new music and the 35‑plus adult audience would be the
best position to cover that demographic, and a second licence would probably be
better suited to targeting and serving a younger audience.
LISTNUM
1 \l 12387 COMMISSIONER
WILLIAMS: Let's say the Commission
decides to licence more than one, which applicant's case would be most harmful
to your business plan and which would be most compatible?
LISTNUM
1 \l 12388 MR.
BOHN: I think that it would make it a
little harder for us if a second station was licensed that targeted again an
audience 35‑plus, and it would be least harmful if they were targeting a
younger audience.
LISTNUM
1 \l 12389 COMMISSIONER
WILLIAMS: Thank you very much.
LISTNUM
1 \l 12390 I
believe that concludes my full line of questioning for you, and thank you very
much for your cooperation.
LISTNUM
1 \l 12391 MR.
BOHN: Thank you, Commissioner Williams.
LISTNUM
1 \l 12392 THE
CHAIRPERSON: Commissioner Morin.
LISTNUM
1 \l 12393 COMMISSIONER
MORIN: There is no doubt that you are a
savvy observer, but there is one number on page 11, the first paragraph on page
11 of your oral presentation, you are saying that at least 90 per cent of the
music we will play never gets aired in this city today. So, how did you get this number?
LISTNUM
1 \l 12394 MR.
BOHN: I am glad that you asked the
question because my Operations Manager beat me up on asking for these two
boards to be done, and one has the explanation.
LISTNUM
1 \l 12395 Arnie,
if you can run through it.
LISTNUM
1 \l 12396 MR.
CELSIE: In putting the format together
to arrive at these numbers, as I mentioned earlier, our experience is that in
order to be successful we have to be unique, we have to be distinct. We didn't want to offer a product that was
already available in the market. Trying
to take listeners away from somebody who is already doing the same thing is a
much harder job than building an audience with something that is unique,
appealing and different.
LISTNUM
1 \l 12397 We
developed a list of artists based on our experience as consultants and what we
hear around other markets and what we saw happening as far as retail was
concerned with regard to music, and we put together a list and we said, okay,
does this make sense to us as far as what our concept was for New Variety, combining
the different genres of Modern Adult, of Adult Alternative, of Smooth Jazz
Vocals and of Chill and World.
LISTNUM
1 \l 12398 Once
we had developed that list of artists, and it was about 150 deep that we got
to, we said, okay, we think we have something here we can work with.
LISTNUM
1 \l 12399 We
then went in and using BDS, which can identify all of the music that is played
in any market just about in Canada, and Stephanie, I will ask her to explain
that in just a second after I go through the initial part of this description,
we took those artists and plotted them on a spreadsheet. I then went to BDS and drew 30‑day
analysis over a six‑month period, which you can see on the chart here,
and said any songs played by those artists that are on our list were going to
count as duplicated music.
LISTNUM
1 \l 12400 The
numbers that are there sort of indicate how much duplication there was in the
overall market and also how much duplication there was based on each of the
stations.
LISTNUM
1 \l 12401 Before
I go deeper, I will just get Stephanie to explain this to because I think that
the understanding of how accurate BDS is is critical to believing what those
numbers are because I have had a number of people say how can that be that none
of these artists and none of these songs are getting played in the market.
LISTNUM
1 \l 12402 Steph,
can you just explain that?
LISTNUM
1 \l 12403 MS
FRIEDMAN: As I mentioned earlier, BDS
recognizes music 24 hours a day, seven days a week. Our identification in Canada is over 99 per
cent, which means that virtually every song that gets to air is identified in
our system.
LISTNUM
1 \l 12404 We
also have manual auditing that vets any audio that didn't get an actual
designated log spin and we ensure that the song that we missed is actually a song,
did it play for 60 seconds, will it qualify as a CRTC spin, and we also
evaluate things in terms of montage in Quebec.
LISTNUM
1 \l 12405 My
knowing our recognition and knowing that we do manual auditing, we are able to
guarantee that all of the songs within Arnie's 30‑day exhaustive analysis
were accurate.
LISTNUM
1 \l 12406 Also,
you can pull the data in a couple of different forms ‑‑ in
many different forms actually. He
analyzed this particular research project utilizing playlist, and it includes
all of the songs that were identified in the 30‑day parameters that he
laid out.
LISTNUM
1 \l 12407 MR.
CELSIE: Having done that, we looked at
it and we said, you know what, there is a great opportunity here to play this
kind of music and to have it available in the market.
LISTNUM
1 \l 12408 The
other advantage that we saw in developing this kind of format was for the
benefit of playing emerging artists.
Only in the New Variety format can we play emerging artists the way we
do. A gold‑based format would have
a great deal of difficulty in playing emerging artists simply because they
don't play enough new music.
LISTNUM
1 \l 12409 So,
let me paint a picture for you of what we are talking about from the standpoint
of emerging artists.
LISTNUM
1 \l 12410 In
the near future I believe next week, Billboard magazine will debut a chart
which will be a 25‑position chart, emerging artists in Canada, the top 25
songs by brand new artists who have never had a top 40 hit in Canada.
LISTNUM
1 \l 12411 In
order to create that list, they had to go almost 400 songs deep in the chart,
400 songs deep to come up with a list of 25.
That is how little new music by new Canadian artists is getting played
in this country. It is just simply
ignored. The preference is given to
established artists, to artists that have a reputation, to artists that have
been making music for a long, long time.
It is extremely difficult for the new artist who is equally as talented
to get play on the radio.
LISTNUM
1 \l 12412 We
have been told by some of the emerging artists locally that they have taken
their CDs to the local radio stations and have been told directly that unless
some other station in a bigger market is playing the song, they are not going
to add to it their particular playlist.
That is a tough spot for these new artists to be in.
LISTNUM
1 \l 12413 Our
emerging artists program is going to allow them ample airplay. For example, in a 12‑song hour on our
radio station, two records every hour will be by those emerging artists. That is a lot of music by new people who
haven't been exposed before who are going to get exposure and have their
careers develop.
LISTNUM
1 \l 12414 In
addition to that, we are going to highlight those artists on some of our
feature programming like Young and the Restless, and when you combine that with
our CCD plan of the Rising Star, that allows us even more impact to be able to
help these people in an even greater fashion.
LISTNUM
1 \l 12415 Hillary
can certainly explain the Rising Star program if you want the information on
that.
LISTNUM
1 \l 12416 COMMISSIONER
MORIN: Just a few words.
LISTNUM
1 \l 12417 MS
HOMMY: I know you can't see me but my
intention was to charm you with my voice.
LISTNUM
1 \l 12418 As
Arnie prefaced was our Rising Star Initiative, and this is one of the most exciting
projects that I have had the opportunity to work on in a long time.
LISTNUM
1 \l 12419 There
is five stages in our Rising Star Initiative, and the first stage is our
selection of candidates. This is where
four candidates that are clearly worthy of our program will be chosen by Noel
Wentworth, our Rising Star Administrator, as well as station management.
LISTNUM
1 \l 12420 Stage
two of our Rising Star Initiative is CD production. After the rising stars have been selected,
they will each be given $10,000 to work with Noel and to develop a fantastic
new CD of their original material.
LISTNUM
1 \l 12421 The
$10,000 will be distributed in four instalments. The first instalment will be $1,000 for
prerecording costs. Second instalment
will be $5,000 for the actual recording sessions. Third instalment will be $3,000 for mixing of
the music, and the final instalment of $1,000 will be for mastering the final
CD.
LISTNUM
1 \l 12422 After
completion of the CD that we have all of course been patiently waiting for, we
can then move to stage three.
LISTNUM
1 \l 12423 Stage
three is where the rising stars are going to receive significant airplay on our
radio station. Not only are they going
to receive the significant airplay, they will also be featured as artists of
the month and they will be featured on our Young and the Restless program.
LISTNUM
1 \l 12424 After
we have created enough buzz to get the community really excited about these
rising stars, we will then have a CD release party. The release party will be promoted extensively
on air. This is going to be an amazing
event at a local venue, where the artists are going to have the opportunity to
perform and, most importantly, sell this brand spanking new CD that they have
just put together.
LISTNUM
1 \l 12425 Once
again, I like to talk about grand finales.
I am a numbers person so I usually go 1 to 5 and then fifth is our grand
finale. So, our grand finale is our
Rising Star Concert. This is where our
four rising star will be the opening acts for a Canadian headliner. This Canadian headliner will draw the largest
possible crowd. More than likely this
will be the largest crowd that any of these rising stars will have ever played
in front of.
LISTNUM
1 \l 12426 If
I can go back to Arnie, maybe he will tell you a little bit about how this will
work on‑air in the community, if you have any further questions.
LISTNUM
1 \l 12427 MS
LEYLAND: Commissioners, if I may,
because there are many similarities to Deep Waters' Rising Star Initiative with
Rawlco Radio's 10K20 project, which you might be familiar with from our
Edmonton experience, Calgary and Saskatchewan, I think it is just worth drawing
your attention to how well this is going to work.
LISTNUM
1 \l 12428 In
Edmonton, 74 projects have been approved over the last three years, with 55
completed CDs by artists, and a large number of them have received extensive
airplay on our radio station all day part.
LISTNUM
1 \l 12429 If
I can just give you a couple of examples, because I know time is precious, of
what happens when a CCD project like 10K20 or Rising Star is approved.
LISTNUM
1 \l 12430 One
song on our station Magic, When Superheroes Die by Roland Mayhew is a 10K20
song and is the single most requested song on our radio station since we signed
on in December of 2005. That is a song
that I can categorically say would not have been recorded, would not have been
heard without this project.
