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Please note that the Official Languages Act requires that government publications be available in both official languages.

In order to meet some of the requirements under this Act, the Commission's transcripts will therefore be bilingual as to their covers, the listing of CRTC members and staff attending the hearings, and the table of contents.

However, the aforementioned publication is the recorded verbatim transcript and, as such, is transcribed in either of the official languages, depending on the language spoken by the participant at the hearing.

 

 

 

 

 

 

 

TRANSCRIPT OF PROCEEDINGS BEFORE

      THE CANADIAN RADIO‑TELEVISION AND

TELECOMMUNICATIONS COMMISSION

 

 

 

 

TRANSCRIPTION DES AUDIENCES AVANT

  CONSEIL DE LA RADIODIFFUSION

   ET DES TÉLÉCOMMUNICATIONS CANADIENNES

 

 

 

 

 

 

 

SUBJECT:

 

 

 

VARIOUS BROADCAST APPLICATIONS /

PLUSIEURS DEMANDES EN RADIODIFFUSION

 

 

 

 

 

 

 

 

 

HELD AT:             TENUE À:

 

Metropolitan Conference             Centre de conférence

Centre             Métropolitain

333 Fourth Avenue South West                333, Fourth Avenue Sud‑Ouest

Calgary, Alberta                Calgary (Alberta)

 

February 27, 2006          Le 27 février 2006

 


 

 

 

 

Transcripts

 

In order to meet the requirements of the Official Languages

Act, transcripts of proceedings before the Commission will be

bilingual as to their covers, the listing of the CRTC members

and staff attending the public hearings, and the Table of

Contents.

 

However, the aforementioned publication is the recorded

verbatim transcript and, as such, is taped and transcribed in

either of the official languages, depending on the language

spoken by the participant at the public hearing.

 

 

 

 

Transcription

 

Afin de rencontrer les exigences de la Loi sur les langues

officielles, les procès‑verbaux pour le Conseil seront

bilingues en ce qui a trait à la page couverture, la liste des

membres et du personnel du CRTC participant à l'audience

publique ainsi que la table des matières.

 

Toutefois, la publication susmentionnée est un compte rendu

textuel des délibérations et, en tant que tel, est enregistrée

et transcrite dans l'une ou l'autre des deux langues

officielles, compte tenu de la langue utilisée par le

participant à l'audience publique.


Canadian Radio‑television and

Telecommunications Commission

 

  Conseil de la radiodiffusion et des

télécommunications canadiennes

 

 

Transcript / Transcription

 

 

 

 

        

  VARIOUS BROADCAST APPLICATIONS /

PLUSIEURS DEMANDES EN RADIODIFFUSION

        

 

 

 

 

BEFORE / DEVANT:

 

Michel Arpin          Chairperson / Président

Helen del Val          Commissioner / Conseillère

Elizabeth Duncan          Commissioner / Conseillère

Ronald Williams          Commissioner / Conseillier

Stuart Langford          Commissioner / Conseillier

 

 

 

ALSO PRESENT / AUSSI PRÉSENTS:

 

Chantal Boulet     Secretary / Secrétaire

Leanne Bennett          Legal Counsel /

Conseillère juridique

Steve Parker          Hearing Manager /

Gérant de l'audience

 

 

 

HELD AT:          TENUE À:

 

Metropolitan Conference          Centre de conférence

Centre          Métropolitain

333 Fourth Avenue South West             333, Fourth Avenue Sud‑Ouest

Calgary, Alberta             Calgary (Alberta)

 

February 27, 2006             Le 27 février 2006

 

 


TABLE DES MATIÈRES / TABLE OF CONTENTS

 

 

  PAGE /  PARA

 

PHASE I

 

 

PRESENTATION BY / PRÉSENTATION BY:

 

Golden West Broadcasting Ltd.  1380 /  8727

Vista Radio Ltd. 1427 /  9028

Newcap Inc. 1498 /  9411

1182743 Alberta Ltd. 1544 /  9671

Touch Canada Broadcasting Inc.  1590 /  9899

 

 

 

PHASE II

 

 

INTERVENTION BY / INTERVENTION PAR:

 

Vista Radio Ltd. 1670 / 10566

 

Gelden West Broadcasting Ltd.   1678 / 10621

 

 

 

PHASE III

 

 

INTERVENTION BY / INTERVENTION PAR:

 

Jim Pattison Broadcast Group 1682 / 10649

 

 

 

PHASE IV

 

 

REPLY BY / RÉPLIQUE PAR:

 

Touch Canada Broadcasting Inc.   1707 / 10807

1182743 Alberta Ltd. 1711 / 10836

Newcap Inc. 1718 / 10875

Vista Radio Ltd. 1729 / 10934

Golden West Broadcasting Ltd.   1732 / 10952

 

 


  Calgary Alberta / Calgary (Alberta)

‑‑‑ Upon resuming on Monday, February 27, 2006

    at 0900 / L'audience reprend le lundi

    27 fevrier 2006 à 0900

SEQ 1_0 \* Arabic \r 87198719     THE CHAIRPERSON:  Order, please.

SEQ 1_0 \* Arabic \n8720     Again, welcome to everybody here at this hearing for our review of the Lethbridge application.

SEQ 1_0 \* Arabic \n8721     I'm asking the secretary to introduce the item.  Thank you.

SEQ 1_0 \* Arabic \n8722     THE SECRETARY:  Thank you, Mr. Chairman.

SEQ 1_0 \* Arabic \n8723     Good morning, everyone.


SEQ 1_0 \* Arabic \n8724     We will now proceed with the competing radio applications for the Lethbridge market.  We will be following the four‑phase process, therefore, we are now ready to start with item 14 on the agenda, which are applications by Golden West Broadcasting Limited to acquire the assets of the radio programming undertaking CJTS‑FM, an English‑language specialty FM radio station at Lethbridge, from Spirit Broadcasting Limited, and to amend the licence by changing the frequency from 97.1 MHz, channel 246LP, to 98.1 MHz, channel 252B, and to change the authorized contours by increasing the effective radiated power from 50 watts to 20,000 watts by increasing the antenna height and by relocating the transmitter, non‑directional antenna, antenna height 174.3 metres.

SEQ 1_0 \* Arabic \n8725     Appearing for the applicant is Mr. Elmer Hildebrand.  Mr. Hildebrand will introduce his colleagues, and then have 20 minutes for his presentation.

SEQ 1_0 \* Arabic \n8726     Mr. Hildebrand.

PRESENTATION / PRÉSENTATION

SEQ 1_0 \* Arabic \n8727     MR. HILDEBRAND:  Thank you.

SEQ 1_0 \* Arabic \n8728     Mr. Chairman, members of the Commission and Commission staff, my name is Elmer Hildebrand, president and CEO of Golden West Broadcasting.

SEQ 1_0 \* Arabic \n8729     With me is Lyndon Friesen, executive vice‑president of Golden West, and Terry Fleming, founder and owner of Spirit Broadcasting Ltd., operating CJTS‑FM in Lethbridge.

SEQ 1_0 \* Arabic \n8730     The application before you today is for Golden West to acquire assets of Spirit FM and to amend the licence so as to authorize an increase in the power of the existing radio stations to service the community more effectively.


SEQ 1_0 \* Arabic \n8731     Terry Fleming will now provide a brief update on the reasons for the sale transaction and Lyndon Friesen will briefly outline our plans.

SEQ 1_0 \* Arabic \n8732     MR. FLEMING:  Thank you, Mr. Hildebrand.

SEQ 1_0 \* Arabic \n8733     I established Spirit FM just over five years ago, going into our sixth year now, in Lethbridge, with a unique gospel music format.  And even though we are an LPF, a low‑power operation, it may not be perfect, but we have a very receptive audience, and growing all the time, in Lethbridge for this radio station.

SEQ 1_0 \* Arabic \n8734     Over the years, we have had various employees and volunteers help us with the radio station to keep it going; however, it has not been a financial success and has been a bit of a struggle that way.  Although on the air for almost six years, it's been a very heavy struggle.

SEQ 1_0 \* Arabic \n8735     For health reasons, I have moved to the west coast, and that's where I am at the moment, although I travel back and forth quite frequently to oversee the radio station.

SEQ 1_0 \* Arabic \n8736     I found it very difficult to maintain staff from that place, even though I go back and forth quite a bit, and, therefore, for the financial and health reasons, I need to sell the radio station.


SEQ 1_0 \* Arabic \n8737     Now, we wanted very badly to have the radio station stay on the air providing the specialty music format to Lethbridge.  My discussions with Mr. Hildebrand, of Golden West, dates back approximately 15 months and resulted in the transaction that is proposed before you today.  

SEQ 1_0 \* Arabic \n8738     Golden West has committed to keeping the existing format, which made us very happy, and taking it to a new level, which gave me a lot of comfort and to conclude the arrangement of this sale.

SEQ 1_0 \* Arabic \n8739     MR. FRIESEN:  We feel very confident that Golden West will be able to not only maintain, but improve, the existing specialty radio service to Lethbridge.

SEQ 1_0 \* Arabic \n8740     Two years ago, we purchased radio station CHVN‑FM in Winnipeg.  This station has a format much like Spirit FM and we have been able to develop that station into a vibrant and viable radio station.

SEQ 1_0 \* Arabic \n8741     The experience we have had at CHVN will help us greatly in building a solid and professional operation in Lethbridge.


SEQ 1_0 \* Arabic \n8742     MR. HILDEBRAND:  The second part of the application is to amend the licence by changing the frequency from 97.1 to 98.1 and to increase the effective radiated power to 20,000 watts.  The amendment will enable us to provide a solid and consistent signal to Lethbridge and surrounding areas.

SEQ 1_0 \* Arabic \n8743     Our application will not basically alter the existing radio market in Lethbridge.  The city is well‑served by four other private radio stations operated by Rogers and Pattison.  In addition, there's a university radio station, and there's also two commercial television stations, plus a gospel television station, which is also selling sponsorships in the market.

SEQ 1_0 \* Arabic \n8744     We will, however, bring the Golden West community service radio tradition to the market and, as a result, the overall radio service to Lethbridge will be enhanced.  We will obviously add to the news operation and the overall local service will, I think, be improved significantly.

SEQ 1_0 \* Arabic \n8745     We will work actively with gospel bands and music groups promoting their brand of music.  We will be able to share the music with our existing gospel music station in Manitoba, so that will give us a larger library.

SEQ 1_0 \* Arabic \n8746     Our financial projections are modest and should have no negative impact on the existing broadcasters in Lethbridge.

SEQ 1_0 \* Arabic \n8747     Mr. Chairman, that concludes our remarks and we will be happy to answer any questions.


SEQ 1_0 \* Arabic \n8748     THE CHAIRMAN:  Thank you very much, Mr. Hildebrand.

SEQ 1_0 \* Arabic \n8749     For those who weren't here last week, I'm hearing the headset to make sure that I really get everything that is said.  It's not because I'm listening to the translation, it's only for enhance the quality of the sound.

SEQ 1_0 \* Arabic \n8750     My first questions will be for you, Mr. Fleming.

SEQ 1_0 \* Arabic \n8751     As you know, the Commission is always concerned when an acquisition is taking place during the first licence term.  I heard you earlier saying that your personal health situation was an impairment at looking at the operation on a day‑to‑day basis, and that alone had a negative financial impact on the operation of the stations.

SEQ 1_0 \* Arabic \n8752     My first question is those are the accurate and factual reasons for which you have decided to sell the station?

SEQ 1_0 \* Arabic \n8753     MR. FLEMING:  Yes, sir, it is.

SEQ 1_0 \* Arabic \n8754     THE CHAIRMAN:  Okay.  For the record, have you received other offers to purchase the station, other than the one you had received from Golden West?

SEQ 1_0 \* Arabic \n8755     MR. FLEMING:  Yes, sir, I have received a few, but nothing in cement.


SEQ 1_0 \* Arabic \n8756     THE CHAIRMAN:  Okay.  Thank you.

SEQ 1_0 \* Arabic \n8757     Finally, if the Commission was to either deny the change of frequency or the increase of power, or even deny totally the Golden West application, you obviously understand that if the increase in power was not approved that Golden West will not do the acquisition, what will happen to the station if the Commission was to deny the Golden West application?

SEQ 1_0 \* Arabic \n8758     MR. FLEMING:  Well, that's a question, sir, to be very up‑front and honest, I'm not prepared for, but I would imagine that we would have to continue on as best we could, under the circumstances.  With the financial way it is and, of course, with the various radio stations and media and so on in the area, which eats up a pretty big chunk of the pie, I would have to cross that bridge when I came to it.

SEQ 1_0 \* Arabic \n8759     THE CHAIRMAN:  Okay.

SEQ 1_0 \* Arabic \n8760     Now, I'm moving my questions to the principals of Golden West, and my first question has to do with ‑‑

‑‑‑ Pause


SEQ 1_0 \* Arabic \n8761     THE CHAIRMAN:  Mr. Hildebrand, do you have documented evidence supporting the rationale behind your decision to request technical amendments to change from a lower power service to a full‑power FM?

SEQ 1_0 \* Arabic \n8762     There have been some intervenors who have written saying that the signal of the station, the actual power, is sufficient to cover Lethbridge and the surrounding ‑‑ up to 15 kilometres around Lethbridge.  So my question to you is:  have you undertaken any study to determine that it was absolutely necessary to upgrade to full power?

SEQ 1_0 \* Arabic \n8763     MR. HILDEBRAND:  Well, I think since low power doesn't provide for any protection from anywhere, it is not really a sound business practice to go into an arrangement where you don't have a protected frequency.  The signal certainly is usable, but it's not consistent in the area.  From our perspective, there were a number of frequencies that could be used, and we felt that at the modest power of 20,000 watts this would be the best way to serve the community.

SEQ 1_0 \* Arabic \n8764     THE CHAIRMAN:  Obviously, you could have asked for, say, an increase from 50 to 250 watts, and then you will have moved from an unprotected frequency to a protected frequency, but keeping almost the same quality of signal and the same coverage area.


SEQ 1_0 \* Arabic \n8765     MR. HILDEBRAND:  Surely we could have done that, but we felt, on a business basis, it made a little more sense to provide the service to the surrounding area as well.

SEQ 1_0 \* Arabic \n8766     One of the things that has been happening in this station is it is getting inquiries from people in the periphery to listen to the station because they like the format.  From a Golden West perspective, it makes sense to have a little more solid signal than the 250 that might be possible.

SEQ 1_0 \* Arabic \n8767     THE CHAIRMAN:  You have suggested that CJTS, in its existing form, is not viable as a business model.  What evidence do you have to suggest that your commercial business plan is not achievable at a low power?

SEQ 1_0 \* Arabic \n8768     MR. HILDEBRAND:  Well, I mean, I don't know that we really have that answer for you, Mr. Chairman, but I think as we go forward, from a Golden West perspective, we are inclined to operate with somewhat more power.  At the end of the day, if the Commission would decide, in their wisdom, that it wasn't possible to do this, and that we should operate at a lower power, I'm sure we could accommodate that.

SEQ 1_0 \* Arabic \n8769     THE CHAIRMAN:  Okay.  You have indicated in your application, and I heard Mr. Friesen saying a few words about it, that you will employ similar strategies that you are currently using at CHVN‑FM in Winnipeg.


SEQ 1_0 \* Arabic \n8770     Could you elaborate on these business plan strategies?  I'm not talking here the program aim, I'm only restricting myself to the business plan operation strategies, and their success, in the context of CHVN?

SEQ 1_0 \* Arabic \n8771     MR. HILDEBRAND:  Well, again, CHVN's signal actually covers a large geographical area.  We have found that the format has a receptive audience and we have been able to build the business significantly since we took over the radio station.  Again, we have found that it isn't really interfering with any of the other radio stations in the market because of the specialty format, the niche audience that it has, yet, there is sufficient business interest in the audience that we have been able to increase the advertising revenue steadily.  Our sense is that we will be able to do the same thing here.


SEQ 1_0 \* Arabic \n8772     One of the difficulties that the radio station has had up to now is, as Mr. Fleming indicated, he has been commuting back and forth between Lethbridge and the coast.  It's hard to really maintain a stable management process in that environment, and so that to hire people and to get them to stay in the environment has been a challenge for him.  As he also indicated, many of the employees at the radio station actually work on a voluntary basis.

SEQ 1_0 \* Arabic \n8773     Our plan is to set the station up on a pure business model, similar to what we have at CHVN in southern Manitoba.  We are very confident that in that way we can not only provide a service to the community, but to make the radio station viable and to provide some long‑term career opportunities in the community of Lethbridge.

SEQ 1_0 \* Arabic \n8774     THE CHAIRMAN:  Thank you.

SEQ 1_0 \* Arabic \n8775     You have indicated that year one projected revenues will be derived primarily from advertisers that currently advertise in CJTS.

SEQ 1_0 \* Arabic \n8776     What evidence do you have to support that assumption that the existing advertisers are willing to substantially increase their advertising budget to support their service?  Because I know that you are viewing that the incumbent radio stations will not be affected by your increased power and that you will mainly develop either new business or increase budgets from those who are already advertising.

SEQ 1_0 \* Arabic \n8777     And a subquestion only, and maybe Mr. Fleming could answer to that more than you, is the current advertising on your stations the same ones that are on the other four FM stations in the market?


SEQ 1_0 \* Arabic \n8778     MR. FLEMING:  I would say, sir, that there are some, yes, but there are certainly many advertisers that have a specific place that they want to advertise on this particular Christian format station that are very, very loyal and, as Mr. Hildebrand said, very few of them are going to be split.

SEQ 1_0 \* Arabic \n8779     We do have some split, naturally, that want to advertise on the secular radio station and CJTS, as well, so, yes, there are some ‑‑

SEQ 1_0 \* Arabic \n8780     THE CHAIRMAN:  There are some.

SEQ 1_0 \* Arabic \n8781     MR. FLEMING:  ‑‑ but many of them are not.

SEQ 1_0 \* Arabic \n8782     MR. HILDEBRAND:  One of the things I might add here, Mr. Chairman, during my visits to the community, and talking to advertisers, one of the difficulties that the radio station has today is, because the sales account people turn over constantly, so there is a very short‑term lifespan, advertisers have told me that they don't really even get to know the person before they are gone and it's hard to develop a relationship going forward.


SEQ 1_0 \* Arabic \n8783     So our business model has always been that we put in place solid sales people, that are there for the long run and that develop relationships with advertisers and, as a result, we then turn that into a long‑term business relationship with clients.  That's why we are very confident, when we look at the list of advertisers that the station's had over the past five years, that all we really need is to develop those on a consistent basis, and that would already meet our budgets.

SEQ 1_0 \* Arabic \n8784     The other thing I think it is important to realize that our budgets are modest.  We are not looking to carve out a huge piece of the Lethbridge market.  That's why, also, we are confident that we are not going to impact any of the other broadcasters in the market.

SEQ 1_0 \* Arabic \n8785     THE CHAIRMAN:  Thank you.

SEQ 1_0 \* Arabic \n8786     We will now move to programming.

SEQ 1_0 \* Arabic \n8787     You have provided some information regarding the type of local and spoken‑word programming you will offer on CJTS.  In part, you indicated that you will maintain CJTS's current commitments over the next full term of licence.

SEQ 1_0 \* Arabic \n8788     As part of the original licensing decision in 2000, CJTS committed to broadcast local and national news, weather, sports, community events, announcements, artists interviews and public interest stories.


SEQ 1_0 \* Arabic \n8789     Could you provide us with more information on the type of local reflections, spoke word you will offer on CJTS?  In particular, I am interested in the type of local news programming you will carry and the amount of time per week you will devote to news and related surveillance.

SEQ 1_0 \* Arabic \n8790     MR. HILDEBRAND:  Maybe I will ask Lyndon Friesen to, first of all, outline our whole news philosophy and process.

SEQ 1_0 \* Arabic \n8791     MR. FRIESEN:  All of our radio stations in our entire business model, we tell our staff, and we sell it hard, and then we also stick with, that our relevance to any of these communities is only when we provide just a huge level of local news, local information, local sports.  There's too many other options out there, we tell them, that they can listen to. So since that is our foundation, we build it from there.

SEQ 1_0 \* Arabic \n8792     So Lethbridge will be no different than that.  We are going to provide a local news service that is very similar to other Golden West radio stations, that includes a local surveillance team that will actually be in the community gathering local interest information and stories and providing that for our listeners.


SEQ 1_0 \* Arabic \n8793     That, again, is our whole reason for existence, and we are only relevant if we can do that well.

SEQ 1_0 \* Arabic \n8794     THE CHAIRMAN:  Generally speaking, how much time do you dedicate, say, to the local information?

SEQ 1_0 \* Arabic \n8795     MR. HILDEBRAND:  We would be using local information almost exclusively, with a 60‑second national and international update on the top of the hour, at the newscast.  But we would envision that we would have newscasts hourly between 6 and 10 a.m., between 12 and 2, again between 4 and 6, and then we would have newscasts on the half‑hour, as 7:30, 8:30 and 12:30, and 5:30.  This would be predominantly Lethbridge and area news and information, sports and weather surveillance would obviously be going continuously.

SEQ 1_0 \* Arabic \n8796     THE CHAIRMAN:  What is the duration of those newscasts?

SEQ 1_0 \* Arabic \n8797     MR. HILDEBRAND:  The newscasts, on the hour, they would run between three and four minutes and on the half‑hour would be five minutes.

SEQ 1_0 \* Arabic \n8798     THE CHAIRMAN:  Five‑minute newscasts.

SEQ 1_0 \* Arabic \n8799     What about the weekend?

SEQ 1_0 \* Arabic \n8800     MR. HILDEBRAND:  We would have newscasts on the weekends, as well.


SEQ 1_0 \* Arabic \n8801     Our news operation goes 24/7, so that we would not go on automation for the weekend.  We tend to think that the radio station should answer the phone on the weekend, as well as during the week.

SEQ 1_0 \* Arabic \n8802     THE CHAIRMAN:  And outside the period that you gave me, 6 a.m. to 7 p.m., if there is a major event, obviously, there will be staff at the station?

SEQ 1_0 \* Arabic \n8803     MR. HILDEBRAND:  Oh, yeah, we would still have updates in the evening, as well, but we wouldn't have the same complement of news people in the evening as we would during the day.  Most of it would be happening in the day.  We would still have news updates in the evening, as well, but probably not overnight.

SEQ 1_0 \* Arabic \n8804     THE CHAIRMAN:  How many people are you planning to have in your news department?

SEQ 1_0 \* Arabic \n8805     MR. HILDEBRAND:  We are planning to have three people in our news department.

SEQ 1_0 \* Arabic \n8806     THE CHAIRMAN:  News department.

SEQ 1_0 \* Arabic \n8807     MR. HILDEBRAND:  Right.

SEQ 1_0 \* Arabic \n8808     THE CHAIRMAN:  That will include a director or ‑‑

SEQ 1_0 \* Arabic \n8809     MR. HILDEBRAND:  Yes.

SEQ 1_0 \* Arabic \n8810     THE CHAIRMAN:  But who also ‑‑


SEQ 1_0 \* Arabic \n8811     MR. HILDEBRAND:  But he would also be on the ‑‑ or she would also be on the air.

SEQ 1_0 \* Arabic \n8812     THE CHAIRMAN:  I see.  Okay.

SEQ 1_0 \* Arabic \n8813     You have indicated that the local programming you will offer on CJTS will be similar to what is offered in Winnipeg.

SEQ 1_0 \* Arabic \n8814     Could you tell us a little more about the types of local reflection and spoken word that are currently offered on CHVN?

SEQ 1_0 \* Arabic \n8815     MR. HILDEBRAND:  Well, in addition to the news and surveillance that I have already talked about, we also get heavily involved with musical groups that are appearing in the community, in the area, and so we would be not only highlighting their music, but we would be talking to the artists and get them involved with our audience.

SEQ 1_0 \* Arabic \n8816     We would be involved with pretty well everything that moves in Lethbridge.  We would be providing news and information to all of the civil and public and university outlets, as well.  So we would be involved, basically, with the entire community, which sort of is rolled up in our community service slogan, and so that we would make it a full‑service radio station.

SEQ 1_0 \* Arabic \n8817     THE CHAIRMAN:  And you will be sharing programs with CHVN?


SEQ 1_0 \* Arabic \n8818     MR. HILDEBRAND:  We wouldn't be sharing necessarily programming, but we would be sharing music.  In CHVN, we have developed a number of musical talent nights, where we have anywhere from six to eight musical groups performing, and then the top group is awarded a prize of a CD that we helped them make.  So we would certainly be using music from CHVN in Lethbridge, but we wouldn't be ‑‑ otherwise you are sharing information.

SEQ 1_0 \* Arabic \n8819     But the biggest piece that we can probably provide is the infrastructure that our company has in place, so that we have administrative and traffic and creative and all of those services available.  And that would, again, enable us to provide service at a more professional level in Lethbridge than we would otherwise be able to do.

SEQ 1_0 \* Arabic \n8820     THE CHAIRMAN:  In increasing to full power, obviously, currently the station is serving specifically Lethbridge, and it's core area, but in extending with full power, obviously, you will be covering some communities like Taber, Fort Macleod, Coaldale, Raymond.

SEQ 1_0 \* Arabic \n8821     MR. HILDEBRAND:  Right.

SEQ 1_0 \* Arabic \n8822     THE CHAIRMAN:  Have you any specific plan regarding servicing these communities?


SEQ 1_0 \* Arabic \n8823     MR. HILDEBRAND:  Well, again, we would provide service there, as well.  You would obviously be secondary to Lethbridge, because Lethbridge is the core that we are looking for, but the specialty part of our music would also appeal to some of those areas and is appealing now.  The station is getting calls from Coaldale, for example, that the signal is spotty, they can hear it sometimes, not all the time.

SEQ 1_0 \* Arabic \n8824     If there are events taking place in those communities that are in line with our format, we would certainly be covering those, as well, and we would be happy to provide the same kind of overall service to the entire region that we are covering.

SEQ 1_0 \* Arabic \n8825     THE CHAIRMAN:  Now, we will move towards religious programming, and, obviously, the notion of balanced programming that comes with it.

SEQ 1_0 \* Arabic \n8826     As you know, the Commission has set out a policy on religious programming and I need to get further information from you.


SEQ 1_0 \* Arabic \n8827     In your deficiency reply of October 28th, you have stated that you will not offer religious programming as defined in the religious broadcasting policy.  In the same letter, you agreed to accept to operate under the standard condition of licence requiring the provisions of balance and ethics in religious programming.

SEQ 1_0 \* Arabic \n8828     Brokered spoken‑word programming, such as Focus on the Family, Insights for Living, Adventures in Odyssey, Back to the Bible and Prophesy for Today are programming staples on a number of Golden West stations, such as CHRB, in High River.  As well, programming information supplied on CHDM‑FM website shows that brokered programming, such as Focus on the Family, Insights for Living and Adventures in Odyssey are also here on the Winnipeg station.

SEQ 1_0 \* Arabic \n8829     Do you plan to offer these types of brokered spoken‑word programs on CJTS?  Given the station's Christian music format, they will seem to be a natural fit.

SEQ 1_0 \* Arabic \n8830     MR. HILDEBRAND:  Well, first of all, referring to CHVN, those programs that you refer to are not on between 6 a.m. and midnight.  They are broadcast between midnight and 6 a.m.  So, for the record, that's what we have been doing there.


SEQ 1_0 \* Arabic \n8831     The station was doing that when we purchased it, and so we have left those in place, but we have not been airing any, as you referred to it, brokered programming between 6 a.m. and midnight.  The same plan would be in place for Lethbridge.  We really are seeing this as a music‑based radio station and we wouldn't be looking to carry those programs during the day parts.

SEQ 1_0 \* Arabic \n8832     THE CHAIRMAN:  I appreciate the fact that these programs are not carried during the defined broadcast day of the regulations, but the religious policy states that the notion of balanced programming applies on the 168 hours a week rather than the 126 hours a week.  So even if they are carried outside the broadcast day, these programs are still under the purview of the religious programming policy and the balanced programming policy.

SEQ 1_0 \* Arabic \n8833     So my question to you is were you aware that they were covered by the existing policy?

SEQ 1_0 \* Arabic \n8834     MR. HILDEBRAND:  Yes.

SEQ 1_0 \* Arabic \n8835     THE CHAIRMAN:  You were.

SEQ 1_0 \* Arabic \n8836     Now, that it seems that you ‑‑ well, you surely have agreed to operate under the standard conditions regarding balance, so what are your plans regarding balanced programming, if you accept that these programs are to be considered as being religious programs and they are covered by the policy?


SEQ 1_0 \* Arabic \n8837     MR. HILDEBRAND:  Well, if they are other programs that are interested in the midnight to 6 time block that would require further balance, we would be happy to consider that.

SEQ 1_0 \* Arabic \n8838     From my knowledge, there haven't been any inquiries for additional programs, so...

SEQ 1_0 \* Arabic \n8839     THE CHAIRMAN:  But the policy also states that it's not only making available program time, that is it's not only waiting for somebody to knock at your door and say, "I want to have broadcast time", but also the policy strongly suggests that you selected the other, say, group to make use of your airways.  Have you done that in Winnipeg?

SEQ 1_0 \* Arabic \n8840     MR. HILDEBRAND:  Not really, no, but I guess we basically are reflecting the community, and our efforts are always to reflect the community that we serve.  We think we have done that reasonably well.

SEQ 1_0 \* Arabic \n8841     THE CHAIRMAN:  Now, how much of the spoken‑word programming that you will devote to balanced programming, in terms of ‑‑ I'm trying to figure out ‑‑ well, I know that the programs that you have ‑‑ are they daily programs, Focus on the Family, Insight for Living and ‑‑

SEQ 1_0 \* Arabic \n8842     MR. HILDEBRAND:  They are Monday to Friday.

SEQ 1_0 \* Arabic \n8843     THE CHAIRMAN:  They are Monday to Friday.  They an hour each?

SEQ 1_0 \* Arabic \n8844     MR. HILDEBRAND:  No, half‑hour.


SEQ 1_0 \* Arabic \n8845     THE CHAIRMAN:  Half an hour.

SEQ 1_0 \* Arabic \n8846     MR. HILDEBRAND:  The ones you refer to are half‑hour.

SEQ 1_0 \* Arabic \n8847     THE CHAIRMAN:  So we are talking here five hours of programming that will fall into the religious programming category at this stage ‑‑

SEQ 1_0 \* Arabic \n8848     MR. HILDEBRAND:  Right.

SEQ 1_0 \* Arabic \n8849     THE CHAIRMAN:  ‑‑ now.  Okay.

SEQ 1_0 \* Arabic \n8850     Could you comment on the possibility that the Commission impose your condition of licence requiring you to do a minimum amount of balanced programming?

SEQ 1_0 \* Arabic \n8851     MR. HILDEBRAND:  Sure, it wouldn't be an issue.

SEQ 1_0 \* Arabic \n8852     THE CHAIRMAN:  It won't be an issue.

SEQ 1_0 \* Arabic \n8853     Okay, thank you very much for this discussion.  We will now talk about your CTD plans, and, as well, we will speak regarding tangible benefit in the same section.

SEQ 1_0 \* Arabic \n8854     The Commission needs your help to clarify the various components and replies you have provided regarding CTD and tangible benefits.  Let me start first with the CTD.


SEQ 1_0 \* Arabic \n8855     In various replies you have mentioned that you are accepting all the conditions of licence currently imposed to Spirit Broadcasting.  One of them, condition of licence no. 5, deals with an annual minimum contribution of $2,600 towards CTD.

SEQ 1_0 \* Arabic \n8856     According to our records, which, in a letter dated January 12th, you agreed there are still four $2,600 contributions that are due before the current licence expires in August 31, 2007.  The two obviously are this year and next year and the previous years' contribution has been disallowed, as you know.

SEQ 1_0 \* Arabic \n8857     So the Commission is expecting that this $10,400 commitment be executed over the next 18 months.  Do you agree with that statement?

SEQ 1_0 \* Arabic \n8858     MR. HILDEBRAND:  Yes.  I think in one of our letters, in discussions with Commission staff, I said whatever shortcoming there were in the current period, we would make up in ‑‑ if the application was approved, we would make that up in the current licence term.

SEQ 1_0 \* Arabic \n8859     THE CHAIRMAN:  Fine.


SEQ 1_0 \* Arabic \n8860     In your application, you stated that were recommending $1,000 per year towards CTD.  In a letter dated October 28, 2005, you mention that the funding was to go to the promotion and to the assistance of local music groups.  In the same paragraph, you also mentioned that the $1,000 cash contribution was to go towards a scholarship at a local education institution.

SEQ 1_0 \* Arabic \n8861     For the record, are we talking here of two different $1,000 contribution or is it the same one?

SEQ 1_0 \* Arabic \n8862     MR. HILDEBRAND:  No, it would be two different ones, and these would be minimums.

SEQ 1_0 \* Arabic \n8863     As we outlined in an earlier application, what we have been able to do with local musical groups, we have been able to sponsor concerts with them, and also then get CDs made and, in some cases, actually market it.

SEQ 1_0 \* Arabic \n8864     So these would be minimums for CTD.  We would expect to do considerably more.

SEQ 1_0 \* Arabic \n8865     THE CHAIRMAN:  Okay.  Now, as you are aware, in order to be accepted, the CTD initiatives, they have to meet certain eligibility requirements.  So what types of studies will the $1,000 scholarship funding support?  You are saying that a bursary will be granted to a student in a local ‑‑

SEQ 1_0 \* Arabic \n8866     MR. HILDEBRAND:  Well, it will be done through the school, obviously, and we will make sure that they are qualified under the CTD guidelines.

SEQ 1_0 \* Arabic \n8867     THE CHAIRMAN:  Is there a journalism program at, say, the Lethbridge university?


SEQ 1_0 \* Arabic \n8868     MR. HILDEBRAND:  Yes, there is, but we would tend to try to put the CTD contributions to music rather than journalism, but that would be an option.  But we have done this in other markets, where we provided scholarships to musical groups at various high schools or colleges that we have been able to make sure that they qualify for third‑party regulations, and we would do the same thing here.

SEQ 1_0 \* Arabic \n8869     But I think want to emphasize that the numbers that we have in our application are minimums.  We will, without a doubt, do significantly more.

SEQ 1_0 \* Arabic \n8870     THE CHAIRMAN:  How will the successful recipient be chosen?  He will be chosen by the school?

SEQ 1_0 \* Arabic \n8871     MR. HILDEBRAND:  We have a process where we meet with them and the directors of the band or the musical groups, and we do that in consultation with them.  In some communities there are also competitions, and there's a process that then works from there.

SEQ 1_0 \* Arabic \n8872     THE CHAIRMAN:  Who will be responsible for administrating the fund?


SEQ 1_0 \* Arabic \n8873     MR. HILDEBRAND:  That is something that falls into my purview, and that's part of ‑‑ most of my duties have been taken over by other people in our company, but I continue to look after CTD so that I can give ‑‑

SEQ 1_0 \* Arabic \n8874     THE CHAIRMAN:  That one.

SEQ 1_0 \* Arabic \n8875     MR. HILDEBRAND:  Yeah, so I give you assurance that we will do that.  I need to have something to do, too.

‑‑‑ Laughter / Rires

SEQ 1_0 \* Arabic \n8876     THE CHAIRMAN:  Regarding now the talent that you want to promote and assist, the music groups, how will they be selected?