LISTNUM
1 \l 12431 Kent
Samster, who is a well‑known jazz musician in Edmonton ‑‑
very proud of this ‑‑ his CD, 10K20 CD Obsessions was
nominated as Album of the Year at the 2007 Juno Awards in the Traditional Jazz
category.
LISTNUM
1 \l 12432 Those
are just two examples, real life examples of what a difference this makes when
the money is given, the CDs are produced and, most importantly, this music is
heard on radio stations.
LISTNUM
1 \l 12433 Arnie,
anything else?
LISTNUM
1 \l 12434 MR.
CELSIE: I appreciate the fact that we
sort of got off track from the original question, but I am willing to go back
there if you want more information.
Sorry about that.
LISTNUM
1 \l 12435 THE
CHAIRPERSON: Mr. Celsie, I am going to
go back to the format for just a second.
I am looking specifically at page 35 of your supplementary brief, where
you have included a number of artists in each of the categories of music for your
station.
LISTNUM
1 \l 12436 First
question, where is Mr. Wentworth on this list?
Where would you fall?
LISTNUM
1 \l 12437 MR.
CELSIE: He will be on this list as soon
as I can convince Pam to give me the CD.
LISTNUM
1 \l 12438 THE
CHAIRPERSON: Okay. I also appreciated the explanation of Chill
because I was wondering what Massive Attack, Moby and Martha Wainright had in
common, but I think your explanation was sufficient for that.
LISTNUM
1 \l 12439 Onto
the area of Smooth Jazz. In response to
questioning with Commissioner Williams, you said that you did not feel that
your jazz component, and correct me if I misheard you, did not fall under the
specialty category 3?
LISTNUM
1 \l 12440 MR.
CELSIE: It may fall under that
category. We don't consider ourselves a
special licence simply because we are trying to select the vocal material and
texture the radio station that way. We
would never describe ourselves as a Smooth Jazz radio station. Will there be music that you could put into
that category? Probably, but it is not
necessarily why we are choosing that particular music.
LISTNUM
1 \l 12441 It
is the blends and the feel and the texture of the music that we want to bring
together. It just happens to be from
that kind of category.
LISTNUM
1 \l 12442 THE
CHAIRPERSON: I think you mentioned 30
per cent in your conversation with Commissioner Williams as it could be as much
as 30 per cent.
LISTNUM
1 \l 12443 MR.
CELSIE: Of vocals.
LISTNUM
1 \l 12444 THE
CHAIRPERSON: Of vocals only.
LISTNUM
1 \l 12445 MR.
CELSIE: Of vocals.
LISTNUM
1 \l 12446 THE
CHAIRPERSON: So you wouldn't include,
whatever, instrumentals?
LISTNUM
1 \l 12447 MR.
CELSIE: The instrumentals, as I
mentioned, I think, there will be a few that may make it into day time
programming from a textural standpoint.
The rest of those would probably be used to supplement and emphasize our
destination programming that would be from 10:00 to midnight on week
nights. The kind of atmosphere we are
trying to create there is kind of like the end of a long hard day, the kids are
put to bed and you have some time to yourself so you light the candles and you
grab a bottle of wine, you put the bubbles in the bathtub and you slide in and
you have the radio on in the background and have a nice peaceful end to the
day.
LISTNUM
1 \l 12448 THE
CHAIRPERSON: It is getting to be a long
day.
LISTNUM
1 \l 12449 MR.
CELSIE: But very worthy it when you get
to the end.
LISTNUM
1 \l 12450 THE
CHAIRPERSON: Of course, I appreciate
that this is just a sample, but of course some of your artists in that category
are played by Adult Contemporary stations, by CHR stations across the country
who don't have any commitment to, or limit of, Smooth Jazz, but yet somebody
like Diana Krall can just about cross over into any format.
LISTNUM
1 \l 12451 MR.
CELSIE: Commissioner, I appreciate your
comment a whole lot. Diana Krall could
cross over into a lot of formats. I
challenge, using BDS, to look at how much airplay Diana Krall really gets in
this country as a megastar. It is so
minimal that it is almost scary. Outside
of perhaps The Wave in Hamilton and The Breeze as it was originally perhaps in
Calgary, Pam's station perhaps in Edmonton, there may be one or two songs off
her most recent album that were Canadian by designation that get played.
LISTNUM
1 \l 12452 A
lot of Diana Krall's music doesn't qualify as Canadian content because it is
not written or produced or recorded in Canada.
Almost none of that gets played, other than perhaps on CBC, in this
country.
LISTNUM
1 \l 12453 THE
CHAIRPERSON: What would you say the
median age of your listener is?
LISTNUM
1 \l 12454 MR.
CELSIE: I think the median age of our
listener is probably going to be mid‑forties.
LISTNUM
1 \l 12455 THE
CHAIRPERSON: Ms Friedman, you provided
us with a definition of emerging artists that would be applied to this radio
station in meeting that 40 per cent commitment.
LISTNUM
1 \l 12456 In
other proceedings we have heard various definitions of an emerging artist and
we have also been told that finding one that is universally applied to all
formats is difficult.
LISTNUM
1 \l 12457 Do
you believe that this definition could be applied to all formats and all genres
of music?
LISTNUM
1 \l 12458 MS
FRIEDMAN: I do believe there needs to be
a distinct definition for francophone Canada.
I have been working with ADISQ and Astral to come up with a methodology,
and this time we are preparing a Quebec Canadian Top 100 chart which may speak
to the results that we need to be able to identify artists that have had great
exposure or at least some exposure on the radio and of course had sales. This way we can get away from having a sound
scanner or a sales chart and having a separate airplay chart, which is all we
have had up until June.
LISTNUM
1 \l 12459 THE
CHAIRPERSON: Thank you very much.
LISTNUM
1 \l 12460 Legal
counsel.
LISTNUM
1 \l 12461 MS
LEHOUX: Yes, one question.
LISTNUM
1 \l 12462 For
the record, you have attached documents to your oral presentation. Could you just describe them and we will then
add them on to the public record, please.
LISTNUM
1 \l 12463 MS
HOMMY: The two documents that I have
given are the duplication chart by station, as well as a graphical description
of our format.
LISTNUM
1 \l 12464 MS
LEHOUX: You have also attached a letter
from FACTOR?
LISTNUM
1 \l 12465 MS
HOMMY: Yes. We have attached a letter from FACTOR that
came in a bit late. It is a letter where
we have asked FACTOR to donate our funds specifically to B.C. talent and we
have requested that and they have agreed.
LISTNUM
1 \l 12466 MS
LEHOUX: Thank you.
LISTNUM
1 \l 12467 COMMISSIONER
WILLIAMS: Legal counsel, I also had
attached to mine a letter from School District 23.
LISTNUM
1 \l 12468 MS
LEHOUX: I didn't have that.
LISTNUM
1 \l 12469 MS
HOMMY: That is on the public record
already.
LISTNUM
1 \l 12470 THE
CHAIRPERSON: Mr. Bohn, you now have two
minutes to give us your best pitch.
LISTNUM
1 \l 12471 MR.
BOHN: Thanks, Madam Chair.
LISTNUM
1 \l 12472 In
closing what I want to focus on are the aspects of our application that are
unique and different from the other ten applications at this hearing.
LISTNUM
1 \l 12473 First,
we are the only truly independent application.
At the same time, in terms of experience, we have as much or more
experience and expertise as any other applicant appearing here this week. We are the only applicant with a totally new
radio format for an adult audience.
Ninety per cent of the music on the New Variety format cannot be heard
on Kelowna radio, and we will add the greatest musical diversity.
LISTNUM
1 \l 12474 We
have had more success than anyone making a new format a huge success, as can be
seen in the ratings for JACK. We are the
only applicant with a 40‑40‑40 plan. Not only will we air 40 per cent Canadian
over the week, we will also air 40 per cent between 6:00 a.m. and 6:00 p.m.
Monday to Friday.
LISTNUM
1 \l 12475 Deep
Waters Media is proposing an adult format that will play 40 per cent of our
Canadian music by emerging artists. In
programming terms, this means that every hour of the week will contain two
songs by emerging Canadian artists.
LISTNUM
1 \l 12476 We
are the only applicant proposing to play new music for an older audience. All other adult formats proposed this week
focus on older gold music.
LISTNUM
1 \l 12477 Only
a new music format can provide an environment where music by emerging artists
fits naturally into the music flow. By
making a commitment to emerging artists we are, at the same time, making a
format commitment to you.
LISTNUM
1 \l 12478 We
believe that our Rising Star Initiative will do more to support Kelowna artists
than any other proposal you have heard this week. Each year we will help four local artists
make a quality CD, play their music on our radio station, promote their local
performances and feature them in a major local concert. No other applicant will have this kind of
impact on furthering the careers of talented local artists.
LISTNUM
1 \l 12479 We
are the only applicant with the comprehensive green initiative. We are the only applicant that would make the
environment a central part of our plan both on the air and off the air.
LISTNUM
1 \l 12480 These
are the major commitments in our application that differentiate us from the
other applicants. Taken together I
believe they give you some very good reasons for approving our application.
LISTNUM
1 \l 12481 Members
of the Commission, we hear more radio, listen to more music and see more
research than any independent company in Canada. We have done a lot in the past to support the
Canadian radio and music industry. The
only thing we have not done is own our own radio station, and this will fulfil
my life long dream, to own a radio station in a city that I love.