SEQ 1_0 \* Arabic \n8877     MR. HILDEBRAND:  Well, I mean, I think each market is a little different.  I mean, I refer again to what we did at CHVN in Winnipeg.  In the fall, we had a series of Saturday night concerts, with musical groups from across the area.  Then, there was a competition and an run‑off, and then that culminated in a final concert, where we actually have an over‑sold crowd.  It resulted in a winner, which then resulted in the production of a CD and a distribution of the CD.


SEQ 1_0 \* Arabic \n8878     So the whole process gets a lot of attraction and gets a lot of airplay on the radio station.  And it really, really makes the musical groups very, very happy because in most cases these are musical groups that would not ever get any exposure on a major market broadcaster because they don't necessarily fit a format.

SEQ 1_0 \* Arabic \n8879     We are of the opinion that if they are local, then we can work them into our format in some way. We try to support them, and we found that is a very, very satisfying process.

SEQ 1_0 \* Arabic \n8880     THE CHAIRMAN:  They will not necessarily be groups that are singing hymns or doing Christian music?

SEQ 1_0 \* Arabic \n8881     MR. HILDEBRAND:  We wouldn't see them as hymns, no.  They may still be in their mind gospel, but they wouldn't fall into the category of "Shall We Gather at the River".

SEQ 1_0 \* Arabic \n8882     THE CHAIRMAN:  In the same October 28th, 2005 letter, in your paragraph 1 (c), you wrote that,

"We will adhere to the existing conditions of licence 1, 2, 3 and 5 for a new full licensed term."  (As read)

SEQ 1_0 \* Arabic \n8883     Condition of licence no. 5 deals with an annual minimum contribution of $2,600 for CTD.  So are we talking here about two times $1,000, plus one time $2,600?

SEQ 1_0 \* Arabic \n8884     MR. HILDEBRAND:  Yes, we are.


SEQ 1_0 \* Arabic \n8885     THE CHAIRMAN:  So it's a commitment for $4,600 ‑‑

SEQ 1_0 \* Arabic \n8886     MR. HILDEBRAND:  Right.

SEQ 1_0 \* Arabic \n8887     THE CHAIRMAN:  ‑‑ toward CTD that we are talking here.

SEQ 1_0 \* Arabic \n8888     What type of initiatives will Golden West undertake with the other $2,600?

SEQ 1_0 \* Arabic \n8889     MR. HILDEBRAND:  Well, I think what we will do there is to do what we have done in southern Manitoba ‑‑ I keep referring to that ‑‑ where we will set more concerts into place that will develop more CDs.  Our plan is always to give the artist more exposure.

SEQ 1_0 \* Arabic \n8890     The other thing that we will be doing is we will be carry a weekly half‑hour musical program that will be featuring musical groups and bands from southern Alberta, and, again, the best of those will be put into a production CD.

SEQ 1_0 \* Arabic \n8891     So there's more than ample opportunity to spend this money.  What find in most areas, we actually end up spending more.

SEQ 1_0 \* Arabic \n8892     THE CHAIRMAN:  I see.

SEQ 1_0 \* Arabic \n8893     Now, I will move towards tangible benefits.


SEQ 1_0 \* Arabic \n8894     In your June 20th, 2005 reply to deficiency, you stated that,

"If the Commission deems it appropriate to impose the 6 percent fee on this transaction, we will reluctantly agree."

(As read)

SEQ 1_0 \* Arabic \n8895     My first question to you is:  why will you reluctantly agree?

SEQ 1_0 \* Arabic \n8896     MR. HILDEBRAND:  Well, I think, in my discussion with the Commission staff, the annual return filed by the licensee showed that this station had a modest profit, but that took into account that more than half of the employees were working as volunteers.

SEQ 1_0 \* Arabic \n8897     In our case, obviously, we would be paying everyone, we wouldn't be dealing with volunteers, and so my point was that, on a normal business basis, this station was really operating heavily in the red if those things would be paid for.

SEQ 1_0 \* Arabic \n8898     From that perspective, it was hard to come to the conclusion that the station was profitable.  However, since this may be a grey area, I made the comment that if the Commission feels that ‑‑

SEQ 1_0 \* Arabic \n8899     THE CHAIRMAN:  In its wisdom.


SEQ 1_0 \* Arabic \n8900     MR. HILDEBRAND:  ‑‑ in its wisdom would feel that this is now deemed to be profitable, we would agree to that and pay the 6 percent.

SEQ 1_0 \* Arabic \n8901     THE CHAIRMAN:  I noted in the annual return that, Mr. Fleming, you reported having five employees.  Is that accurate?

SEQ 1_0 \* Arabic \n8902     MR. FLEMING:  No, sir, it's not, no.  We have two full‑time and three part‑time and about three volunteers.

SEQ 1_0 \* Arabic \n8903     THE CHAIRMAN:  But, finally, you end up ‑‑ well, obviously, the part‑time, are they half‑time or ‑‑

SEQ 1_0 \* Arabic \n8904     MR. FLEMING:  Very much so, yes.

SEQ 1_0 \* Arabic \n8905     THE CHAIRMAN:  So we will say that you have three‑and‑a‑half full‑time employees, and other volunteers.

SEQ 1_0 \* Arabic \n8906     Mr. Hildebrand, how many employees are you contemplating for ‑‑

SEQ 1_0 \* Arabic \n8907     MR. HILDEBRAND:  We would contemplate to have around 10 employees on a full‑time basis, plus the back‑up infrastructure from Golden West.  These employees would basically be news people, on‑air people and sales people.

SEQ 1_0 \* Arabic \n8908     THE CHAIRMAN:  I see.  And the back office is provided out of ‑‑


SEQ 1_0 \* Arabic \n8909     MR. HILDEBRAND:  Is provided out of Altona and Steinbach, in Manitoba, where all of the traffic, the creative and the production and the overall administration for all of our stations in the prairies, is handled out of there.

SEQ 1_0 \* Arabic \n8910     THE CHAIRMAN:  Fine.

SEQ 1_0 \* Arabic \n8911     If the Commission was to determine that it's tangible benefits policy was to apply, what type of initiative other than ‑‑ obviously there are contributions that are deemed to go to FACTOR, and another one, too, Starmaker, but for the remaining part which type of activities will you contemplate?

SEQ 1_0 \* Arabic \n8912     MR. HILDEBRAND:  We would contemplate, first of all, the FACTOR and Starmaker Fund and the money that we would send to FACTOR, we would try and earmark that they send it back to use in Alberta or Saskatchewan, or somewhere in the prairies, and not spend it in eastern Canada.

SEQ 1_0 \* Arabic \n8913     The third part, we would like use an organization called Avanti Records, who are in the process of ‑‑ they organize concerts, do CDs and produce records, and so they are in the genre that we work in.  So that's an area that we would likely use the rest of the tangible benefits, if you so deemed it was necessary.

SEQ 1_0 \* Arabic \n8914     THE CHAIRMAN:  My next question is purely on technical grounds.


SEQ 1_0 \* Arabic \n8915     Where is currently the transmitter located, on which tower?  I notice that there are two towers?

SEQ 1_0 \* Arabic \n8916     MR. FLEMING:  Sir, it's currently on top of the Lethbridge Centre, in the centre of Lethbridge, in the middle of town.

SEQ 1_0 \* Arabic \n8917     THE CHAIRMAN:  In the middle of the town?

SEQ 1_0 \* Arabic \n8918     MR. FLEMING:  Yes.

SEQ 1_0 \* Arabic \n8919     THE CHAIRMAN:  I notice through the various documentation that I have, there are two existing transmitting sites, one operated by the CBC and the other one operated by CKUA.  I deducted from reading your ‑‑ looking at the maps that were prepared by your engineer, Mr. Hildebrand, that you are going to be going to the CBC transmitting site.

SEQ 1_0 \* Arabic \n8920     MR. HILDEBRAND:  That's our plan, yes.

SEQ 1_0 \* Arabic \n8921     THE CHAIRMAN:  That's your plan.

SEQ 1_0 \* Arabic \n8922     I haven't seen in the application a letter of confirmation from the CBC agreeing to ‑‑

SEQ 1_0 \* Arabic \n8923     MR. HILDEBRAND:  D.E.M. ALLEN have that document.

SEQ 1_0 \* Arabic \n8924     THE CHAIRMAN:  D.E.M. ALLEN.


SEQ 1_0 \* Arabic \n8925     MR. HILDEBRAND:  If it's not in your files, I will get it to you.

SEQ 1_0 \* Arabic \n8926     THE CHAIRMAN:  Well, will you ask D.E.M. ALLEN to provide it for us?

SEQ 1_0 \* Arabic \n8927     MR. HILDEBRAND:  Yes.

SEQ 1_0 \* Arabic \n8928     THE CHAIRMAN:  Now, also, I notice, looking at the financials that you have allocated for capital expenditures, that you have allocated $50,000 for transmission.  Then, when I'm looking at the others that are planning to go on the CBC tower, they have a much greater amount.  I think it seems to be a much bigger proposition than what you are contemplating.

SEQ 1_0 \* Arabic \n8929     If it costs much more than what you think you have committed in your application, are you ready to make that investment?

SEQ 1_0 \* Arabic \n8930     MR. HILDEBRAND:  Yes, we are.

SEQ 1_0 \* Arabic \n8931     THE CHAIRMAN:  Because we are maybe talking here ten‑fold that money.  I don't know.

SEQ 1_0 \* Arabic \n8932     MR. HILDEBRAND:  No, it certainly wouldn't.  We have been doing these kind of things in other towers, where we have been leasing space, and, yeah, we haven't had any difficulty with that.  As a matter of fact, we have some CBC leases now, and we know what they are.


SEQ 1_0 \* Arabic \n8933     THE CHAIRMAN:  Now, I move that one of the comments that was received from an intervenor, because I checked the file and I noticed that you didn't provide any comments or reply to Mr. Eric Cadman in intervention, but he strongly opposed the increase in power, suggesting that the Commission, in the past ‑‑ and he mentions particularly Medicine Hat, where the Commission has denied the power upgrade, and he's opposing your application on similar grounds, claiming that you are coming through the back door and using a financial negative situation only to get in the market.

SEQ 1_0 \* Arabic \n8934     Do you have comments on that?

SEQ 1_0 \* Arabic \n8935     MR. HILDEBRAND:  Yeah, I don't ‑‑ I haven't received that letter from the gentleman you refer to, so I don't have a comment on that.  But, again, we feel that we have a service that we are willing to provide, there is a service in the community of Lethbridge now that is in some peril, and we feel that the arrangement that we have proposed not only will ensure that service is maintained in the long run, but will also be enhanced.

SEQ 1_0 \* Arabic \n8936     THE CHAIRMAN:  Well, we are slowly moving towards the end of your appearance.


SEQ 1_0 \* Arabic \n8937     If the Commission was to authorize your application, as well as another, which one will have the less negative impact on your business plan, and why?

SEQ 1_0 \* Arabic \n8938     MR. HILDEBRAND:  That will be a very hard question to answer.

SEQ 1_0 \* Arabic \n8939     First of all, I mean the Commission will have to determine the merits of the other applicants.  I think, as I indicated in my opening remarks, the City of Lethbridge, at 75,000, is already well‑served by a large number of broadcasters and the southern part of Alberta isn't growing in the same way that some of the other parts of Alberta are growing.  So it would seem to me that the number of radio stations and televisions stations serving the market at this point may be adequate.

SEQ 1_0 \* Arabic \n8940     So that our point has been, when we filed the application, we were certainly not looking to open the market to a call, we were looking mainly to continue the service that was already being provided, and to do it in a somewhat better manner.

SEQ 1_0 \* Arabic \n8941     I don't think that we are in a good position to say here today which of the other applicants we would support, because, obviously, if we said this one's better than that one, then we would be providing support for them.


SEQ 1_0 \* Arabic \n8942     My hope would be that the Commission can deal with this particular application to leave the market as it is, and if the market grows in the future maybe more stations could be added at that time.  But at this point, it seems to me that it might make sense to not over‑license the market.

SEQ 1_0 \* Arabic \n8943     THE CHAIRMAN:  Thank you.

SEQ 1_0 \* Arabic \n8944     Mr. Langford wants to ask you questions.

SEQ 1_0 \* Arabic \n8945     MR. LANGFORD:  Thank you.

SEQ 1_0 \* Arabic \n8946     Just a couple of questions on format.  Has this station been a gospel station, as described today, for its whole time, its whole five years?

SEQ 1_0 \* Arabic \n8947     MR. FLEMING:  Yes, sir, it has.

SEQ 1_0 \* Arabic \n8948     MR. LANGFORD:  Do you have any idea what the listenership to this station is?

SEQ 1_0 \* Arabic \n8949     MR. FLEMING:  Well, we are not subscribers to BBM, but we are subscribers to the University of Alberta, that's done three surveys for us.  We think they are a very in‑depth survey, with usually five or six people on the survey doing it, the merits are just incredible and we believe in it, and we are told that we have a 15‑and‑a‑half percent share of the market.


SEQ 1_0 \* Arabic \n8950     MR. LANGFORD:  Now, one of the other applicants did a study by Ipsos Reid on the listening patterns, because they are looking ‑‑ the applicant is Touch, and they are looking to compete with you in the market, and they found ‑‑ and I make no comment on how they did this.  They polled 300 people by telephone ‑‑ and we have heard of Ipsos Reid, but I give no guarantees for their work, I'm simply quoting what I find here on page 6 of their study, which is on the public record ‑‑ and they found that 1 percent of listeners polled identified Spirit FM, CJTS 97.1, as their favourite station.

SEQ 1_0 \* Arabic \n8951     MR. HILDEBRAND:  If I could comment on that, I think that though the station hasn't been a member of BBM, BBM has been serving the market over the years.  From my position in the industry, I have been able to certainly see some of the numbers that BBM has had for the market, and they would be more in line with the Ipsos Reid figure than the University of Lethbridge figures that may have been used, so...

SEQ 1_0 \* Arabic \n8952     The station, obviously, it doesn't have a huge audience in the market, nor do I think that in our environment it would have a huge audience in the market.  The format isn't designed to have a mass audience, and I don't think it ever will.


SEQ 1_0 \* Arabic \n8953     Again, if we keep going back to our station in southern Manitoba, which is similar, it may get into the 5 percent range, but it's not going to be a huge factor in the market.   Nor will it likely be in Lethbridge.

SEQ 1_0 \* Arabic \n8954     MR. LANGFORD:  So it brings me to the chair's final line of questioning with regard to competition.  I'm not asking your to play favourites, but I am asking you to make a reasonable business decision for me.

SEQ 1_0 \* Arabic \n8955     What kind of an impact in this sort of market would The Touch FM application, which wants to play gospel music, have?

SEQ 1_0 \* Arabic \n8956     MR. HILDEBRAND:  Well, by and large, we looked at their application and we see it almost duplicating what we do, and so we don't really see that it is necessary to license another station that's similar.

SEQ 1_0 \* Arabic \n8957     In our letter of intervention we did outline that ‑‑

SEQ 1_0 \* Arabic \n8958     MR. LANGFORD:  M'hm.

SEQ 1_0 \* Arabic \n8959     MR. HILDEBRAND:  ‑‑ it really looks like a duplication of what we are already doing and doesn't make a whole lot of sense.

SEQ 1_0 \* Arabic \n8960     MR. LANGFORD:  Now, that leads me to my last question, and I'm really just trading on your experience here, if you don't mind.


SEQ 1_0 \* Arabic \n8961     When the Touch applicants came to us early last week, I believe it was on Tuesday, as one of the applicants for a Calgary station, they made quite a lot out of the notion that there are really two types of gospel music, one traditional or southern, if you want to call it that, and the other contemporary, and that the two don't mix, that they are oil and water.  The two have separate audience, and some people like one and some people like the other.

SEQ 1_0 \* Arabic \n8962     Is your gospel either southern or contemporary or is it a mix?

SEQ 1_0 \* Arabic \n8963     MR. HILDEBRAND:  No, I think it would be referred to as a mix.

SEQ 1_0 \* Arabic \n8964     I think there are many, many niches or many different kinds of gospel music, and whether there's a big enough audience for any particular niche by itself is probably doubtful.  It is my contention that you need to have somewhat of a broad spectrum that you can appeal to.

SEQ 1_0 \* Arabic \n8965     MR. LANGFORD:  M'hm.


SEQ 1_0 \* Arabic \n8966     MR. HILDEBRAND:  I think there is the traditional gospel, that goes back many years, and then there is a new genre of gospel music that has some rock elements to it, some black, some soul, some high‑energy music with a lot of instrumentation behind it.  So I think it's very hard to carve it out into a very, very narrow niche.

SEQ 1_0 \* Arabic \n8967     I mean, my sense is that it's not easy to make a living at this, and I think that if we didn't already have a radio station with a strong ‑‑ in place, we would be less enthused to do this.  But we see that there is a market in many parts of the prairies, especially for the alternative sound that this provides.

SEQ 1_0 \* Arabic \n8968     I think this plays into the hands of what the Commission wants.  The Commission wants more diversity.  The genre that we are into here isn't going to appeal to most of the mainstream broadcasters, and certainly not the major market broadcasters.

SEQ 1_0 \* Arabic \n8969     So we look at this as carrying on sort of a niche format that we have been doing all our life, and we see that this makes some sense.  We can trade on what we have learned in Manitoba, and so we see that the main reason why we are doing this.

SEQ 1_0 \* Arabic \n8970     Certainly, we see no reason why Touch Canada would be needed in the market, since we are already doing that.


SEQ 1_0 \* Arabic \n8971     MR. LANGFORD:  Could I ask you one last question regarding Manitoba?  I'm sorry to drag this on so long, but I do find this interesting in the context of so many applications nibbling around the same format.

SEQ 1_0 \* Arabic \n8972     If in Manitoba this Commission today could waive a magic wand and split your Manitoba service into two FM services, would there be enough of a market for you to format those services, one in contemporary gospel and the other in traditional or southern gospel?

SEQ 1_0 \* Arabic \n8973     MR. HILDEBRAND:  I don't think so.  Certainly, I'm convinced that a free‑standing operation would not be able to survive.

SEQ 1_0 \* Arabic \n8974     One of the reasons that we can obviously survive at a level that is lower than a free‑standing operation is we do have the infrastructure that provides administration, engineering, accounting and traffic and creative.  All of that infrastructure is in place, so we don't need to hire as many people as a free‑standing operator does.  Then, that obviously reduces our cost, and that's the only reason it works.

SEQ 1_0 \* Arabic \n8975     I don't think that if you split the thing in half in Manitoba and by your magic wand provided it to two separate operators ‑‑ they would both go broke.


SEQ 1_0 \* Arabic \n8976     MR. LANGFORD:  You have been very, very helpful, and I'm grateful for that.  Thank you very much.

SEQ 1_0 \* Arabic \n8977     Those are my questions, Mr. Chair.

SEQ 1_0 \* Arabic \n8978     THE CHAIRMAN:  Commissioner del Val.

SEQ 1_0 \* Arabic \n8979     COMMISSIONER del VAL:  Thank you, Mr. Hildebrand.

SEQ 1_0 \* Arabic \n8980     I have some questions regarding your intervention against Vista, so I don't know whether you are coming back in Phase 2.  If you are not, may I ask them now?

SEQ 1_0 \* Arabic \n8981     MR. HILDEBRAND:  I would propose to come back in Phase 2, once I had heard their whole application.  I would prefer to maybe answer them at that time, rather than ‑‑

SEQ 1_0 \* Arabic \n8982     COMMISSIONER del VAL:  Great.

SEQ 1_0 \* Arabic \n8983     MR. HILDEBRAND:  ‑‑ try to presume in advance what they will be.

SEQ 1_0 \* Arabic \n8984     COMMISSIONER del VAL:  Thank you.

SEQ 1_0 \* Arabic \n8985     So you will come back in Phase 2, then?

SEQ 1_0 \* Arabic \n8986     MR. HILDEBRAND:  I will.

SEQ 1_0 \* Arabic \n8987     COMMISSIONER del VAL:  Okay, thanks.

SEQ 1_0 \* Arabic \n8988     THE CHAIRMAN:  Legal counsel.

SEQ 1_0 \* Arabic \n8989     MS BENNETT:  Thank you.

SEQ 1_0 \* Arabic \n8990     I just have a couple of follow‑up questions.


SEQ 1_0 \* Arabic \n8991     The first one goes back to your discussion with Mr. Arpin about your commitment to cover the outstanding CTD commitment owed by CJTS.

SEQ 1_0 \* Arabic \n8992     Could you comment on the types of initiatives that Golden West would undertake with respect to that outstanding funding?

SEQ 1_0 \* Arabic \n8993     MR. HILDEBRAND:  Well, I think we would probably do much of the same that Spirit has done to date, but some of the reasons why the situation is in arrears, I think, is because Spirit doesn't have probably the manpower to look after some of these.

SEQ 1_0 \* Arabic \n8994     They have actually done some of the initiatives, but haven't documented them properly to qualify.  So the first thing we would do is document what is being done, and those items that really qualify we would do that.

SEQ 1_0 \* Arabic \n8995     To make up any differences, we would accelerate the other initiatives that I already talked about, instead of making one CD with one group, we would make another one for two groups, so that we could get this done fairly quickly.

SEQ 1_0 \* Arabic \n8996     Our plan would be to do this in the first year of our operation there, rather than wait till the end of the cycle.

SEQ 1_0 \* Arabic \n8997     MS BENNETT:  Okay.  Thank you.


SEQ 1_0 \* Arabic \n8998     My last two questions are just housekeeping.

SEQ 1_0 \* Arabic \n8999     You mentioned that you would file a letter from the CBC with respect to the use of the ‑‑

SEQ 1_0 \* Arabic \n9000     MR. HILDEBRAND:  Yes.

SEQ 1_0 \* Arabic \n9001     MS BENNETT:  Could you tell us when you would be able to file that letter?

SEQ 1_0 \* Arabic \n9002     MR. HILDEBRAND:  Within the week.

SEQ 1_0 \* Arabic \n9003     MS BENNETT:  Okay.  And the last question.

SEQ 1_0 \* Arabic \n9004     You had a brief discussion with Mr. Arpin about the intervention, which I believe was from Mr. Cadman.  If you were not served with that intervention and you would like an opportunity to comment, could you either let me know or another member of the Commission staff and we can set up a process to enable you to do that?

SEQ 1_0 \* Arabic \n9005     MR. HILDEBRAND:  I would certainly like to see it.

SEQ 1_0 \* Arabic \n9006     MS BENNETT:  Okay.  We are going to check the public file to make sure that it's there, so maybe we can talk at the break.

SEQ 1_0 \* Arabic \n9007     MR. HILDEBRAND:  Sure.

SEQ 1_0 \* Arabic \n9008     MS BENNETT:  Okay.  Thank you.

SEQ 1_0 \* Arabic \n9009     MR. HILDEBRAND:  Thanks.


SEQ 1_0 \* Arabic \n9010     THE CHAIRMAN:  Now, Mr. Hildebrand, it's the time for the wrap up.  So in your own words, could you give us the reasons why the Commission should retain your application?

SEQ 1_0 \* Arabic \n9011     MR. HILDEBRAND:  Thank you, Mr. Chair.

SEQ 1_0 \* Arabic \n9012     Well, I think the main reason is that we are a prairie‑based broadcaster that wants to provide somewhat of a different service than maybe is normally provided in the communities.

SEQ 1_0 \* Arabic \n9013     We have made our living providing local ‑‑ 100 percent local service, and that includes heavy concentration on news, heavy concentration of local involvement, a very, very direct and dedicated application of hiring people locally.  We are very, very strong in our philosophy to hire people in the community that we serve, so that we are reluctant to parachute people in from another community because, generally, they don't know the community too well, they don't know even the pronunciation of the names, and all of that shows when they are on the air.


SEQ 1_0 \* Arabic \n9014     So we are 100 percent committed to broadcast on the prairies.  We have covered Saskatchewan and Manitoba almost to the max and we have had so many invitations to provide that service to Alberta, as well. We feel that this is part of the process that we have undertaken some years ago and we see the Lethbridge market as a place where we can make a difference.  We can provide service to the area that is already there, and I think we can provide a better service.

SEQ 1_0 \* Arabic \n9015     I know that with the addition of our news and information processes, the community will be dramatically better served.  I think it's important to remember that we are doing this for the long run.  We are career professional broadcasters and we are not looking to come in and flip things, we are here for the duration.

SEQ 1_0 \* Arabic \n9016     I think that Commission understand this.  We are telling the Commission exactly what's on our mind.  We feel that, given the applicants that are before you for Lethbridge, we are by far and away the most logical, the most credible, will provide the best service, provide the least disruption to the market and, at the end of the day, provide the community of Lethbridge with a service that they now have, only in a better manner.

SEQ 1_0 \* Arabic \n9017     So with that, Mr. Chairman, commissioner and staff, thank you for the opportunity.


SEQ 1_0 \* Arabic \n9018     THE CHAIRMAN:  Thank you, Mr. Hildebrand, thank you, Mr. Fleming, thank you, Mr. Friesen.

SEQ 1_0 \* Arabic \n9019     The Commission will take a six‑, seven‑minute break.  We will get back at 10:15 with the next item.

‑‑‑ Upon recessing at 1008 / Suspension à 1008

‑‑‑ Upon resuming at 1020 / Reprise à 1020

SEQ 1_0 \* Arabic \n9020     THE CHAIRMAN:  Order, please.

SEQ 1_0 \* Arabic \n9021     I'm asking the secretary to introduce the next item.

SEQ 1_0 \* Arabic \n9022     THE SECRETARY:  Thank you, Mr. Chairman.

SEQ 1_0 \* Arabic \n9023     We will now proceed to item 15 on the agenda, which is an application by Vista Radio Limited for a licence to operate an English‑language FM commercial radio programming undertaking in Lethbridge.

SEQ 1_0 \* Arabic \n9024     The new station would operate on frequency 94.1 MHz, channel 231C, with an average effective radiated power of 42,900 watts, maximum effective radiated power of 100,000 watts, antenna height of 132 metres.

SEQ 1_0 \* Arabic \n9025     Appearing for the applicant is Ms Margot Micallef, who will introduce her colleagues.

SEQ 1_0 \* Arabic \n9026     You will then have 20 minutes for your presentation.


SEQ 1_0 \* Arabic \n9027     Ms Micallef.

PRESENTATION / PRÉSENTATION

SEQ 1_0 \* Arabic \n9028     MS MICALLEF:  Thank you.

SEQ 1_0 \* Arabic \n9029     Mr. Chairman, members of the Commission, CRTC staff, good morning.

SEQ 1_0 \* Arabic \n9030     My name is Margo Micallef and I am the chair and CEO of Vista Radio Limited, a wholly‑owned subsidiary of Vista Broadcast Group Limited.

SEQ 1_0 \* Arabic \n9031     Before we begin our presentation, I would first like to introduce our team.

SEQ 1_0 \* Arabic \n9032     Since this is Vista's first application before you, and our first time appearing as a group, I would like to provide some detailed information, perhaps a bit more than I might otherwise.  Collectively, our group has a hundred years of broadcast experience.

SEQ 1_0 \* Arabic \n9033     Before joining Vista, I was a senior vice‑president of Shaw Communications Inc.  Prior to that time I was a partner with a major law firm in Vancouver, British Columbia.  I was specialized in broadcasting and communications and I was a constructor of a seminar in communications law for the Faculty of Law at the University of British Columbia.  I was appointed to the Queens Council in 2002.


SEQ 1_0 \* Arabic \n9034     Immediately to my right is Bryan Edwards, president and chief operating officer of Vista Radio Limited.  Mr. Edwards is the former president and chief operating officer of Okanagan Skeena Group Limited, where he oversaw the operations of 20 radio stations in small and mid‑markets in B.C.

SEQ 1_0 \* Arabic \n9035     Throughout his 30 years in the broadcast industry, Mr. Edwards has served the broadcast industry in a number of capacities.  He was a director and the president of the B.C. Association of Broadcasters, a director of the Canadian Association of Broadcasters, chairman of the Radio Marketing Bureau, he sat as a member of the radio executive committee of the Bureau of Broadcast Measurement, and on the first Broadcast Standards Council.

SEQ 1_0 \* Arabic \n9036     Mr. Edwards was named B.C. Broadcaster of the Year, an honour bestowed on him by his peers in recognition of his significant contribution to the broadcast industry.


SEQ 1_0 \* Arabic \n9037     On my left is Mr. Paul Mann, executive vice‑president of Vista Radio.  Paul's career started in Lethbridge 40 years ago, at the age of 16, as the all‑night announcer on 1220 CJOC.  Since then, Paul has worked in numerous radio positions, including news, copyrighting, sales, sales management, and most recently as general manager and vice‑president of the Standard Radio B.C. Interior Operations, based in Kelowna.

SEQ 1_0 \* Arabic \n9038     Paul raised his family in Lethbridge while hosting the morning show on 1570 CKBA, in Taber.  During this time he also took a leadership role in organizing a grassroots campaign to save a major economic driver in the community, the sugar beet industry.  His effort attracted the support of the local MP, a senator, and 18,000 families in the form of a signed petition, and resulted in a 10‑year, three‑way agreement between the federal and provincial governments and the sugar beet industry.

SEQ 1_0 \* Arabic \n9039     Paul later went on to host an award‑winning and distinctly Canadian agricultural news syndication called "The Canadian Farmer", which aired on 60‑plus radio stations across Canada for over 15 years.

SEQ 1_0 \* Arabic \n9040     During his career, Paul has won numerous community service and creative awards from the CAB, the BCAB and other organizations.


SEQ 1_0 \* Arabic \n9041     To my right, but immediately behind Bryan, is John Yerxa, who has been researching Canadian radio since the mid‑1980s.  Recently, John conducted extensive research which played a pivotal role in our rebranding of Sun FM, in Duncan, as well as Vista's new launch of the new Jet FM in Courtenay.

SEQ 1_0 \* Arabic \n9042     Prior to that time, during his association with Monarch Broadcasting, John was involved in the launch of Country 95 FM, in Lethbridge, as well as The Hawk, out of Taber.

SEQ 1_0 \* Arabic \n9043     To John's left, and in the middle of our back row, is Paul's son, the vice‑president of programming for Vista Radio, Mr. Jason Mann.  Mr. Mann was born in Lethbridge and attended junior and senior high school and continued with post‑secondary broadcast training at Lethbridge Community College.

SEQ 1_0 \* Arabic \n9044     His career path included on‑air work at 1570 CKPA and 1090 CHEC, in Lethbridge.  Jason then went on to stations in Red Deer, Calgary and Kelowna.  While in Kelowna, he was appointed to director of programming for Telemedia Radio West, a position he held through his final years there with Standard Radio.


SEQ 1_0 \* Arabic \n9045     A highlight of Jason's career was during his final year in Kelowna, when he was responsible for leading the entire staff of the B.C. division of Standard Radio to the 2003 fire storm crisis.  Under his leadership, the Kelowna stations earned one provincial and two national RTNDA awards, as well as one CAB award, for breaking news, and a BCAB award for community service for the yellow ribbon campaign which raised funds and awareness for those who lost so much during the fires.

SEQ 1_0 \* Arabic \n9046     Since joining Vista Radio, initially as general manager of Sun FM, in Duncan, British Columbia, Jason was the driving force behind a number of community initiatives which saw Sun FM named as business of the year less than eight months after Vista took it over.

SEQ 1_0 \* Arabic \n9047     Finally, to Jason's left, and directly behind Paul, is Mr. Glenn Hicks.  Glenn is the news director of Vista's Kootenay operations.  Glenn is here today because his input is integral to our whole philosophical approach to news.

SEQ 1_0 \* Arabic \n9048     Glenn has been a broadcast journalist for over two decades.  He started with the South African Broadcasting Corporation in Johannesburg, and rose to become an anchor on national TV news and the host of a national drive‑time radio show.

SEQ 1_0 \* Arabic \n9049     Glenn eventually moved to London, England, where he spent three years producing and presenting programming for the BBC World Service and domestic national satellite TV news.


SEQ 1_0 \* Arabic \n9050     Throughout his broadcast career, he has been active in the nurturing and training of young broadcasters in radio and television.  Now with his wife and daughter, Glenn lives in Nelson, British Columbia.

SEQ 1_0 \* Arabic \n9051     Members of the Commission, and staff, thank you for indulging us in this extended introduction.  We very much wanted you to know the depth, background and experience that this team brings to Vista Radio and would bring to the Lethbridge market.

SEQ 1_0 \* Arabic \n9052     Mr. Chairman, and members of the Commission, we are now ready to begin our presentation.

SEQ 1_0 \* Arabic \n9053     Mr. Chairman, and members of the Commission, it is an honour to appear before you today with an application for a new FM station to serve Lethbridge, Alberta.  The basis of our proposal is simple.

SEQ 1_0 \* Arabic \n9054     First, Lethbridge has a vibrant and growing economy.

SEQ 1_0 \* Arabic \n9055     Second, Vista will introduce a distinct format to Lethbridge, designed to react to the largest unserved segment of the adult radio listening population.


SEQ 1_0 \* Arabic \n9056     Third, by integrating a strong business plan, Vista will become an able radio competitor to the two well‑established commercial broadcasters already serving Lethbridge.

SEQ 1_0 \* Arabic \n9057     Fourth, we will bring a new editorial voice to south western Alberta.

SEQ 1_0 \* Arabic \n9058     Fifth, we will make a significant direct contribution to the development of Canadian talent.

SEQ 1_0 \* Arabic \n9059     And finally, by providing a new radio station reflective of the community and with a significant emphasis on local programming, our application will clearly meet your licensing criteria and benefit the Canadian broadcast system.

SEQ 1_0 \* Arabic \n9060     MR. EDWARDS:  Vista Radio Limited currently consists of 19 licences, 16 of which are originating stations, all located in smaller British Columbia markets; however, Vista Radio's commitment is to be a strong western Canadian small and medium broadcaster, providing local content which is relevant and connected to the needs of our audiences.

SEQ 1_0 \* Arabic \n9061     Therefore, the addition of an FM station in Lethbridge will enable us to begin our expansion into Alberta, where most of our shareholders currently reside.


SEQ 1_0 \* Arabic \n9062     As a small‑market broadcaster, Vista has thus far made major commitments in all of the communities we are currently licensed to serve.  We have local management in all of those stations and all of them make local decisions that are in the best interest of their respective markets.

SEQ 1_0 \* Arabic \n9063     Vista not only endeavours to employ people locally, but to ensure that all of our stations has sufficient on‑air and informational personnel to deliver a distinct musical sound, excellent local news and an absolute dedication to the cities and towns we operate in.

SEQ 1_0 \* Arabic \n9064     We view our Vista stations not only as the voice of their communities, but the building blocks of those same communities, and our mandate includes raising awareness of important local issues and supporting local initiatives, such as Vista's recent fund‑raising drive at the Cowichan Regional Hospital in Duncan, B.C.

SEQ 1_0 \* Arabic \n9065     Right now, we are also investing considerable resources in technology and new staff at all of our Vancouver Island operations in order to denetwork those stations and provide programming that is more in alignment with the principles of the company and the needs of the communities we serve.


SEQ 1_0 \* Arabic \n9066     Our mandate is simple.  Vista strives to create local radio stations, staffed by local personnel, delivering local programming.  Our company has a clear focus on improving the quality of local service to the small and medium markets where we operate.