LISTNUM
1 \l 12482 We
will make this New Variety format, this new idea a big success and we won't let
you down. Thank you.
LISTNUM
1 \l 12483 THE
CHAIRPERSON: Mr. Bohn and your
colleagues. Thank you very much.
LISTNUM
1 \l 12484 Madam
secretary.
LISTNUM
1 \l 12485 THE
SECRETARY: Thank you, Madam Chair.
LISTNUM
1 \l 12486 I
would now ask Corus Radio Company to come forward to the presentation table.
‑‑‑ Pause
LISTNUM
1 \l 12487 THE
CHAIRPERSON: All right, ladies and
gentlemen, order, please. We are about
to begin.
LISTNUM
1 \l 12488 Madam
Secretary.
LISTNUM
1 \l 12489 THE
SECRETARY: Order, please.
LISTNUM
1 \l 12490 Just
a housekeeping note, for the record Vista Radio has filed, in response to
undertakings, an amended Appendix 4.3 new FM operating summary, as well as
playlists for the proposed Classic Hits station. These documents have been added to the public
record and copies are available in the public examination file.
LISTNUM
1 \l 12491 We
will now proceed with item 11, which is an application by Corus Radio Company
for a licence to operate an English‑language specialty FM commercial
radio programming undertaking in Kelowna, British Columbia.
LISTNUM
1 \l 12492 The
new station would operate on frequency 96.3, channel 242B, with an average
effective radiated power of 7,100 watts, maximum effective radiated power of
20,000 watts, antenna height of minus 89 metres.
LISTNUM
1 \l 12493 Appearing
for the applicant is Mr. Jim Johnson.
Please introduce your colleagues and you will then have 20 minutes to
make your presentation.
PRESENTATION / PRÉSENTATION
LISTNUM
1 \l 12494 MR.
JOHNSTON: Thank you very much. Good afternoon, Madam Chair, Commissioners
and Commission staff.
LISTNUM
1 \l 12495 My
name is Jim Johnson and I am the General Manager for Corus Radio
Vancouver. Almost two years ago I came
back to BC.
LISTNUM
1 \l 12496 Before
I begin our presentation, I would like to introduce the members of the Corus
Radio team that were integral in preparing this application for a new FM
News/Talk radio service for Kelowna.
LISTNUM
1 \l 12497 To
my left, Chris Duncombe, a native of Kelowna.
Chris is the Program Director of CFOX‑FM (Vancouver). He grew up here, was educated here, spent his
first two years at the UBC Okanagan and then finished up the last two years of
his degree at UBC Vancouver.
LISTNUM
1 \l 12498 To
Chris' left, Tom Plasteras, who is the Program Director of CKNW in
Vancouver. Tom has spent all his working
years in B.C.
LISTNUM
1 \l 12499 To
my right, Sylvie Courtemanche, Vice‑President, Government Relations,
Corus Entertainment Inc. Sylvie, by the
way, has four brothers who live in B.C.
She actually has eight brothers, so needless to say she has kept us in
line during this whole process.
LISTNUM
1 \l 12500 To
Sylvie's right, Cole Alford, who is our Senior Accountant and a Vancouverite,
as well, born and raised.
LISTNUM
1 \l 12501 Finally
to his right is Robert Hutton, who is the Executive Vice‑President and
General Manager of Pollara, and he tells us he spent his early childhood years
in B.C.
LISTNUM
1 \l 12502 And
behind us, a man who has resided in Vancouver for the past 26 years, Bob
Brennert, who is our Director of Engineering.
LISTNUM
1 \l 12503 The
Corus Radio Company is delighted to have this opportunity to present its
proposal for a News/Talk specialty format FM radio service for Kelowna, British
Columbia. This would actually be the
first private FM News/Talk station in English Canada.
LISTNUM
1 \l 12504 You
have heard many times this week that Kelowna is a vibrant and growing
community. It is the largest city in the
Central Okanagan, and it is also one of the fastest growing cities in the
province. With a diversified economy
that includes agriculture, forestry and tourism, Kelowna is becoming one of
Canada's most important retirement centres.
In fact, Kelowna's economy was recently described by the Economic
Development Commission as "firing on all cylinders."
LISTNUM
1 \l 12505 Corus
Radio believes that the growth potential for this market is excellent, and that
is why we are prepared to make a significant investment to launch what is the
most expensive radio format, a specialty News/Talk service on the FM band.
LISTNUM
1 \l 12506 Corus
Radio Kelowna will be dedicated to providing a distinctive local and regional perspective
to this community with over 14 hours of news each broadcast week, updated 24
hours a day. We will combine this
intensely local radio service with the best of Corus Radio regional and
national network programming.
LISTNUM
1 \l 12507 This
application is just one example of the Corus Radio vision to operate News/Talk
stations on the FM band across Canada.
We believe this is one of the ways that we can continue to be relevant
to Canadians in the ever‑changing digital media world.
LISTNUM
1 \l 12508 At
this point we invite you to view the monitor, as we have prepared a brief video
presentation regarding our proposed News/Talk FM radio service.
LISTNUM
1 \l 12509 Coming
right up.
‑‑‑ Video
presentation / présentation vidéo
LISTNUM
1 \l 12510 MR.
JOHNSTON: As you can see, the proposed
News/Talk service will be provided by local reporters, anchors and talk show
hosts who have an intimate and unique view on Kelowna.
LISTNUM
1 \l 12511 This
station will employ 30 people, with 12 of these dedicated to the newsroom. Our commitment to information programming
will be unparalleled in the region.
Corus Radio proudly owns and operates 16 News/Talk stations across
Canada in markets such as Vancouver, Edmonton, Winnipeg, Hamilton, Toronto,
Montreal and others.
LISTNUM
1 \l 12512 More
importantly, Corus Radio is a trail blazer in the specialty News/Talk format on
the FM band. We launched Canada's first
private FM News/Talk radio service in Montreal last year and this year we
expanded the FM News/Talk format to four Quebec regional markets.
LISTNUM
1 \l 12513 Our
experience in Montreal has confirmed that we are on the right track. News/Talk appeals, and it appeals to an even
wider audience base on the FM band.
LISTNUM
1 \l 12514 National
research statistics indicate that the News/Talk format is responsible for 19.6
per cent of all radio tuning. In this
province, British Columbians have a special affection for the format as
News/Talk accounts for 24.3 per cent of all listening. More importantly, News/Talk compares
favourably to other formats in its appeal to a demographic cross‑section.
LISTNUM
1 \l 12515 MR.
PLASTERAS: The Kelowna radio market is
like any other radio market in Canada, and that is very dynamic. Since Corus Radio first conducted its market
research in May 2007, two stations have changed their formats. CKOV abandoned the News/Talk format when it
made the move to FM, and CKFR made the move from an Oldies format to an AM
News/Talk station in late August. It is
obvious that these two changes could have had an impact on the market research
filed with the Corus Radio application.
It is for this reason that we commissioned Pollara to update the
consumer demand survey conducted in May in order to give a more appropriate and
updated view as to the demand and impact of the proposed Corus Radio News/Talk
station.
LISTNUM
1 \l 12516 The
consumer demand survey update was conducted in October 2007. The Commission has accepted that this
additional information become part of the public record and a copy was served
on all applicants and intervenors.
LISTNUM
1 \l 12517 This
survey demonstrates that the demand for the News/Talk format on the FM band is
virtually unchanged since May as the proportion of respondents who believe that
the station would be a positive addition to Kelowna has gone from 85 per cent
to 83 per cent, which is well within the margin of error. In addition, the proportion of respondents
who say they will definitely listen to the proposed News/Talk station has
remained constant at 25 per cent.
LISTNUM
1 \l 12518 On
the other hand, the proportion of respondents that are satisfied with the news
coverage of the radio stations available to them in Kelowna today has decreased
from 39 per cent to 34 per cent. This
means that CKFR's switch to the News/Talk format has not increased overall
satisfaction.
LISTNUM
1 \l 12519 More
importantly, the survey demonstrates that there is a hunger, a hunger for more
local news and information on the radio, both among listeners and non‑listeners
of the existing AM news/talk station and that, unprompted, 61 per cent of
respondents were not able to name a talk radio station in the market. This implies that the proposed Corus Radio
News/Talk station will serve to draw more listeners to this format and will
increase tuning hours rather than solely draw listenership from the AM
News/Talk station or any other station.s.
LISTNUM
1 \l 12520 This
is important because since May there has been a drop in listenership to
stations in the market, with a concurrent significant increase of the listening
to other out‑of‑market stations from 22 to 37 per cent,
representing a 15 per cent increase. Add
to this the fact that the number of hours spent listening to the radio has
actually increased from four to 4.8 hours a day between Monday and Friday, with
the time spent listening on the weekends remaining unchanged. This leads one to conclude that there is a
great opportunity to repatriate tuning hours to this market.
LISTNUM
1 \l 12521 Also
of interest is the fact that the AM News/Talk station has in just a few short
weeks been successful in reaching a core and loyal audience base. Currently CKFR has the same level of
awareness, 15 per cent, as CBC radio, and of those who are aware of CKFR 51 per
cent say they listen to the station.
This listenership represents 20 per cent of the total sample.
LISTNUM
1 \l 12522 Finally,
the survey demonstrates that while 55 per cent of CKFR's listeners will
definitely listen to the news service, this does not imply that there would be
a total or permanent switch to the proposed News/Talk service or what
proportion would listen to the new service in addition to CKFR.
LISTNUM
1 \l 12523 What
is clear is that there is a demand for the proposed News/Talk service, and that
the overall satisfaction to this format in the market has not improved with the
introduction of the AM News/Talk service.
In fact, three of the consumer demand reports filed by other applicants
in this proceeding ranked Kelowna news and information as number one. With a migration to out‑of‑market
tuning, we believe that an intensely local FM News/Talk service will help bring
tuning back to local radio stations.
LISTNUM
1 \l 12524 MR.
DUNCOMBE: The value of talk radio to a
community is paramount. It is even more
paramount in a city the size of Kelowna since it becomes a vital means by which
people can learn about, discuss and debate the issues that affect their
community, especially when events are breaking quickly.
LISTNUM
1 \l 12525 Corus
Radio has a long history of providing programming that instantly responds to
the needs and interests of the population and of entrenching ourselves into the
community through public service.
LISTNUM
1 \l 12526 For
example, the CKNW Orphans Fund in Vancouver raises and distributes
approximately $1.5 million per year to Lower Mainland kids in need. During the recent winter storms that caused
lengthy power disruptions, transportation delays and traffic chaos in the Lower
Mainland, CKNW provided ongoing coverage.
LISTNUM
1 \l 12527 Corus
Radio has also committed the most significant Canadian Content Development
proposal in this hearing. We have
committed to a total of $250,000 per year for a total of $1.75 million over
seven years. Our CCD proposal would
include monies for:
LISTNUM
1 \l 12528 Music
BC, Kelowna Independent Music and the Music in Schools programs; the Kelowna
Life and Art Festival; Kelowna Parks Alive Music Series; the Kelowna Community
Theatre and Okanagan Symphony Orchestra; bursaries for the UBC School of
Journalism and a special UBC Journalism Bursary for aboriginal students; a Kelowna's
Community Entrance to Journalism Program; and bursaries for the BCIT Radio
Program.
LISTNUM
1 \l 12529 We
will also provide local talent on‑air support through our several daily
sports and arts schedules to keep the citizens of Kelowna informed of the great
live talent events happening in this area.
This type of on‑air promotion will drive awareness and support all
of these sectors.
LISTNUM
1 \l 12530 Minor
sports will take centre stage each week with a two‑hour weekly in‑depth
show on Sunday evenings.
LISTNUM
1 \l 12531 MR.
JOHNSTON: Kelowna's economic growth is
driven by increased activity in the manufacturing, technology and health care
sectors in particular, which are attracting new businesses, many home
businesses and residents to the area.
This means that the rapidly growing region comprising the city of
Kelowna and the Okanagan Valley is a place with many stories to tell and Corus
Radio Kelowna has a good plan to tell them.
LISTNUM
1 \l 12532 Corus
Radio has the resources and expertise to ensure that this service is a
success. The Commission is aware of our
approach to facilities and training of our staff, and our new radio facilities
in Montreal and Cornwall are illustrative of our objective to provide a first‑class
operating environment.
LISTNUM
1 \l 12533 In
Kelowna, we will establish strong local management and content teams in this
our first station in British Columbia outside the Lower Mainland region. As in all of our News/Talk markets we are
committed to ensuring that this news service becomes an important member of the
community.
LISTNUM
1 \l 12534 This
concludes our presentation, and we would be happy to answer any questions that
you have.
LISTNUM
1 \l 12535 Just
before that, though, I would hand it over to Sylvie to make a clarification.
LISTNUM
1 \l 12536 MS
COURTEMANCHE: Thank you.
LISTNUM
1 \l 12537 Madam
Chair, we will listening attentively yesterday and to the questions that had
been posed to a variety of the applicants.
We noted that one of the recurring questions was on Canadian talent development
and the contributions and whether the applicants had included the basic
component of their CCD in their financial projections.
LISTNUM
1 \l 12538 When
we went back last night and I double checked our financial projections, I
realized that the only component we had put in was the supplemental, which is
the $250,000 per year, for a total of $1,750,000 over the seven‑year
period.
LISTNUM
1 \l 12539 So,
we revised our financial projections. I
provided a copy this morning to legal counsel.
But for the record what I did want to stipulate was that our additional
or supplemental Canadian Content Development contributions would be $250,000 a
year, for a total of $1,750,000. We have
included, based on our revenue projections, an additional $36,820 and that would
represent our basic Canadian Content Development contributions.
LISTNUM
1 \l 12540 Thank
you.
LISTNUM
1 \l 12541 THE
CHAIRPERSON: Thank you, Ms
Courtemanche. We will just cross that
question off the list. Thank you very
much.
LISTNUM
1 \l 12542 I
will ask Commissioner Morin to lead the questions.
LISTNUM
1 \l 12543 COMMISSIONER
MORIN: We have just seen your video, but
could you explain how Corus' commitment to information will be unparalleled in
the region?
LISTNUM
1 \l 12544 MR.
JOHNSTON: I think I will ask Tom
Plasteras to add in on this in a moment, but we can say that the commitment
that we are making is a long‑term commitment. It is a specialty format and a specialty
licence. It is the most expensive
format; if you take a look at the cost, it is twice as much as it takes a music
station pretty much to do.
LISTNUM
1 \l 12545 So,
with that combined with the resources that we have of our company, all the way
around our company, plus the way that we attack news in a marketplace, the way
we are prepared for emergencies, our expertise in this area is something that
we are quite good at.
LISTNUM
1 \l 12546 We
have 16 stations across the country. We
are known as the emergency station in all of those places.
LISTNUM
1 \l 12547 I
will ask Tom to ‑‑ Tom.
LISTNUM
1 \l 12548 MR.
PLASTERAS: I would just add to that that
one thing we have worked very hard to convey in this application is the need to
generate local content and to staff the newsroom to a level that would help us
do that.
LISTNUM
1 \l 12549 MR.
JOHNSTON: Also, too, with 14 hours of
news a week is what we are promising and not only the 14 hours of news a week
but all of the open‑line programs and all of the talk programming that
goes with all of this is usually based on news and issues in the community.
LISTNUM
1 \l 12550 COMMISSIONER
MORIN: Your growth projection of 32 per
cent is well above the average annual growth rate of 6.3 per cent experienced
by the Kelowna market since 2002. In
spite of those projections, you will be in the red for the whole period.
LISTNUM
1 \l 12551 I
am wondering here about the long‑term viability of the proposed format.
LISTNUM
1 \l 12552 MR.
JOHNSTON: It takes a while to get this
format going. As you can see in our
application, we are very conservative off the top in terms of what our revenues
will be, but revenues do ramp over time over the seven‑year period. We would be profitable in the sixth year.
LISTNUM
1 \l 12553 News/Talk
is one of those formats that really is a great solution for a lot of retail
operators in any location. It is all
about retail with the News/Talk and there are a lot of retailers out there that
are not using radio. In this community,
for instance, there are 14,500 firms. Of
those 14,500 firms, when you take a look at any radio station, they may have
500 or 600 accounts on the air. There is
a lot to pull from in this area.
LISTNUM
1 \l 12554 There
is a lot of home‑based businesses that we believe are going to be
exploding into bigger and better businesses and news/talk radio is extremely
good in helping those businesses develop and become bigger and better
businesses.
LISTNUM
1 \l 12555 So,
over a period of time, we will be pulling a lot of people out of a booming
retail market out of a booming retail market, into our station and into the
media.
LISTNUM
1 \l 12556 COMMISSIONER
MORIN: If you look at the numbers you
arrived at over a period of seven years, your revenues will grow from half a
million to $4.6 million. It is a big
step as far as your revenues are concerned.
LISTNUM
1 \l 12557 MR.
JOHNSTON: It is a big step. News/Talk, however, is a format that does
extremely well on a power ratio basis, and I will ask Mr. Alford to explain and
step us through some of that.
LISTNUM
1 \l 12558 MR.
ALFORD: Thank you, JJ.
LISTNUM
1 \l 12559 First
of all to note, in year one we are basing that revenue projection on not fully
selling all of our advertising for the entire year. As you know, when you first start up a
station you are not going to have the initial ratings to be able to sell to the
market for that full year, but yet you will still have the full year of set‑up
costs and getting going.
LISTNUM
1 \l 12560 So
that is really only half of the revenue year projection.
LISTNUM
1 \l 12561 Then,
again, there is a large growth through to year seven. As stated in our application, we are planning
on going from a ratings in adult 25 to 54 demographic from 8 per cent to 16 per
cent. This is one of the metrics that we
use in Corus, doing something that as JJ mentioned was a power ratio. This really measures the share of the revenue
in the market that a station takes in comparison and versus to the share of
tuning that a station has.
LISTNUM
1 \l 12562 With
our 16 News/Talk stations across Canada, it is our experience that this power
ratio for a mature market will come to 115 to 150 per cent for a mature
News/Talk station. So, by year six or
year seven when we are actually starting to get that 115 to 150 power ratio,
these revenue calculations do make sense.
LISTNUM
1 \l 12563 As
JJ also mentioned, Corus is very focused on strong retail sales growth and will
be bringing in a lot of additional revenue from the 14,500 businesses in the
Kelowna area.
LISTNUM
1 \l 12564 COMMISSIONER
MORIN: What will happen if the CRTC
grants a licence to two radio stations instead of one? Will it make any difference for you as long
as the other station is not one with a similar format?
LISTNUM
1 \l 12565 MR.
JOHNSTON: No, it won't make a difference
to us. We are committed to doing a
News/Talk format on FM in the market.