SEQ 1_0 \* Arabic \n9067     MR. P. MANN:  Lethbridge is a perfect fit for our company.  Not only is it my home town, and Jason's home town, but as each of the commercial applicants for a new FM licence have already indicated to you in their supplementary briefs, Lethbridge is a thriving city in a province that is booming.

SEQ 1_0 \* Arabic \n9068     Indeed, early last January, January 6th, a news release issued by the City of Lethbridge announced that the dollar value of the building permits in 2005 was up a staggering 30 percent over 2004.

SEQ 1_0 \* Arabic \n9069     Our analysis of the correlation between retail sales and radio revenue further suggests that, as the economic hub of southwestern Alberta, the Lethbridge retail climate is exceptionally robust at over $1.4 billion in 2005.

SEQ 1_0 \* Arabic \n9070     Yet, the most recent mainstream commercial radio entrant licensed within the Lethbridge region was CKTA, Taber, back in 1974, and prior to that the last commercial entrant licensed to Lethbridge was CHEC radio, in 1970, 36 years ago.


SEQ 1_0 \* Arabic \n9071     According to Alberta Municipal Affairs, the Lethbridge population in 1970 was 39,552, but since then that figure has nearly doubled.  Moreover, according to the just completed 2005 city census, Lethbridge's population has increased by over 6 percent in just the past three years and the trading area is now approximately 275,000 people.

SEQ 1_0 \* Arabic \n9072     We would therefore conclude that the Lethbridge radio market is now ready for another entrant.

SEQ 1_0 \* Arabic \n9073     MR. EDWARDS:  If successful, Vista would operate a stand‑alone commercial FM station up against two large and well‑established radio groups, each operating an FM combo.  Our competitor stations are as follows.

SEQ 1_0 \* Arabic \n9074     Pattison has Country 95, which targets a broad group of radio listeners who appreciate country music.  It also operates B93, which, according to Rick Arnish, the president of Pattison Radio Group, is Hot AC.

SEQ 1_0 \* Arabic \n9075     For its part, Rogers operates Rock 106, which primarily focuses on more current rock music.  Rogers also has The River, which is now classified both on the air and on its website as "Today's Hottest Music".


SEQ 1_0 \* Arabic \n9076     So, as you can see, three of the four commercial radio stations in Lethbridge are currently focused on more contemporary music and listeners at the younger end of the age spectrum.

SEQ 1_0 \* Arabic \n9077     So while launching a stand‑alone FM station against a Rogers and a Pattison combo may initially appear to put an applicant at a disadvantage, we are confident that Vista can operate successfully under these circumstances.

SEQ 1_0 \* Arabic \n9078     MR. P. MANN:  To begin with, our proposal is for a classic hits FM specifically designed to appeal to adults between 35 and 54 years of age, many of who are now listening elsewhere to satisfy their hunger for the music they grew up with.  The way we arrived at this choice was by commissioning Banister Research to find out what Lethbridge residents feel is missing from their radio menu.

SEQ 1_0 \* Arabic \n9079     MR. YERXA:  Between July 25th and 28th of last year, Bannister Research conducted 40 telephone interviews with adult radio listeners in Lethbridge utilizing a questionnaire template which I designed and which has been used by numerous other broadcast companies, including Chorus, Pattison and Standard, to conduct format‑finder studies such as this one.


SEQ 1_0 \* Arabic \n9080     In the case of Lethbridge, once adult respondents were randomly selected, Bannister first studied their listening behaviour.  It then probed listeners' interest in six mainstream yet very different music formats and asked whether they could identify an existing local FM station delivering each one.

SEQ 1_0 \* Arabic \n9081     The two most important calculations Bannister performed with their data were to identify the percentage of listeners that expressed significant interest in each format, as well as the percentage that could not associate a local FM radio station with each format.

SEQ 1_0 \* Arabic \n9082     By comparing these two results, one is able to identify the largest musical hole or opportunity in a market simply by examining the trade‑off between popularity and availability or, as I like to say, between more and less.


SEQ 1_0 \* Arabic \n9083     Obviously, the more popular a music type is within the overall population, the more economically viable that format will be; however, the more easily available a popular music type is perceived to be, the less opportunity it will have to grow as a distinct format without cannibalizing another player in the market.  Therefore, suffice it to say that the more popular but less available a music type is, the greater opportunity there is for that format in any given market.

SEQ 1_0 \* Arabic \n9084     Using this approach, Bannister was easily able to determine that classic hits represents the best format opportunity in Lethbridge as it registered very high popularity, but was also perceived by all adult respondents to be the most difficult type of music to find on their local FM dial.

SEQ 1_0 \* Arabic \n9085     MR. P. MANN:  So Vista was well‑advised by Bannister to go with classic hits, according to the research.  It is a format whose audience is almost equally split between men and women, a format primarily targeted at those 35 to 54 years of age, a mainstream format that will have the least impact on any of the existing commercial stations.

SEQ 1_0 \* Arabic \n9086     It's also worth noting that the two stations most likely to share their core audience with a classic hit station are The River and Rock 106, at 20 percent and 15 percent, respectively.  Both are operated by Rogers, yet, we would like to point out that Rogers Broadcasting has not intervened against our application.


SEQ 1_0 \* Arabic \n9087     We believe that's because Classic Hits 94.1 will only share between 11 percent and 20 percent of each existing commercial station's core audience, while gaining a significant percentage of its cume, 38 percent, from out‑of‑market radio stations.  Therefore, Vista will be able to monetize the increased tuning or repatriation of listening to local commercial radio, thereby growing overall market revenue.

SEQ 1_0 \* Arabic \n9088     Our belief in this regard is significantly bolstered by the feedback we have gathered from numerous advertisers who say they would strongly support the launch of a new classic hits FM station, primarily serving the 35 to 54 demographic.  This target audience is extremely valuable to the local advertising community and, therefore, we are confident that the revenue projections in our application are realistic.

SEQ 1_0 \* Arabic \n9089     MR. J. MANN:  Vista's research mandate specifically outlined two objectives:  number one, to locate a format that would be commercially viable in Lethbridge, as opposed to a niche format that would not; and, number two, to locate a format that, while popular, would have minimal impact on the four other commercial stations already in the market.


SEQ 1_0 \* Arabic \n9090     In classic hits, we have found a format that will primarily appeal to 35‑ to 54‑year‑old listeners by reintroducing many songs and artists which are not being currently aired locally in any significant numbers.  Probably best known as one of the Jack, Joe or Bob stations in larger Canadian markets only, the difference between most of those stations and Classic Hits 94.1 is that, given the size of Lethbridge and the nature of the hole in the market, we will be slightly broader in our musical appeal by offering more seventies music and slightly more pop than rock music.

SEQ 1_0 \* Arabic \n9091     By carefully balancing gold artists like Joni Mitchell, Fleetwood Mac, Billy Joel, Valdy, Rod Stewart, Burton Cummings, America, Sherry Ulrich, the Doobie Brothers, Neil Young, the Eagles, Journey, Chilliwack, The Police, Doug and the Slugs, and the Cars, our classic hits format will be as comfortable for the average 40‑ and 50‑year‑old listener as a warn pair of jeans.

SEQ 1_0 \* Arabic \n9092     However, given our 35 percent Cancon commitment, we will not only revisit past Canadian acts, but we will also present newer Canadian artists who are compatible with the overall sound of the station, artists like Kathleen Edwards, Daniel Powter, Jeremy Fisher and Matthew Barber, along with Mister Completely, which, incidentally, is a Campbell River band that our stations on Vancouver Island were the first to play.  And, of course Bedouin Soundclash.


SEQ 1_0 \* Arabic \n9093     Our view is that the insertion of more up‑to‑date Canadian acts will add a variety and freshness to our format without violating the overall premise of Classic Hits 94.1.  After all, the key to this station is that it will be providing a much greater amount of 1970s and 1980s pop and rock music than the existing stations currently do, and in doing so it will be focused specifically on the 35‑to‑54 age demographic.

SEQ 1_0 \* Arabic \n9094     MR. HICKS:  Classic Hits 94.1 will be much more than just a music station.  Our research revealed that a high number of listeners are currently dissatisfied with the lack of news and information on Lethbridge radio stations and classic hits partisans exhibited the highest dissatisfaction on this issue when compared to partisans of all other music types.  Moreover, they were also the most vocal in demanding increased news coverage.  Therefore, our intention is to establish Classic Hits 94.1 as a significant new source for local and regional news coverage.


SEQ 1_0 \* Arabic \n9095     One of the biggest reasons why we at Vista feel that we are winning over local listeners is because of our attitude towards local information.  For those few minutes each hour, for that breaking story, for that important local sports game, the news pertaining to your small town becomes the centre of the universe, and the listeners expect that.  We try to deliver it with the same professionalism and dedication that you would expect from the CBC, the BBC or CNN.  Why not?

SEQ 1_0 \* Arabic \n9096     But we are giving our listeners what the CBC and other large news organizations won't or simply cannot because the concerns of our smaller communities do not register on their dial; however, local news and information is always at the centre of our radar in the Vista Group.

SEQ 1_0 \* Arabic \n9097     Sure, we only use cell phones, mini‑disc recorders and portable mixing units, but that's all one needs if you blend it with a genuine compassion and understanding of what counts in your local community.  Whether it's city council, the hospital board, the school board, the regional district, local elections, a dangerous intersection, a weather warning or those fire storms we recently encountered, we at Vista have an attitude towards writing, editing and delivering the news that makes our local listeners feel informed, engaged and proud that our various newsrooms goes to the trouble to hear from everyone and anyone who has a voice in their community.


SEQ 1_0 \* Arabic \n9098     In the case of Lethbridge, Vista will provide 92 regularly scheduled newscasts for in excess of six hours of news coverage per week.  In addition to those 92 newscasts, we will broadcast 9‑and‑three‑quarter  hours of structured spoken word per week, encompassing regular weather and road conditions, hourly community service announcements, entertainment and community events, as well as specialty information specifically designed for the region, such as agricultural reports, energy sector reports and a local business feature.

SEQ 1_0 \* Arabic \n9099     MR. P. MANN:  Regarding our commitment to local information, I would like to point out that in just our first year on Vancouver Island, we have increased news staffing at our operations by 35 percent, resulting in a dramatic increase in the amount of local news coverage on‑air.  Our policy is that each of our originating stations must have a strong editorial voice.

SEQ 1_0 \* Arabic \n9100     We view this local component of our programming as Vista's greatest opportunity to compete in an era of increase competitive technology, such as satellite radio and the Internet.  In the case of Lethbridge, Vista's proposals will answer the call for a greater diversity of editorial voices, while our station addresses the local community's demand for more news and information.


SEQ 1_0 \* Arabic \n9101     MR. EDWARDS:  Mr. Chairman and members of the  Commission, let's turn our focus just for a moment to Canadian talent development.

SEQ 1_0 \* Arabic \n9102     As the Commission is aware, Vista is prepared to make a direct cash commitment of $50,000 per year, for a total of $350,000 over the full licence term, in support of Canadian talent development.  We are very proud of this commitment and we look forward to discussing our overall approach to CTD with the Commission panel in the upcoming question and answer period.

SEQ 1_0 \* Arabic \n9103     MR. P. MANN:  Of course, another way for Vista to nurture and develop Canadian talent is through the hiring of new broadcasters, who will come to Lethbridge to work at our station, buy homes, pay taxes, settle down, raise families and contribute to the future of southwestern Alberta.

SEQ 1_0 \* Arabic \n9104     Our new station will employ from its very first day of operation 16 new employees, including on‑air announcers, news, sports, creative writers, sales reps and promotion personnel.  We are very committed to being a local radio station and Vista's operating philosophy of investing our money in small and medium markets across western Canada is one we will maintain now and in the future.


SEQ 1_0 \* Arabic \n9105     At the same time, please be aware that Vista is currently working hard to reflect the demographics of Canada in our workforce and our programming and, as such, we will insure that from the day Classic Hits 94.1 goes on air it will reflect the demographic make‑up of Lethbridge.

SEQ 1_0 \* Arabic \n9106     MS MICALLEF:  Mr. Chairman, and members of the Commission, let's quickly review the merits of our application.

SEQ 1_0 \* Arabic \n9107     We have provided evidence underlining the strengths and dramatic growth of Lethbridge.  We propose a music format that is commercially viable and which will add diversity to the market.  Consequently, our business plan is well thought out, our revenues are achievable and our costs are reasonable.

SEQ 1_0 \* Arabic \n9108     We will bring  a new editorial voice to Lethbridge with a commitment to news that is presently unmatched in the market.  We will fully meet the Canadian content requirements and are prepared to allocate $50,000 per year, for a total of $350,000 over the licence term, to support Canadian talent development.


SEQ 1_0 \* Arabic \n9109     From day one, Vista will be committed to creating a workforce that reflects the cultural diversity of Lethbridge, and the province as a whole.  Two of Vista's founders and key members of our executive team, Paul and Jason Mann, have their roots in Lethbridge.  They, along with the rest of us, will personally insure that Vista's goal of being local, staying local and committing the financial resources to hire broadcasters who will live and work in Lethbridge is met.

SEQ 1_0 \* Arabic \n9110     This application will not only contribute significantly to the objectives of the Broadcasting Act, but it is truly a reflection of the commitment Vista Radio Limited is now bringing to all of its small‑market radio stations and the communities we are licensed to serve.

SEQ 1_0 \* Arabic \n9111     I wish to thank the Commission for this opportunity to explain our proposal to you and we would welcome your questions at this time.

SEQ 1_0 \* Arabic \n9112     THE CHAIRMAN:  Thank you, Mrs. Micallef.

SEQ 1_0 \* Arabic \n9113     I'm asking Commissioner de Val.

SEQ 1_0 \* Arabic \n9114     COMMISSIONER del VAL:  Thank you for your presentation.

SEQ 1_0 \* Arabic \n9115     You have anticipated a lot of the questions naturally, and it's particularly the question of why you chose the format you chose, and that's helpful.  Thank you.


SEQ 1_0 \* Arabic \n9116     I do still have some more specific questions, and then it may end up being a bit redundant with what you have presented, so forgive me for that.

SEQ 1_0 \* Arabic \n9117     Based on your market research, what are the spoken‑word and information programming expectations of your target group, the 35‑ to 45‑year‑old?

SEQ 1_0 \* Arabic \n9118     MR. HICKS:  Madam Commissioner, if I may answer that one, just in terms of the market research we conducted, it very much indicated that particular audience group in Lethbridge, 35 to 54, was the one that was earmarked for classic hits, that's the sort of music they would like, but in conjunction with that, complementary to that, is that is very much the age group that is demanding more news, better news.  So there's a clear synergy there.

SEQ 1_0 \* Arabic \n9119     So in terms of honing in on that particular market, that's good for classic hits, it's good for news.  That segment of the population stressed in our research that they are the most dissatisfied with the lack of quality news and information.

SEQ 1_0 \* Arabic \n9120     COMMISSIONER del VAL:  Okay.  And those needs are not being met by the existing stations that are serving Lethbridge?


SEQ 1_0 \* Arabic \n9121     MR. HICKS:  Madam Commissioner, our research indicated that a large proportion, almost half, were currently dissatisfied with their lot in terms of what they are hearing on the local radio stations, yes, Ma'am.

SEQ 1_0 \* Arabic \n9122     COMMISSIONER del VAL:  Okay.  What specifically they are looking for is more news?

SEQ 1_0 \* Arabic \n9123     MR. HICKS:  News and information, better handling of the spoken word.

SEQ 1_0 \* Arabic \n9124     You will appreciate, Madam Commissioner, and we see this in perhaps local radio across Canada, that older segment, that older listener, is quite rightly demanding a more mature, more professional handling of broadcast journalism.

SEQ 1_0 \* Arabic \n9125     Of course, while we get it from the respected news organizations like the CBC, we have an attitude at the Vista Group that says, "Well, why can't small market radio news be that way?", and that's why we specifically targeted that older audience in Lethbridge, who have told us by research, "Yeah, give us some of your good quality news, as well", and we can deliver on that.

SEQ 1_0 \* Arabic \n9126     COMMISSIONER del VAL:  Okay.

SEQ 1_0 \* Arabic \n9127     According to your research ‑‑ and I'm looking at page 4 of your presentation ‑‑ there's stations that you have listed.  According to your research, what is their age target group?


SEQ 1_0 \* Arabic \n9128     MR. HICKS:  Ma'am, can I hand that one over to my colleague, John, here?

SEQ 1_0 \* Arabic \n9129     MR. YERXA:  Commissioner del Val, are you looking for the audience overlap that this format would have?  Are you looking at where the present partisanship of these stations is right now?  What specifically are you asking for?

SEQ 1_0 \* Arabic \n9130     COMMISSIONER del VAL:  Probably simpler than you thought.  I have a notion in my mind that I just wanted to confirm.

SEQ 1_0 \* Arabic \n9131     All I need right now is, if I look at page 4 of your presentation, and at the top, you have, "Pattison has Country 95".  According to your age group, what is their core demographic, and then, say, the same for B93, the same for Rock 106, and the same for The River, just those specifically, what age groups do those stations target?

SEQ 1_0 \* Arabic \n9132     MR. YERXA:  All right.

‑‑‑ Pause


SEQ 1_0 \* Arabic \n9133     MR. YERXA:  According to our research, and I may have to dig out more information as we go along here because I have quite a thick binder, but in a nutshell all four of the existing commercial FM stations do skew towards ‑‑ or should I say at least three out of the four do skew significantly towards the younger end of the age spectrum, according to our research.

SEQ 1_0 \* Arabic \n9134     As far as the 35‑plus audience is concerned, as it stands right now in Lethbridge, one really has only a single choice when it comes to music, the more mature listener, and that is country.  That is what our research identified, that apart from country, there is no classic hits station, with, I guess, the emphasis on the 18‑to‑34, 18‑to‑44 end of the age spectrum.  That's where the hole exists.

SEQ 1_0 \* Arabic \n9135     I hope that answers your question a little bit.

SEQ 1_0 \* Arabic \n9136     COMMISSIONER del VAL:  Okay.  If you need more time to provide the numbers, or perhaps they could be in the research already and I just have missed those numbers, it's just that 35 would be young to me. So if you are saying "younger", are they skewed towards, say, 35 to 44, or are we actually talking 18 to 25?

SEQ 1_0 \* Arabic \n9137     So if you could provide that information, and just let us know how much time you need, to give the core audience, the targeted group of ‑‑ the respective target audience of each of the four stations you have mentioned, I would appreciate it.


‑‑‑ Pause

SEQ 1_0 \* Arabic \n9138     COMMISSIONER del VAL:  Is that doable?

SEQ 1_0 \* Arabic \n9139     MR. YERXA:  Yes.  I'm going to do that right now.

SEQ 1_0 \* Arabic \n9140     It's interesting, because I have never been asked, according to our research, what the rankings are and then breaking it out into the key demographic cells, although we certainly have that.

SEQ 1_0 \* Arabic \n9141     COMMISSIONER del VAL:  Okay.

SEQ 1_0 \* Arabic \n9142     MR. YERXA:  I do know what the overall rankings are and I do know that there is a concentration at the younger end of the age spectrum.  What you want are specific percentages, if I'm not mistaken.

SEQ 1_0 \* Arabic \n9143     COMMISSIONER del VAL:  No, I don't even need the ‑‑ I just need the age.  What is the age core demographic for Country 95?  Do they target 24 to 44?  And say B93, do they target 18 to 25?  That's all I need.  I need the core audience targeted for each of those four stations, that's all I need.

SEQ 1_0 \* Arabic \n9144     MR. YERXA:  I will do my best.

SEQ 1_0 \* Arabic \n9145     COMMISSIONER del VAL:  Okay.


SEQ 1_0 \* Arabic \n9146     Now ‑‑ I will have more questions on this ‑‑ what about the Jim Pattison station that's classic hits, that is CJBZ, that is also a classic hits station and you wouldn't include that in your Lethbridge market?

SEQ 1_0 \* Arabic \n9147     MR. YERXA:  Madam Commissioner, this really is the key point in this entire presentation ‑‑

SEQ 1_0 \* Arabic \n9148     COMMISSIONER del VAL:  I know.

SEQ 1_0 \* Arabic \n9149     MR. YERXA:  ‑‑ because there were a number of pieces of research that were conducted in the market.  We conducted one, a competing applicant conducted another.  In both pieces of research, we discovered that the largest format void in the market was for classic hits.

SEQ 1_0 \* Arabic \n9150     In our research, and in the competitor, I will mention the name, Kassof indicated that the largest, I think they term it, "format void", the methodology is very similar with classic hits.

SEQ 1_0 \* Arabic \n9151     Now, once Bannister had finished conducting this research for Vista, and I eventually inherited it, I was astounded to see this hole, having heard that supposedly one of the stations impacting the market was a classic hits station.


SEQ 1_0 \* Arabic \n9152     If you are going to conduct research and spend the money, then you had ‑‑ you are probably best advised to take those results seriously, otherwise why do research?  My advice to Vista was to immediately go into the market and to monitor these stations and to do an extensive analysis to see if it backed up the research results, which it did.

SEQ 1_0 \* Arabic \n9153     The other applicant in this case, I understand now, reading through the materials and the supplementary, simply chose to move away from it simply because, if another station supposedly claimed to be doing that, then they felt that maybe that hole was filled.

SEQ 1_0 \* Arabic \n9154     I think they were, now in retrospect, under the misinterpretation that this station was moving into the format, where we have subsequently found they were moving away from that, if at all having served it in the first place.  I believe, and I will turn it over to Mr. Jason Mann, if he wishes to comment, but I believe the most recent monitor of just two weeks ago ‑‑ this has been a series of monitors ‑‑ completely confirms this.

SEQ 1_0 \* Arabic \n9155     I shouldn't keep going because I'm the research consultant here, but I will turn it over to you and you can discuss the clarification from Pattison.

SEQ 1_0 \* Arabic \n9156     COMMISSIONER del VAL:  Okay.  But just so far on what you have said, so what you are telling me is that CJBZ ‑‑


SEQ 1_0 \* Arabic \n9157     MR. YERXA:  B93.

SEQ 1_0 \* Arabic \n9158     COMMISSIONER del VAL:  Yes ‑‑ is not a classic hits station?

SEQ 1_0 \* Arabic \n9159     MR. YERXA:  No.  In fact in the document that was passed onto to me in this whole process, I believe Mr. Rick Arnish, in his letter of intervention, even finally added some clarification, appropriate clarification of this, and said, "We are a Hot AC station".

SEQ 1_0 \* Arabic \n9160     COMMISSIONER del VAL:  Okay.

SEQ 1_0 \* Arabic \n9161     Would you like to add anything, Mr. Mann?

‑‑‑ Pause

SEQ 1_0 \* Arabic \n9162     COMMISSIONER del VAL:  You don't have to.

SEQ 1_0 \* Arabic \n9163     MR. J. MANN:  We did conduct a monitor, and if you wanted additional information on that specific demographic, breakdowns and decades of music that each station currently plays, we can provide that.

‑‑‑ Pause


SEQ 1_0 \* Arabic \n9164     COMMISSIONER del VAL:  What programming challenges do you anticipate that you will face in serving the spoken word, sort of the news and information programming, of your target audience in Lethbridge?

SEQ 1_0 \* Arabic \n9165     MR. HICKS:  Madam Commissioner, I haven't identified specific challenges, I just know that certainly in a small ‑‑ from my experience already with the group, in a small market you really want to do the spoken word and news coverage justice, and perhaps the challenge will be how best to deploy and allocate a relatively modest newsroom.

SEQ 1_0 \* Arabic \n9166     I have experience in doing that and if you work on the shifts and you have the right enthusiasm amongst qualified broadcast journalists, then you can get there.  But the challenges are covering everything.  The challenges are making sure that the voices are all heard.  The challenges are what happens on a Monday night, when you have Lethbridge city council and there happens to be perhaps a regional district side meeting and a school board deal going on.  How do you get three people out there, whereas the perhaps the CBC they can get people out there, they have bigger teams.

SEQ 1_0 \* Arabic \n9167     So certainly the challenges would be deploying and using efficiently our broadcast journalists throughout the day, over the weekends, to make sure we don't miss important stories or important voices are not missed in Lethbridge.


SEQ 1_0 \* Arabic \n9168     COMMISSIONER del VAL:  Okay.

SEQ 1_0 \* Arabic \n9169     Then, I'm jumping back again to my earlier question.  I was trying to figure out why it is that you feel the spoken‑word expectations or needs are not currently being met by the incumbents.  That's why I was asking about the age, because perhaps if I saw that they were in fact a lot younger, say 18 to 25 or whatever, which is unlikely, then, okay, maybe if their spoken word's targeted for a younger audience that could be one of the reasons.

SEQ 1_0 \* Arabic \n9170     But what are the other reasons?  Are the existing stations not doing enough spoken work?  They are doing a different type of spoken word?  What does your research show that is lacking in the existing stations' spoken‑word programming?

SEQ 1_0 \* Arabic \n9171     MR. YERXA:  Madam Commissioner, I will try and answer this as best I can.

SEQ 1_0 \* Arabic \n9172     First of all, within the research component that was conducted by Bannister Research, my understanding is that they did not deal in depth on specific issues and what do you want hear more of or less of, or so on.


SEQ 1_0 \* Arabic \n9173     But what they did derive from the research was that there certainly is ‑‑ the population, as we looked at the higher end of the population, they are ‑‑ especially dealing with the hole in the market, dealing with the classic hits partisans, primarily 35 to 54, that they expressed a greater dissatisfaction with news and information, and they also expressed a desire to hear more.

SEQ 1_0 \* Arabic \n9174     Now, I suppose ‑‑ and I have to be careful I don't move out of my realm here ‑‑ but I suppose one might want to look at the tonnage, if you will, at what is being offered in the market as far as newscasts and scheduling is concerned, as opposed to also what these people are currently receiving.

SEQ 1_0 \* Arabic \n9175     The fact is, if I have to go to a rock station to receive my information or if I have to go to a contemporary hit station, that may lend to my dissatisfaction, if you will.  And to the extent that I may have to go out of market, to the extent that I may have to go to the CBC, which actually is not a bad option, but to that extent, where I have to go outside the market and listen to other stations to derive news and information programming, I suppose that is a factor which weighs on the collective psyche of that 35 to 54 target that we are looking at.

SEQ 1_0 \* Arabic \n9176     I hope that helps a little bit.

SEQ 1_0 \* Arabic \n9177     COMMISSIONER del VAL:  Yes, thank you, it does.


SEQ 1_0 \* Arabic \n9178     Then, going back to your answer, Mr. Hicks, of the newsroom, I know that in your presentation I think you say that there will be 16 employees.

SEQ 1_0 \* Arabic \n9179     MR. P. MANN:  A total of 16.

SEQ 1_0 \* Arabic \n9180     COMMISSIONER del VAL:  A total of 16 for this particular station.

SEQ 1_0 \* Arabic \n9181     MR. P. MANN:  Correct.

SEQ 1_0 \* Arabic \n9182     COMMISSIONER del VAL:  So can you give me possibly a breakdown of what they do?  In particular, say, what is the size of your newsroom staff and the types of resources that will be available to your news staff to ‑‑

SEQ 1_0 \* Arabic \n9183     MR. HICKS:  Madam Commissioner, if I can just correct that ‑‑

SEQ 1_0 \* Arabic \n9184     COMMISSIONER del VAL:  Okay.

SEQ 1_0 \* Arabic \n9185     MR. HICKS:  ‑‑ I think in the presentation the 16 may very well have referred to our total newsroom complement across the Vista Group.

SEQ 1_0 \* Arabic \n9186     COMMISSIONER del VAL:  Oh, okay, sorry, then.

SEQ 1_0 \* Arabic \n9187     MR. HICKS:  But certainly this proposal, Ma'am, in terms of Lethbridge, would be a three‑person ‑‑

SEQ 1_0 \* Arabic \n9188     COMMISSIONER del VAL:  Okay.


SEQ 1_0 \* Arabic \n9189     MR. HICKS:  ‑‑ a full‑time news team ‑‑

SEQ 1_0 \* Arabic \n9190     COMMISSIONER del VAL:  Okay.

SEQ 1_0 \* Arabic \n9191     MR. HICKS:  ‑‑ typically working a 40‑hour week.  In news there's no such thing as a 40‑hour week, but we try and get people get around that.

SEQ 1_0 \* Arabic \n9192     So, yes, I will give you an indication.  Let me just give you a breakdown of exactly how those people would be deployed.

SEQ 1_0 \* Arabic \n9193     As we suggested, we have 92 newscasts per week, and that is completely doable with a complement of three full‑time broadcast journalists with Vista.

SEQ 1_0 \* Arabic \n9194     We are proposing three minutes of news every half hour, between 6 in the morning and 9 in the morning, and then hourly thereafter until 6 p.m. Monday to Friday.  That will be for a total of 16 newscasts and 60 minutes of news coverage per day.  Weekends, as well, newscasts on the hour between 7 and noon, totally 12 newscasts, or another hour of coverage.  Our newscasts will be between four minutes and five‑and‑a‑half minutes, inclusive of sports, traffic and weather.


SEQ 1_0 \* Arabic \n9195     I would really like to emphasize, Ma'am, that we go crazy for local.  I look after the Kootenay operation and when I arrived there there was a sad dependence on wires, on stories that really weren't hitting true to those communities there.

SEQ 1_0 \* Arabic \n9196     So I have implemented a proto, call it our news operation, there and I'm spreading it around the group, that we want to see 80 percent local content in all newscast, and I currently implement that as a minimum on a daily basis at our Kootenay operations.

SEQ 1_0 \* Arabic \n9197     You have got to get the team into that.  You have to really help younger journalists, or journalists who may be not as experienced in the smaller markets, to look for lots of stories that are of genuine local interest.  And we are achieving that, Ma'am, in one of our operations already.

SEQ 1_0 \* Arabic \n9198     COMMISSIONER del VAL:  And you said 80, eight‑zero percent?

SEQ 1_0 \* Arabic \n9199     MR. HICKS:  Eighty percent.  In other words, if I can break it down in simple terms, if, for example, a typical morning show newscast would have five or six news stories, then I would expect five of them to be local, with local audio, and perhaps 20 percent of that newscast could hone in on an important provincial story or international story.


SEQ 1_0 \* Arabic \n9200     MR. P. MANN:  Madam Commissioner, if it would be helpful, we do have a comprehensive by‑day, full‑week spoken‑word calendar or schedule, if you will, that we would be pleased to file if it would assist you.

SEQ 1_0 \* Arabic \n9201     COMMISSIONER del VAL:  Yes, please.  And that will be for this proposed station?

SEQ 1_0 \* Arabic \n9202     MR. P. MANN:  Correct.

SEQ 1_0 \* Arabic \n9203     COMMISSIONER del VAL:  Yes, please, if you could file.  When do you think you could?

SEQ 1_0 \* Arabic \n9204     MR. P. MANN:  We have it prepared, if you feel it's appropriate.

SEQ 1_0 \* Arabic \n9205     COMMISSIONER del VAL:  Great.

SEQ 1_0 \* Arabic \n9206     So you have three as your newsroom staff.  What other resources will be available to your news staff?

SEQ 1_0 \* Arabic \n9207     MR. HICKS:  Well, there will be an ethic.  One would be ignorant to assume that a small station can cover absolutely everything at all times, but what we are doing in the group, and similarly for Lethbridge, is to make sure the producers and presenters, and people who are in the building, have a sense of what to do, there's a protocol in place for news.


SEQ 1_0 \* Arabic \n9208     So I guess everybody in the station, to answer that question, everybody who works certainly at our stations in B.C., understands what a protocol should be, in terms of handling a news story, getting the chain of command, getting people out to the scene of somewhere.  So we would call on the entire station, Madam Commissioner.

SEQ 1_0 \* Arabic \n9209     MR. J. MANN:  Further to that, we do have a modest stringer and part‑time budget, as well, for evening meetings allocated.

SEQ 1_0 \* Arabic \n9210     COMMISSIONER del VAL:  Thank you.

SEQ 1_0 \* Arabic \n9211     Will you be sharing any of your resources with your British Columbia stations?

SEQ 1_0 \* Arabic \n9212     MR. HICKS:  I would imagine if there's a rationale, if there's a common link.

SEQ 1_0 \* Arabic \n9213     Again, I know that we hear often that certain broadcast groups say they are going to be able to link up with the rest of their national or provincial group, in terms of accessing those resources, and, of course, if there's an opportunity to use them, if there's an natural news link, but I want to really focus here, Madam Commissioner, that local is local.


SEQ 1_0 \* Arabic \n9214     If I'm going to bring the news to Lethbridge, as our news team will, and I'm giving you 80 percent of round‑the‑corner, round‑the‑block news, I really don't see how bringing in our other colleagues around B.C., for example, would do an awful lot on the day‑to‑day basis.  But, of course, experience, advice, and possible story linkage, one has to be aware of that.

SEQ 1_0 \* Arabic \n9215     COMMISSIONER del VAL:  Thank you.

SEQ 1_0 \* Arabic \n9216     Will the spoken‑word programming be 100 percent produced locally?

SEQ 1_0 \* Arabic \n9217     MR. HICKS:  Yes, Ma'am.

SEQ 1_0 \* Arabic \n9218     COMMISSIONER del VAL:  Okay.  Thank you.

SEQ 1_0 \* Arabic \n9219     MR. HICKS:  Of course, our spoken word is not only the newscasts, as you will see in our files there, that we have several other spoken word components ‑‑

SEQ 1_0 \* Arabic \n9220     COMMISSIONER del VAL:  Yes.

SEQ 1_0 \* Arabic \n9221     MR. HICKS:  ‑‑ over and above the newscast that really latch into local‑specific issues and information.


SEQ 1_0 \* Arabic \n9222     COMMISSIONER del VAL:  Yes, and you have it in the program guide that you have provided.  And in your supplementary brief, on pages 20 and 21, you have also mentioned your programs, "Agri Biz", "Energy Reports", "The Ag Market Reports".  In your brief, you have also explained that you may be sharing some of the relevant stories between your proposed Lethbridge station and the Grande Prairie stations.

SEQ 1_0 \* Arabic \n9223     The programs that you have mentioned, the "Agri Biz", "Energy Report", "Ag Market Reports", are those being produced now?

SEQ 1_0 \* Arabic \n9224     MR. P. MANN:  Perhaps I can answer that.

SEQ 1_0 \* Arabic \n9225     COMMISSIONER del VAL:  Yes.

SEQ 1_0 \* Arabic \n9226     MR. P. MANN:  No, they are not being produced now because we don't really have, obviously, an Alberta property at this time.

SEQ 1_0 \* Arabic \n9227     COMMISSIONER del VAL:  Okay.

SEQ 1_0 \* Arabic \n9228     MR. P. MANN:  However, I think our reference, really, in tying into Grande Prairie was on story content.  So because there is a resource sector parallel, if you will, in the Peace country and in southwestern Alberta, as well as a significant comparable in the agra business area, there may be some appropriate story sharing that would contribute to the local feature in each case.

SEQ 1_0 \* Arabic \n9229     COMMISSIONER del VAL:  Okay.

SEQ 1_0 \* Arabic \n9230     So those specific programs that I have mentioned, "The Agri Biz", "Energy Report" and "Ag Market Reports", will those be produced only if this particular Lethbridge station is licensed?


SEQ 1_0 \* Arabic \n9231     MR. P. MANN:  We saw them as relevant to this particular area, as well as the Grande Prairie area, relevant to that application you referenced.

SEQ 1_0 \* Arabic \n9232     COMMISSIONER del VAL:  Okay.  Thank you.

SEQ 1_0 \* Arabic \n9233     Now, one of the statements you made in your supplementary brief, on page 27, and it was in section N, where you talked about alternative proposal, you said:


"In preparing this application, we have presented research which demonstrates that no station is presently perceived by adult radio listeners as offering a classic hits format in Lethbridge.  This situation could change however before a new licence is granted.  Should this occur, Vista Broadcast Group has identified an alternative format and we would propose to operate a new FM radio undertaking in Lethbridge utilizing this alternate format should the market conditions change."

(As read)

SEQ 1_0 \* Arabic \n9234     Maybe two things.  You said you have identified an alternative format, but it's not identified here.  Maybe you can just explain that statement.

SEQ 1_0 \* Arabic \n9235     MR. YERXA:  Madam Commissioner, yes, I spent a fair amount of time in southern Alberta going between markets, and Lethbridge is certainly one I have had a lot of experience in, and this research has touched on one or two possibilities that I had a feeling did exist in the market, not by any means as large at this point as classic hits.  Suffice it to say, however, that if the stations move around and if somebody moves in to a new area, then another hole develops in another area.

SEQ 1_0 \* Arabic \n9236     I do have a couple of ideas.  I just don't ‑‑ I don't know if I should divulge them publicly at this time.  I should probably take direction from Vista at this stage, only because I think that giving this kind of information in a public forum may put a new entrant at a bit of a disadvantage.

SEQ 1_0 \* Arabic \n9237     COMMISSIONER del VAL:  Okay.


SEQ 1_0 \* Arabic \n9238     MS MICALLEF:  Madam Commissioner, we can file that on a confidential basis, if you would like us to.

SEQ 1_0 \* Arabic \n9239     COMMISSIONER del VAL:  You see, my difficulty ‑‑ and I know that commercial FM stations can change their format, and I know that poses questions for a lot of people.  However, I don't quite know what is the fairest way to interpret this message, when what we have in front of us is an application based on ‑‑ that's your foundation of this application is the classic hits.  The financial are based on those, intervenors' comments are based on this.  This is the foundation of the application.

SEQ 1_0 \* Arabic \n9240     Maybe you can help me.  I don't know what is the fairest way to look at such a statement.  If you file an alternate ‑‑ no, I don't think I would like you to file an alternate format in confidence, unless legal counsel advises me, because then what do I do with that information?


SEQ 1_0 \* Arabic \n9241     MR. YERXA:  Well, Madam Commissioner, with all respect, I think the important thing at this juncture is that we honestly have identified a very good hole in the market.  The danger, of course, in this whole public process ‑‑ and you have seen it before in other markets ‑‑ is everyone brings forth the best research and the best strategy and then, of course, the market kinds of welcomes them with open arms in different ways once they are fortunate enough to get the licence.

SEQ 1_0 \* Arabic \n9242     But, really, classic hits is the opportunity as it exists at this time.

SEQ 1_0 \* Arabic \n9243     MR. P. MANN:  If I might, I suppose another alternative answer to your question might be that, in the event that someone usurped this format opportunity prior to us getting to air, if we were the successful applicant, another option, given the movement that can realistically take place, would be to do the research yet again before going to an alternate business plan.

SEQ 1_0 \* Arabic \n9244     MR. YERXA:  I'm completely in favour of that.

SEQ 1_0 \* Arabic \n9245     MR. EDWARDS:  If I may comment, I think there's an underlying question, and the question is:  do we have a secret plan?

SEQ 1_0 \* Arabic \n9246     The answer is, no.  We are applying for a classic hits format.  I think our comment, we were anticipating what others may do in the market, and what we are saying to you, if they move, there are other opportunities.  But our total business plan and our audience profile is based on classic hits.


SEQ 1_0 \* Arabic \n9247     COMMISSIONER del VAL:  I'm not making any judgement on secret plans or whatever.  I mean, in this market people move.  But it's just that I didn't really ‑‑ I wasn't quite sure what you wanted me ‑‑ how you wanted me to interpret this message, particularly when your financials are based on this format.

SEQ 1_0 \* Arabic \n9248     Okay, then, I guess the question is, if you change your format, and your financials now are based on this format, how would the Commission be confident that you would continue to meet the commitments made based on this format?

SEQ 1_0 \* Arabic \n9249     MR. P. MANN:  If I might, Madam Commissioner, we would just like to put forward, I think, that our intention is in good faith on this format and this research, and we trust everyone would play the game fairly, if it occurs.

SEQ 1_0 \* Arabic \n9250     MR. YERXA:  I really hesitate to do this, but I really ‑‑ I know you want clarification on this and I will just say that one of the opportunities would also be in the 35‑plus realm, and I think, as far as the business plan and so on is concerned, there's going to be compatibility there.

SEQ 1_0 \* Arabic \n9251     So I hope that helps, but...


SEQ 1_0 \* Arabic \n9252     THE CHAIRMAN:  If I was to ask you, will you maintain the same commitment regarding news, sports, weather, road conditions, agri‑business, energy, ski outdoors, than the one that you have made with regard to classic hits?

SEQ 1_0 \* Arabic \n9253     MR. P. MANN:  Yes, Mr. Chairman, we would.

SEQ 1_0 \* Arabic \n9254     THE CHAIRMAN:  So the commitments are the same, whatever the music format was to be, that's what you are saying?

SEQ 1_0 \* Arabic \n9255     MR. P. MANN:  Yes, sir.

SEQ 1_0 \* Arabic \n9256     If I may, one more comment, Madam Commissioner, as well.

SEQ 1_0 \* Arabic \n9257     There are some alternative formats really alluded to as second and third choices, if you will, in the public research that's filed, as part of our Commission submission, that I suppose conclusions would be drawn from.

SEQ 1_0 \* Arabic \n9258     COMMISSIONER del VAL:  Then I take it, just to follow up on Mr. Chairman's question, even if you had to change your format, which is the same rules as others, whatever condition of licence you have accepted, should you be licensed, they will stay the same and you will remain committed to those?

SEQ 1_0 \* Arabic \n9259     MR. P. MANN:  Absolutely.

SEQ 1_0 \* Arabic \n9260     COMMISSIONER del VAL:  Yes.  The same with the CTD contributions?

SEQ 1_0 \* Arabic \n9261     MR. P. MANN:  Yes.

SEQ 1_0 \* Arabic \n9262     COMMISSIONER del VAL:  Okay, great.


SEQ 1_0 \* Arabic \n9263     Now, on your CTD contributions, CIRPA has filed an intervention, commenting against a number of applications, including yours.  I think you have yet to respond to it, and against Vista specifically, CIRPA said this, regarding the CTD:

"CIRPA does not feel the proposed funds earmarked for the Native Women in the Arts Program will further advance the recording industry in Canada, and as such should not qualify for it's CTD spend.  CIRPA Is also concerned that the station proposes to commit six times more funding to its own talent contest initiative than it will contribute to either FACTOR or the Radio Starmaker Fund."  (As read)

SEQ 1_0 \* Arabic \n9264     So could you respond, firstly, to their comment about your Native Women in Arts Program and then, secondly, to their comment about not contributing more to FACTOR or Radio Starmaker Fund, please?


SEQ 1_0 \* Arabic \n9265     MR. P. MANN:  Madam Commissioner, Mr. Edwards will respond to the greater question, I will answer the Native Women in the Arts question, if I may.

SEQ 1_0 \* Arabic \n9266     COMMISSIONER del VAL:  Yes.

SEQ 1_0 \* Arabic \n9267     MR. P. MANN:  The aboriginal population in south western Alberta is an important part of the social fabric.  In fact, I grew up mere metres from the boundary of the Blood Indian Nation, attended school with them, did my first public music performance at age 10 on a stage on a Blood Nation recreation complex.

SEQ 1_0 \* Arabic \n9268     It's a mere $5,000 a year.  They deserve the same chance.  I think that's part of our commitment to this market. 

SEQ 1_0 \* Arabic \n9269     MR. EDWARDS:  I think you are going to find our response on the larger question quite interesting.

SEQ 1_0 \* Arabic \n9270     We were very moved by that letter and have reconsidered our position.  In fact, we are a small organization, beginning to grow, and questioned whether in fact we could have as much impact on Canadian talent development with our own plan, as opposed to giving it to someone who has a charter.  So we are prepared to take the additional $210,000 in our Front and Centre initiative and give it over to FACTOR.

‑‑‑ Pause


SEQ 1_0 \* Arabic \n9271     COMMISSIONER del VAL:  Sorry, your contribution to FACTOR as it currently stands is what?

SEQ 1_0 \* Arabic \n9272     MR. EDWARDS:  Thirty‑five thousand.

SEQ 1_0 \* Arabic \n9273     COMMISSIONER del VAL:  Thirty‑five thousand, and ‑‑  

SEQ 1_0 \* Arabic \n9274     MR. EDWARDS:  We are prepared to add the additional $210,000, for a total of $245,000.

SEQ 1_0 \* Arabic \n9275     COMMISSIONER del VAL:  So you are proposing to increase your contribution to FACTOR ‑‑

SEQ 1_0 \* Arabic \n9276     MR. EDWARDS:  In lieu?

SEQ 1_0 \* Arabic \n9277     COMMISSIONER del VAL:  ‑‑ now?

SEQ 1_0 \* Arabic \n9278     MR. EDWARDS:  Yes, in lieu of our own initiative.

SEQ 1_0 \* Arabic \n9279     THE CHAIRMAN:  Sir, I understand that what you are saying, if the Commission was to disqualify all your other alternatives, you will give all the money to FACTOR?  That's what I heard?

SEQ 1_0 \* Arabic \n9280     MR. EDWARDS:  Now, what you heard was we have ‑‑ well, let's go back.


SEQ 1_0 \* Arabic \n9281     We believe the Native Women in the Arts, we have stated, should stay, and that's for $35,000.  We have a cash contribution to the Alberta Recording Industry's Association of 35, we believe that should stand.  We pledged $35,000 to Radio Starmaker, that should stand.  We already pledged $35,000 to FACTOR.

SEQ 1_0 \* Arabic \n9282     What we then said was that we would run our own aggressive program for a total of $210,000.  We have agreed with the CIRPA comments that perhaps they are in a better position to do it than we may.  We are prepared to roll that $210,000 over to FACTOR.

SEQ 1_0 \* Arabic \n9283     COMMISSIONER del VAL:  So what will your total CTD ‑‑  

SEQ 1_0 \* Arabic \n9284     MR. EDWARDS:  It will still remain at $350,000.

SEQ 1_0 \* Arabic \n9285     MS MICALLEF:  Madam Commissioner, the difference is that our Front and Centre initiative paralleled the sort of program that FACTOR runs, and as they pointed out in their letter, why duplicate the effort?  So we agree with them.

SEQ 1_0 \* Arabic \n9286     MR. J. MANN:  I would like to add one point of clarification, as well, regarding the Native Women in the Arts.

SEQ 1_0 \* Arabic \n9287     The founder of that particular organization, Ms Sandra Lalonde, has agreed that those funds would be ear‑tagged for musical artists.

SEQ 1_0 \* Arabic \n9288     COMMISSIONER del VAL:  Thank you.


SEQ 1_0 \* Arabic \n9289     Now, I have also noted that, aside from the commitment to the Native Women in the Arts organization, there aren't any specifics about any commitments towards the reflection and representation of cultural diversity in your programming or your corporation.

SEQ 1_0 \* Arabic \n9290     So have you identified at this point any other initiatives you are planning regarding the reflection and representation of cultural/ethnic/racial diversity in your employment practices, on‑air commitments, news, music or promotion of Canadian artists?

SEQ 1_0 \* Arabic \n9291     MS MICALLEF:  We have a policy that our cultural diversity is aimed at showcasing the cultural mosaic of each of the communities.  As well, that's reflected in our hiring practices.

SEQ 1_0 \* Arabic \n9292     COMMISSIONER del VAL:  Okay.

SEQ 1_0 \* Arabic \n9293     Was your mike on, Ms. Micallef?

SEQ 1_0 \* Arabic \n9294     MS MICALLEF:  It was.  Did you not hear me properly?

SEQ 1_0 \* Arabic \n9295     COMMISSIONER del VAL:  No, I could, but I can't see the light, sorry.  Okay.

SEQ 1_0 \* Arabic \n9296     MS MICALLEF:  My light's flash is showing here.

SEQ 1_0 \* Arabic \n9297     COMMISSIONER del VAL:  Okay, great.  Thank you.


SEQ 1_0 \* Arabic \n9298     MS MICALLEF:  So what I would suggest is, if I can ask Jason Mann, who is our V‑P and director of programming, to talk about some of the sorts of programs that we have initiated in some of the other communities.

SEQ 1_0 \* Arabic \n9299     What we will do is, if licensed, we will work with the community to identify programs that would be appropriate for us to support.  Lethbridge has a number of different festivals and different programs that do really build on the cultural diversity of the area.  One of the programs they have is a Changing Faces Festival, which showcases the different cultural groups in the area.  We have identified that it would make sense for us to work with that organization, because it does support the initiatives and the values that we also believe in.

SEQ 1_0 \* Arabic \n9300     We have not actually done anything with that organization yet, feeling it was premature to speak with them at this point, but we can speak to what we have done in other communities, where we have looked for these sorts of opportunities, and then Paul Mann can also speak to our employment equity policies and programs.


SEQ 1_0 \* Arabic \n9301     MR. J. MANN:  Drawing on my experience in Duncan, which also has a fairly large representation of first nations people, we have a very strong relationship with the first nations of that area.  We do give a considerable amount of access, and one would say that they are appreciative of that, I believe.

SEQ 1_0 \* Arabic \n9302     More specifically, an example, I guess, of something that we are doing, as far as working in hand with the community, in that particular segment of the community, is there's an individual who grew up in Smithers, showed some promise as a mathematician, which is well‑known that, for whatever reason, this segment of the population doesn't tend to perform well in the area of mathematics.  So there was considerable interest taken in this particular person and their performance in that area.

SEQ 1_0 \* Arabic \n9303     Through the early ‑‑ well, through the high school years, the grades for this individual began to drop.  It was later found that the reason was, after the ‑‑ after the school board did some investigation, they found that the reason why he wasn't doing homework ‑‑ sorry.

SEQ 1_0 \* Arabic \n9304     COMMISSIONER del VAL:  Would you like me to come back to this question.  I can go to other questions first.

SEQ 1_0 \* Arabic \n9305     MR. J.  MANN:  I can finish.

SEQ 1_0 \* Arabic \n9306     COMMISSIONER del VAL:  Okay.


SEQ 1_0 \* Arabic \n9307     MR. J.  MANN:  ‑‑ was the reason that they were poverty‑stricken and they could not afford a table for him to do his homework on.  Having been near there, I can relate ‑‑ sorry.

SEQ 1_0 \* Arabic \n9308     At any rate, this individual was given a grant to continue their education in a private school on Vancouver Island, Shawnigan Lake Private School.  That funding has ceased, so we are taking up, with arms in the community, to help raise funds for this individual so that they could continue their education in that form and reach the excellence that they know that he can.

SEQ 1_0 \* Arabic \n9309     So in that way, we have become involved in the community.  And, of course, when you become involved in the community at that level, you can't help but reflect it on the air.

SEQ 1_0 \* Arabic \n9310     Thank you.

SEQ 1_0 \* Arabic \n9311     COMMISSIONER del VAL:  Thank you.

SEQ 1_0 \* Arabic \n9312     I will move on to the economic portion of my questions.

SEQ 1_0 \* Arabic \n9313     I note that your projected audience share, ranging from 14, in year one, up to 16.7 percent, in year seven.  Now, can you please discuss how you use the results of your demand study to derive both your audience projections and your revenue projections?


SEQ 1_0 \* Arabic \n9314     MR. P. MANN:  Madam Commissioner, perhaps we could break that into two parts.

SEQ 1_0 \* Arabic \n9315     MR. YERXA:  I will deal with the audience.

SEQ 1_0 \* Arabic \n9316     MR. P. MANN:  John will do the audience, yes.

SEQ 1_0 \* Arabic \n9317     MR. YERXA:  When I received the results from Bannister, and they came to their various conclusions, one of the questions, of course, Vista posed was:  what's a realistic market share?  Knowing the dynamic of the Lethbridge market, I believe that the guaranteed cume came in at about 28 percent.

SEQ 1_0 \* Arabic \n9318     I suggested to them ‑‑ normally we take about anywhere between about a 50 percent to 70 percent cume core conversion, so I suggested, given the nature of the market, the competitiveness, they should probably cut that in half, go with 50 percent.  That would put them at about a 14 share and they could build on that basis.  That's how the market share was derived.


SEQ 1_0 \* Arabic \n9319     MR. P. MANN:  Of course, we don't have PBIT information and revenue information on this particular market; however, with our experience and time spent in the market, our business community connections in the market, and our own due diligence, from several levels, we reasonably predict that it's conservatively at least a $6‑million market.  So we built our model on that $60‑million current base.

SEQ 1_0 \* Arabic \n9320     We also looked at the fact that a share point at about 65 percent local tuning would suggest share points worth about $92,000.  If we can affect approximately a 5 share point repatriation in the market to, say, 70, this would put the future share point about $96,400, suggesting that we would contribute about $750,000, first year of growth, to the market, the difference coming from direct impact on the incumbents, so in this approach, Madam Chairman, our 14 share, if you will, calculated to about $1,349,000, which we, frankly, felt was perhaps a big aggressive.

SEQ 1_0 \* Arabic \n9321     We took a second approach, as well, based on rate and inventory, if you will, using our experience in similar launches and relaunches of brands, and so forth.  We set our inventory at 39,000 minutes a year, we based our first year at 50 percent sold, and created a rate assumption per minute of $58.

SEQ 1_0 \* Arabic \n9322     How did we arrive at $58, because we are quite aware, by the way, it's higher than our competing applicants.  On the other hand, we are in a prime demographic, the most prime demographic for many advertisers.


SEQ 1_0 \* Arabic \n9323     We also believe that breaking that down to a $29 averaged 30‑second unit rate is not out of line in this market for a winning product, and we went with the alternative here, which created a million one‑thirty‑one, as the first year revenue assumption, and treated that, if you will, as our discount on what the first approach gave us.

SEQ 1_0 \* Arabic \n9324     COMMISSIONER del VAL:  Okay.  I also see that I think in your projections you are projecting about 33 percent will be ‑‑ the source of the income will be from incumbent stations, their existing advertiser budgets.

SEQ 1_0 \* Arabic \n9325     The 33 percent, can you identify any specific incumbents that will sort of take the ‑‑ how will they take the hits, like including, say, out‑of‑market tuning?

SEQ 1_0 \* Arabic \n9326     MR. P. MANN:  We believe the Rogers products would take the largest hit, in part based on The River's format today, some from Rock 106.  By and large, from the Pattison‑side, we think the bulk of the difference would come from the country brand.

SEQ 1_0 \* Arabic \n9327     COMMISSIONER del VAL:  Okay.


SEQ 1_0 \* Arabic \n9328     On your programming expenses ‑‑ so your total expenses, programming expenses, is $2 million‑nine‑hundred‑plus, and that's for 9 hours and 45 minutes of scripted word per week.  Then I compare it to, say, Newcap's, and their total programming expenses is just under $8 million, and yet what they are projecting in local word and spoken‑word proposal is 5 hours of scripted spoken word.  So your programming expenses is about one‑third of Newcap's, but you are committing to almost double what they will provide.

SEQ 1_0 \* Arabic \n9329     Then, your sort of percentage of total revenue is ‑‑ about 20 percent of your total revenue is going to total programming expenses, say, while for Newcap they are about 30 percent, and for about half of the programming.

SEQ 1_0 \* Arabic \n9330     How would you like to comment on that?  Is yours low?  Is theirs too high?  Is yours realistic?

SEQ 1_0 \* Arabic \n9331     MR. P. MANN:  I certainly can't comment on theirs.  I can tell you that our model is a model that's in use today in all of our operations relative to size and scale, and certainly is a model very similar to those that I have worked with in my past involvements with other sizeable companies in our industry.  It's a budget percentage, departmental percentage structure, that works.


SEQ 1_0 \* Arabic \n9332     COMMISSIONER del VAL:  So you are confident that your budget for programming expenses will be sufficient to cover your spoken‑word commitment,  because that's expensive to produce?

SEQ 1_0 \* Arabic \n9333     MR. P. MANN:  Yes, we are.

SEQ 1_0 \* Arabic \n9334     COMMISSIONER del VAL:  Okay, and your total operating expense is about $28 million.  In the first year, it's about $1.2 million total operating expenses, and you say that you are estimating about 16 employees.

SEQ 1_0 \* Arabic \n9335     What proportion of this total operating budget, what percentage, is for salaries and wages?

SEQ 1_0 \* Arabic \n9336     MR. P. MANN:  We have 16 employees slated, and there is a budgetary break by position laid out in our backup information that we can provide you, if you wish, that identifies the anticipated start‑year salaries by position.

SEQ 1_0 \* Arabic \n9337     COMMISSIONER del VAL:  Okay.  Could you provide that, please?

SEQ 1_0 \* Arabic \n9338     MR. P. MANN:  Certainly.

SEQ 1_0 \* Arabic \n9339     COMMISSIONER del VAL:  How long do you think it will take?

SEQ 1_0 \* Arabic \n9340     MR. P. MANN:  Before the reply portion, if that's appropriate.

SEQ 1_0 \* Arabic \n9341     COMMISSIONER del VAL:  Thank you.


SEQ 1_0 \* Arabic \n9342     Have you done any studies or what evidence do you have to support the assumption that more than 50 percent of projected revenues will be derived from increased advertising budgets and new radio advertisers?

SEQ 1_0 \* Arabic \n9343     MR. P. MANN:  Madam Commissioner, we did conduct an advertiser study in the marketplace, and I recognize we have not filed that research.

SEQ 1_0 \* Arabic \n9344     We chose not to do so for a couple of reasons.  Obviously, number one, they identify specific significant advertisers by name and business in the marketplace and, as part of that respect, we also had additional concern about their privacy.  But, yes, we did conduct specific sales research that led us to, in part, those conclusions, in addition to one‑on‑one dialogue with a number of businesses.

SEQ 1_0 \* Arabic \n9345     I can also speak to the fact that, as a philosophy, from a sales perspective with Vista, we very much believe in growing the value of radio as a medium.


SEQ 1_0 \* Arabic \n9346     It is fair to say in many of the markets we operate as ‑‑ we have taken them over, one of the first kinds of research we do is to determine what percent of the business licence numbers in the market we are actually doing business with and they have been anywhere from typically 5 to 8 or 9 per cent depending on the market and the previous ownership and so forth.

SEQ 1_0 \* Arabic \n9347     So I think it is fair to say that there is significant growth potential within the marketplace in a size of Lethbridge, not unlike many other places where the percent of businesses doing radio is still significantly small and that not unlike most places the significant percentage is in print and that there is a significant approach in our vision of sales to grow the business from other media as opposed to poaching on our radio competitors, if you will.

 

SEQ 1_0 \* Arabic \n9348     COMMISSIONER DEL VAL:  Thank you.  I appreciate the privacy concern.  So provided that you, say, have consent from the advertisers you have spoken to or who have provided you their budgets or whatever to disclose to the Commission, would you be able to file the consent to disclosing with us on a confidential basis.

           MR. P. MANN:  On a confidential basis, Madam Commissioner, yes, we would and I believe we could do that before the end of the afternoon as well.

 


SEQ 1_0 \* Arabic \n9349     COMMISSIONER DEL VAL:  Great, thank you.

SEQ 1_0 \* Arabic \n9350     Now, you are aware of the intervention that Golden West filed at intervention 256 and also the Jim Pattison Group filed at intervention 341, and they both commented that your revenue projections are overly aggressive.  Can you respond to that please?

SEQ 1_0 \* Arabic \n9351     MR. P. MANN:  We are comfortable with them and I guess if it gives us any comfort, in fact, the Newcap application first‑year revenue projections ‑‑ while it has not been dealt with here, we have certainly read the submission ‑‑ are fairly close to our own, although they are coming from a different format perspective.

SEQ 1_0 \* Arabic \n9352     I can certainly anecdotally comment to you that from past experience ‑‑ and Kelowna might be a very good one.  I arrived in Kelowna in October 1995 as a sales manager for what was about to become the fifth station in the market, a country FM.  We launched it as a country FM.  It had an AM sister station that was full service, middle of the road music.  It got reasonable takeoff and reasonable share but still didn't give us what we needed, we thought, to run our business.


SEQ 1_0 \* Arabic \n9353     So we did a re‑launch of the FM and I can tell you that in our experience it is all about getting the brand right, it is about how you approach the market, and I can say to you, because it was a publicly traded company at the time under Okanagan Skeena Group, that we were able to literally double the revenue of that combo in approximately 18 months.  So it comes from your vision of business, I think, to a certain extent.

SEQ 1_0 \* Arabic \n9354     COMMISSIONER DEL VAL:  Thank you.  Those are my questions.

SEQ 1_0 \* Arabic \n9355     Thank you, Mr. Chairman.  Those are my questions.

SEQ 1_0 \* Arabic \n9356     THE CHAIRPERSON:  Thank you, Commissioner del Val.


SEQ 1_0 \* Arabic \n9357     I spent some time over the weekend perusing the Lethbridge and some of the localities' website.  I spent some time trying to get a better feel for the market and found on the business development portion of the site a document that is called "Choose Lethbridge," which, to some extent, you referred in your introductory remarks when you said that the trading area is approximately 275,000 people.  I know that it is mentioned in that section but that, I suspect, is what the document calls the southern Alberta communities.

SEQ 1_0 \* Arabic \n9358     When I am looking at your coverage map, you are surely not covering the total southern Alberta communities, you are only ‑‑ well, I will say a major portion of it and probably the one that is the most developed and inhabited.  But there is another number that I find in that city that they call the Lethbridge region, and more than likely it will be the area where you will be deriving most of your activities.  The study mentions that the population of 15+ in the Lethbridge region is close to 190,000, which is surely significant for your operation.

SEQ 1_0 \* Arabic \n9359     My question to you is in terms of coverage of your services, regarding particularly, say, news particularly, will you be covering Lethbridge or all these areas, including Taber, Vauxhall, Champion, Granham, Calston, Warner?  What is your plan?

SEQ 1_0 \* Arabic \n9360     MR. P. MANN:  It is definitely ‑‑ you have identified a number of the communities, certainly Taber, Coldale, Fort McLeod, Raymond, Clarisholm.  I am picking the ones now, obviously ‑‑

SEQ 1_0 \* Arabic \n9361     THE CHAIRPERSON:  Yes.


SEQ 1_0 \* Arabic \n9362     MR. P. MANN:  ‑‑ of the larger populations where there is a fairly decent hub of business and other activity in communities of that size.  There is no question that the service to the core communities, particularly within that 30 to 50 minutes or so of Lethbridge, would fall under our mandate.  I think people look at themselves in the Lethbridge region very clearly within that circle.

SEQ 1_0 \* Arabic \n9363     THE CHAIRPERSON:  That is what you will define being the Lethbridge region because, obviously, the document defines the southern Alberta communities which includes the Lethbridge region, obviously.  So your plan is to have a broader view of all the ‑‑ what you say, within the 30‑45 minute drive from the core of Lethbridge will be the sector you will be servicing?

SEQ 1_0 \* Arabic \n9364     MR. P. MANN:  Yes, and it is one of the reasons we identified some of the specific information features that we think are relevant to not just, obviously, the city ‑‑

SEQ 1_0 \* Arabic \n9365     THE CHAIRPERSON:  Yes.


SEQ 1_0 \* Arabic \n9366     MR. P. MANN:  ‑‑ but these rural and smaller agri‑business  based communities within that hour's drive.  They are all very much in tune with the agri‑business base and for some of them, particularly when you get into the Vauxhall, Hayes, Wolmand areas, places like that where the resource sector plays a greater role in what is coming out of the ground there as well.

SEQ 1_0 \* Arabic \n9367     THE CHAIRPERSON:  Okay, thank you.

SEQ 1_0 \* Arabic \n9368     I have a question also that deals with your CTD and I only want to make sure because I heard Mr. Edwards saying that the front and centre initiative ‑‑ are you saying to us today that you are no more planning to do it, you agree with CIRPA and it is a plan that is totally removed if you are saying to us that if we think it doesn't meet the spirit of the CTD, you won't do it and then give the money to FACTOR?

SEQ 1_0 \* Arabic \n9369     MR. EDWARDS:  I think what we are saying is we agree with the position taken in the intervention that it is probably a better use of our funds.

SEQ 1_0 \* Arabic \n9370     THE CHAIRPERSON:  Obviously, cutting a cheque takes much less time than putting together the front and centre initiative.

SEQ 1_0 \* Arabic \n9371     MR. EDWARDS:  Yes, it does, but we also had to weigh what was the best return on the investment and the name of the game here is to get some more Canadian content exposure and more airplay.  So we are taking the position, being a small company, perhaps our impact would be greater to work with another organization.


SEQ 1_0 \* Arabic \n9372     THE CHAIRPERSON:  Okay.  If the Commission was to decide to grant two licences to Lethbridge, which one will have the lesser impact on your business plan?

SEQ 1_0 \* Arabic \n9373     MR. EDWARDS:  The second FM that you give us.

‑‑‑ Laughter / Rires

SEQ 1_0 \* Arabic \n9374     MR. EDWARDS:  I think that probably the application by Elmer would not give us any hesitation at all.

SEQ 1_0 \* Arabic \n9375     THE CHAIRPERSON:  And if we were to grant, say, the Demers Company or Newcap ‑‑ say, if we were to grant also Newcap, you are going to be really competing for the same audience?

SEQ 1_0 \* Arabic \n9376     MR. EDWARDS:  I think Newcap's application would be for a younger audience than yours.

SEQ 1_0 \* Arabic \n9377     THE CHAIRPERSON:  Than yours.  Okay, fine.

SEQ 1_0 \* Arabic \n9378     The legal counsel wants to ask you a further commitment.


SEQ 1_0 \* Arabic \n9379     MS BENNETT:  No, just a clarification.  With respect to the advertiser study that you discussed with Commissioner del Val that information is not something that would be treated as confidential under the Commission's Rules of Procedure.  So I just wanted to ask if you could perhaps file an abridged version with no names that could be filed on the public record, and if you needed more time to do that, then, you know, if you needed until next week or something, that would be fine for filing.

SEQ 1_0 \* Arabic \n9380     MR. YERZA:  That can be filed today.  We will simply remove any reference to the people that were talked to, their phone numbers, the businesses, the cross‑section of advertisers.

SEQ 1_0 \* Arabic \n9381     MS BENNETT:  All right, thank you very much.

SEQ 1_0 \* Arabic \n9382     THE CHAIRPERSON:  Now, it is time for the wrap‑up of this appearance.  So could you, in your own words, tell the Commission why we should retain your application over all the others that we are going to be hearing today?

SEQ 1_0 \* Arabic \n9383     MS MICALLEF:  Thank you.

SEQ 1_0 \* Arabic \n9384     Firstly, we would like to start with why Lethbridge?


SEQ 1_0 \* Arabic \n9385     I think we have shown that the Lethbridge market is booming.  The Mayor of Lethbridge himself just last month was quoted as saying that measuring the dollar value of building permits in the city was an indicator that Lethbridge was attracting its share of the economic boom experienced by the province as a whole.  So Lethbridge, like the rest of Alberta, is doing very well.  In fact, their retail market is $1.4 billion.  They haven't had a licence in over 36 years.

SEQ 1_0 \* Arabic \n9386     So why Lethbridge?  We think that we have shown that it makes a lot of sense right now for Lethbridge to have another radio station.

SEQ 1_0 \* Arabic \n9387     In terms of the age demographics that we have identified, 35‑54 represents the largest 20‑year age block in the community and it is largely unserved by the radio stations that are presently there.

SEQ 1_0 \* Arabic \n9388     If we were awarded a licence to provide a classic hits FM radio station in Lethbridge and in the area, we would provide diversity of programming; we would provide a diversity of voices; we would provide local presence, a strong local presence.


SEQ 1_0 \* Arabic \n9389     We would make a cash commitment of $245,000 to FACTOR, an additional $95,000 to additional Canadian talent development programs, including one that was focused on the Aboriginal community in the Lethbridge area.  We would be able to achieve this through a business plan that was strong, that is reasonable, that is well financed and that is attainable.  It is attainable because we have identified the right format, the right core group that is not being addressed and it is a group that is an important part of the advertising community and advertising decisions.

SEQ 1_0 \* Arabic \n9390     Two of our founders, Paul and Jason Mann, are from the area.  They have ties to the area, they have worked in the area, they have worked in radio in the area and they understand the community.  They are passionate about radio.

SEQ 1_0 \* Arabic \n9391     When Paul and Brian and Jason and I founded Vista Radio we did it with a vision that we wanted to make a difference in the small markets that we served.  We believe that we are making that difference in British Columbia.  We want to make that difference in Alberta.

SEQ 1_0 \* Arabic \n9392     We are asking you to help us make our vision a reality by giving us a licence in Lethbridge.  Thank you.

SEQ 1_0 \* Arabic \n9393     THE CHAIRPERSON:  Thank you very much.

SEQ 1_0 \* Arabic \n9394     Just before ‑‑ may I put the following question to you, Mrs. Micallef?  You just mentioned that father and son Mann come from Lethbridge.  If you were granted a licence, will any of the two return to live in Lethbridge?


SEQ 1_0 \* Arabic \n9395     MR. P. MANN:  I have been the one designated to answer that question because my mom, who just turned 80, is saying, you have been on the road since you were 16, isn't it time to come home?

SEQ 1_0 \* Arabic \n9396     So while I am not prepared to commit full time, certainly, for the first year to 18 months of launching this product and working with the building of the product, the teams and the business community, absolutely, that will be a primary residence for me.  Where we go from there depends on our business as a whole.

SEQ 1_0 \* Arabic \n9397     But as an initial commitment, absolutely, and I can say that on an interim basis because Jason is integral to building our product side wherever we go, we will have a significant joint presence in certainly the first 18 months.

SEQ 1_0 \* Arabic \n9398     THE CHAIRPERSON:  Thank you very much.

SEQ 1_0 \* Arabic \n9399     We will break for the lunch period and we will ‑‑ oh, the secretary wants to add something.

SEQ 1_0 \* Arabic \n9400     THE SECRETARY:  Thank you, Mr. Chairman.


SEQ 1_0 \* Arabic \n9401     I just want to say for the record that the spoken word programming matrix that was produced this morning by the Vista applicant will be available in the public examination room on this applicant's file.  Thank you.

SEQ 1_0 \* Arabic \n9402     THE CHAIRPERSON:  Thank you.

SEQ 1_0 \* Arabic \n9403     So we will break for lunch and we will get back at a quarter past one.

‑‑‑ Upon recessing at 1200 / Suspension à 1200

‑‑‑ Upon resuming at 1315 / Reprise à 1315

SEQ 1_0 \* Arabic \n9404     THE CHAIRPERSON:  Order, please.

SEQ 1_0 \* Arabic \n9405     I will ask the secretary to introduce the next item.

SEQ 1_0 \* Arabic \n9406     THE SECRETARY:  Thank you, Mr. Chairman.