LISTNUM
1 \l 12566 COMMISSIONER
MORIN: Can you describe how your
News/Talk format will defer from that of the CKFRs?
LISTNUM
1 \l 12567 MR.
JOHNSTON: Mr. Plasteras.
LISTNUM
1 \l 12568 MR.
PLASTERAS: What we have here is a large
amount first of all of local programming for news and information. We have 14.2 hours of news per week.
LISTNUM
1 \l 12569 As
well, we have a significant amount of local programming on the weekends, and
what we really tried to focus on is community outreach and community access to
the airwaves.
LISTNUM
1 \l 12570 In
that way, we have got some programs such as Our Kelowna, which is a community
access forum for groups that may not get much notice or air time to run on
Saturday evening. We have a minor sports
program which will be dedicated solely to covering kids sports, minor
sports. It could be an information
outlet; it could be showcasing young students.
We have all got kids. How cool
would it be to hear about your own kids on the radio?
LISTNUM
1 \l 12571 We
have a talk show idol concept where we would invite local people to try their
hand at this type of radio.
LISTNUM
1 \l 12572 So,
we are really trying to make it very community intense.
LISTNUM
1 \l 12573 MR.
JOHNSTON: I would add too that with 16
News/Talk radio stations across the country, Corus has its own sound and its
own essence in marketplaces and a full commitment to the community. It is intensely community oriented.
LISTNUM
1 \l 12574 We
spend a lot of time making sure that we are ready for any kind of emergencies
and being that station as the one to go to when there are issues in the
community.
LISTNUM
1 \l 12575 We
do plan on hiring a lot of people for this and it is really important to do
that. Thirty people is quite an amount
of people; 12 actually in the newsroom.
That is a lot. Not only 12 people
in the newsroom, but the producers and everyone else behind the talk shows,
everyone is trained on the news side and cross‑trained so we can mobilize
at any time 30 people to be able to handle any issues that happen in town.
LISTNUM
1 \l 12576 COMMISSIONER
MORIN: So I understand that, the Kelowna
market can support two News/Talk stations?
LISTNUM
1 \l 12577 MR.
JOHNSTON: We believe it can. I will step you through some chronology here.
LISTNUM
1 \l 12578 When
we first did research in May, CKOV was still on the radio as a news/talk station
in town. The community was not aware
that they were going to be changing over, and so our research pretty much
reflected at that time their performance in the marketplace.
LISTNUM
1 \l 12579 We
determined at that time that everyone would ‑‑ we pretty much
evenly ‑‑ we would grab audience evenly from most of those
radio stations. At that time CKOV, we
would have picked up 14 per cent of their audience, conversely SUN I think
about 18 per cent. So they were pretty
much in the same zone as everyone else.
LISTNUM
1 \l 12580 We
came back and did some more research in the marketplace since some changes have
happened in the marketplace, and I will ask Mr. Hutton to expand on that.
LISTNUM
1 \l 12581 MR.
HUTTON: Commissioner Morin, one of the
things that has happened in the marketplace since the first research was done
is the conversion of CKFR to the Talk format.
They seemed to have achieved some strength already in the
marketplace. The awareness of CKFR in
the marketplace is already equal to the long‑established CBC. Yet, at the same time, 51 per cent of
respondents indicated they weren't aware of any talk radio in the
marketplace. This despite what we have
seen in virtually every application and certainly in our research where there
is extremely strong demand in the marketplace for more news and information
and, in particular, some dissatisfaction with the level of news and information
they are getting already.
LISTNUM
1 \l 12582 Overall,
we believe that in combination, this tells us that there is going to be a
significant demand for this station and that it won't just entirely draw from
the existing stations, that there is indeed unmet demand in the marketplace,
significant demand for more news and information, and that combined with the
increasing level of out‑of‑market tuning indicates that there is a
very strong untapped market here that we believe we will strongly be drawing
from the marketplace.
LISTNUM
1 \l 12583 MR.
JOHNSTON: I would add to that. Being on the FM brand, 70 per cent of the
audience is predisposed to the FM band in the marketplace. That gets us to a whole wider audience of
people out there with this.
LISTNUM
1 \l 12584 It
is interesting to note, not only what you have heard about our research
program, but for the other research projects that have been filed in the last
few days, news and information about Kelowna and three other studies that have
been presented in front of you have ranked as number one. So there is a major demand here and we
believe that there is enough room.
LISTNUM
1 \l 12585 COMMISSIONER
MORIN: For summing up, why do you
believe that your format will provide the greatest degree of programming
diversity and represent the best choice of format to serve the adult population
of Kelowna?
LISTNUM
1 \l 12586 MR.
JOHNSTON: I will come back to the fact
that this would be on FM. FM represents
25 to 54 audience that hasn't been exposed to news/talk on radio. The experiment that has turned out to be a
great thing that we have done in Quebec, in Montreal with CHMP for the morning
show is number one on FM as an example.
Seventy per cent of the audience is on FM.
LISTNUM
1 \l 12587 So,
there isn't a lot of room there. Or I
shouldn't say there isn't a lot of room there, but 70 per cent on FM means that
we are able to get to a much wider audience with this format.
LISTNUM
1 \l 12588 COMMISSIONER
MORIN: I note that you are proposing an
All Talk format Targeting the 35 to 54 years of age group. As a news/talk service, will your proposed
service cater to a specific core age group and, if so, what would it be?
LISTNUM
1 \l 12589 MR.
JOHNSTON: Yes, we do. In just about every format in radio you
pretty much have a specific type demo, and I would ask Mr. Plasteras, who is an
expert in News/Talk, to expand on that.
LISTNUM
1 \l 12590 MR.
PLASTERAS: The natural audience for a
News/Talk station is 35‑64, yet the business demands are often based on
25‑54. So what we do is super
serve the very core of both of those demos and we target the 35 to 54 year old
evenly split between men and women.
LISTNUM
1 \l 12591 COMMISSIONER
MORIN: Thank you.
LISTNUM
1 \l 12592 THE
CHAIRPERSON: Thank you.
LISTNUM
1 \l 12593 In
your sources of revenue chart that you provided in your application, you said
that 39 per cent of your revenues would come from existing radio stations. Of that, how much would come from CKFR? In other words, what kind of impact do you
anticipate having on CKFR?
LISTNUM
1 \l 12594 MR.
JOHNSTON: We think that if you look at
the audience impact being evenly spread over most of those stations, the impact
would probably be about the same, perhaps a little bit more, but it is
important to point out in our first year, of the $503,000 that we are looking
at, only $200,000 is going to come at the expense. Now, that is 1.7 per cent of the $11 million
radio spend. So, it is a pretty minimal
impact to every player in the market.
LISTNUM
1 \l 12595 THE
CHAIRPERSON: So you don't see that CKFR
will suffer ‑‑ not suffer, will feel the impact any more than
any other station or any less than any other station in the market?
LISTNUM
1 \l 12596 MR.
JOHNSTON: I feel they may feel the
impact slightly more in one way, and with some perhaps traditional
customers. However, on the other side of
this, retail sales is what we are all about and we will be bringing a lot of
people to radio period, and a lot of those retailers will probably end up on
other radio stations and quite naturally will end up on CKFR.
LISTNUM
1 \l 12597 THE
CHAIRPERSON: The last question that we
have asked all applicants is how many new commercial FM stations do you feel
the Kelowna market can sustain?
LISTNUM
1 \l 12598 MR.
JOHNSTON: We feel one commercial station
and one specialty station and, of course, we would want to be that specialty
station, remembering that as a specialty station, we would be locked in. We would be locked in for seven years. We have a commitment to News/Talk and being
locked in is fine with us because that is what we do and that is how strongly
we believe in that.
LISTNUM
1 \l 12599 If
the Commission feels that there should be another licensed station as well,
then we would suggest one music station and two specialty stations with, of
course, us being one of those again.
LISTNUM
1 \l 12600 THE
CHAIRPERSON: In terms of music stations,
is there one that is more appealing to you in terms of having the least impact
on your format?
LISTNUM
1 \l 12601 MR.
JOHNSTON: Not for us because we are
really here to represent News/Talk on FM radio.
LISTNUM
1 \l 12602 THE
CHAIRPERSON: In terms of demographic
group you don't feel that there is another service that ‑‑
would it complement your News/Talk service, if we were to licence it?
LISTNUM
1 \l 12603 MR.
JOHNSTON: No, we feel we are off on our
own specialty world and that doesn't move us.
LISTNUM
1 \l 12604 THE
CHAIRPERSON: Thank you very much.
LISTNUM
1 \l 12605 Legal
counsel.
LISTNUM
1 \l 12606 MS
LEHOUX: No questions, thank you.
LISTNUM
1 \l 12607 THE
CHAIRPERSON: Thank you. You have your two minutes, Mr. Johnston.
LISTNUM
1 \l 12608 MR.
JOHNSTON: This might be closer to
three. Is that okay?
LISTNUM
1 \l 12609 THE
CHAIRPERSON: Come on, you used to be in
radio.
LISTNUM
1 \l 12610 MR.
JOHNSTON: There is a reason I am not on
the air any more.
LISTNUM
1 \l 12611 There
are five reasons we at Corus believe we should receive a licence for News/Talk
in Kelowna.
LISTNUM
1 \l 12612 Number
one, there is a clear need for a news and information service in Kelowna. Our research has demonstrated that overall
satisfaction of a News/Talk format has not improved and, more importantly, 61
per cent of respondents couldn't even name one news service in the market. In fact, three other consumer demand surveys
filed in this hearing have also demonstrated a strong demand for this format
and it is why several of the applicants of this hearing have proposed unusually
high levels of news programming for FM music stations. This tells us we got it right.
LISTNUM
1 \l 12613 We
at Corus believe that the best way to meet this demand is by offering a 24/7
well‑staffed and dedicated News/Talk service. We will deliver over 14 hours of news a week
and our News/Talk format will also provide the behind‑the‑scenes in‑depth
coverage for Kelowna and Okanagan Valley stories and issues. With a minimum of 70 hours a week local
programming, we think we will be able to finally meet this pent up demand.
LISTNUM
1 \l 12614 Point
two, the commitment. We are applying
again for a specialty licence. That
means we can't change our format at will.
We believe in News/Talk, we remain News/Talk. Our expertise and resources will be critical
in order to allow us to compete with Astral, who is Canada's largest radio
group, and Pattison, western Canada's largest radio group. We would not be willing to make this
significant investment in what is the most expensive radio format if we didn't
think that Kelowna could support this station.
LISTNUM
1 \l 12615 Three,
news/talk on FM. You can get music
everywhere these days: iPod, cell phones, satellite radio, the internet. Local News/Talk is the only format unaffected
by these distractions. With the research
demonstrating that the hours of tuning of radio in the market has actually gone
from four to 4.8 hours each day, and combine this with the disturbing sharp
tuning increase to out‑of‑market stations from 22 to 37 per cent,
which represents a 15 per cent increase in just six months, we think that
News/Talk is what is needed in order to bring back local audiences to local
content and stories. And why FM? Again FM controls 70 per cent of the radio
tuning in Kelowna. We want all the
demographics to listen, and you need to be on FM to achieve this critical
objective.
LISTNUM
1 \l 12616 With
83 per cent of the respondents saying that this format would be a positive
addition to the radio landscape and 25 per cent saying they would definitely
listen, we think we have a winning formula.
LISTNUM
1 \l 12617 Four,
economics. This economy is firing on all
cylinders with no indication of slowing down.
Radio mirrors retail sales and in this market it is on fire. Last year, 22.5 per cent, which is 6 per cent
higher than the provincial average and, doing some research, the first six
months of this current year it is at 15 per cent already and traditionally the
last months of the year are heavier retail months. This is an entrepreneurial hot bed and tracks
at 57 per cent on the index over Vancouver.
There is a small business explosion coming and the News/Talk format is a
specialist at servicing growing businesses.
The Kelowna market will hit retail sales of $2.7 billion this year, $3.7
billion by 2009. With these economics,
we know Kelowna can easily withstand additions to the radio landscape.
LISTNUM
1 \l 12618 And
five, Corus has the largest CCD commitment of all the applicants in this
proceeding with $1.75 million over seven years.
That is $250,000 a year. We
believe in Kelowna and we are prepared to make a significant investment to back
our commitment. We love News/Talk. We are passionate about the format and we are
good at it. We are passionate about the
project, and we thank you for the opportunity to present it to you today.
LISTNUM
1 \l 12619 Finally,
last night, we were eating Chinese food and Sylvie got a fortune cookie, and
let me read to you what it said:
Remember three months from this date, good things are in store for you. I would be very happy to file this with you
if you would like.
LISTNUM
1 \l 12620 THE
CHAIRPERSON: No pressure or anything.
LISTNUM
1 \l 12621 MR.
JOHNSTON: We hope this is a sign that we
can look forward to an approval, and we thank you very much.
LISTNUM
1 \l 12622 THE
CHAIRPERSON: Mr. Johnston and your team,
thank you very much.
LISTNUM
1 \l 12623 We
will take a break and return at 3:30.
Thank you.
‑‑‑ Upon recessing
at 1510 / Suspension à 1510
‑‑‑ Upon resuming
at 1534 / Reprise à 1534
LISTNUM
1 \l 12624 THE
SECRETARY: We are ready to begin.
LISTNUM
1 \l 12625 For
the record, Corus Radio Company has filed revised financial projections. The document has been added to the public
record.
LISTNUM
1 \l 12626 In
addition, In‑House Communications has filed, in response to undertakings,
a revised Appendix 7.1 Financial Projections.
The document has also been added to the public record. Copies are available in the examination room.
LISTNUM
1 \l 12627 We
have now reached Phase II. Please note
that all applicants have indicated that they would not appear in this phase.
LISTNUM
1 \l 12628 We
will now proceed to Phase III in which intervenors appear in the order set out
in the agenda to present their intervention.
LISTNUM
1 \l 12629 For
the record, we have been informed that the intervenors, Cheryl Williams, Amanda
Capuano, Patti Stott and Marissa Neufeld listed on the agenda will not be
appearing at the hearing.
LISTNUM
1 \l 12630 I
would now ask Mr. Curtis Tulman from The Cruzeros and Cruzaroos Music
Corporation, as well as David G. Langton to appear as a panel and present their
intervention.
LISTNUM
1 \l 12631 We
will start with Mr. Tulman. You have ten
minutes for your presentation.
INTERVENTION / INTERVENTION
LISTNUM
1 \l 12632 MR.
TULMAN: I don't have ten minutes of a
presentation.
LISTNUM
1 \l 12633 Madam
Commissioner, Commissioners, it is a pleasure to be here. I have never been to one of these before but
it is my pleasure to appear as an intervenor on behalf of Sun Country.
LISTNUM
1 \l 12634 My
name is Curtis Tulman. I am a
musician. I am in a local band called
the Cruzeros. We just won a B.C. Country
Music Award as Group of the Year, and we have won that award for the last four
out of five years. I myself am the
current Canadian Country Music Association's Special Instrumentalist of the
Year, and I have been so for three years.
LISTNUM
1 \l 12635 We,
over the years, have had 20 radio singles on radio in the charts and seven CMT
videos. The last one went to top
ten. I don't say this to brag, although
I must admit it feels really good to say that kind of stuff.
LISTNUM
1 \l 12636 I
just want to demonstrate I have a career in music and that is my point of view
and my philosophical approach to my intervention here and stuff.
LISTNUM
1 \l 12637 I
live in Kelowna. I have made it my home
for over a quarter of a century. I
raised my kids here and I am very community minded and I am part of this
community and very proud to be so. I
love it here.
LISTNUM
1 \l 12638 Hopefully
I am speaking from the point of view of the local independent career artist,
and my intention is not to just speak as the local musicians from Kelowna, but
as the local artists from all centres in Canada where there is a vibrant and
viable music scene.
LISTNUM
1 \l 12639 I
want to start by saying thank you to the CRTC because I have to thank you for
my career. If it weren't for the CRTC I
wouldn't have a career. Your Canadian
Content Regulations and the fact that you provide funding to FACTOR through
radio broadcasting, those mandates are such that if that wasn't in place, I
wouldn't be here talking in front of you.
I would be in a totally different line of work. It is not just myself, most of my
contemporaries, if not all have benefitted from that and have careers as a
result of Canadian content and the Foundation of Canadian Talent on Record
Funding.
LISTNUM
1 \l 12640 We
have received funding over the years in the number of like six figures and that
is a substantial part of the reason why I have a career. So, thank you for that. I really mean it. If I am just here just to say thanks, then
that is reason enough, but I have other things I have to say here.
LISTNUM
1 \l 12641 Canadian
musicians, as a result of the CRTC and FACTOR are the envy of many musicians
world wide. I have many friends from
different countries and there is nothing like that that helps them out as much
as this does.
LISTNUM
1 \l 12642 There
is one country who might not envy us as others and that would be Ireland. I have been told if you are a musician there
you don't have to file income tax unless you reach a certain lower threshold. That is not a bad model, in my point of
view. So, if you are ever talking to
Revenue Canada you might want to mention that Irish model and I would
appreciate that, thank you.
LISTNUM
1 \l 12643 As
a person who would like every radio station in Canada to play his music, I
should probably be non‑partisan and I hope won't alienate anybody
here. I know a lot of the radio people
here. But I stand here today in support
of the Sun Country application.
LISTNUM
1 \l 12644 I
have known Walter Gray for a number of years, and that, in itself, would be
enough. Walter and Ted, they are great
guys and terrific broadcasters, but that is not the reason, certainly not the
entire reason.
LISTNUM
1 \l 12645 Obviously
I am in favour of a radio station with a musical format. I think music makes the world go round. These are local guys. They know this community inside out and
backwards. They are aware of the
changing needs and the challenges that our community faces during this period
of rapid growth. They have an intrinsic
knowledge of the background and the history of this community and, that is
important to me.
LISTNUM
1 \l 12646 Here
are some of the reasons why. Over the
years I have travelled across Canada and been fortunate to have stuff on the
radio. I have noticed a disturbing trend
in the last number of years. A lot of
locally owned stations are being bought up by conglomerates and that in itself
is not such a bad thing, but what disturbs me is that a lot of them or some of
them are being programmed by a fellow sitting in an office in Nashville who is
programming what a country radio station would play in Saskatchewan. The guy probably knows where Saskatchewan is,
and stops, but he has probably never been to Saskatchewan and he certainly
doesn't know that if you are from Saskatchewan you never say Saskatchewan, you
say 'skatchewan.
LISTNUM
1 \l 12647 The
situation is such that radio stations that used to play our music, and by our
music, I mean the independent Canadian performer, aren't allowed to because you
have to be like top 30 or you have to ‑‑ those stations are
only allowed to play what programmers tell them to do, programmers that aren't
from the region, aren't from the locale.