SEQ 1_0 \* Arabic \n9407     Before we go on to the next item, I would just like to say for the record that the document called "Open Line Programming Policy" for the Jim Pattison Broadcast Group, which was item 6 on the agenda, this document has been filed with the panel and will be available in the public examination room for anybody to consult.  Thank you.

SEQ 1_0 \* Arabic \n9408     Now, we are proceeding to item 16 on the agenda which is an application by Newcap Inc. for a licence to operate an English‑language FM commercial radio programming undertaking in Lethbridge.


SEQ 1_0 \* Arabic \n9409     The new station would operate on frequency 94.1 MHz (channel 231C1) with an effective radiated power of 100,000 watts (non‑directional antenna/antenna height of 174.3 metres).

SEQ 1_0 \* Arabic \n9410     Appearing for the applicant is Mr. Rob Steele who will introduce his colleagues and you will have 20 minutes for your presentation.  Mr. Steele.

PRESENTATION / PRÉSENTATION

SEQ 1_0 \* Arabic \n9411     MR. STEELE:  Good afternoon, Mr. Chair and Commissioners, members of the Commission and Commission staff.

SEQ 1_0 \* Arabic \n9412     I am Rob Steele, President and Chief Executive Officer of Newcap Radio and I would like to introduce the members of my team.

SEQ 1_0 \* Arabic \n9413     Seated in the front row to my far left is Josie Geuer, the Music Director of our Ottawa urban CHR station HOT 89.9.  Next to Josie is Rob Mise, Group Program Director of Newcap.

SEQ 1_0 \* Arabic \n9414     Josie and Rob worked together in Ottawa until very recently and they led the team that made the launch of HOT 89.9 a huge success for us there in Ottawa.

SEQ 1_0 \* Arabic \n9415     Next to Rob is Mark Maheu, Executive Vice‑President and Chief Operating Officer for Newcap.

           Seated beside me is Dave Murray, Vice‑President of Operations for Newcap Radio.


SEQ 1_0 \* Arabic \n9416     Mr. Chairman, we are very excited about the possibilities and opportunities in the Lethbridge market and we are surprised that more broadcasters did not answer your call for applications for a new radio station to serve Lethbridge because as you heard earlier today from other applicants, Lethbridge is an attractive and a dynamic market.  Its residents deserve as much choice as Canadians in similar size markets.

SEQ 1_0 \* Arabic \n9417     Today, we will present to you the economic case for Lethbridge, our research into the programming needs of the market and our proposals to meet those needs.

SEQ 1_0 \* Arabic \n9418     I would like to ask Mark Maheu to present some context for the radio industry in the smaller markets of this province.

SEQ 1_0 \* Arabic \n9419     MR. MAHEU:  Thank you, Rob, and good afternoon, Mr. Chair, members of the Commission, staff.


SEQ 1_0 \* Arabic \n9420     We are already well embarked on a new era for radio in this country.  As the Commission noted in its Review of Radio Public Notice, we are seeing an increase in the competition for the ears and leisure time of the public.  Two satellite radio companies are already launched, providing 100 channels or more in a variety of formats.  It is likely that among the early adopters of this technology will be the residents of smaller and medium‑size markets throughout the country, those with relatively limited choice in local radio stations.

SEQ 1_0 \* Arabic \n9421     Music downloads to the computer, to the cell phone, iPods, MP3 players and other non‑conventional sources are flourishing.  Youth tuning continues to decline.  For example, the average hours tuned by teens declined in Canada from 11.3 hours per week to 8.5 hours a week between 1999 and 2004.  Among men 18‑24 the decline was from 16.8 hours a week down to 15.5, and among women of the same age group, 17 hours a week down to 15.9.

SEQ 1_0 \* Arabic \n9422     We know that local radio can be successful against these emerging technologies even when they play music.  The local touch is very important to listeners of all age groups whether for news, local events, weather or even the opportunity to call in for contests or influence the sound of the radio station.


SEQ 1_0 \* Arabic \n9423     Market surveys, listener callouts, emails, music tests, all help tailor the sound to local tastes.  Compare this to paying a monthly fee for programming designed in Washington, D.C., New York or even Toronto.  However, we must provide the music format that appeals to listeners and in many markets radio has failed young people, in particular, in its search for the Baby‑Boom generation.

SEQ 1_0 \* Arabic \n9424     So while in larger markets like Ottawa we can provide two youth‑oriented radio stations successfully with our CHR urban station and our modern rock station, younger audiences in other markets have a lot less choice.  The good news is that when services are provided the audiences respond.  The success of our CHR stations attest to this.

SEQ 1_0 \* Arabic \n9425     We believe that we will be successful in Lethbridge with a younger listener group because we approach it as we have in many other markets across Canada and here is how we go about doing this.

SEQ 1_0 \* Arabic \n9426     We pick markets with a capacity, we believe, will support new radio stations.  In a second, Dave Murray is going to tell you a little bit more about the bright economic future for Lethbridge.

SEQ 1_0 \* Arabic \n9427     We then look for the biggest unserved group of listeners in the market, and Rob Mise will outline our research findings in Lethbridge.

SEQ 1_0 \* Arabic \n9428     Then we go to work.  We have a great team in place at Newcap and when we launch a new radio station we are able to attract the best and brightest people to bring their passion for radio and to join us.


SEQ 1_0 \* Arabic \n9429     The end result of all these efforts will be a radio station playing the hit music and providing the services Lethbridge needs and wants.

SEQ 1_0 \* Arabic \n9430     MR. MURRAY:  Thank you, Mark.  Good afternoon, Commissioners.

SEQ 1_0 \* Arabic \n9431     Like all of Alberta, the Lethbridge area continues to benefit from an economic growth.  The Lethbridge census area, which is largely made up of Lethbridge and its surrounding trading area, continues to show growth in all key economic indicators.  Here are a few.

SEQ 1_0 \* Arabic \n9432     From 1996 to 2001, the population grew by 10 per cent according to Stats Can, and from 2001 to 2004, it grew a further 4 per cent according to Alberta Municipal Affairs.  Between 1996 and 2001, the number of people employed in the area grew by 10 per cent.  In the same period, median family income grew by 13 per cent from $14,000 to $53,000.

SEQ 1_0 \* Arabic \n9433     These facts lead us to conclude that there are more people in Lethbridge with more jobs and more money to spend on homes, vehicles, appliances as well as restaurants and other services.


SEQ 1_0 \* Arabic \n9434     It is no surprise that Financial Post Markets confirms this optimism.  It projects that the retail sales of $1.9 billion in 2006 are projected to grow by $100 million per year for every year until 2011 to a total of $2.4 billion.  That is a growth rate of 26 per cent.

SEQ 1_0 \* Arabic \n9435     The Lethbridge economy is a diversified one.  With 33 per cent of Alberta's farmgate receipts, the dairy and cattle businesses, grains and other cash crops help drive the economy.  As a result, food processing is a major industry.

SEQ 1_0 \* Arabic \n9436     Lethbridge is southern Alberta's shopping hub with several shopping centres and a downtown serving a retail trading area of about 275,000 people which extends into the United States and British Columbia.

SEQ 1_0 \* Arabic \n9437     The city is also the service and convention centre for southern Alberta, with multiple tourist attractions.

SEQ 1_0 \* Arabic \n9438     The University of Alberta attracts students from all over Alberta, Canada and the world.  These young people are prime prospects for our proposed format.


SEQ 1_0 \* Arabic \n9439     The Alberta radio industry is among the most successful in the country with an average annual growth rate in the years from 2001 to 2004‑05 of 10 per cent in revenue and 9 per cent in profit before interest and taxes.  The profit margins are among Canada's highest with a profit before interest and taxes margin of 30 per cent.

SEQ 1_0 \* Arabic \n9440     The two existing licensees, Rogers and Pattison, each with two stations, are well positioned both financially and competitively to continue to be successful with the addition of a new competitor.

SEQ 1_0 \* Arabic \n9441     Newcap is confident that this market can easily sustain our proposed station, particularly since it will provide a service aiming at a previously underserved demographic group.

SEQ 1_0 \* Arabic \n9442     Now, to talk about how we choose our format, I would like to introduce Rob Mise.

SEQ 1_0 \* Arabic \n9443     MR. MISE:  Thank you, David.

SEQ 1_0 \* Arabic \n9444     Our approach to finding the right format for Lethbridge is the same as what Mark Kassof presented to you in our Calgary application.  We did not go in to test a format we had already selected or limit ourselves to an age group that we had decided in advance is underserved.  Rather, we tested a wide range of age groups within a variety of formats, the most popular ones from our experience.


SEQ 1_0 \* Arabic \n9445     In the case of Lethbridge, we surveyed 18‑64 year olds to check their interest in eight different formats.  But we are not only interested in the most popular format, we also look to find one that is not already served in the marketplace.  So in addition to our questions on current listening habits and music preferences, we also asked if there is a station playing the various kinds of music in the market.

SEQ 1_0 \* Arabic \n9446     We then calculated what we call the percent of format void for the market and for various demographic groups.  We checked into this against recent market developments and other factors such as satisfaction with radio by the various demographic groups.

SEQ 1_0 \* Arabic \n9447     The percent of format void is highest for classic hits followed by contemporary hit radio or CHR.  But we had to temper this with the relatively recent change of a Pattison station to classic hits.

SEQ 1_0 \* Arabic \n9448     A check against some other questions reinforces the choice of CHR.  The format has the highest percent of format void among 18‑34 year olds, both men and women.  Those who are the most interested in CHR have the lowest rate of satisfaction with Lethbridge radio of any of the formats tested at 2.7 on a scale of 1‑5.


SEQ 1_0 \* Arabic \n9449     Now to tell you more about the sound of the station we are going to be talking about is Josie Geuer.

SEQ 1_0 \* Arabic \n9450     MS GEUER:  At Newcap, we have a lot of experience in the successful launch of stations oriented to young adults.  In Ottawa, our station HOT 89.9 has been a critical success and I am proud of what our team has done there in a few short years.  We will bring the same diligence and energy to HOT 94.1.

SEQ 1_0 \* Arabic \n9451     Newcap runs CHR stations in several markets and we have learned a few lessons about this on the way.  We do not cookie‑cutter these stations.  To be successful they have to have their own personality and reflect the nature of the market.

SEQ 1_0 \* Arabic \n9452     So HOT 94.1 will be a broader CHR format than our Ottawa station where there are other stations serving youth and young adults.  With a target demographic that certainly includes teens but also 18‑34 year olds we will include a lot more pop music in the mix along with the best of today's modern rock, hip‑hop and other hits.

SEQ 1_0 \* Arabic \n9453     If we were on air today you would be hearing great Canadian artists like Keisha Chante, Mesari, Nickelback, Carl Henry, A Simple Plan and Melissa O'Neill, and international artists like Kelly Clarkson, Pussycat Dolls and Fallout Boy.


SEQ 1_0 \* Arabic \n9454     Along with our energized music mix including lots of talk about the world of music and pop culture, we will have a number of special interest music programs that will be as interactive as possible, giving our audience the chance to reach us through instant messaging, email or their cell phones.

SEQ 1_0 \* Arabic \n9455     Local shows like the HOT's "Seven at Seven," "Battle of the Beats," and "Instant Request" will all showcase the new "HOT and Happening" while asking our listeners to get involved in choosing and commenting on their favourite picks, and Lethbridge will have both its own "Top 30 Countdown" and Newcap's "National Canadian Hit 30," featuring the top hit music for the week across Canada along with the best Canadian hits of the week.

SEQ 1_0 \* Arabic \n9456     Our approach will be fun and upbeat.  We will showcase our audience's favourite music but speak to them about what is going on in their world.

SEQ 1_0 \* Arabic \n9457     Our newsroom with the equivalent of four full‑time people will produce 53 weekly news packages, 35 community event updates, 35 public affairs features and a weekly hour public affairs program.  The emphasis will be largely on the local news of Lethbridge and area accounting for about 75 per cent of the stories.


SEQ 1_0 \* Arabic \n9458     At Newcap we are strong believers in investing in Canadian music at all levels to help build a pipeline of appealing Canadian music that our audiences are eager to listen to.  We propose to spend $700,000 over the course of the licence to support Canadian music.  Our initiatives in Lethbridge are aimed at three levels.

SEQ 1_0 \* Arabic \n9459     Basic music education.  We propose to devote $15,000 each year for a total of $105,000 over the term of licence to initiatives with the Lethbridge Board of Education, with $5,000 annually for the purchase of instruments for students who can't afford them, $5,000 for music scholarships and $5,000 to support the annual music festival.

SEQ 1_0 \* Arabic \n9460     Educating developing musicians.  We will spend $385,000 on the creation of the Southern Alberta Music Conference, a regional equivalent of Canadian Music Week, providing musicians with the opportunity to meet and work with labels, producers, managers and top‑flight musicians to learn more about developing their musical skills and careers.  The conference will include a contest whose winner will get both cash and airplay from Newcap.


SEQ 1_0 \* Arabic \n9461     Helping emerging acts to the next stage.  We propose to provide $210,000 to the Radio Starmaker Fund to support promotional and market opportunities for new and emerging acts.

SEQ 1_0 \* Arabic \n9462     Rob Steele will now sum up our presentation.

SEQ 1_0 \* Arabic \n9463     MR. STEELE:  Thank you, Josie.

SEQ 1_0 \* Arabic \n9464     We believe that our application is in the public interest and deserves your consideration for the following reasons.

SEQ 1_0 \* Arabic \n9465     Number one:  Lethbridge is a growing and dynamic market that deserves a great new radio station, particularly one that targets a group that is currently greatly underserved.

SEQ 1_0 \* Arabic \n9466     Two:  Newcap will bring a new listening choice to the market with the financial resources, great people and new ideas to make a great new station come to life.

SEQ 1_0 \* Arabic \n9467     Three:  HOT 94.1 will bring a new editorial voice to the market with the resources necessary to provide a credible voice to a younger demographic.

SEQ 1_0 \* Arabic \n9468     Four:  We propose to invest $700,000 in Canadian talent development.

SEQ 1_0 \* Arabic \n9469     Five:  We will be playing new Canadian music supporting a new generation of artists.


SEQ 1_0 \* Arabic \n9470     Six:  We will invest $4.1 million for program expenses to provide the highest quality local service we can.

SEQ 1_0 \* Arabic \n9471     And finally, we have chosen the most underserved group in the market, identified through extensive research looking at market preferences for a wide range of formats.

SEQ 1_0 \* Arabic \n9472     Thank you for your attention.  Mark Maheu and our team will be pleased to answer any questions you may have.

SEQ 1_0 \* Arabic \n9473     THE CHAIRPERSON:  Thank you, Mr. Steele.

SEQ 1_0 \* Arabic \n9474     Commissioner Duncan.

SEQ 1_0 \* Arabic \n9475     COMMISSIONER DUNCAN:  Good afternoon.  We note in part of your five‑hour spoken word commitment that you did not include DJ banter and we were just wondering if you could give us an estimate of how much in addition that would add to the five‑hour weekly commitment.

SEQ 1_0 \* Arabic \n9476     MR. MAHEU:  Commissioner Duncan, I am assuming you mean the general ‑‑

SEQ 1_0 \* Arabic \n9477     COMMISSIONER DUNCAN:  Chatter.

SEQ 1_0 \* Arabic \n9478     MR. MAHEU:  ‑‑ talk on the air and so on?

SEQ 1_0 \* Arabic \n9479     COMMISSIONER DUNCAN:  Yes.


SEQ 1_0 \* Arabic \n9480     MR. MAHEU:  It is likely the equivalent of that or a bit more.  I would say 5 to 7 hours a week over the course of a seven‑day week.

SEQ 1_0 \* Arabic \n9481     COMMISSIONER DUNCAN:  So double the amount?

SEQ 1_0 \* Arabic \n9482     MR. MAHEU:  Yes.  And that would be just general ‑‑

SEQ 1_0 \* Arabic \n9483     COMMISSIONER DUNCAN:  Talk?

SEQ 1_0 \* Arabic \n9484     MR. MAHEU:  ‑‑ talk back and forth and information and morning shows, things like that.

SEQ 1_0 \* Arabic \n9485     COMMISSIONER DUNCAN:  In your October 28th deficiency response you indicated you will be live to air 6:00 a.m. to midnight daily and voice‑tracked overnight.  You also indicate in that response that the "Canadian Hit 30" program originating from your Ottawa radio station will represent one hour per week of non‑local programming.

SEQ 1_0 \* Arabic \n9486     Will there be any other non‑locally produced programming aired during the broadcast week, and if so, how much?

SEQ 1_0 \* Arabic \n9487     MR. MAHEU:  Likely there is going to be at least one syndicated countdown program that would be non‑locally produced.  That would probably run three hours a week and likely, like we do in other places, we would air it twice.  So there's six hours a week of non‑originating programming.


SEQ 1_0 \* Arabic \n9488     COMMISSIONER DUNCAN:  That is like a weekday evening?

SEQ 1_0 \* Arabic \n9489     MR. MAHEU:  It would likely be on the weekends.

SEQ 1_0 \* Arabic \n9490     COMMISSIONER DUNCAN:  Thank you.

SEQ 1_0 \* Arabic \n9491     I am turning now to the CTD and specifically to the Alberta Musicians' Convention, Southeastern Alberta Musicians' Convention.  We are wondering who would be invited to attend the convention and if the invitation will be strictly limited to musicians from the southeastern part of Alberta.

SEQ 1_0 \* Arabic \n9492     MR. MAHEU:  I am going to ask Rob Mise in just a moment to expand a little bit on that but I should give you some of the details on that.

SEQ 1_0 \* Arabic \n9493     I should preface it with the idea behind this annual music conference would be to make it as inclusive as possible.  Predominantly, we were kind of counting on the fact that people within the province of Alberta generally would be the first ones to kind of gravitate towards it but we hope to see this kind of grow and mushroom much like the Canadian Music Week Conference started.


SEQ 1_0 \* Arabic \n9494     I know personally, I was at the very first one when it was called the Record Conference back in the early 80s and you could have counted the people in the room on five different hands.  It wasn't a very big crowd and then it has grown into what we see today as being the premier music event.

SEQ 1_0 \* Arabic \n9495     So we see it as being open to everybody but we think in the early years it will be predominantly people from Alberta.

SEQ 1_0 \* Arabic \n9496     I will let Rob expand on that a little bit.

SEQ 1_0 \* Arabic \n9497     MR. MISE:  When we were putting together the application for today, we asked, what can we do for musicians and for artists to provide support for the Alberta music industry, and we are very excited about this.  We have kind of dubbed the whole program "The Future is Now."

SEQ 1_0 \* Arabic \n9498     Mark mentioned Music Week in Toronto which starts this week and Newcap is a corporate sponsor.  The east coast has the ECMAs and, of course, Vancouver has New Music West.  Then we talk about the Prairies with great outstanding talent like Jann Arden and Ian Tyson, Nickelback, Paul Brandt.


SEQ 1_0 \* Arabic \n9499     This is a convention for musicians, songwriters, also for artists, labels, independents, students, teachers.  This is going to be an all‑inclusive two‑day event for them regardless of their job experience or their job title.  It is very grassroots.  It is for emerging singers and songwriters and it will be directed by the stakeholders who are the artists and musicians.

SEQ 1_0 \* Arabic \n9500     It will be slow to start.  We are going to roll it out as the years go on but we see the artists and musicians really being in charge of this program and we see many of them who will be attending for the very first time.  As opposed to hopping on a plane to go into Toronto or Vancouver, this could be a half‑day drive into Lethbridge for this conference.

SEQ 1_0 \* Arabic \n9501     COMMISSIONER DUNCAN:  Now, Mr. Mise, a further question on that.  Then how would you go about soliciting or inviting people to come?

SEQ 1_0 \* Arabic \n9502     MR. MISE:  We will be advertising on all of our Alberta radio stations inviting the public, plus we will be using extensive database material too for that.

SEQ 1_0 \* Arabic \n9503     COMMISSIONER DUNCAN:  Thank you.  Just continuing on then with the budget, we noted that you had allowed in the budget $5,800 for high school scholarships.  So first of all, we wanted to clarify if these were in addition to the $5,000 allowed for in the Lethbridge School Board music program.

SEQ 1_0 \* Arabic \n9504     MR. MURRAY:  Yes, they are in addition to that.


SEQ 1_0 \* Arabic \n9505     COMMISSIONER DUNCAN:  In addition.  Thank you.  And how would those then ‑‑ could you give us some detail on how they would be administered?

SEQ 1_0 \* Arabic \n9506     MR. MAHEU:  Do you want to answer that one?

SEQ 1_0 \* Arabic \n9507     MR. MISE:  Sure, please.  The $5,000, for example, is for the purchase of students' ‑‑ for the instruments and we are certainly aware that there is no shortage of need here.

SEQ 1_0 \* Arabic \n9508     COMMISSIONER DUNCAN:  Well, this is on the $5,800 now for the musicians' convention.  That is the one I was wondering about the details on.  There is $5,800 in the budget.  It is called High School Scholarships.

SEQ 1_0 \* Arabic \n9509     MR. MISE:  Yes.

SEQ 1_0 \* Arabic \n9510     COMMISSIONER DUNCAN:  Go ahead.  I am sorry, I didn't mean to interrupt you.

SEQ 1_0 \* Arabic \n9511     MR. MISE:  No, that is okay.

SEQ 1_0 \* Arabic \n9512     MR. MAHEU:  I think ‑‑ if I can just borrow this page.

SEQ 1_0 \* Arabic \n9513     MR. MISE:  Sure.

SEQ 1_0 \* Arabic \n9514     MR. MAHEU:  You are talking about the budget we have laid out for the Southern Alberta Music Conference?

SEQ 1_0 \* Arabic \n9515     COMMISSIONER DUNCAN:  Exactly.


SEQ 1_0 \* Arabic \n9516     MR. MAHEU:  Yes.  We budgeted $5,800 for high school sponsorships, and as Dave mentioned, that is in addition to what we budgeted in the schools.  This is still very much in the formulaic stages of what we want to do with the conference and what it will become but what we kind of had in mind is that in conjunction with the conference annually that we would make $5,800 available in scholarships and we haven't determined how many or what the amounts would be, probably in the area of $800 to $1,200 so we could do a number of them by region and those would be awarded annually as part of our Southern Alberta Music Conference.  These would be for deserving students mostly at the high school level to continue their music education.

SEQ 1_0 \* Arabic \n9517     COMMISSIONER DUNCAN:  I noticed one other point you mentioned is that they wouldn't be for tuition but these are more like prizes, are they?

SEQ 1_0 \* Arabic \n9518     MR. MAHEU:  Exactly, they are almost like bursaries or honorariums that would be awarded.

SEQ 1_0 \* Arabic \n9519     COMMISSIONER DUNCAN:  Thank you.

SEQ 1_0 \* Arabic \n9520     With regards to that budget and the personnel, you indicate a convention manager, an IT supervisor and a technical director.  Are these people in addition to Newcap's salary budget or are they employees of Newcap?


SEQ 1_0 \* Arabic \n9521     MR. MURRAY:  No, these are individuals that would be hired to operate the convention on a full‑time basis during its tenure, like not full‑time all year‑round, I mean, but while the convention is being organized and at the convention itself.

SEQ 1_0 \* Arabic \n9522     COMMISSIONER DUNCAN:  Okay.  You indicate also in that budget that $12,900 would go for the talent contest winner and you indicate for producer, studio time, cash prize, radio play.  Does this amount represent out‑of‑pocket expenses to be paid to outside parties or are they in‑kind contributions?

SEQ 1_0 \* Arabic \n9523     MR. MURRAY:  No, they would be outside third‑party contributions.

SEQ 1_0 \* Arabic \n9524     COMMISSIONER DUNCAN:  So the radio play then, when you include radio play in that, there is no dollar amount attributed to ‑‑

SEQ 1_0 \* Arabic \n9525     MR. MAHEU:  There is no cash value associated with that, no.

SEQ 1_0 \* Arabic \n9526     COMMISSIONER DUNCAN:  Okay, thank you.


SEQ 1_0 \* Arabic \n9527     Just on the merchandise souvenir table, a $4,400 component to the program, we were just curious if you could give us some idea about what you see happening there.  I assume it is going to generate revenues.  What will happen with the monies generated?

SEQ 1_0 \* Arabic \n9528     MR. MISE:  We don't really expect it to make any money at all.  This is more just souvenirs of the event.

SEQ 1_0 \* Arabic \n9529     COMMISSIONER DUNCAN:  So people will buy them it will just cover the cost?

SEQ 1_0 \* Arabic \n9530     MR. MISE:  That is correct.

SEQ 1_0 \* Arabic \n9531     COMMISSIONER DUNCAN:  Thank you.

SEQ 1_0 \* Arabic \n9532     MR. MAHEU:  Madam Commissioner, if I may too, just on that point because it is an important point.

SEQ 1_0 \* Arabic \n9533     The money that we are budgeting each year for the Southern Alberta Music Conference, that is for the course of the seven years of the licence but we also know that once something like this starts, just because at the end of a seven‑year licence period ‑‑ we are not anticipating stopping it.

SEQ 1_0 \* Arabic \n9534     So the idea in our minds is to start small, we put some seed money towards this, enough that we figure we can get it going over the course of the seven years but if it grows like we think it is going to grow, it is going to cost much more than the $55,000 a year that we have budgeted.


SEQ 1_0 \* Arabic \n9535     Our approach to this is going to be that this is a not‑for‑profit operation.  So in other words, if there are any profits made from this, whether it is through souvenirs or at some point we are doing showcase shows where you have to buy a ticket to get in or something like that, above and beyond the free stuff that is available, if there is any revenue generated from this, it is going to go into adding on to next year's.

SEQ 1_0 \* Arabic \n9536     It is not going to be a self‑liquidating thing by any respect because we think this is going to cost probably a little more than we budget because these things tend to always cost more than we think they are going to cost.  We are committed to doing it but we are also trying to see well into the future that this is going to continue after the first seven‑year licence period is done and we can't just say then, well, we have done our bit for king and country and you are on your own.

SEQ 1_0 \* Arabic \n9537     We see ourselves as being a partner and a founding partner in this and it is going to be our responsibility to continue to see it funded as time goes on.  We hope that after the course of the seven years is done it can fund itself, and starting things like this in the early going may help us get there.

SEQ 1_0 \* Arabic \n9538     COMMISSIONER DUNCAN:  All right, I appreciate that.


SEQ 1_0 \* Arabic \n9539     MR. MAHEU:  Okay.

SEQ 1_0 \* Arabic \n9540     COMMISSIONER DUNCAN:  That is very enlightening.  I think that is helpful.  Probably it might make some of my questions sound petty but I am just kind of curious to get sort of a better understanding of what some of the projects are but I am glad you made those comments.

SEQ 1_0 \* Arabic \n9541     The technical sessions then, for example, that you would offer, are they an in‑kind donation or are those third‑party contributions or payments to third parties as well?

SEQ 1_0 \* Arabic \n9542     MR. MISE:  Also third‑party payment, correct.

SEQ 1_0 \* Arabic \n9543     COMMISSIONER DUNCAN:  So these would be musicians who need ‑‑ what would they be getting for that?

SEQ 1_0 \* Arabic \n9544     MR. MAHEU:  I think what we are referring to there is there is going to be some cost for the technical setup to do some of these workshops and so on and some of that is budgeted.  I think when you get into who is going to be doing the actual work conducting these, we are going to rely on a number of things.


SEQ 1_0 \* Arabic \n9545     We have a number of radio stations across the country, some of them in fairly significant markets.  Those are very important markets to labels.  They lean on us an awful lot to play their music and to help them do what they need to do, as they do with every radio station, but I think this is a way that we can lean back a little bit and say, listen, you have got some great emerging artists or you have got a couple of songwriters that are making a lot of great hit music right now in your stable, in your roster, and can you get them out to the Southern Alberta Music Conference.

SEQ 1_0 \* Arabic \n9546     I think we are going to try to use relationships we have built.  We have a very good relationship and I think most of the people that are going to participate as speakers, as teachers or as facilitators for certain seminars are going to come on a no‑charge basis and we have enough time each year to kind of start lining that up.

SEQ 1_0 \* Arabic \n9547     For instance, most of the speakers, if not all of them, at CMW are not compensated for their appearance and we are going to approach the Southern Alberta Music Conference the same way.


SEQ 1_0 \* Arabic \n9548     COMMISSIONER DUNCAN:  You raise an interesting point or you make me think of an interesting point.  You have not allowed for a CTD coordinator.  So who would be responsible for ‑‑ because this obviously is going to take quite a bit of organization.

SEQ 1_0 \* Arabic \n9549     MR. MAHEU: It is and it is going to be basically a stationwide effort.  It is going to be headed up by the general manager, the program director, the promotion director, the music director.  We envision the whole staff taking this on as a project.  It is part of our commitment to making ourselves part of the Lethbridge community.  So it is going to be a full‑out station effort.  We do not and have not budgeted anybody as a coordinator.

SEQ 1_0 \* Arabic \n9550     If we find this thing is bigger than we thought it was going to be and it needs some full‑time management, then we will hire full‑time management and that management of the conference will be funded outside of our commitment to the Canadian Talent Development.  So it would be on our nickel on the expense line.

SEQ 1_0 \* Arabic \n9551     COMMISSIONER DUNCAN:  Thank you.

SEQ 1_0 \* Arabic \n9552     The Special Women in Broadcast session, I was curious to know what you envision there.

SEQ 1_0 \* Arabic \n9553     MR. MISE:  That is actually a typo.  It should say:  "Special Women in Music" session as opposed to broadcast.

SEQ 1_0 \* Arabic \n9554     COMMISSIONER DUNCAN:  Okay.


SEQ 1_0 \* Arabic \n9555     MR. MISE:  I am sorry about that.

SEQ 1_0 \* Arabic \n9556     COMMISSIONER DUNCAN:  Okay.  Then I probably don't have to ask the question.

SEQ 1_0 \* Arabic \n9557     Now turning to the Lethbridge School Music Board program, you indicate that the scholarships are not designed to offer tuition costs ‑‑ this is in your brief, I believe ‑‑ but to help raise awareness and to promote music program excellence.  I am wondering if they would be more accurately described then as prizes than scholarships.  Are they actually going to be scholarships, as required?

SEQ 1_0 \* Arabic \n9558     MR. MAHEU:  If that is what it takes to make it work, that is our intent.

SEQ 1_0 \* Arabic \n9559     COMMISSIONER DUNCAN:  This is my advice to you.

SEQ 1_0 \* Arabic \n9560     MR. MAHEU:  Yes.  We would do it in such a way that it does qualify but the important part is that the money gets to the people where it can do the most good.

SEQ 1_0 \* Arabic \n9561     COMMMISSIONER LANGFORD:  I think you have got him going, Elizabeth.  Just keep tightening the screw.

‑‑‑ Laughter / Rires


SEQ 1_0 \* Arabic \n9562     MR. MAHEU:  The key here is to get the money to the people where it can do the most good and there are some very young deserving students, I think, throughout the school system that could use a little help getting their music career to the next level, and as always, we would work with the appropriate authorities within the school to identify those folks and create a system whereby it could be awarded properly and used for the right reasons.  It is for them to continue their musical education.

SEQ 1_0 \* Arabic \n9563     COMMISSIONER DUNCAN:  Thank you.

SEQ 1_0 \* Arabic \n9564     I am turning to the market study and ‑‑ I am just referencing your market study and you expressed interest in the CHR format.  We wondered if you were confident ‑‑ obviously you are but I will ask anyway ‑‑ that the surveyed 23 per cent of positive interest and 9 per cent of strong positive interest constitutes a potential audience sufficient to make your business plan viable.

SEQ 1_0 \* Arabic \n9565     MR. MAHEU:  There is no question about that.  In our research study ‑‑ it was interesting listening this morning to the Vista presentation because they did research on the Lethbridge market and there are some differences in opinion on where the opportunities are.  We are very confident in the market's ability, based on our research, to support a contemporary hit radio station.


SEQ 1_0 \* Arabic \n9566     One of the things we should note, in this particular study, we only surveyed 18‑64 year olds; so teens do not make up part of this research study.  But we know from our practical experience in our own markets where we have top 40 radio stations and when you look at the ratings of markets across the country, any top 40 radio station has a significant share of teens.  So we kind of know right away that we are going to have teen tuning and a pretty significant share of it.

SEQ 1_0 \* Arabic \n9567     So when you add that tuning, which is not included in the research tuning that we are projecting, we are very, very confident that there is more than enough share here to have a significant presence in the marketplace and be able to fulfill our business plan.

SEQ 1_0 \* Arabic \n9568     COMMISSIONER DUNCAN:  Just following along with some of what we heard this morning, you had ‑‑ I read in your brief ‑‑ considered the classic hits and decided against that, that this was the better route for you.  I am just wondering if there was anything that you heard this morning, particularly with respect to the Pattison Group's Tabor station, if you were aware that they had changed their format, as I understood this morning.


SEQ 1_0 \* Arabic \n9569     MR. MAHEU:  Yes, and some of those things had an impact, had a definite impact on our decision to go with a contemporary hit radio station.  If I could take maybe 90 seconds or so to kind of go through that for you.

SEQ 1_0 \* Arabic \n9570     The Pattison station in Tabor is positioning itself as 80s, 90s and now.  Now, we operate a number of classic hits radio stations in different markets across Canada.  So we have some really good practical experience with classic hits and what makes that work and we know that about 90 per cent of the classic hits format is 80s, 90s and today.  Eighties, 90s and now could be another word for classic hits or another acronym for it because that is exactly the essence of what classic hits is.  A little bit of 70s in classic hits but only about 10 per cent.  Ninety per cent of it is 80s, 90s and today.


SEQ 1_0 \* Arabic \n9571     So when we look at and when you listen to the Pattison radio station ‑‑ and it has gone through a number of changes over the years in terms of what its programming is ‑‑ it is very much what you would hear on any classic hits radio station across Canada right now, very, very close.  So we perceive that one to be a classic hits radio station that is already on in the market.  It is not as highly rated as some of the other radio stations in the city but when we did our research we saw that there could be a hole for classic hits and we have to ask ourselves, okay, why would there be a hole for classic hits if there is a station that is classic hits or pretty much classic hits already?

SEQ 1_0 \* Arabic \n9572     And this is not meant with any disrespect whatsoever to the Pattison Group because they are excellent broadcasters and do a great job but normally when you see an opportunity like that the research is telling you that if there is a station in that format right now, it is not doing a very good job or it is not doing as good a job as it could maybe do to maximize the potential of the format.

SEQ 1_0 \* Arabic \n9573     There may be a whole bunch of reasons that we are not aware of for that to be happening but the fact of the matter is if you take a look at the type of music a classic hit station plays, that music is being played predominantly on one radio station in the marketplace and it is the Pattison station.


SEQ 1_0 \* Arabic \n9574     So when we looked at the research, we thought, well, there is a call for applications, where is the opportunity in the market?  And we are also aware of all the different criteria that the Commission looks at when licensing a new applicant.  One of the criteria is what impact is it going to have on the incumbent broadcasters in the market.

SEQ 1_0 \* Arabic \n9575     When we looked at all of that and boiled it all down, and there was a pretty significant opportunity for contemporary hit radio which does not exist in the market at all, it became a much easier decision for us to make and then we did the business plan around that.  So that is why we think top 40 or contemporary hit radio is the opportunity because that format does not exist in any shape or form right now.