LISTNUM
1 \l 12648 So,
I find that disturbing. It is not sour
grapes that I say so because there is bigger things at stake here than my
career in music.
LISTNUM
1 \l 12649 I
think the result of that can result in homogenous radio content, spoon fed
entertainment to the masses and it is quite a bit like the tail wagging the
dog.
LISTNUM
1 \l 12650 A
broadcast tower has a major influence on our lives and on our cultures. I believe ‑‑ this is my
philosophical point ‑‑ I believe that they should reflect our
culture as opposed to direct our culture.
LISTNUM
1 \l 12651 I
have been all across this country playing music for a couple of decades and I
think I can speak a little bit about what Canadian culture is about. Canada is a collective of a vast number of
regions and each region has its own unique and identifiable flavour, and these
regions co‑exist, interact and enrich each other because they are
different and identifiable.
LISTNUM
1 \l 12652 Just
as an ecosystem with a diverse number of species in it, it is strong, resilient
and healthy, so is a diverse landscape of culture such as the one that exists
in Canada and that is Canada, a healthy and resilient culture.
LISTNUM
1 \l 12653 You
have heard the term mono‑culture, if all we planted was fields of wheat
all it would take is one blight of fungus and we would have a nation in
starvation. That rhymes.
LISTNUM
1 \l 12654 So,
Sun Country, they are the local guy, they know the favour of this region. It might be argued that Walter actually is a
large part of the flavour of this region.
He served this city as its Mayor for a number of years.
LISTNUM
1 \l 12655 The
Sun Country application speaks to the continued support of the development of
this region and of the talent that is within there. It speaks strongly of a strong commitment to
FACTOR funding, of producing a compilation CD, hiring local producers and
engineers to do that and giving support and exposure to local artists.
LISTNUM
1 \l 12656 I
know from past experience that they strongly stand in support of any local
initiative for the arts.
LISTNUM
1 \l 12657 So,
I certainly don't have ten minutes here.
I am just about done. I also know
that they play my music. We are a
country band. Their application is for
Classic Rock, but we do play some Classic Rock and we even have a song called
Woolly Bully on our last album that I am sure Walter will play if he is
successful.
LISTNUM
1 \l 12658 MR.
GRAY: Yes.
LISTNUM
1 \l 12659 MR.
TULMAN: Yes, thank you. Job done, then.
LISTNUM
1 \l 12660 But
I also know for a fact that they would give local talent the space on the
airwaves that it deserves. I know this
from firsthand experience. Right across
the street here Walter owned a radio station a quarter of a century ago and
across the little alleyway from that radio station was a garage. In that garage was our little band with its
recording studio just starting out, writing songs, recording, aspiring to be
recording artists and aspiring to have a career. Walter's station was the first radio station
in the world to play our music.
LISTNUM
1 \l 12661 Today,
I speak the truth that you can hear our music being played on radio stations
all over the world every day.
LISTNUM
1 \l 12662 So,
I stand here as living proof of what a commitment to local talent can do, can
achieve.
LISTNUM
1 \l 12663 Thanks
again for the opportunity to speak. Just
to recap, go for the local guy. All
other applications being equal in other towns you go to, go for the local guy,
go for that regional flavour, preserve our Canadian culture. Go for the guys who are willing to give to
FACTOR and have a strong commitment in their application forms for doing so and
for supporting local talent and local arts.
LISTNUM
1 \l 12664 Keep
up the great work, and thank you again for the Canadian content and for being
such a strong proponent of FACTOR. And
if you are ever talking to the tax man, could you mention that Irish thing on
my behalf.
LISTNUM
1 \l 12665 Thank
you very much.
LISTNUM
1 \l 12666 THE
SECRETARY: Thank you Mr. Tulman.
LISTNUM
1 \l 12667 Mr.
Langton, you now have ten minutes.
LISTNUM
1 \l 12668 MR.
LANGTON: Madam Chair, panel members,
firstly, thank you for holding this hearing in Kelowna. We do appreciate those eastern and northern
dollars. And thank you for allowing me
the opportunity to express my support for Sun Country Cablevision's Classic
Rock 96.3 application for an FM licence.
LISTNUM
1 \l 12669 As
a long‑time Kelowna resident, 51 years, I have seen and lived many
changes in our community, when our family first came to Kelowna in 1956, a
population of 7500 persons. We crossed
the lake via ferry; no bridge until 1958.
We had one radio station, Jim Brown CKLB.
LISTNUM
1 \l 12670 Kelowna
stayed a small interior community into the 1970s with modest growth. Walter Gray and Bob Hall started CKIQ. This really started the competitive business
side of radio, as well as the listener's choice.
LISTNUM
1 \l 12671 After
that we had Nick Frost and Cilk radio, FM station 104, The Bullet, CBC 1 and
then 2.
LISTNUM
1 \l 12672 Each
and every time our community grew so did our options in our advertising and
listening pleasures. To me, as I have
known both Walter and Ted since the late seventies, our community involvement
has crossed paths many times as we worked on the same projects and, in Walter's
case his political career, making this support a natural for me.
LISTNUM
1 \l 12673 As
a local business owner in a very competitive construction market in southern
British Columbia, we support local businesses first and hope that those that do
business with us will do so as well, support us as a local business as long as
we remain competitive. That is all we
ask.
LISTNUM
1 \l 12674 As
a youth in the 60s, 70s, the music I listened to was rapidly changing from that
of my sister of three years older, as we listened to music on our brand new
Sony transistor radio, as a vintage member of the rock and roll era, I
appreciate all types of music, as my wife is a concert violinist but I listen
to the Classic Rock stations when I have that opportunity. I hope to have that opportunity here in
Kelowna.
LISTNUM
1 \l 12675 Again,
as a local business, we do advertise to our community. We use radio mostly and we do advertise on three
of the five current radio stations, and would advertise our business on Classic
Rock 96.3 without pulling from the other stations.
LISTNUM
1 \l 12676 I
thank you for your time and wish you the best in making the decision as to who
gets to be the new Kelowna market with a new FM radio station. If you can, take some time, walk our downtown
core, visit a winery, enjoy a sip of some local wine, eat an apple, buy some
local art and enjoy what we get to live every day here. We just need a little Classic Rock to make
the day.
LISTNUM
1 \l 12677 Thank
you.
LISTNUM
1 \l 12678 THE
CHAIRPERSON: Thank you very much, Mr.
Langton and Mr. Tulman.
LISTNUM
1 \l 12679 We
don't mind at all bragging because it is a nice to know that you are a
success. In a small way it is part of
our success. Congratulations on your
award.
LISTNUM
1 \l 12680 Commissioner
Morin.
LISTNUM
1 \l 12681 COMMISSIONER
MORIN: I understand what you have said
about Sun Country Cablevision, but we have heard here that the nationals are
looking out for the locals too, I mean the content, the programs, the help to
the artists. What do you think about the
nationals who are programming songs and helping the artists? They are local in some sense too, the big
players.
LISTNUM
1 \l 12682 MR.
TULMAN: If I understand the question
properly, I think that there is, if I might go out on a limb, sometimes a bit
of a work around to the Canadian Content Regulations, that the emerging artists
can get lost in the shuffle because there is enough megastars in Canada or
Canadian megastars that you could circumvent the regulations by just playing
only them and you wouldn't hear the little guys like myself and the
independents. I think that is a risk
that is run.
LISTNUM
1 \l 12683 THE
CHAIRPERSON: Mr. Langton, in your
written submission, you said that you feel the community will support another
radio station, especially one with this format.
Why do you feel that this is the format that will win the day in the
Kelowna market, from a business community point of view?
LISTNUM
1 \l 12684 MR.
LANGTON: Options. We have another option for advertising. We, in our business, I am in the glass
business, a commercial glazing business and we probably cross many, many
demographic age groups, from little Johnny shooting the hockey puck through the
basement window to anything that may happen in your home.
LISTNUM
1 \l 12685 I
believe, as a free enterprise, the more competitive businesses that are out
there, the better we all are and the better choices we have, if that somehow
answers your question.
LISTNUM
1 \l 12686 THE
CHAIRPERSON: It does, thank you.
LISTNUM
1 \l 12687 MR.
LANGTON: And I like the format of
Classic Rock.
LISTNUM
1 \l 12688 THE
CHAIRPERSON: Mr. Tulman, I found your
intervention particularly interesting because you are a Country music performer
and, yet, you are supporting a station that is focusing on Classic Rock, while
there are other applicants in this market who are proposing a Country format.
LISTNUM
1 \l 12689 Is
there any other reason that you are supporting Sun Country other than the local
ownership, or is that the one reason that drew you to this applicant over and
above everybody else?
LISTNUM
1 \l 12690 MR.
TULMAN: It is certainly the big reason
that drew me, it is because of the long history that Walter has had here and I
share part of that history.
LISTNUM
1 \l 12691 I
was hoping to speak from a non‑musical, a non‑stylistic point of
view, which I recognize in their application, and I like the fact it is a very
good time to be a Cruzeros in this town because there is a Country station B103
which is Country and it is really good to have a Country format. I would be in support of Country formats,
sure.
LISTNUM
1 \l 12692 Classic
Rock, I come from Classic Rock roots. I
listen to Classic Rock all the time. It
is my age group why that demographic fits in quite nicely to that. My career is in Country but, my gosh, Classic
Rock is wonderful and like I say to the extent that we even have some Classic
Rock on our album.