SEQ 1_0 \* Arabic \n9576     One more thing, if I may, to sum up on your question.  From what we heard this morning, the characterization by the Vista Group that three of the four broadcasters in the market are targeting a younger audience, we don't believe that that is accurate.

SEQ 1_0 \* Arabic \n9577     If you look at the BBM results and you take a look at the radio stations and how they are doing in certain demographic groups and the formats that they are in, it is an easy case to make.


SEQ 1_0 \* Arabic \n9578     When you take a look at the Rogers, HOT AC radio station is the number one radio station 35‑54 by a country mile and it does a great job in an older demo.  Country is predominantly normally in most markets an older demo as well, and the rock station is filling a fairly wide hole as an active rock station and it does well young and it does well 35‑54, especially with men.

SEQ 1_0 \* Arabic \n9579     So we don't believe the assertation that there is a lot of choice there for younger listeners and we think that a top 40 station could move in there and fill a nice gap that is available.

SEQ 1_0 \* Arabic \n9580     COMMISSIONER DUNCAN:  So your target audience, again, is ‑‑

SEQ 1_0 \* Arabic \n9581     MR. MAHEU:  Eighteen to 34.

SEQ 1_0 \* Arabic \n9582     COMMISSIONER DUNCAN:  Eighteen to 34.  And the rock station would not be ‑‑ Rogers rock station would target what ‑‑ what age group would they target?

SEQ 1_0 \* Arabic \n9583     MR. MAHEU:  Right now, that rock station is likely targeting an 18‑44 demographic and the ratings it has 18‑34 are quite high but part of that is by virtue of the fact that there is no top 40 alternative right now in the marketplace.  When you take a look at top 40 music right now, it is pretty much made up 50 per cent pop and dance music and 50 per cent pop alternative, and the Rogers station is certainly playing some of that pop alternative music.


SEQ 1_0 \* Arabic \n9584     There is no CHR station in the city playing it.  So they are going to generate maybe a large audience than they might if there was competition.  So there is certainly a little bit of audience that is at risk there but it would be at risk no matter who came in.  Anybody serving a younger audience is going to take a little bit of that away when that is not your primary focus.

SEQ 1_0 \* Arabic \n9585     COMMISSIONER DUNCAN:  That is very helpful, especially in light of the comments we had this morning.  So you are obviously convinced you have made the right decision?

SEQ 1_0 \* Arabic \n9586     MR. MAHEU:  Absolutely!  Even more so now.

SEQ 1_0 \* Arabic \n9587     COMMISSIONER DUNCAN:  Thank you.

SEQ 1_0 \* Arabic \n9588     The Commission notes the market study that you provided to determine the proposed format and the financial assumptions behind the revenue projections for your proposed service but we are just wondering if you could link the two for us, if you could explain how you use the results from the demand study to get to your projected revenue.


SEQ 1_0 \* Arabic \n9589     MR. MURRAY:  Thank you.  The audience share that we feel we will achieve, as we indicated in deficiency, is 13 or 14 per cent.  And basically sort of going through our experience in many size markets that we are in like Fredericton, which is around the same population and Red Deer, et cetera, we came up with our revenue in that way or we came up with our revenue, as you indicated in Appendix 4.4, by looking at the number of minutes and the rate per minute that we felt was reasonable in these size markets, and then we looked at that amount and compared them to what we were getting in Fredericton, Red Deer, et cetera, for a station, also taking into consideration that it would take some time to build that revenue up after you have launched.  We felt that starting at $1.2 and growing to almost $2 million in seven years was reasonable.

SEQ 1_0 \* Arabic \n9590     COMMISSIONER DUNCAN:  It was amazing to me how close your projections were with Vista's as if somebody was looking over somebody's shoulder.

SEQ 1_0 \* Arabic \n9591     MR. MURRAY:  Right.

SEQ 1_0 \* Arabic \n9592     COMMISSIONER DUNCAN:  The projections ‑‑ it was quite interesting that they were that close.

SEQ 1_0 \* Arabic \n9593     MR. MURRAY:  Quite coincidental.

SEQ 1_0 \* Arabic \n9594     COMMISSIONER DUNCAN:  With respect to the market impact, you project that 35 per cent will come from the incumbent station and I am just wondering, most of that ‑‑ did I read that you expect it would come from the Rogers station?


SEQ 1_0 \* Arabic \n9595     MR. MAHEU:  Thirty‑five per cent would likely come from incumbent stations and it ‑‑ although we don't have the revenue figures that other markets ‑‑ we don't know what Rogers is billing and we don't know what Pattison is billing.  We know by looking at the ratings and our general overall knowledge of both of those companies in the business, we have a sense of how well each one is doing.

SEQ 1_0 \* Arabic \n9596     The more you have, the more you have to lose, I guess.  So we are suggesting that Rogers is probably billing a little more money in that market.  So some of it would come from them.  Certainly, if they have a rock station, which they do, and some of their audience is in our target demo, there is a direct correlation there as well.

SEQ 1_0 \* Arabic \n9597     COMMISSIONER DUNCAN:  So in concluding that 65 per cent will either come from expanded budgets or new radio advertisers, do you have a scientific approach to coming up with that number?

SEQ 1_0 \* Arabic \n9598     MR. MAHEU:  It is something we look at in every market where we have a radio station or we have a new radio station going on.  It is a relatively unscientific approach.  It is based on a lot of experience, what has happened in the past.


SEQ 1_0 \* Arabic \n9599     Our experience is when new radio stations sign on in the market, whatever growth rate was existing in that market and would have happened anyways is somewhat accelerated and the more radio stations you add, the bigger the degree of acceleration for a period of time, and it normally lasts anywhere between 12 and 18 months.

SEQ 1_0 \* Arabic \n9600     So if you have a market that is ticking along at 5 per cent annual increases every year and just seems to be going up with the economy, if you were to license a new radio station or two, all of a sudden that market might grow 8, 9, 10 per cent the first year and it might even grow 8 or 9 per cent the second year and then kind of come back to the normal levels of growth.

SEQ 1_0 \* Arabic \n9601     The reason for that, we found, is that when you add more people in a market, especially a smaller market, where more people are out there selling radio, talking up radio a little more, and when new competition comes in, existing incumbent broadcasters, they tend to step up their game a little bit too and they are back to selling radio again, maybe not just themselves but how they are different from everybody else.  It is good for the business and business tends to be a little better over time.


SEQ 1_0 \* Arabic \n9602     So we feel by adding another radio station to the market, the market will actually expand a little more than it would have without a new radio station.  So that will help fund some of it.

SEQ 1_0 \* Arabic \n9603     The other thing that we are counting on is the fact that we are proposing to bring a new format to Lethbridge, a format that targets a younger adult audience, and right now it is a little difficult to reach that younger adult audience on any of the existing radio stations.

SEQ 1_0 \* Arabic \n9604     We believe that there are a number of business categories in this market, the same kind of business categories we find in other markets we are doing business in, that would like to reach a younger demographic but they have to buy an older‑targeted radio station or pay for a lot of reach they really don't need and they are not using as much radio, if any at all.  So we think that offering a product that is going to reach a targeted group of people is going to bring some of those advertisers to the table where they might not be there now.

SEQ 1_0 \* Arabic \n9605     COMMISSIONER DUNCAN:  What about the age demographic then of this market?  How is the age demographic?

SEQ 1_0 \* Arabic \n9606     MR. MAHEU:  As compared to the national average?


SEQ 1_0 \* Arabic \n9607     COMMISSIONER DUNCAN:  Well, I am just wondering, on the total population, is it young, old, in Lethbridge?

SEQ 1_0 \* Arabic \n9608     MR. MAHEU:  I know that Alberta is slightly younger than the national average and I think that has a lot to do with a lot of younger people moving to the province from other provinces to go to work because the economy is so strong here.  Our understanding of Lethbridge is it is just about the national average in terms of average age.  So there isn't a disproportionately large or small number of people in any demographic group.

SEQ 1_0 \* Arabic \n9609     COMMISSIONER DUNCAN:  So how many licences do you think, Mr. Maheu, that the market could sustain?

SEQ 1_0 \* Arabic \n9610     MR. MAHEU:  Hum ‑‑ no.  Mr. Murray said five and I don't think that is correct.

SEQ 1_0 \* Arabic \n9611     COMMISSIONER DUNCAN:  It will make our decision easier.

‑‑‑ Laughter / Rires

SEQ 1_0 \* Arabic \n9612     MR. MAHEU:  That is a different place.

SEQ 1_0 \* Arabic \n9613     Are you considering the Spirit FM power upgrade to full station status as a new licence?

SEQ 1_0 \* Arabic \n9614     COMMISSIONER DUNCAN:  You can ignore that for that question.


SEQ 1_0 \* Arabic \n9615     MR. MAHEU:  Okay.  Setting that one aside, there is certainly room for one.  I guess it would depend on what the format was going to be for the second one.

SEQ 1_0 \* Arabic \n9616     You have consolidated competition in the marketplace with Rogers and Pattison each owning two, and I am going to give you kind of a ‑‑ I am not trying to avoid the question but I am going to give you an answer just for context.

SEQ 1_0 \* Arabic \n9617     If you were to have one owner get two licences, it could probably support two.  And the reason I am saying that is because the owner would enjoy some economies of scale in the operation.  So in terms of your ability to generate revenue and to be profitable in a reasonable amount of time, it could probably support two.

SEQ 1_0 \* Arabic \n9618     It would be a little more difficult to support two independent operators with standalone FMs because they each have their own start‑up costs, they each have their own overhead and there are no economies of scale there.

SEQ 1_0 \* Arabic \n9619     So one for sure.  Two would be ‑‑ it would be tough.  It is not impossible but it would be certainly tougher.  Our business plan was based on one radio station, one commercial mainstream radio station being licensed in the market.


SEQ 1_0 \* Arabic \n9620     COMMISSIONER DUNCAN:  Thank you very much.

SEQ 1_0 \* Arabic \n9621     That concludes my questions, Mr. Chairman.

SEQ 1_0 \* Arabic \n9622     THE CHAIRPERSON:  If I was to ask the same question but this time agreeing with the increase in power to Spirit, will your answer be the same?

SEQ 1_0 \* Arabic \n9623     MR. MAHEU:  Yes, Mr. Chair, it would be the same.  We don't see the Spirit format or the radio station in its present form being a real big competitor for ad dollars compared to, say, the Rogers and the Pattison operations.

SEQ 1_0 \* Arabic \n9624     THE CHAIRPERSON:  For sure, but they are, nevertheless, aiming at getting half a million dollars of local retail revenues.


SEQ 1_0 \* Arabic \n9625     MR. MAHEU:  Our experience with those types of radio stations with specialty licences and the religious gospel or Christian music formats tends to be they find ad revenue or non‑traditional revenues for radio that normal broadcasters would never have access to.  There are some business owners and people in the community that will spend money on that radio station because of their beliefs and they want to support that radio station, and in other cases they wouldn't be interested in radio advertising or couldn't afford regular radio advertising.

SEQ 1_0 \* Arabic \n9626     So the money ‑‑ it is not insignificant once you are proposing to build but we believe it comes from places that most mainstream stations would not get a lot of money from.

SEQ 1_0 \* Arabic \n9627     THE CHAIRPERSON:  Commissioner Langford.

SEQ 1_0 \* Arabic \n9628     COMMMISSIONER LANGFORD:  I think we are all singing the same tune as we get near the end but maybe that is not abnormal.  I would just like to build again on Commissioner Duncan's and Chair Arpin's probing here, just take it to another level.

SEQ 1_0 \* Arabic \n9629     Is it irrelevant to you regarding religious programming which one it is, Touch or Golden West expanded?

SEQ 1_0 \* Arabic \n9630     MR. MAHEU:  It is not relevant in terms of our business plan, no.

SEQ 1_0 \* Arabic \n9631     COMMMISSIONER LANGFORD:  And is it relevant ‑‑ I just want to cover all the earmarks.  If we left Spirit at low power and said to Mr. Hildebrand, you can own it if you want but it is staying that way, and brought in Touch ‑‑

SEQ 1_0 \* Arabic \n9632     MR. MAHEU:  No problem at all.

SEQ 1_0 \* Arabic \n9633     COMMMISSIONER LANGFORD:  So no relevance.  Okay, so now we are down to three people.


SEQ 1_0 \* Arabic \n9634     So let us assume, just because I am mean‑spirited I have decided to license two and you are second, and I am going to give it to one of the other guys, they are my first choice.  Who would you prefer me to choose ‑‑ not personalities here, they are all good people and all that, but I am talking format, business, impact, that sort of thing ‑‑ of the other two?

SEQ 1_0 \* Arabic \n9635     MR. MAHEU:  Well, it is kind of like you are giving me the great opportunity to be a radio King Solomon here and it is very difficult to ‑‑

SEQ 1_0 \* Arabic \n9636     COMMMISSIONER LANGFORD:  No, you can't have half of each.

‑‑‑ Laughter / Rires

SEQ 1_0 \* Arabic \n9637     COMMMISSIONER LANGFORD:  You have to have one or the other.

SEQ 1_0 \* Arabic \n9638     MR. MAHEU:  Yes.

SEQ 1_0 \* Arabic \n9639     COMMMISSIONER LANGFORD:  It seems obvious to me but I just would like to know what ‑‑

SEQ 1_0 \* Arabic \n9640     MR. MAHEU:  Sure.  Obviously ‑‑

SEQ 1_0 \* Arabic \n9641     COMMMISSIONER LANGFORD:  So just a review ‑‑ I am sorry.  Here is your market.  You are going to have something in religion, probably just one to make it easier, you are going to have yourself ‑‑

SEQ 1_0 \* Arabic \n9642     MR. MAHEU:  And one other.


SEQ 1_0 \* Arabic \n9643     COMMMISSIONER LANGFORD:  ‑‑ but you are conditional upon one other.

SEQ 1_0 \* Arabic \n9644     MR. MAHEU:  Then the one other, I would have to say, is the 45+ application from the Larsen Group, only because it would stay out of our way demographically and there would be very little overlap between those two radio stations, and our experience and my personal experience with radio stations targeted 45+, they tend not to be a big player for revenue.  So that would leave more room for us.  Just speaking corporately and somewhat selfishly if there had to be two.

SEQ 1_0 \* Arabic \n9645     That is not to say that Vista Group doesn't have some merits in their application but if you are asking me to decide, that would be what I would suggest.

SEQ 1_0 \* Arabic \n9646     COMMMISSIONER LANGFORD:  So you have answered my question in an interesting way here because if I decide you are not getting anything, the other two fit together not too badly either too.

SEQ 1_0 \* Arabic \n9647     MR. MAHEU:  There is a lot more overlap ‑‑

‑‑‑ Laughter / Rires

SEQ 1_0 \* Arabic \n9648     COMMMISSIONER LANGFORD:  But let us not leave it on a negative note.


SEQ 1_0 \* Arabic \n9649     MR. MAHEU:  There is a lot more overlap between a 35‑54 and a 45+ but I take your point.

SEQ 1_0 \* Arabic \n9650     COMMMISSIONER LANGFORD:  I just couldn't help having a little fun.  That is great, thanks very much for that.  It really helps to hear it from the people who are running these things, who are programming them.  We have to remain slightly academic here and you guys are on the ground.  So I am very grateful for that.  Thank you very much.

SEQ 1_0 \* Arabic \n9651     Thank you, Mr. Chair.

SEQ 1_0 \* Arabic \n9652     THE CHAIRPERSON:  Thank you, Commissioner Langford.

SEQ 1_0 \* Arabic \n9653     If I was to give you five minutes to wrap up, Mr. Maheu, what will you tell us?

SEQ 1_0 \* Arabic \n9654     MR. MAHEU:  It probably wouldn't take five minutes but if I could have 60 to 90 seconds, I think we could sum it up pretty quickly.

SEQ 1_0 \* Arabic \n9655     Thank you again for the opportunity to present our idea for a radio station in Lethbridge.  We have great experience with this format.  It is obvious through what we have talked about today that there is a strong need and a want with 18‑34s in the marketplace for a radio station that plays the music that they want to hear.


SEQ 1_0 \* Arabic \n9656     This group is less satisfied with radio in Lethbridge, according to our research, than any other group that we surveyed.  The people in the 18‑34 year old age group that like top 40 music do not have anywhere that they can listen.

SEQ 1_0 \* Arabic \n9657     When you look at the BBM numbers, most of that listening, 70 per cent, for instance, on teens, which we didn't survey, but if you look at teens and BBM, a 30 per cent share going to the HOT AC radio station, a 40 share of teens going to the rock station, which is highly unusual.  You won't see that in virtually any other market in the country.

SEQ 1_0 \* Arabic \n9658     So there is obviously with teens and 18‑34 year olds a need for a radio station.

SEQ 1_0 \* Arabic \n9659     We would very much like to be that radio station.  We were the only applicant coming forward with an idea for a younger format.  We believe we can deliver on our promises.  We have devoted $4.1 million over the first term of our licence into programming which includes significant news and which we believe will benefit the community significantly.


SEQ 1_0 \* Arabic \n9660     We have also earmarked $700,000 for Canadian talent development and I won't go into all of that again.  Suffice it to say we believe we have come up with a great new idea with the Southern Alberta Music Conference that could really start something from the grassroots up for the Lethbridge area and for all of Alberta and could benefit a lot of aspiring singers, songwriters and musicians.

SEQ 1_0 \* Arabic \n9661     And as I always mention because I am very proud of it, Newcap is now 750+ people strong.  We believe we have some of the best and brightest minds working for us.  We understand this format very well and we as a company would be very excited at the prospect of putting our creativity and our energy to work to put a great radio station on the air for the listeners of Lethbridge.  I certainly hope we get that opportunity and I thank you very much.

SEQ 1_0 \* Arabic \n9662     THE CHAIRPERSON:  Thank you, Mr. Maheu.  Thank you to your team.

SEQ 1_0 \* Arabic \n9663     We will take a 5‑6 minute break in order to allow the next applicant to come up to the table.

‑‑‑ Upon recessing at 1415 / Suspension à 1415

‑‑‑ Upon resuming at 1430 / Reprise à 1430

SEQ 1_0 \* Arabic \n9664     THE CHAIRPERSON:  Order, please.

SEQ 1_0 \* Arabic \n9665     I will ask the secretary to introduce the next item.

SEQ 1_0 \* Arabic \n9666     THE SECRETARY:  Thank you, Mr. Chairman.


SEQ 1_0 \* Arabic \n9667     For the record, I would just like to inform all applicants that it is the panel's intention to complete the proceedings by the end of the day today.

SEQ 1_0 \* Arabic \n9668     We are now ready to proceed to item 17 on the agenda which is an application by 1182743 Alberta Ltd. for a licence to operate an English‑language FM commercial radio programming undertaking in Lethbridge.

SEQ 1_0 \* Arabic \n9669     The new station would operate on frequency 94.1 MHz (channel 231C) with an effective radiated power of 100,000 watts (non‑directional antenna/antenna height of 175.8 metres).

SEQ 1_0 \* Arabic \n9670     Appearing for the applicant is Mr. Paul Larsen who will introduce his colleagues, and you will then have 20 minutes for your presentation.  Mr. Larsen.

PRESENTATION / PRÉSENTATION

SEQ 1_0 \* Arabic \n9671     MR. LARSEN:  Thank you, Madam Secretary.

SEQ 1_0 \* Arabic \n9672     Good afternoon, Mr. Chairman, Commissioners and CRTC staff.  My name is Paul Larsen and we are very excited to be here to present our application for a new FM radio station to serve Lethbridge.


SEQ 1_0 \* Arabic \n9673     Before we get started with our presentation, I would like to introduce you to our team.

SEQ 1_0 \* Arabic \n9674     To my right is Rick Volpatti.  Rick has spent his entire professional life in radio, starting in Nelson. B.C.  He later moved on to Vancouver where he was an on air announcer and Production Manager at CKNW in the Western Information Network.  In 1992, Rick transferred to CHQR Calgary as Assistant Program Director and Afternoon Drive host and has spent the past 14 years in the Calgary radio market in programming and production with both Corus and Newcap.

SEQ 1_0 \* Arabic \n9675     To be part of our application, Rick recently resigned his position with Newcap Calgary.  Rick is 38 years old and this is his twentieth year in radio.  He was instrumental in developing many aspects of our application, and if licensed, Rick will join our company in the position of Director of Programming.


SEQ 1_0 \* Arabic \n9676     Next to Rick is Desiree Daniel.  Desiree is 28 and no stranger to radio.  Her father is Jean Daniel, a well‑known broadcaster and owner in western Canada who just celebrated his fortieth year in the business.  Desiree has a degree in psychology and started her own coaching business in Vancouver working with individuals and small business owners on goal‑setting and planning.

SEQ 1_0 \* Arabic \n9677     But radio is in her blood.  She joined Silk FM in Kelowna two years ago doing sales, promotions and marketing.  She is also a writer and seminar facilitator, and if licensed, Desiree will join our company in the position of Director of Marketing.

SEQ 1_0 \* Arabic \n9678     To my left is Mary Mills.  Mary is the President of Norscot Holdings Ltd., my business partner in this application.

SEQ 1_0 \* Arabic \n9679     Finally, next to Mary is Brenda Stonnell.  Brenda is Norscot's Chief Financial Officer.

SEQ 1_0 \* Arabic \n9680     I am very fortunate to have a strong funding partner in Norscot.  They have been invested in radio in western Canada for 35 consecutive years and our relationship goes back to my very first radio job.


SEQ 1_0 \* Arabic \n9681     I started my radio career in 1986 at age 16 at CKNL in Fort St. John, B.C. as a part‑time announcer, later becoming Program Director of that radio station at age 18.  In 1989, I transferred to CHUB‑AM in Nanaimo and six months later was hired at CKNW in Vancouver for overnights.  It was there that I first met Rick.  In 1992, I moved to rural Alberta to hone my programming and management skills.  In 1998, I moved to Calgary for five years as a Program Director working with Corus and later Newcap.  In 2003, I moved to Vancouver Island to become a General Manager and within nine months was promoted to President of the company.

SEQ 1_0 \* Arabic \n9682     The next natural step in my career is ownership.  I am a 50 per cent partner in our new company, 1182743 Alberta Ltd., and if licensed, I will return to Alberta as President and General Manager of our new company and radio station.

SEQ 1_0 \* Arabic \n9683     In our presentation today we will touch on the vibrant Lethbridge economy, the need for a radio service targeting the large 45+ population in Lethbridge and how our exciting radio station will complement rather than compete with existing stations and benefit Canadian recording artists, the Canadian radio industry, and, most importantly, benefit the Lethbridge community.

SEQ 1_0 \* Arabic \n9684     This application is the result of our deep‑rooted passion for radio.  We wrote the application, we built the multimedia presentation you will see and we created a website utilizing skills that we have developed throughout our careers.


SEQ 1_0 \* Arabic \n9685     We strongly believe that the future of mainstream terrestrial radio in Canada depends on innovative new leaders stepping forward with creative and exciting applications such as this one we are about to present.

SEQ 1_0 \* Arabic \n9686     MR. VOLPATTI:  If licensed, our radio station will be called The Lounge 94.1.

‑‑‑ Video presentation / Présentation vidéo

SEQ 1_0 \* Arabic \n9687     MR. VOLPATTI:  That audio sample meets every CRTC regulation.  It was 47 per cent hit, 53 per cent non‑hit, 40 per cent Canadian content and 50 per cent of the Canadian songs were from 2000 or later per our unique initiative to expose newer Canadian music.  The audio sample shows how well we will be able to mix our proposed music genres to create a really engaging radio station.

SEQ 1_0 \* Arabic \n9688     We call our format modern nostalgia.  Our format is not just old songs.  At least 50 per cent of our music will be newer than 1981 to comply with the hit/non‑hit rules.  This exciting mix of new and old music creates an especially unique sound.

SEQ 1_0 \* Arabic \n9689     We are proud that Canadians are leading the way in the creation of this music style around the world, artists like Vancouver's Michael Bubblé, Toronto's Matt Dusk, Vancouver Island's Diana Krall.  Sadly, these great Canadian artists receive no airplay on Lethbridge radio, something we propose to fix.


SEQ 1_0 \* Arabic \n9690     Of significance is the number of relatively unknown Canadian artists who will receive regular prime time airplay on The Lounge.  None of these artists receive airplay in Lethbridge today, artists like Don Aiken, Karen Playdo, Carol Welsman, Andrea Ménard, Denzel Sinclair, Suzie Vinnick, and there are many other that we simply don't have the time to mention but who we named in our supplementary brief.

SEQ 1_0 \* Arabic \n9691     The Lounge will also feature Canadian superstars such as Anne Murray, Gordon Lightfoot, Randy Bachman and Paul Anka who are still producing new music and touring.  Even though these names are instantly familiar, they too suffer from a lack of airplay in Lethbridge.  The Lounge will play not only their established hits but also their new music.

SEQ 1_0 \* Arabic \n9692     Canadian music will be prominently featured in our programming, scheduled evenly throughout each hour.  We will play 40 per cent Canadian content weekly and to ensure significant airplay of newer Canadian music, 50 per cent of our Canadian songs will be released in 2000 or later.


SEQ 1_0 \* Arabic \n9693     Of course, The Lounge will also feature international artists, many of them lesser known singers, again, ensuring diversity, names like Steve Tyrell, Renée Olstead, Jamie Culum, not household names but exceptional new artists recording great music.

SEQ 1_0 \* Arabic \n9694     The Lounge will feature well known artists who are re‑recording great standards and new songs in the standard style, artists like Rod Stewart, Natalie Cole, Harry Connick Jr. and others.  We will play the artists who originated and pioneered this music style, Sinatra, Ella Fitzgerald, Nat King Cole, Tony Bennett and many others, and we will play singers from the 60s, 70s and 80s, artists who, despite their superstar status, receive very little airplay on Lethbridge radio, names like Barry Manilow, Barbra Streisand, Neil Diamond, James Taylor, The Carpenters and others.

SEQ 1_0 \* Arabic \n9695     Again, we will play their new music in addition to the hits.  We will blend these diverse music styles together to create an appealing mix of music, new and old, targeted to Lethbridge's adult audience.

SEQ 1_0 \* Arabic \n9696     MR. LARSEN:  The Lounge will bring a new independent news and information voice to Lethbridge.  We will place a significant emphasis on spoken word relating to new, our music, the community and the lifestyle of Lethbridge's adult population.


SEQ 1_0 \* Arabic \n9697     Lethbridge has been lacking a radio station with a strong news focus since CJOC‑AM converted to FM a number of years ago.  CJOC was historically the full‑service station in Lethbridge and that content was not transferred to FM when the station became Rock 106.  In fact, we reserved the CJOC call letters for Lethbridge to reflect this full‑service heritage and our commitment to spoken word programming for The Lounge.

SEQ 1_0 \* Arabic \n9698     Calgary's news talk station, CHQR, has a substantial market share in the Lethbridge market among adults 45+, indicating the Lethbridge adult audience's desire for strong spoken word programming.

SEQ 1_0 \* Arabic \n9699     If licensed, The Lounge will provide hourly locally produced newscasts between 6:00 a.m. and 6:00 p.m. Monday to Friday and 8:00 a.m. to 4:00 p.m. on weekends.

SEQ 1_0 \* Arabic \n9700     Our research showed the demand for news, particularly local news:  92.7 per cent of total respondents to our research said news and information specific to Lethbridge is important, and we will provide it for them.

SEQ 1_0 \* Arabic \n9701     We propose to hire two full‑time and one part‑time news staff in year one.  In total, The Lounge will provide 93 newscasts per week totalling 4 hours and 33 minutes.


SEQ 1_0 \* Arabic \n9702     Other spoken word, including sports, road reports, agricultural and business news, arts and entertainment will total another 2 hours and 30 minutes weekly.

SEQ 1_0 \* Arabic \n9703     Lethbridge's adult audience wants to hear about important topics such as municipal issues, cultural events, health and finance.  The Lounge will air a daily magazine program called "Lethbridge at Noon" to address this need.

SEQ 1_0 \* Arabic \n9704     The Lounge will feature a one‑hour weekend lifestyle program called "Life on The Lounge."  We will air artist spotlights five times daily, featuring artists in their own words connecting directly with our audience.  At least 50 per cent of these will be Canadian artists.

SEQ 1_0 \* Arabic \n9705     The Lounge will feature old‑time radio shows nightly and we are also hoping to broadcast CBC's original "Sunday Showcase" dramas which feature Canada's finest writers and actors, exposing them to a broader audience.


SEQ 1_0 \* Arabic \n9706     Our spoken word will reflect Lethbridge's diversity and provide listeners with a balance of news, entertainment and community information.  Our spoken word programming totals 22 hours and 9 minutes weekly, approximately 18 per cent of the broadcast week.

SEQ 1_0 \* Arabic \n9707     On top of that will be announcer show prep, community ad libs and live interviews which will add even more spoken word dimension to The Lounge.

SEQ 1_0 \* Arabic \n9708     We have made this strong commitment to spoken word based on what Lethbridge adults told us in our research and because we believe it is the content that airs between the records that makes a radio station truly unique and engaging.

SEQ 1_0 \* Arabic \n9709     MS DANIEL:  It is amazing how radio has the power to work so closely with the community.  The Lounge will be highly supportive of Lethbridge events, charities, the arts and entertainment community and cultural groups.

SEQ 1_0 \* Arabic \n9710     Lethbridge has a vibrant arts community.  There are many annual festivals and events representing virtually every ethnic group, and The Lounge will be front and centre broadcasting live from each of them.  Some of these events include "Whoopup Days," "Symphony on the Green," "Japanese Cultural Day," "Egg Expo," "The Dragonboat Festival," "The International Air show," "The Down on the Farm Festival," "Changing Faces," and many others.


SEQ 1_0 \* Arabic \n9711     Lethbridge is home to a number of professional and amateur theatre groups, including the Lethbridge Symphony, New West Theatre, the Lethbridge Folk Club and others which The Lounge will proudly support.

SEQ 1_0 \* Arabic \n9712     Lethbridge has a strong not‑for‑profit sector.  Well over 30 individual organizations promote and offer activities and services relating to multicultural interests within the city.  We have already reached out to many of these organizations, ensuring our support through no charge public service announcements and interviews if we are licensed.  This will be invaluable in assisting these groups with fundraising initiatives and general awareness.

SEQ 1_0 \* Arabic \n9713     Some of these organizations have written letters of support on behalf of our application based solely on our promise to include them in our programming.  Our team strongly believes that radio is a public service, an outlet to support community, people and events.


SEQ 1_0 \* Arabic \n9714     MR. LARSEN:  In our research, we asked about the importance of exposure and promotion of local and Canadian artists; 74.9 per cent of those surveyed said it is important.  Our Canadian talent development starts first and foremost with airplay of new and emerging Canadian artists, most of whom receive no airplay in Lethbridge today.

SEQ 1_0 \* Arabic \n9715     A cornerstone of our indirect CTD initiatives is a commitment to play new Canadian music.  We propose that at least 50 per cent of our Canadian content will be songs released in 2000 or later, ensuring airplay of a high percentage of newer Canadian songs and artists.  This initiative is unique and exclusive to our application.

SEQ 1_0 \* Arabic \n9716     Further, to demonstrate our commitment to Canadian music, we will play 40 per cent Canadian content over the broadcast week, 5 per cent over the mandated amount.

SEQ 1_0 \* Arabic \n9717     Canadian artists told us consistently that what they need from radio is simple:  airplay and exposure.  The Lounge will ensure this through these two commitments.

SEQ 1_0 \* Arabic \n9718     We are firm believers in Canadian talent development, both direct financial and in the equally important non‑monetary means.  Our direct CTD contribution will be $129,500 over the initial licence term, a significant contribution for a new broadcast entity.  One hundred per cent of our direct CTD will stay in the Lethbridge region.


SEQ 1_0 \* Arabic \n9719     Our annual proposals include post‑secondary music and journalism bursaries for Lethbridge students; purchase of music instruments for Lethbridge schools; funding to FACTOR, which Canadian artists told us is a critical source of funding for development of their music, and our FACTOR contributions will be coming back to southern Alberta artists.

SEQ 1_0 \* Arabic \n9720     Our original song competition will be of direct benefit to local and regional artists and we have outlined in our application support for a number of other Lethbridge initiatives.

SEQ 1_0 \* Arabic \n9721     Our direct CTD commitments will be supported by significant on air promotional support, website exposure and other marketing.

SEQ 1_0 \* Arabic \n9722     MR. VOLPATTI:  In addition to our unique Canadian content airplay and our direct CTD plans, we also propose two significant indirect CTD initiatives.

SEQ 1_0 \* Arabic \n9723     First is "The Indie Lounge," a weekly one‑hour program focusing exclusively on independent Canadian music.  While we will be highly supportive of Canadian music throughout our programming, "The Indie Lounge" will give us a platform to explore artists more thoroughly.


SEQ 1_0 \* Arabic \n9724     Second is a unique educational partnership with Lethbridge and southern Alberta broadcasting schools which we call "Future Broadcasters."  If licensed, we will work with these schools to place students in actual paid jobs at The Lounge that will assist them in their education and development of their radio skills.  These positions include on air, news and production.

SEQ 1_0 \* Arabic \n9725     Lethbridge Community College has reviewed our plan and will work with us to make our "Future Broadcasters" initiative a reality.

SEQ 1_0 \* Arabic \n9726     Representatives from the other seven Alberta institutions based in Calgary, SAIT and Mount Royal College are also on board.

SEQ 1_0 \* Arabic \n9727     Our industry is facing a shortage of skilled performers, created in large part by the elimination of positions in favour of voice‑tracking and automation.  We are committed to helping replenish the pool of future broadcasters through this initiative.


SEQ 1_0 \* Arabic \n9728     MS DANIEL:  Lethbridge is very much a culturally diverse city.  Many of Lethbridge's ethnic groups have formed community structures, including the German, Italian, Japanese, Chinese, Hungarian and Croatian societies.  The Lounge has already reached out to Lethbridge's ethnic population, and if licensed, we will ensure that our programming is inclusive of Lethbridge's entire population.

SEQ 1_0 \* Arabic \n9729     Our news department will take into account the diversity of Lethbridge and establish contact with the city's cultural communities to ensure The Lounge includes their news in our programming.

SEQ 1_0 \* Arabic \n9730     Lethbridge has a rich First Nations history and we will make a strong effort to connect with the Blood and Peigan Nations and other Aboriginal populations in the region.

SEQ 1_0 \* Arabic \n9731     We are committed to reflecting diversity within our company as well through employment and provided information to this in our application.

SEQ 1_0 \* Arabic \n9732     Our music format lends itself perfectly to reflecting cultural diversity.  The vast and varied music styles that comprise The Lounge music format include artists and musicians from every background and region of Canada and beyond.  We will encourage Canadian artists from all backgrounds to submit new music for airplay consideration.

SEQ 1_0 \* Arabic \n9733     MR. LARSEN:  The Lethbridge economy is vibrant and diversified.  Major industries include agriculture, utilities, manufacturing, finance and real estate.


SEQ 1_0 \* Arabic \n9734     Retail sales in Lethbridge are among the strongest in Canada, 93 per cent higher than the national average according to Financial Post Markets 2005 edition.  Financial Post Markets 2006 edition is predicting retail sales of $1.882 billion ‑‑ that is up $400 million from their 2005 estimates; 2006 retail sales are forecast to be 116 per cent higher than the national average.