LISTNUM
1 \l 12693 But
it is the relationship and the local angle, the local aspect of ownership that
really drew me to compel me to come and speak to you.
LISTNUM
1 \l 12694 THE
CHAIRPERSON: Thank you. Thank you both very much.
LISTNUM
1 \l 12695 Madam
Secretary.
LISTNUM
1 \l 12696 THE
SECRETARY: Thank you, Madam Chair.
LISTNUM
1 \l 12697 I
would now call Gerry Fraser to come up to the presentation table.
LISTNUM
1 \l 12698 Mr.
Fraser you have ten minutes for your presentation.
INTERVENTION / INTERVENTION
LISTNUM
1 \l 12699 MR.
FRASER: Thank you.
LISTNUM
1 \l 12700 Madam
Chairperson, distinguished Commission members and Commission staff, I
appreciate the opportunity of appearing before you today in support of the
application by Harvard Broadcasting to provide a new refreshing and much needed
radio format for our community.
LISTNUM
1 \l 12701 It
has been some 35 years since I last had the opportunity to appear before this
Commission, at that time as an applicant and a licensee.
LISTNUM
1 \l 12702 I
was one of the original applicants for the third AM licence in Saskatoon back
in 1971, which resulted in the creation of what is now CJWW in that
market. Subsequent to that, I was the
owner and operator of one of Canada's first independent standalone FM stations
in Saskatoon from 1972 to 1984 known as CFMC.
LISTNUM
1 \l 12703 I
was one of the broadcasters referred to by Larry LaBlanc in the initial
presentation as having bailed out of the Easy Listening format of traditional
FM of the 70s. As you can appreciate,
such a format change in those days was not a popular move with the traditional
audience, nor with the Commission. My
knuckles are still sore.
LISTNUM
1 \l 12704 During
my time as a Saskatoon radio owner, I became very involved in the Saskatchewan
Association of Broadcasters and the Western Association of Broadcasters, and in
that venue got to know and appreciate the tremendous contribution of
businessmen like the Hill family and Bruce Cowie. I came to truly appreciate their
contributions to the industry and to the communities in which they serve.
LISTNUM
1 \l 12705 It
is against that background that I was delighted to learn of Harvard's interest
in expanding to serve the Kelowna market, particularly with an Easy Listening
format. Having lived in Kelowna for the
past 17 years, I have experienced the transition that is taking place in our
community firsthand. Real estate, as
with many other businesses, in the early days was a roller coaster ride. Agriculture and tourism were two of the most
dominant industries, along with the Western Star Truck Manufacturing facility.
LISTNUM
1 \l 12706 Truly
our community, our economy and our citizenry have matured significantly over
the past decade and a half. Today
Kelowna is the economic centre for all of interior British Columbia. Our international airport is among the ten
busiest in the entire country.
LISTNUM
1 \l 12707 Our
wine industry has truly moved our region to the global stage. Just last month our Fall Wine Festival
attracted more than 280,000 visitors.
Many of those will some day consider moving and living here. The vast majority of those tourists would
have been in the mid to the older demographic.
LISTNUM
1 \l 12708 Our
health care facilities reflect the needs of an older demographic, and future
planning by our government and our health authority focuses on significant
expansion to many of our facilities to accommodate the growing trend.
LISTNUM
1 \l 12709 I
have been active in the real estate industry in Kelowna for more than 15 years,
with a focus on lifestyle and recreational properties. I have experienced firsthand what Statistics
Canada, our Chamber of Commerce, our city planners and our service providers
have all been telling us. Over the past
few days you have also heard from a variety of applicants and presenters, all
focusing on one common theme: Kelowna is
growing, Kelowna is growing fast, the world is coming to Kelowna, and they are
all absolutely right. Yes, Kelowna is
growing and continues to grow. However,
few applicants that I listened to at this hearing have adequately focused on
the nature of that growth, the demographics of that growth.
LISTNUM
1 \l 12710 Our
own Economic Development Commission is charged with the responsibility of
ensuring economic growth in our region by enhancing existing businesses and
attracting new investors. A key factor
in attracting new investment is an analysis of our population and the trends
for the future. In the Economic
Development Commission's economic profile on their website at page 1.7.2, I
quote:
"Population growth projections
by age group. The population of the
Central Okanagan is projected to become increasingly older over the next 25
years. The proportion of the population
aged 44 and under is projected to decrease from 59 per cent in 2006 to 50 per
cent in 2031. Conversely, the proportion
of the population 45 and older is projected to increase from 41 per cent in
2006 to 50 per cent in 2031, and comprise half of the population in the Central
Okanagan."
LISTNUM
1 \l 12711 Clearly
a trend and a need that Timeless 96.3 directly addresses.
LISTNUM
1 \l 12712 To
further underline this trend, this morning I obtained projected enrolments from
our local school district. They indicate
that between the year 2006 and the year 2017 elementary school enrolment is
projected to decrease by 3.48 per cent.
Secondary school enrolment over that period is projected to decrease by
12.3 per cent.
LISTNUM
1 \l 12713 Clearly,
these numbers indicate the growing and aging population in the higher
demographic.
LISTNUM
1 \l 12714 This
material is all dated August of 2007.
LISTNUM
1 \l 12715 Furthermore,
a review of a digest of current developments proposed and for sale in our
community is available at a website called www.redkey.ca. An analysis of those projects indicates that
most projects are primarily focused on recreational and lifestyle buyers and
retirees, not the type of affordable housing that a younger demographic
requires. In fact, the area of
affordable housing for younger buyers constitutes a very critical need in our
community, a need that is not currently being addressed.
LISTNUM
1 \l 12716 My
own personal experience is that I am one of the disenfranchised listeners in
this community and I am one of many. As
an example, I visited a client at his home this morning, they are a couple that
moved here from Ontario and they had a radio station playing in their home and I
asked them what it was. They were
listening to, and I asked them to write it down, they were listening to AM 740
out of Toronto on the internet because of the lack of availability of Easy
Listening programming in this community, and there are a number of other
examples like that.
LISTNUM
1 \l 12717 My
own personal experience over the past 15 years is that the vast majority of my
clients in the recreational and lifestyle and retiring category would strongly
endorse and welcome the format that the Harvard group has proposed for this
licence.
LISTNUM
1 \l 12718 In
summary, yes, we do have one of the finest communities in the world right
here. We have the University of British
Columbia, we have so many of the other facilities I have already reviewed, we
have tourism, skiing, golfing, climate, and they all contribute to putting
Kelowna on the world stage. Kelowna is
growing dramatically and particularly in an upper age demographic.
LISTNUM
1 \l 12719 Demographic
trends in our community are pointing directly towards the vision that Timeless
96.3 has put forward to serve a vital segment of our population. Now and for the foreseeable future, I proudly
support this application and would invite this learned Commission to do the same.
LISTNUM
1 \l 12720 Thank
you.
LISTNUM
1 \l 12721 THE
CHAIRPERSON: Thank you, Mr. Fraser.
LISTNUM
1 \l 12722 Commissioner
Williams.
LISTNUM
1 \l 12723 COMMISSIONER
WILLIAMS: Good afternoon, Mr.
Fraser. AM 740 in Toronto, what kind of
station is that?
LISTNUM
1 \l 12724 MR.
FRASER: I am told it is an Easy
Listening station, a format very similar to what Timeless 96.3 would be
advocating.
LISTNUM
1 \l 12725 COMMISSIONER
WILLIAMS: In your written intervention,
you also spoke that many of these individuals are relocating from larger
metropolitan areas where the proposed format of Timeless 96.3 is readily
available. So that is from cities across
the country?
LISTNUM
1 \l 12726 MR.
FRASER: Yes. I have clients who moved here from, well, all
over the world, but from Ottawa, Winnipeg, Toronto, Vancouver.
LISTNUM
1 \l 12727 There
is a vast group of people that are ‑‑
LISTNUM
1 \l 12728 COMMISSIONER
WILLIAMS: And many of them have made the
point to you that ‑‑
LISTNUM
1 \l 12729 MR.
FRASER: Yes, when they move to Kelowna I
do a specific orientation to familiarize them with a lot of the services that
are available in our community: City
services, the library, radio and television, cable, contacts, all of that.
LISTNUM
1 \l 12730 COMMISSIONER
WILLIAMS: I think your intervention is
quite clear. I think one of the other
things that Kelowna has that I have noticed in the short time that we have been
here is that there are many people that are very enthusiastic about what
Kelowna has to offer.
LISTNUM
1 \l 12731 MR.
FRASER: We love it here and for good
reason.
LISTNUM
1 \l 12732 COMMISSIONER
WILLIAMS: Okay, thank you very much.
LISTNUM
1 \l 12733 THE
CHAIRPERSON: Thank you Mr. Fraser. We may be asking you for your business card
before we leave. Thank you very much.
LISTNUM
1 \l 12734 Madam
Secretary.
LISTNUM
1 \l 12735 THE
SECRETARY: For the record, Radio CJVR
has filed, in response to undertakings, revised spoken word content figures and
a spreadsheet outlining CCD commitments.
These documents have been added to the public record and copies are
available in the examination room.
LISTNUM
1 \l 12736 The
hearing will resume tomorrow morning at 9:00 a.m. Have a good evening.
‑‑‑ Whereupon the
hearing adjourned at 1603,
to resume on Thursday, November 1st, 2007
at 0900 / L'audience est adjournée à 1603,
pour reprendre le jeudi 1er novembre 2007 à 0900
REPORTERS
____________________
Barbara Neuberger
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