SEQ 1_0 \* Arabic \n9735     Lethbridge is experiencing rapid population growth.  According to the 2005 municipal census, the population grew 6.2 per cent from 2002 to 2005 and now totals 77,202.

SEQ 1_0 \* Arabic \n9736     The largest population increases have occurred within the upper demographics, specifically 45+, the target audience for The Lounge.

SEQ 1_0 \* Arabic \n9737     The 2005 municipal census is not fully broken down yet, so we refer to the 1996 and 2001 federal census to show the growth of the 45+ population specifically.

SEQ 1_0 \* Arabic \n9738     As you can see on the graph, the Lethbridge population of adults aged 45 and up increased 17.4 per cent between 1996 and 2001.  By comparison, those aged 0‑44 jumped only 1.4 per cent during the same period.


SEQ 1_0 \* Arabic \n9739     PBIT and market revenue for Lethbridge are not published because of the limited number of owners in the market.  However, the provincial PBIT statistics show a very healthy FM radio market in Alberta and we are confident the Lethbridge market is also performing above average.

SEQ 1_0 \* Arabic \n9740     The Lounge will open up new advertising opportunities for retailers and manufacturers who until now have had no viable local radio source on which to advertise their products and services to the 45+ population.

SEQ 1_0 \* Arabic \n9741     MR. VOLPATTI:  Lethbridge is served by five commercial radio stations, one of which operates a specialty Christian format.  There is also a Campus FM and the CBC and CKUA public radio services.

SEQ 1_0 \* Arabic \n9742     Ownership and market tuning is dominated by Pattison and Rogers.  Combined, they have 71.3 per cent market share 12+ according to the fall 2005 BBM.

SEQ 1_0 \* Arabic \n9743     When you look at adults 45+, the Pattison and Rogers market share drops to 59.7 per cent, as you can see on the screen.


SEQ 1_0 \* Arabic \n9744     So where does the 45+ audience go in Lethbridge?  The answer is Calgary AM radio stations located 217 kilometres north of Lethbridge.  Calgary CHQR, CKMX, CFAC and CFFR have a combined Lethbridge market share of 19.6 per cent with adults 45+.  The graph on the screen shows this.  The four combined Calgary AM radio stations have a red column on the right.

SEQ 1_0 \* Arabic \n9745     The Lounge will repatriate this significant out‑of‑market tuning, attracting 45+ listeners with a format specifically designed for them and one that is not currently available in Lethbridge.

SEQ 1_0 \* Arabic \n9746     We may also gain listeners from satellite or cable, internet radio, personal CDs and MP3s, and people who have simply quit listening to radio or given up on radio because they have been unable to find their music.

SEQ 1_0 \* Arabic \n9747     Our research shows 82.4 per cent of 35‑64 year olds would definitely or probably listen to The Lounge.  Of those, 41.7 per cent said The Lounge would become their favourite radio station.

SEQ 1_0 \* Arabic \n9748     MR. LARSEN:  We have given this application considerable thought and extensive planning, investing in research to double‑check our instincts.  The Lounge will bring a new format to Lethbridge, one with virtually no overlap with existing stations.  We will provide significant news and other spoken word elements that are important to our target audience.


SEQ 1_0 \* Arabic \n9749     And we recognize that operating a radio station means operating a public service.  Community service will be the foundation upon which our company and our radio station is built.

SEQ 1_0 \* Arabic \n9750     We are proud of this application.  We feel its unique and innovative quality is essential to the future of Canadian radio.  We are young, experienced career broadcasters who have 30 or more working years ahead of us to create compelling radio and we hope to have the opportunity to do so in Lethbridge.

SEQ 1_0 \* Arabic \n9751     Thank you for this opportunity to present our application for The Lounge and we look forward to your questions.

SEQ 1_0 \* Arabic \n9752     THE CHAIRPERSON:  Thank you, Mr. Larsen.

SEQ 1_0 \* Arabic \n9753     For the record, you did file, regarding the other application, the item 3 application that was heard last week, the content of your shareholder agreement and obviously it will apply to this application since it is the same corporation.

SEQ 1_0 \* Arabic \n9754     MR. LARSEN:  Yes, sir, and if need be, Mary could verify that as well but that is correct.

SEQ 1_0 \* Arabic \n9755     THE CHAIRPERSON:  It is the same company?

SEQ 1_0 \* Arabic \n9756     MR. LARSEN:  Yes.

SEQ 1_0 \* Arabic \n9757     MS MILLS:  That is correct.


SEQ 1_0 \* Arabic \n9758     THE CHAIRPERSON:  That is correct.

SEQ 1_0 \* Arabic \n9759     I am requesting Commissioner Williams to question you.

SEQ 1_0 \* Arabic \n9760     COMMISSIONER WILLIAMS:  And I am accepting his request.  Good afternoon.

SEQ 1_0 \* Arabic \n9761     MR. LARSEN:  Thank you.

SEQ 1_0 \* Arabic \n9762     COMMISSIONER WILLIAMS:  Good afternoon, Mr. Larsen and Ms Mills.  I will be directing my questions to you, Mr. Larsen, and you can have whoever in your group that you deem is most appropriate to answer them.

SEQ 1_0 \* Arabic \n9763     MR. LARSEN:  Thank you.

SEQ 1_0 \* Arabic \n9764     COMMISSIONER WILLIAMS:  My first question is you have characterized your targeted 35‑45+ adult audience as being underserved.  I think we just saw some slides on that a minute or so ago.  Based on your market research, what are the spoken word and audience programming expectations and needs of this audience?


SEQ 1_0 \* Arabic \n9765     MR. LARSEN:  In our research, we had developed this format.  So we specifically researched the 35‑64 population in Lethbridge and we asked some specific questions relating to spoken word.  We asked them about how important news programming is to them and more specifically a second question, how important is local news, Lethbridge news to them.

SEQ 1_0 \* Arabic \n9766     We asked a range of questions regarding spoken word, from how important is it to hear lifestyle information, gardening shows, finances, health, those types of things.

SEQ 1_0 \* Arabic \n9767     We even asked a specific question about how important is it to include music and spoken word content that is targeted to a more mature audience.  And looking at the 45‑54 year olds, 62.7 per cent said it is important; 55‑64 year olds, 69 per cent said it is important.

SEQ 1_0 \* Arabic \n9768     So we knew based on our experience with this particular demographic that spoken word programming is important to them, some items more than others and the research would help us determine what type of spoken word programming to put on the air if we are successfully licensed.

SEQ 1_0 \* Arabic \n9769     COMMISSIONER WILLIAMS:  How do these needs and expectations differ from the majority of adult listeners in the marketplace who seem dissatisfied with the level and quality of spoken word programming provided by the incumbents?


SEQ 1_0 \* Arabic \n9770     MR. LARSEN:  I think looking at our information, when you look at the 45+ demographic and BBM specifically, CHLB country 95.5 operated by Pattison has the highest tuning of 45+ audience in the market.  So we would comfortably predict that country 95 does a fair amount of spoken word programming.

SEQ 1_0 \* Arabic \n9771     Country music is a very genre‑specific format, obviously, and therefore, adults over 45 who aren't particularly interested in country music are finding the spoken word elsewhere and predominantly from Calgary AM radio stations that do come into the market during the daytime.

SEQ 1_0 \* Arabic \n9772     COMMISSIONER WILLIAMS:  Thank you, Mr. Larsen.

SEQ 1_0 \* Arabic \n9773     We note that you have indicated that you have been successful in Parksville, British Columbia with the station that you launched in March 2005.  We also note that the Parksville market is less competitive in terms of local programming than a market such as Lethbridge.  It is not clear how the niche service you propose will be as successful.

SEQ 1_0 \* Arabic \n9774     Would you please comment on how your proposed service will be received by the audience in Lethbridge?


SEQ 1_0 \* Arabic \n9775     MR. LARSEN:  Commissioner Williams, I am glad you asked that question.  The Parksville comment came up a few times last week, as you know, and I was hoping to have the opportunity to address it here.

SEQ 1_0 \* Arabic \n9776     Every or most ‑‑ maybe I should say most ‑‑ good thing in life, whether it is a franchise, whether it is a medical improvement, whether it is a new invention, most things are tested in a smaller environment and we have an environment in Parksville with another company that I have been associated with to experiment with a format that is brand new in Canadian radio in a market where there is not going to be a lot of financial impact in doing so.  So it, to me, seemed to be a logical and a great place to experiment and form and mould this format into something that we could take elsewhere.


SEQ 1_0 \* Arabic \n9777     What I referred to in the supplementary specifically were comments from Parksville listeners who had found the station and were enjoying it and also some comments from out‑of‑market people.  As is fairly obvious, Vancouver Island is a high tourist destination.  We get a lot of people coming to Vancouver Island from elsewhere in Canada and a lot of people that send us emails after the fact asking if we would stream the radio station so that they could listen to it back home.  So it gave us a really strong indication that our format idea could work specifically with the 45+ audience in other parts of Canada.  So we have now ventured out beyond Vancouver Island to try and take this format to more 45+ people in other parts of Canada.

SEQ 1_0 \* Arabic \n9778     COMMISSIONER WILLIAMS:  If licensed, The Lounge would be a standalone in the marketplace.  Are there certain programming synergies that you can utilize to keep your annual programming expenses in line with your estimates?

SEQ 1_0 \* Arabic \n9779     MR. LARSEN:  Well, if we look at The Lounge, Lethbridge specifically, licensed as a standalone radio station in Lethbridge, we have some administrative types of synergies with Norscot, the parent company that Mary operates in Vancouver, in terms of accounting procedures and budgeting, administrative type of things that we could utilize some synergies there.

SEQ 1_0 \* Arabic \n9780     If we are fortunate enough to be licensed in more than one market, of course, as you build mass, those synergies build out.  So this is our second presentation to you this week.


SEQ 1_0 \* Arabic \n9781     Looking at Lethbridge specifically, we do feel comfortable that we have enough synergies with Norscot to keep our operating costs in line with what we have presented on paper but those specifically would only be on the administrative side.  Because Norscot is not a radio company, it can offer us some help with some budgeting and accounting but beyond that, not much.

SEQ 1_0 \* Arabic \n9782     COMMISSIONER WILLIAMS:  So there are no programming synergies?

SEQ 1_0 \* Arabic \n9783     MR. LARSEN:  Absolutely not, and not with the Parksville station either.

SEQ 1_0 \* Arabic \n9784     COMMISSIONER WILLIAMS:  Okay.  We are going to move into the area of spoken word now.

SEQ 1_0 \* Arabic \n9785     You have identified a number of spoken word and general programming expectations that you feel are necessary to incorporate into your programming in order to successfully program your targeted 35‑45+ audience.  These would include news, information, lifestyle, radio drama, spoken word programming.

SEQ 1_0 \* Arabic \n9786     I also note on page 34 of your application that you plan to hire a staff of six which will consist of three news journalists, two anchors and one reporter.  You have also stated that the morning anchor will serve as the station's news director.

SEQ 1_0 \* Arabic \n9787     Based on the extensive spoken word you plan to offer, please describe the positions to be filled by the other five members of the news team that you plan to hire.


SEQ 1_0 \* Arabic \n9788     MR. LARSEN:  I am sorry, I am just trying to find where we said six.

SEQ 1_0 \* Arabic \n9789     COMMISSIONER WILLIAMS:  Yes.

SEQ 1_0 \* Arabic \n9790     MR. LARSEN:  To clarify ‑‑

SEQ 1_0 \* Arabic \n9791     COMMISSIONER WILLIAMS:  It is okay, take your time.

SEQ 1_0 \* Arabic \n9792     MR. LARSEN:  ‑‑ in our programming budget, we have budgeted for six full‑time positions.  Of those, two will be in news and one part‑time position in news.  So that would be the two plus one reporter in the news and spoken word.  So we believe we can do our spoken word commitments with a full‑time news staff of two people and one part‑time.

SEQ 1_0 \* Arabic \n9793     The other programming people would be a morning announcer, midday announcer, evening announcer ‑‑ I am sorry, afternoon drive ‑‑ morning, midday, afternoon drive and also a producer.

SEQ 1_0 \* Arabic \n9794     COMMISSIONER WILLIAMS:  Okay.  You also point out in the supplementary brief that spoken word plays a significant role in the station's programming with a daily one‑hour magazine program, 93 newscasts as well as a weekly one‑hour lifestyle program.


SEQ 1_0 \* Arabic \n9795     From what sources do you plan to draw material for these programs?  Also, will all of the material be scripted or do you plan to air syndicated material?

SEQ 1_0 \* Arabic \n9796     MR. LARSEN:  Another great question and thank you.

SEQ 1_0 \* Arabic \n9797     The spoken word that you are referring to, specifically the "Lethbridge at Noon" show and the weekend program, our news director would be heavily involved, our news department would be heavily involved in getting topics to talk about on those two particular initiatives.

SEQ 1_0 \* Arabic \n9798     After this application was presented and publicly gazetted, I started getting a lot of interest from the Lethbridge community.  When CJOC was an AM radio station, it employed a lot more staff than it does as an FM station and a lot of their staff have decided, for lifestyle reasons, to remain in the Lethbridge community.  They are now employed in other industries but they have contacted us, out of interest sake, with the idea of being able to contribute to our programming on a part‑time basis.


SEQ 1_0 \* Arabic \n9799     So we think there are resources in the community that we can use but even if we didn't have that, which I am very confident, based on their enthusiasm in their communication with us, our news director would be the anchor for the Monday to Friday "Lethbridge at Noon" show, the weekend show likely would be pre‑recorded by the same news staff but all of the programming would be produced and scripted locally and it would not be syndicated programming.

SEQ 1_0 \* Arabic \n9800     COMMISSIONER WILLIAMS:  Compared to projected expenditures proposed by the other applicants, your planned programming expenses appear to be on the low side.

SEQ 1_0 \* Arabic \n9801     Considering the number of staff you plan to hire, why do you feel your projected annual programming expenditures are sufficient to provide your target audience with the level and quality of relevant spoken word and music programming necessary to be successful in Lethbridge?

SEQ 1_0 \* Arabic \n9802     MR. LARSEN:  In operating a company, I have always kind of used the philosophy of cutting your clothes by the cloth that is available and we have presented, obviously, revenue forecasts which are lighter than the other applicants specifically because we are targeting a demographic on the outer edge of the typical advertising pie of 25‑54 or 18‑34.


SEQ 1_0 \* Arabic \n9803     We feel confident 40 ‑‑ I believe it is 41 per cent or 44 per cent ‑‑ quoting from page 46 on our supplementary, 44 per cent of our expenses will go into programming in year one.  We are very confident in our ability to deliver on the spoken word commitment.

SEQ 1_0 \* Arabic \n9804     There has been a lot of discussion at the hearing about the cost of creating spoken word programming and it is all relative.  We are employing two full‑time staff that we are expecting to work generally eight hours a day.  But some of the other spoken word, things like business reports, for example, people often pay us or approach us to provide that content, places like CIBC, Wood Gundy or TD Waterhouse, investment firms that are experts in that particular area of spoken word and would provide that 90‑second or two‑minute report on our behalf.  So we don't have to use our own station resources other than somebody to tape‑record the report off of the telephone.

SEQ 1_0 \* Arabic \n9805     Another thing I think that is important with our spoken word is out of the total, seven hours is the radio plays that we plan to run at night.  So of course, there is very little cost involved in that particular aspect of our spoken word.

SEQ 1_0 \* Arabic \n9806     So we are confident in our expense forecast that we have budgeted responsibly and affordably and that we could deliver our spoken word commitment.


SEQ 1_0 \* Arabic \n9807     COMMISSIONER WILLIAMS:  Okay, thank you.

SEQ 1_0 \* Arabic \n9808     Let us talk about your expected rate of success in Lethbridge.  I note that you have indicated you have been successful in Parksville with the station you launched in March '05.  I also note the Parksville market is smaller.  It is less competitive in terms of attracting listeners to local programming and competition for advertising dollars than a market such as Lethbridge.  In Lethbridge, you are going to be competing directly with two well established corporate broadcasters.  It is not clear to us how a format developed to serve Parksville will be successful in the larger, more competitive market of Lethbridge.

SEQ 1_0 \* Arabic \n9809     I have two questions in this area.

SEQ 1_0 \* Arabic \n9810     MR. LARSEN:  Sure.

SEQ 1_0 \* Arabic \n9811     COMMISSIONER WILLIAMS:  Why do you think your proposed format will be attractive to audiences in the Lethbridge marketplace and what experience in running your Parksville format would you bring to the table that gives you the confidence that you would be able to compete successfully with major corporate broadcasters such as Jim Pattison Industries and Rogers?


SEQ 1_0 \* Arabic \n9812     MR. LARSEN:  Sure.  First off, I guess there is the sort of ‑‑ because Parksville was where we tested the format, where we launched it first, there is this sort of thinking that this format ‑‑ we developed it specifically for Parksville.  I just want to clarify that we developed the format because we felt that the 45+ audience is rapidly growing in North America.  It is going to become the dominant population group in our society in the near term.

SEQ 1_0 \* Arabic \n9813     So the greater thinking was to develop a format for the audience.  Parksville just happened to be a convenient place where I could put it on the air with low impact and test it out and work it out.

SEQ 1_0 \* Arabic \n9814     In terms of competing with the larger companies, in the case of Lethbridge, other than Country 95 which does get some older tuning but it is certainly not their primary audience, the other radio stations in Lethbridge are all targeting in the younger demographics, under 45 years of age.


SEQ 1_0 \* Arabic \n9815     So we feel we will have unto ourselves a bit of a pool of people from which to market to and we know from talking to business owners, community leaders, et cetera, that there are a lot of businesses that don't advertise on the radio but would increase their radio advertising budget to specifically target the 45+ audience.  So we are confident that we are the only applicant at this hearing and would be the only licensed radio station in Lethbridge specifically in that upper end of the demographics.  So we would have it unto ourselves.

SEQ 1_0 \* Arabic \n9816     In terms of experience, again, in Parksville, I would say that the greatest experience gained in Parksville is really one of being able to gauge the listener feedback and fine‑tune this format over the past year and to get it to a point where it is ready to be rolled out to a larger audience.  We learned how much older style music from the 50s should be a component versus 60s and 70s and 80s music, and does new music ‑‑ for example, Seal singing Mona Lisa.  The other day when we presented our Calgary application, several people came up to us after the presentation and asked why did you have a picture of Seal on the screen when Nat King Cole was singing Mona Lisa?  Because it is a tremendous remake of that song.

SEQ 1_0 \* Arabic \n9817     So we have been able to find out in Parksville that those newer artists from the 90s and today, the Michael Bubbles, the Diana Kralls, the Seals and the Rod Stewarts, that music is appealing to the upper end of the demographic and specifically the younger edge of the 45+ or even the 40‑45 age group.  So we have learned a lot musically in Parksville.


SEQ 1_0 \* Arabic \n9818     COMMISSIONER WILLIAMS:  We note in your application you have stated you will not participate in the CAB plan.  You will make annual contributions to FACTOR that will exceed the minimum contribution as set out in the CAB plan for the Lethbridge market.

SEQ 1_0 \* Arabic \n9819     In view of the fact that FACTOR contributions are part of the CAB plan, why do you not wish to participate?

SEQ 1_0 \* Arabic \n9820     MR. LARSEN:  That question ‑‑ I am going to learn how to answer that question properly in future applications.  The question is a confusing one.  The way that it is written is somewhat confusing on the application form.

SEQ 1_0 \* Arabic \n9821     Our intent is that the money we are going to contribute to FACTOR is in excess of the $400 required under the CAB plan.  I think I answered the question originally that no, we don't or yes, we do and it was going to be $18,100 plus $400 for a total of $18,500.  We were asked the question in our deficiencies and I am sure ‑‑ when I get back, I am going to talk to one of the staff and find out exactly how we are supposed to answer that.  But to be clear, we do plan to contribute to FACTOR in excess of the CAB plan.  So I guess the CAB plan plus the excess.


SEQ 1_0 \* Arabic \n9822     COMMISSIONER WILLIAMS:  Okay, thanks.

SEQ 1_0 \* Arabic \n9823     MR. LARSEN:  I am sorry for the long answer.

SEQ 1_0 \* Arabic \n9824     COMMISSIONER WILLIAMS:  Not a problem.  We have nothing but time.

SEQ 1_0 \* Arabic \n9825     We note that you plan to support a student enrolling in a broadcasting education course by providing him or her with a $2,500 scholarship.  Normally under the plan, broadcasting courses do not qualify but journalism courses can.

SEQ 1_0 \* Arabic \n9826     Is this contribution designed to support the study of radio broadcasting or journalism?

SEQ 1_0 \* Arabic \n9827     MR. LARSEN:  I guess as an industry person I sort of lumped them together and this being my first personal application that I put forward ‑‑ I have been involved with other companies in helping to formulate but I guess I knew that broadcasting bursaries counted but I note specifically it is journalism.  So in order to remain in accordance with CTD, we would divert from a broadcasting bursary specifically to a journalism bursary at one of the broadcasting schools.

SEQ 1_0 \* Arabic \n9828     COMMISSIONER WILLIAMS:  Okay, thank you.


SEQ 1_0 \* Arabic \n9829     In regards to the instruments in schools, FACTOR and the Lethbridge and District Kiwanis Music Festival contributions, how will the allocation of funds be made?  Do you have any mechanisms in place to deal with these types of contributions, and if so, please tell us a bit about them?

SEQ 1_0 \* Arabic \n9830     MR. LARSEN:  At this point, we don't have formalized plans in place on how to distribute those monies.  However, in previous experience with other companies and other radio stations that have CTD commitments that are similar, we know going forward that these organizations, the schools, the Kiwanis Club, are more than happy to work with us in making it work.

SEQ 1_0 \* Arabic \n9831     With the music in schools specifically, we would get together with the school districts in Lethbridge, with the superintendents, the public schools, the Christian schools, I guess, or Catholic school boards, and in consultation with them decide where best those monies would be spent.

SEQ 1_0 \* Arabic \n9832     COMMISSIONER WILLIAMS:  Okay.  The Commission notes that you project only 5 per cent of year one revenues will be derived from the incumbent operators in the marketplace.


SEQ 1_0 \* Arabic \n9833     Please explain why you believe the financial impact of your proposed service will be so low.  I would imagine it has to do with your Calgary ‑‑

SEQ 1_0 \* Arabic \n9834     MR. LARSEN:  Sure.  We think we are going to have a very low impact on the incumbents specifically because the incumbents aren't playing in the 45+ pool.  In talking to advertisers, again, many different advertising categories from RVs, boats, financial advisors, health and fitness that caters to the senior or older demographic, they are not advertising on radio today.  So we are not going to take those dollars away from the incumbents because those advertisers don't feel they are going to reach their target audience by advertising on the incumbents.  So we think we will have very little impact given the fact that none of the four commercial stations in the market are targeting our demographic right now.

SEQ 1_0 \* Arabic \n9835     COMMISSIONER WILLIAMS:  What evidence do you have to support the assumption that 50 per cent of your revenues will be generated from new radio advertisers other than what you have just told me?

SEQ 1_0 \* Arabic \n9836     MR. LARSEN:  I think the same answer would apply, that these advertisers aren't advertising on radio today.

SEQ 1_0 \* Arabic \n9837     COMMISSIONER WILLIAMS:  You don't have a study that you have commissioned that ‑‑


SEQ 1_0 \* Arabic \n9838     MR. LARSEN:  No.  That would be, again, sort of based on our experience in other markets.  That could be another thing that we gained out of Parksville.  I don't want to talk about Parksville or hinge on Parksville too much because I don't know how relevant it is but I introduced it in the supplementary, so I guess it is fair game.

SEQ 1_0 \* Arabic \n9839     The Parksville market is a significantly older demographic.  A lot of 50+ people live there.

SEQ 1_0 \* Arabic \n9840     COMMISSIONER WILLIAMS:  It is more of a retirement community ‑‑

SEQ 1_0 \* Arabic \n9841     MR. LARSEN:  Right.

SEQ 1_0 \* Arabic \n9842     COMMISSIONER WILLIAMS:  ‑‑ than Lethbridge is.

SEQ 1_0 \* Arabic \n9843     MR. LARSEN:  In Lethbridge, however, 37 or 38 per cent of the overall population is over the age of 45 and the reason why it is so high, in fact, is that a lot of farming families are selling out of their farms.  Farming is another industry that is consolidating into bigger corporations and these generations of farmers are not passing the farms down to the younger kids and they are moving into the city, into Lethbridge.


SEQ 1_0 \* Arabic \n9844     Looking at the Lethbridge City website, one of the big things that Lethbridge is marketing itself as is a senior retirement destination and the fact that they have a tremendous ‑‑ I think it is above the Canadian average and I would be happy to verify the stat and submit it if you wish ‑‑ a tremendous population of 75+ and 65+, more so than a lot of other Canadian centres.  So we are confident that those people are there and will listen to the radio and are still actively buying groceries and homes and vacations, et cetera.

SEQ 1_0 \* Arabic \n9845     COMMISSIONER WILLIAMS:  It is not necessary that you file that.  Our staff just prepared a very detailed demographic analysis of the marketplace for us.

SEQ 1_0 \* Arabic \n9846     MR. LARSEN:  Okay.

SEQ 1_0 \* Arabic \n9847     COMMISSIONER WILLIAMS:  That concludes my share of the questions for you, Ms Mills and Mr. Larsen.  So thank you very much.

SEQ 1_0 \* Arabic \n9848     MR. LARSEN:  Thank you.

SEQ 1_0 \* Arabic \n9849     COMMISSIONER WILLIAMS:  Mr. Chair.

SEQ 1_0 \* Arabic \n9850     THE CHAIRPERSON:  Mr. Larsen or Mrs. Daniel, when you read your oral presentation you said, and I am quoting directly from the two first paragraphs ‑‑ your document is not paged:


  "Lethbridge is very much a culturally diverse city.  Many of Lethbridge's ethnic groups have formed community structures, including the German, Italian, Japanese, Chinese, Hungarian and Croatian societies."

SEQ 1_0 \* Arabic \n9851     Then you follow, saying:

  "The Lounge has already reached out to the Lethbridge ethnic population, and if licensed, we will ensure that our programming is inclusive of Lethbridge's entire population."

SEQ 1_0 \* Arabic \n9852     Are you contemplating doing some ethnic programming?


SEQ 1_0 \* Arabic \n9853     MR. LARSEN:  No, absolutely not.  All that we were trying to say in that is that our programming will include everybody that lives in Lethbridge, not that we want to do ethnic programming specifically but if, let us say, the Chinese community has a Chinese celebration, we would perhaps broadcast live from the celebration and invite the community down to find out what is happening in that, and the same with the Italian community, the same with the Japanese community, they have a big Dragonboat Festival, et cetera.

SEQ 1_0 \* Arabic \n9854     All we are saying is that our programming will be reflective of the cultural makeup of Lethbridge, not that we have any intention whatsoever of being an ethnic radio station or broadcasting ethnic programming.

SEQ 1_0 \* Arabic \n9855     THE CHAIRPERSON:  Thank you very much.

SEQ 1_0 \* Arabic \n9856     If the Commission was to authorize your application and was to license another station, which one could have a negative impact on your business plan and why?

SEQ 1_0 \* Arabic \n9857     MR. LARSEN:  Which one could have a negative impact?

SEQ 1_0 \* Arabic \n9858     THE CHAIRPERSON:  Yes.

SEQ 1_0 \* Arabic \n9859     MR. LARSEN:  Again, if I may take the two religious stations and put them aside; is that appropriate?

SEQ 1_0 \* Arabic \n9860     THE CHAIRPERSON:  Well, I will ask you ‑‑

SEQ 1_0 \* Arabic \n9861     MR. LARSEN:  Sure.

SEQ 1_0 \* Arabic \n9862     THE CHAIRPERSON:  Let us start by that and then ‑‑

SEQ 1_0 \* Arabic \n9863     MR. LARSEN:  Sure.


SEQ 1_0 \* Arabic \n9864     THE CHAIRPERSON:  ‑‑ as I did earlier, I will ask you now to put them in the mix.

SEQ 1_0 \* Arabic \n9865     MR. LARSEN:  Sure.  Leaving them out of the mix first, I would suggest that we could cohabitate most easily with the Newcap application because they are the farthest away from our demographic.

SEQ 1_0 \* Arabic \n9866     The Vista Group is proposing a 35‑54.  Well, 45‑54 certainly infringes on a very lucrative part of our 45 and up demographic.  So we would suggest if there were two, leaving the religious people out for now, Newcap and us would be my answer.

SEQ 1_0 \* Arabic \n9867     When we put the Christian stations into the mix, there is already a Christian FM existing in the market, Spirit.  I know from being in Lethbridge ‑‑ my in‑law's ranch near Lethbridge.  I have been there many, many times.  I have listened to Spirit specifically to see how far a 50‑watt station goes.  That station exists today.  We think we could cohabitate with that Christian station, even at a higher power, without any difficulty whatsoever.

SEQ 1_0 \* Arabic \n9868     THE CHAIRPERSON:  Okay, thank you.

SEQ 1_0 \* Arabic \n9869     Now, in your own words, could you give us your most compelling reason why the Commission should retain your application?

SEQ 1_0 \* Arabic \n9870     MR. LARSEN:  Thank you.


SEQ 1_0 \* Arabic \n9871     According to the 2001 federal census, 37 per cent of Lethbridge residents are 45 and older and they now total 25,000 people.  It is the fastest‑growing demographic in Lethbridge and we are excited to see the results of the 2006 federal census in the future, which we anticipate will contain even more compelling numbers for our proposed target demographic.

SEQ 1_0 \* Arabic \n9872     This audience deserves its own radio station custom‑tailored for them.  Businesses that market to this impressive demographic deserve a radio station targeted to reach this audience and we feel The Lounge will be both of those.

SEQ 1_0 \* Arabic \n9873     We have done our homework and research both in terms of our proposed format and our business plan but we have taken our analysis one step further, studying the 45+ demographic to gain an extensive understanding of the way this audience thinks, makes decisions, buys products and relates in today's society.


SEQ 1_0 \* Arabic \n9874     We have done this because at the end of the day we are proposing to operate a business and we need to ensure that that business will be viable and we are more than confident, without any doubt, that we will be successful both in terms of our audience and our financial projections.

SEQ 1_0 \* Arabic \n9875     Every day there are more and more articles and studies that indicate we are on the right path at the right time.

SEQ 1_0 \* Arabic \n9876     This weekend, a colleague emailed me an interesting Canadian study titled "Surveillance 50+."  It was conducted by Starcom Mediavest of Toronto and it concluded that marketers have not made an effort to be relevant to the 50+ consumers and media outlets are also "missing the boat," to quote.  The study continues to say:

  "This large and lucrative demo want the usual things out of media, relevance, information and entertainment, but this study indicates that there is no real relevant, highly enjoyed content for this 50+ audience."

SEQ 1_0 \* Arabic \n9877     And that is exactly what The Lounge is, real, relevant and enjoyable content specifically for this adult audience.

SEQ 1_0 \* Arabic \n9878     Our application meets the criteria outlined in this licence call as well as that outlined in the Broadcasting Act.  We have presented substantial evidence to support demand for our station.


SEQ 1_0 \* Arabic \n9879     Approval of our application will bring a new independent owner into the system proposing significant live broadcasting and programming that will be of the highest quality and produced locally in Lethbridge.

SEQ 1_0 \* Arabic \n9880     We will reflect and promote Lethbridge's cultural diversity.  We have present a strong business plan based on research, market experience, financial control and a viable format.

SEQ 1_0 \* Arabic \n9881     The Lounge will enhance rather than compete with the current radio landscape.  We will bring an independent news and information voice to Lethbridge.  Our Canadian talent development will benefit new Canadian artists, many who have never been heard on Lethbridge radio before.

SEQ 1_0 \* Arabic \n9882     Our unique and exclusive commitment to ensure airplay of newer Canadian songs and artists and to play 40 per cent Canadian content simply means more Canadian music and more diversity of Canadian artists on our radio station.

SEQ 1_0 \* Arabic \n9883     Our CTD will benefit young broadcasters as well through our "Future Broadcasters" initiative, and our CTD funding is substantial and responsible for a new company, $129,500 over the first licence term.


SEQ 1_0 \* Arabic \n9884     We do have the financial resources to build facilities, launch our radio station and market it and see it through its early operating years.

SEQ 1_0 \* Arabic \n9885     It is encouraging to note that the Lethbridge adult audience remains loyal to radio but it is unfortunate that their loyalty is in large part to Calgary AM radio stations.

SEQ 1_0 \* Arabic \n9886     Licensing The Lounge in Lethbridge will reduce out‑of‑market tuning, balance the radio landscape, demonstrate that the 45+ demographic is vital to the rapidly growing Lethbridge economy and will help ensure that traditional radio will retain the listening loyalty of this powerful generation.

SEQ 1_0 \* Arabic \n9887     It will be a new generation of young broadcasters who will step forward and embrace and understand new technology and combine it with exciting and new radio formats that will allow terrestrial Canadian radio to remain dominant and thrive in these highly competitive times of satellite radio and MP3s, et cetera.


SEQ 1_0 \* Arabic \n9888     We are here before you at this hearing because we want to build a new, dynamic, modern broadcasting company.  We are excited about the possibility of bringing our new Lounge format to as many deserving 45+ listeners as possible and Lethbridge is an important and strategic component of our new company.

SEQ 1_0 \* Arabic \n9889     The Lounge is a made‑in‑Canada radio format.  It is ready to be unveiled in Lethbridge and if there is a province in Canada where I feel the Commission could feel comfortable licensing a brand‑new applicant, Alberta is surely it.  I believe it is the perfect opportunity to license a strong, well‑funded, independent, young applicant.

SEQ 1_0 \* Arabic \n9890     Mr. Chairman, Commissioners, I respectfully ask you to give us the opportunity to be the newest Canadian radio company by granting us a licence to serve Lethbridge.  We thank you sincerely for your time and for your consideration.

SEQ 1_0 \* Arabic \n9891     THE CHAIRPERSON:  Thank you very much, Mr. Larsen.  Thank you to your team.

SEQ 1_0 \* Arabic \n9892     We will take a five‑minute break in order to allow the next applicant to come up at the table.

‑‑‑ Upon recessing at 1525 / Suspension à 1525

‑‑‑ Upon resuming at 1540 / Reprise à 1540

SEQ 1_0 \* Arabic \n9893     THE CHAIRPERSON:  Order, please.

SEQ 1_0 \* Arabic \n9894     I am requesting the secretary to introduce the last appearing item to this agenda.


SEQ 1_0 \* Arabic \n9895     THE SECRETARY:  Yes, thank you, Mr. Chairman.

SEQ 1_0 \* Arabic \n9896     We are now on item 18 of the agenda which is an application by Touch Canada Broadcasting Inc. for a licence to operate an English‑language FM commercial specialty radio programming undertaking in Lethbridge.

SEQ 1_0 \* Arabic \n9897     The new station would operate on frequency 90.5 MHz (channel 213B) with an effective radiated power of 20,000 watts (non‑directional antenna/antenna height of 174.3 metres).

SEQ 1_0 \* Arabic \n9898     Appearing for the applicant is Mr. Alan Hunsperger who will introduce his colleagues, and then you will have 20 minutes for your presentation.  Mr. Hunsperger.

PRESENTATION / PRÉSENTATION

SEQ 1_0 \* Arabic \n9899     MR. HUNSPERGER:  Thank you, Madam Secretary.

SEQ 1_0 \* Arabic \n9900     Good afternoon, Mr. Chairman, members of the CRTC and Commission staff.

SEQ 1_0 \* Arabic \n9901     Before I start our main presentation, I would like to introduce you to our team again.

SEQ 1_0 \* Arabic \n9902     I am Alan Hunsperger, founder and Director of Touch Canada Broadcasting, TCB as we will refer to it from now on.


SEQ 1_0 \* Arabic \n9903     To my right is Bev Gilespie, our Business Manager.

SEQ 1_0 \* Arabic \n9904     Next to Bev is Richard Burrows who is our Sales Manager of 88.9 CHIN FM here in Calgary.

SEQ 1_0 \* Arabic \n9905     To my left is Malcolm Hunt, TCB's Network Program Manager.

SEQ 1_0 \* Arabic \n9906     Next to Malcolm is Holly Taylor who is our Afternoon Drive Host on 105.9 CHIN FM in Edmonton.

SEQ 1_0 \* Arabic \n9907     Next to Holly is Lana Lambert who assisted me with the preparation of our application.

SEQ 1_0 \* Arabic \n9908     Mr. Chairman, we are here today to present our application for a new contemporary gospel music station to serve Lethbridge.  In our presentation, we would like to talk a bit about the Lethbridge market, describe the research that supports our application and describe the service we intend to bring to Lethbridge.

SEQ 1_0 \* Arabic \n9909     First, I would ask Richard Burrows to speak about the Lethbridge economy.

SEQ 1_0 \* Arabic \n9910     MR. BURROWS:  Thank you, Alan, and good afternoon.


SEQ 1_0 \* Arabic \n9911     Lethbridge is a growing community.  Statistics Canada reported a total population of 67,374 in 2001 and the City of Lethbridge reported a total population of 77,202 in 2005, which represents a 15 per cent increase over four years.  This is double the increase that Lethbridge experienced from the previous five years.  In fact, Lethbridge services a trading area of over 275,000 people, as has been mentioned before.

SEQ 1_0 \* Arabic \n9912     According to Financial Post Markets, Lethbridge's retail sales are projected to reach $1.8 billion in 2006 and rise to $2.34 billion in 2011, an increase of 26 per cent and the per capita retail sales are indexed at 16 per cent above the Canadian average.

SEQ 1_0 \* Arabic \n9913     With this economic strength, we believe that the market can support additional radio stations.  To test if there was a sufficient interest in CHIN‑FM and its contemporary gospel format, we asked IPSOS Reid, a nationally accepted survey company, to conduct a radio market survey for us.

SEQ 1_0 \* Arabic \n9914     In August last year they conducted random calls research with a sample size of 300 people,  a representative sample of the Lethbridge population.

SEQ 1_0 \* Arabic \n9915     Ipsos Reid asked about current tuning patterns, the interest in contemporary gospel format and the amount of time that they would listen to the station and their awareness of our stations in Calgary and Edmonton.


SEQ 1_0 \* Arabic \n9916     The results were encouraging to us.  The strength of our Calgary format showed in the completely random Ipsos Reid survey in Lethbridge.  When asked to recall all stations they had listened to in the past month, 4 per cent said they had listened to the existing low power station.

SEQ 1_0 \* Arabic \n9917     When asked if they had listened to any of TCB's current stations, 8.4 per cent said that they had listened to 88.9 Shine‑FM in Calgary.

SEQ 1_0 \* Arabic \n9918     27 per cent of all respondents indicated they would listen to the proposed station, and 50 per cent of those said they would listen to seven ‑‑ or one to seven hours per day.

SEQ 1_0 \* Arabic \n9919     Of those respondents who owned businesses in Lethbridge, one in 10 would definitely or probably advertise on the proposed station.

SEQ 1_0 \* Arabic \n9920     These findings assure us that we can draw enough listeners and attract enough advertisers to meet our revenue projections.

SEQ 1_0 \* Arabic \n9921     When we started 88.9 Shine‑FM Radio Calgary, we were looked at as a small market radio station in a large market.  Today in Calgary and Edmonton that has changed and we are considered one of the stronger niche formats in the market.


SEQ 1_0 \* Arabic \n9922     To duplicate our success in a much smaller market will not be as difficult since we have already been trained to sell the niche format creatively.

SEQ 1_0 \* Arabic \n9923     To explain how we developed the business plan, I would like to call upon Bev Gilespie.

SEQ 1_0 \* Arabic \n9924     MS GILESPIE:  Thank you, Richard.

SEQ 1_0 \* Arabic \n9925     This business plan was based primarily on our previous experience in starting up new radio stations in larger markets, while adjusting the revenues for the level of support evidenced in the Lethbridge area.

SEQ 1_0 \* Arabic \n9926     Again, I would like to draw your attention to the amended schedule 4.1 we have attached at the end of our remarks.  The Excel spread sheets attached to the initial application were correct, however, the transposition of these numbers to the CRTC form were inaccurate.

SEQ 1_0 \* Arabic \n9927     This schedule has been adjusted as well to identify the spoken word programming revenues which were previously categorized as network revenue, as we did in our Calgary application.

SEQ 1_0 \* Arabic \n9928     Our primary source of revenue will be the sale of local advertising, which represents 84 per cent of our first year cash revenues.


SEQ 1_0 \* Arabic \n9929     We calculated our projected ad revenues by multiplying the number of advertisers by our estimate of their annual spending with us.

SEQ 1_0 \* Arabic \n9930     The second year revenue will be increased by 32 per cent, reflecting the acceptance of our programming and our advertising effectiveness.  The increase will be less in the later years due to the smaller market.

SEQ 1_0 \* Arabic \n9931     Our contra revenue, representing 140,000, is the exchange of airtime for goods and services at fair market value.  As we pointed out during our Calgary presentation, we will use contra for print and other media to promote and market the station.

SEQ 1_0 \* Arabic \n9932     You will note that this is quite sustantial for our size and will continue for the duration of the licence due to the necessity to stay competitive, visible and involved in the community.

SEQ 1_0 \* Arabic \n9933     I would now like to call on Malcolm Hunt to talk about the music, spoken word and other services we will provide for the new station.

SEQ 1_0 \* Arabic \n9934     MR. HUNT:  Thank you, Bev.

SEQ 1_0 \* Arabic \n9935     Gospel music has enjoyed steady increase over the last 10 years in North America with record sales rising from 381‑million in 1995 to over 700‑million in 2004, a growth of more than 80 per cent.


SEQ 1_0 \* Arabic \n9936     This is even more impressive given the general slump in the sale of recorded music in the past few years.

SEQ 1_0 \* Arabic \n9937     Similarly, gospel music stations in the United States posted a 57 per cent growth in listeners in the 24‑54 age group from 2002‑2004.

SEQ 1_0 \* Arabic \n9938     Last week I played a sample of the music that is played on our two Edmonton stations.  The station we propose for Lethbridge will provide contemporary gospel music, a mix of rock, pop and other music that sounds similar to what you would hear on a Top 40 station.

SEQ 1_0 \* Arabic \n9939     As we discussed with you last week, we maintain a level of Canadian content of 15 per cent on all of our FM stations and that will remain our practice in Lethbridge as well.

SEQ 1_0 \* Arabic \n9940     We will also provide a number of more specialized music programs, including Z‑Jam, a program directed at teens hosted by Bill Scott.  We also aired the Sound of Light, another music intensive youth program and the Heart of Worship, a program featuring praise and worship style of gospel music.

SEQ 1_0 \* Arabic \n9941     We will also include 20 The Countdown Magazine and the Red Letter Rock 20 Countdown.


SEQ 1_0 \* Arabic \n9942     This station will be similar to the formats of the two stations the Commission granted TCB in Edmonton and Calgary.  90.5 Shine‑FM will use synergies with its other stations to staff the new Lethbridge service, however, there will be two ‑‑ a definite Lethbridge flavour to the radio station.

SEQ 1_0 \* Arabic \n9943     We will hire two new full‑time staff members and two part time.  The new staff would consist of a morning host, assistant PD and a drive time host production assistant.  The part‑timers would take care of writing and production.  The remaining air shifts will be voice tracked by current staff members at TCB stations.

SEQ 1_0 \* Arabic \n9944     Newscasts will be prepared in our Lethbridge studio by our local people using the services provided by Radio News.  They provide us with a range of stories and we choose what is relevant to our listeners.

SEQ 1_0 \* Arabic \n9945     During the morning and afternoon periods, our live announcers receive information on community events, the weather, traffic and other topics from a variety of local sources in order to provide a relevant service.

SEQ 1_0 \* Arabic \n9946     We propose to spend $56,000 on Canadian talent development for Canadian artists in the gospel music genre.


SEQ 1_0 \* Arabic \n9947     Now, to talk a little bit about the reaction to Shine‑FM, here's Holly Taylor.

SEQ 1_0 \* Arabic \n9948     MS TAYLOR:  Working for the past few years with contemporary gospel format, I've had the opportunity to hear the stories of those who have come to listen and love it.  I say this because at first people aren't too sure what to expect, but when they tune in, they soon hear familiar artists, as many contemporary gospel artists such as Relient K, Switchfoot, P.O.D. and Lighthouse are played on Top 40, Hot AC and rock stations.

SEQ 1_0 \* Arabic \n9949     With these favourites mixed in with some similar artists we haven't heard before, the feedback is positive.  It comes down to the station being programmed in a way that caters to the targeted audience.

SEQ 1_0 \* Arabic \n9950     You know you're on the right track when listeners call in saying, oh, flipping through our radio stations in my car recently we stumbled upon this.  That was three days ago.  I'm so glad you're on the radio, it's a station my whole family enjoys.  I just love the song you just played.  I was in a bad mood and now I'm feeling much better, thanks.


SEQ 1_0 \* Arabic \n9951     Or, I'm on my way to my friend's funeral, I'm just waiting to hear MercyMe, I can only imagine, I miss him so much.  Can you please play it for me.

SEQ 1_0 \* Arabic \n9952     There is something very personal about our listeners' relationship with us and the artists we play.

SEQ 1_0 \* Arabic \n9953     In both Edmonton and Calgary we have been able to build on this in a way that has benefitted the city, especially when it comes to the charities we've worked with.

SEQ 1_0 \* Arabic \n9954     TCB's committed to do the same in Lethbridge.  The Shine‑FM format has the potential to go beyond what you can imagine.  We propose to start with two charities in Lethbridge, Compassion Canada, which has an international focus, and Streets Alive, a local charity that has been in operation for 15 years.

SEQ 1_0 \* Arabic \n9955     We will continue using our radio fund format for fundraising as it's a very successful model.

Our three existing stations have raised $3.3‑million to date.  Each station we've launched has become the little station that could and we're eager to bring our approach to Lethbridge.

SEQ 1_0 \* Arabic \n9956     To sum up, Alan Hunsperger.


SEQ 1_0 \* Arabic \n9957     MR. HUNSPERGER:  Mr. Chairman, we are aware of those who are telling the Commission that Lethbridge cannot sustain another radio station or stations, however, we believe it is not because this market cannot sustain a gospel music station, but we believe this is a prime market for a contemporary gospel format.

SEQ 1_0 \* Arabic \n9958     We are convinced that our Shine‑FM brand of radio will meet our financial projections and the needs of the contemporary gospel music listeners in the market.

SEQ 1_0 \* Arabic \n9959     To sum up, the market is strong enough to support an additional niche gospel music station.  We have a strong business plan backed by an owner who has shown his commitment through the development years of this company.

SEQ 1_0 \* Arabic \n9960     Our stations exceed the Canadian content requirements reaching 15 per cent instead of 10.  Our contribution to Canadian talent development at 56,000 is beyond the requirement of this market, and we believe that we have put together a team of talented people along with a solid business model that will provide gospel music radio in large or small markets.

SEQ 1_0 \* Arabic \n9961     We believe that this proposal brings diversity and is not competitive against anyone else within the market.

SEQ 1_0 \* Arabic \n9962     Thank you, and we are pleased to answer your questions.


SEQ 1_0 \* Arabic \n9963     THE CHAIRPERSON:  Thank you, Mr. Hunsperger.

SEQ 1_0 \* Arabic \n9964     I am asking Commissioner Langford.

SEQ 1_0 \* Arabic \n9965     COMMISSIONER LANGFORD:  Thank you, Chairman Arpin.

SEQ 1_0 \* Arabic \n9966     I guess the first shall be last and the last shall be first.  So, I shall go to your last statement.

SEQ 1_0 \* Arabic \n9967     We believe, you just said a minute ago, that this proposal brings diversity and is not competitive against anyone else within this market.

SEQ 1_0 \* Arabic \n9968     How can you say that?  What about Spirit?

SEQ 1_0 \* Arabic \n9969     MR. HUNSPERGER:  We do not believe that we would hurt Spirit, or we believe the market is large enough for both.

SEQ 1_0 \* Arabic \n9970     COMMISSIONER LANGFORD:  Spirit is religious music, specifically gospel, they play some of the same spoken word programs that you promise to play ‑‑ that you signify you'll play.

SEQ 1_0 \* Arabic \n9971     MR. HUNSPERGER:  I mean, Spirit programming ‑‑ and maybe I can ask Mr. Hunt even to go further ‑‑ but Spirit programming, the way they program their station is completely different than the way we program our Shine‑FM programs on our stations.


SEQ 1_0 \* Arabic \n9972     And maybe I'll ask Malcolm, if that's possible.

SEQ 1_0 \* Arabic \n9973     COMMISSIONER LANGFORD:  Well, that may be, and I look forward to hearing from Malcolm ‑‑

SEQ 1_0 \* Arabic \n9974     MR. HUNSPERGER:  Okay.

SEQ 1_0 \* Arabic \n9975     COMMISSIONER LANGFORD:  ‑‑ but it still comes under the general rubric of gospel music.

SEQ 1_0 \* Arabic \n9976     Now, I take the lesson that you gave us last week on how gospel music can be split between contemporary and traditional, if you like, or southern.      MR. HUNT:  Mm‑hmm.

SEQ 1_0 \* Arabic \n9977     COMMISSIONER LANGFORD:  And I assume that you're going to tell me now that Spirit is more southern and you'll be more contemporary, otherwise I don't know where the split will be.

SEQ 1_0 \* Arabic \n9978     But, we do have a situation here where you've made a very bold statement and it doesn't seem to accord with the facts.

SEQ 1_0 \* Arabic \n9979     I mean, it looks like a misreading on your part.  I mean, there are literally ‑‑ there are literally duplications in some of the brokered programs, Focus on the Family being one example.  I could pick two or three more, so could you.

SEQ 1_0 \* Arabic \n9980     So, how can you say it's not competitive against anyone?


SEQ 1_0 \* Arabic \n9981     MR. HUNSPERGER:  Well, 95 per cent, sir, of the programming that we would do as well as Spirit does is in the music category.

SEQ 1_0 \* Arabic \n9982     COMMISSIONER LANGFORD:  Right.

SEQ 1_0 \* Arabic \n9983     MR. HUNSPERGER:  And they play a mixture of songs trying to reach as many people as possible, but when you notice our Ipsos Reid survey, they're reaching at the most ‑‑ 4 per cent of who were surveyed said they listened to their station and 27 per cent said they want our kind of programming, which is something that we experienced as well when we first started in this genre back in 1994, where we tried to think that we could play a southern gospel song and a contemporary song and a teenager's song and a praise and worship song and we would try and encompass as many peole as possible.

SEQ 1_0 \* Arabic \n9984     And to be honest with you, it works the reverse against you.

SEQ 1_0 \* Arabic \n9985     Now, what happens is when you are playing a contemporary song and then you go into a southern gospel song, or you try to mix the music in this thinking that you're reaching as many people as possible, you're really turning off more people than you're gaining and, consequently, people will not listen to it.


SEQ 1_0 \* Arabic \n9986     Because, for example, a southern gospel music person after he hears his song, he's all excited, then a contemporary song comes on or a rock type Top 40 song comes on and he just goes ballistic.

SEQ 1_0 \* Arabic \n9987     So, we've found that really what we're doing is narrow casting versus broadcasting.  We stick to a format that's going to reach the most people possible within that market and stick with that as much as possible.

SEQ 1_0 \* Arabic \n9988     COMMISSIONER LANGFORD:  So, what you're telling me is you've learned a valuable lesson from your mistakes.

SEQ 1_0 \* Arabic \n9989     Now, we have the previous owner of Spirit who's had five hard years and perhaps would have learned the lesson, but his health is failing, so he's going to hand it over to a very experienced broadcaster, assuming we accept that.

SEQ 1_0 \* Arabic \n9990     MR. HUNSPERGER:  Mm‑hmm.

SEQ 1_0 \* Arabic \n9991     COMMISSIONER LANGFORD:  And let's go on that assumption, otherwise the questions are just so hypothetical as to make no sense.

SEQ 1_0 \* Arabic \n9992     MR. HUNSPERGER:  Certainly.


SEQ 1_0 \* Arabic \n9993     COMMISSIONER LANGFORD:  So, based on the hypothetical ‑‑ on the one hypothetical that we approve the experienced Mr. Hildebrand to step in and to run this station, why would we then ‑‑ before he's barely got his, you know, golashes off, his coat off and settled down behind the desk to try to figure out what to do with this ‑‑ why would we then license another player to come in and to eseentially say, okay, you've sub‑divided it but you're still appealing to the same audience type.

SEQ 1_0 \* Arabic \n9994     And as evidence of that I would point to the spoken word brokered programming, you're both after exactly the same programs.

SEQ 1_0 \* Arabic \n9995     MR. HUNSPERGER:  Mm‑hmm.

SEQ 1_0 \* Arabic \n9996     COMMISSIONER LANGFORD:  So, you're obviously after the same market type.  You know, in classical music, one may prefer Beethoven over Mozart, but there's still a limited pool of subscribers or listeners out there who want classical music period.

SEQ 1_0 \* Arabic \n9997     So, essentially you're saying, before Mr. Hildebrand even get his golashes off and loosens his tie and rolls up his sleeve and tries to figure out how to turn this thing around, let us in there so we can eat his lunch.

SEQ 1_0 \* Arabic \n9998     Why would we do that?

SEQ 1_0 \* Arabic \n9999     MR. HUNSPERGER:  Well, sir, let's take the example of your spoken word that you just brought up.

SEQ 1_0 \* Arabic \n10000     COMMISSIONER LANGFORD:  Right.


SEQ 1_0 \* Arabic \n10001     MR. HUNSPERGER:  We are not going to take his audience, we are going to add a brand new audience, and I'll give Calgary as an example.

SEQ 1_0 \* Arabic \n10002     Mr. Hildebrand was in the Calgary market with his High River station playing Focus on the Family, for example, and then Shine‑FM came on air here in Calgary and we put on Focus on the Family.

SEQ 1_0 \* Arabic \n10003     When we talked to the agency, the agency said, we do not have any additional money because we're already giving it to High River and whatever, however, if you want to accept our program on a shared basis we would go for that, shared basis meaning that the money that comes in to the spoken work program, they track it very carefully and whatever with the postal codes and whatever, and then they would give 50 per cent of what came to them, they would pay us for the airtime with that amount.

SEQ 1_0 \* Arabic \n10004     When we started to do that, within a very short period of time ‑‑ and I'm sure exactly but I think it was three to four months ‑‑ the agency then called us up and said, whoa, can we get into a contract, because what has happened is we have now given them a brand new, another audience and we then got in a contract without hurting the contract of the High River station with Mr. Hildebrand.


SEQ 1_0 \* Arabic \n10005     So, what happens is you're looking at it, and I can understand your perspective in some ways, you're looking at it that there's just this one little niche group of people that listen to gospel music and the two ‑‑ you know, and if you come in with something else you're going to divide that group.

SEQ 1_0 \* Arabic \n10006     No.  We believe that we create a brand new group and in the same way that we've done in Edmonton, and hopefully we'll have the opportunity in Calgary, there is more people that want to listen to more of their kind of music and it doesn't destroy one to help another.

SEQ 1_0 \* Arabic \n10007     COMMISSIONER LANGFORD:  Well, it's an argument and I'm noting it.

SEQ 1_0 \* Arabic \n10008     I guess we better move on a little.  A little more on the music.  You call it contemporary gospel and you gave us a very useful bit of tuition on gospel music on Tuesday last and said on page 2 of your introductory remarks on Tuesday, the following:


"While CJCA became quite popular with Edmonton audiences, we found fairly quickly that there are really two audiences for gospel music, those who prefer contemporary gospel and those who prefer southern gospel.  Generally those who like one really don't like the other.  Those who prefer the more contemporary sound are younger, while the fans of the older style tend to be over 45.  So, a station trying to play both kinds of music is sort of like a station playing both alternative rock and big band."  (As read)

SEQ 1_0 \* Arabic \n10009     So, I took that lesson to heart and, obviously, you are following your own advice to a certain extent, but I have a question arising from page 9 of the Ipsos Reid survey which says:

"Respondents were read the following description of Touch Canada Broadcasting's proposed music station."  (As read)

SEQ 1_0 \* Arabic \n10010     And the description begins:

"This station would be a full power FM station specializing in contemporary Christian music from performers like..."  (As read)


SEQ 1_0 \* Arabic \n10011     And it lists some performers.  Then it says:

"Specialty music programs such as Gospel Greats and...",  (As read)

Well it says 'gather' there, I don't know whether that should be gather, but it says:

"Gather Homecoming Radio...",  (As read)

Oh, that's the gentleman you talked about, Gather, that's right.  I thought it was some sort of gather ‑‑ well, you know, gather 'round, sort of biblical reference.

SEQ 1_0 \* Arabic \n10012     MR. HUNSPERGER:  Bill Gather is what it is.

SEQ 1_0 \* Arabic \n10013     COMMISSIONER LANGFORD:  Yes.  Well, I suppose there's as much chance of a regulator getting into heaven as a camel going through the eye of a needle after this one but, anyway...

‑‑‑ Laughter/Rire

SEQ 1_0 \* Arabic \n10014     COMMISSIONER LANGFORD:  My advice to my colleagues is ask no questions and I'll destroy myself and there'll be hope for you.


SEQ 1_0 \* Arabic \n10015     So, my question is obvious, I hope.  Why are you doing a mix here, what appears to be a mix, at least on weekends?

SEQ 1_0 \* Arabic \n10016     MR. HUNSPERGER:  Yes.  I'm going to ask Mr. Hunt to answer that because I want to incorporate our panel here as much as possible in this presentation.

SEQ 1_0 \* Arabic \n10017     MR. HUNT:  Well, basically the reason for that is simply to model what we're doing in Calgary.

SEQ 1_0 \* Arabic \n10018     Basically in Calgary at present we have one single station, which is why we are proposing to bring in the AM station here so that we can basically take that off of our FM and put it onto our AM.

SEQ 1_0 \* Arabic \n10019     In a market where that particular segment of the audience isn't being serviced, the older demographic, we do provide ‑‑ and it's a small part, I might add, like the programs that we're talking about are ‑‑ one's a couple of hours and the other one is just a single hour, so I mean it's not spreading that music through the rest of the format, it is definite block programming on the weekend.


SEQ 1_0 \* Arabic \n10020     MR. HUNSPERGER:  If I could also say this, Commissioner, that we usually put Gospel Greats on at Saturday nights from eight o'clock to 10 o'clock at night and then early Sunday morning, something like anywhere from six o'clock to eight o'clock, or seven o'clock to nine o'clock.

SEQ 1_0 \* Arabic \n10021     And so what we're doing is we're playing to the people 45 plus who are usually maybe listening to radio on Saturday night, where the younger demographic isn't and, obviously, Sunday morning, the younger demographic isn't listening.

SEQ 1_0 \* Arabic \n10022     So, that's where we put those programs.

SEQ 1_0 \* Arabic \n10023     COMMISSIONER LANGFORD:  Okay.  And it doesn't occur to you that it might be just a better idea to leave those with Spirit, if it's more in keeping with ‑‑ how would you characterize Spirit's programming?

SEQ 1_0 \* Arabic \n10024     MR. HUNSPERGER:  I'm sorry.  If we were in the same market, we would be more than happy to cooperate with Spirit, so one would play ‑‑ one would play southern gospel music, one would play contemporary, and we would be prepared to do whatever if that came to that kind of scenario.

SEQ 1_0 \* Arabic \n10025     COMMISSIONER LANGFORD:  There's something I'm not getting here, so I've got to go back to it.

SEQ 1_0 \* Arabic \n10026     MR. HUNSPERGER:  Okay.


SEQ 1_0 \* Arabic \n10027     COMMISSIONER LANGFORD:  You said it again, if we were in the same market.  Where is ‑‑ aren't you both in Lethbridge?

SEQ 1_0 \* Arabic \n10028     Am I missing a fundamental element in this application?  Why do you say you're not in the same market?

SEQ 1_0 \* Arabic \n10029     MR. HUNSPERGER:  Hmm, I'm sorry, you're right, that was a wrong ‑‑

SEQ 1_0 \* Arabic \n10030     COMMISSIONER LANGFORD:  Okay.

SEQ 1_0 \* Arabic \n10031     MR. HUNSPERGER:  ‑‑ words to come out of my mouth.

SEQ 1_0 \* Arabic \n10032     COMMISSIONER LANGFORD:  You don't have to say I'm right.  If I'm wrong, you can tell me.  I'm a big boy and I can take it.

SEQ 1_0 \* Arabic \n10033     MR. HUNSPERGER:  No, no, you're right, we are in the same market.

SEQ 1_0 \* Arabic \n10034     COMMISSIONER LANGFORD:  So, if you're in the same market, what music are they doing ‑‑ you've listened to them, clearly.

SEQ 1_0 \* Arabic \n10035     MR. HUNSPERGER:  It's a mixture.

SEQ 1_0 \* Arabic \n10036     COMMISSIONER LANGFORD:  Of...?

SEQ 1_0 \* Arabic \n10037     MR. HUNSPERGER:  Gospel music.

SEQ 1_0 \* Arabic \n10038     COMMISSIONER LANGFORD:  So, contemporary and southern?


SEQ 1_0 \* Arabic \n10039     MR. HUNSPERGER:  Contemporary, they have western, they have easy listening, they have some southern gospel ‑‑

SEQ 1_0 \* Arabic \n10040     COMMISSIONER LANGFORD:  Easy listening religion?  Easy listening religious?

SEQ 1_0 \* Arabic \n10041     MR. HUNSPERGER:  Easy listening, yeah, which means it's a more softer contemporary type song, more on the realm of a praise and worship.

SEQ 1_0 \* Arabic \n10042     COMMISSIONER LANGFORD:  I beg your pardon, could you repeat that?

SEQ 1_0 \* Arabic \n10043     MR. HUNSPERGER:  More on the realm of music that we call praise and worship which is a softer...

SEQ 1_0 \* Arabic \n10044     COMMISSIONER LANGFORD:  Praise and worship.

SEQ 1_0 \* Arabic \n10045     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10046     COMMISSIONER LANGFORD:  Right, we ran into some of that in Kitchener, I think.

SEQ 1_0 \* Arabic \n10047     Okay.  So, you are in the same market?

SEQ 1_0 \* Arabic \n10048     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10049     COMMISSIONER LANGFORD:  And you are playing essentially to the same belief group, could I put it that way?

SEQ 1_0 \* Arabic \n10050     MR. HUNSPERGER:  No ‑‑ well, yes and no.  See, we believe ‑‑


SEQ 1_0 \* Arabic \n10051     COMMISSIONER LANGFORD:  You haven't got a lot of people at work sitting around listening to southern gospel, because isn't this for Christians; this stuff?

SEQ 1_0 \* Arabic \n10052     MR. HUNSPERGER:  No.

SEQ 1_0 \* Arabic \n10053     COMMISSIONER LANGFORD:  No?

SEQ 1_0 \* Arabic \n10054     MR. HUNSPERGER:  It's not.  It's for anybody, it's for everybody.

SEQ 1_0 \* Arabic \n10055     We have people who we believe ‑‑ and this is just through our questioning people, people calling up and whatever ‑‑ we believe that 60 per cent of our audience attend no church, are not religious.

SEQ 1_0 \* Arabic \n10056     I'll give you an example.  A young mother called into our station who told the one who answered the phone, I'm not a religious person, I don't go to church or anything like that, but I'm listening to your Shine‑FM and will be listening from now on.

SEQ 1_0 \* Arabic \n10057     She was driving down the road in her family van and she looked in her rear view mirror and she noticed her four‑year‑old daughter singing the words with Britney Spears "I get down on you, you get down on me", and the mother's going, oh my God, what is my little girl singing?

SEQ 1_0 \* Arabic \n10058     And she flipped over to Shine‑FM and she's been with us ever since.


SEQ 1_0 \* Arabic \n10059     So, that's a large part of our listening audience.

SEQ 1_0 \* Arabic \n10060     COMMISSIONER LANGFORD:  Well, about a year from now her little girl's going to go to school, I've got to tell you, she's going to lose that site in a big hurry but, you know, good on her for trying anyway.

SEQ 1_0 \* Arabic \n10061     Okay.  I think I've made my point.  I think I've given you my concern on that.  It doesn't seem ‑‑ you know, when I look at your own feasibility study and I look at page 6 and I look at people talking about their ‑‑ responding to which one station is your favoured, that is the one you listen to most often, and Spirit‑FM Lethbridge religious is at one per cent.

SEQ 1_0 \* Arabic \n10062     So, at least to me, that's an argument that that isn't a really, really big listener pool.  Maybe you'll be able to push it up a little, but even if you push it up to five, you'll have four of the five and Spirit is going to be in pretty rough shape.


SEQ 1_0 \* Arabic \n10063     And it's difficult for me to understand why someone would come in with an application to a reasonably small market and focus the cross‑hairs right on one of the existing players and a struggling player.  This isn't Rogers we're talking about, you know, they're pretty nimble and they can change their formats and whatnot, Spirit can't change its format, and it just seems odd to me that that's the one market you would choose.

SEQ 1_0 \* Arabic \n10064     I found that ‑‑ I have to tell you, I find that strange, but we'll carry on.  Not so strange that I'm saying, go away, you can't give your application, but I do find it strange.

SEQ 1_0 \* Arabic \n10065     You know, we list things like diversity and the health of the market very clearly in the PNs we put out for radio calls, and this doesn't seem to me to be adding a lot of diversity, it seems to me ‑‑ I would characterize it as a kind of theme and variation of the theme being religious or family, you know, safe kind of programming, type of programming that appeals to the woman you just told us about, and then we just have variations on that theme.

SEQ 1_0 \* Arabic \n10066     Some are a little more southern or a little more dated and others are a little more contemporary, but I don't know how big the pool is for you all to fish from.

SEQ 1_0 \* Arabic \n10067     MR. HUNSPERGER:  Well, we believe it's large enough for both to exist.  We, first of all, have our successful model up in Edmonton, two stations in the market.  We believe two stations in the market can exist here in Calgary and we believe especially in Lethbridge.


SEQ 1_0 \* Arabic \n10068     Lethbridge is probably, if there's any city in this province that's tuned in to this kind of genre, it would be Lethbridge which was the home of Canada's first regilious Christian television station.

SEQ 1_0 \* Arabic \n10069     COMMISSIONER LANGFORD:  I must remember that very well.

SEQ 1_0 \* Arabic \n10070     MR. HUNSPERGER:  Yes, absolutely.  So, you know ‑‑ I mean, even in Spirit's application they even said that, you know, Lethbridge is the Bible belt of Alberta and that is very, very true.

SEQ 1_0 \* Arabic \n10071     And I have lived here ‑‑

SEQ 1_0 \* Arabic \n10072     COMMISSIONER LANGFORD:  A lot of people must be using suspenders because they're not listening right now to Spirit.

SEQ 1_0 \* Arabic \n10073     How big is ‑‑ remind me what the population of Lethbridge is.

SEQ 1_0 \* Arabic \n10074     MR. HUNSPERGER:  Well, Lethbridge is 77,000 approximately according to Lethbridge, but the outlining area, the trading area according to one of the websites is 275,000 as a trading area, which means people coming into Lethbridge to do business.

SEQ 1_0 \* Arabic \n10075     COMMISSIONER LANGFORD:  But your core audience is under a hundred thousand and you're making analogies to places like Calgary where you've got well over a million and they're growing like topsy.


SEQ 1_0 \* Arabic \n10076     MR. HUNSPERGER:  Mm‑hmm.

SEQ 1_0 \* Arabic \n10077     COMMISSIONER LANGFORD:  So, you know, it's ‑‑ I'll leave it to my financial analysts on the Panel, you know, to advise as how that might break down, but it does seem to me to be at least questionable as to whether you can make that analogy.

SEQ 1_0 \* Arabic \n10078     MR. HUNSPERGER:  Mm‑hmm.

SEQ 1_0 \* Arabic \n10079     COMMISSIONER LANGFORD:  One other question on that.  How much American gospel or religious or Christian‑type music can be heard down there in Lethbridge on a given day; do you have any idea?

SEQ 1_0 \* Arabic \n10080     MR. HUNSPERGER:  No, I don't.

SEQ 1_0 \* Arabic \n10081     COMMISSIONER LANGFORD:  Because the last time I did any driving down in that area there was a lot of it available, especially on AM, big stations booming out across the short grass country down there.

SEQ 1_0 \* Arabic \n10082     Okay.  Well, I had a lot of questions about your statistics and I don't want to drag you through it.

SEQ 1_0 \* Arabic \n10083     One thing I want to make sure of, there were no hand‑picked respondents in this survey; were there?

SEQ 1_0 \* Arabic \n10084     MR. HUNSPERGER:  No, sir.


SEQ 1_0 \* Arabic \n10085     COMMISSIONER LANGFORD:  That's good.  I looked at your analysis saying that ‑‑ on page 9 of your survey you say that 34 per cent of women and 19 per cent of men would listen, and you rounded that to 27 per cent.  I made it 26.5, but I won't quibble.

SEQ 1_0 \* Arabic \n10086     So then you said on page 10, 59 per cent of that 26.5 or 27 per cent who said they would listen, said they would listen more than once a month.

SEQ 1_0 \* Arabic \n10087     And then you go down ‑‑ so that's a little over half, almost 60 per cent of 27 per cent would listen more than once a month.

SEQ 1_0 \* Arabic \n10088     And then we go to page 11 and you start to narrow that down and you get 49 per cent, let's call it half of the 27 per cent said they would listen less than one hour daily.

SEQ 1_0 \* Arabic \n10089     And then in your supplementary brief or somewhere ‑‑ sorry, there's too much paper here ‑‑ but somewhere you indicated later saying that, well, that meant that, you know, 50 per cent would listen more than one hour daily.

SEQ 1_0 \* Arabic \n10090     But when I dug into your statistics I saw that really of the 50 per cent who would listen more, a full 38 per cent would only listen between one and two hours and then it drops off precipitously to, you know, two per cent here, one per cent there, three per cent there, whatever, a very small amount.


SEQ 1_0 \* Arabic \n10091     So, it seems to me to recap what we have here is 13 per cent said they would listen less than an hour daily, and around 10 per cent said they would listen one to two hours, and then there were a few that would listen more.

SEQ 1_0 \* Arabic \n10092     Is that enough to build a business plan on?

SEQ 1_0 \* Arabic \n10093     I find all of that information on pages 9, 10 and 11 of your Ipsos Reid survey.

SEQ 1_0 \* Arabic \n10094     MR. HUNSPERGER:  Well, okay.  First of all, you were saying once a month and you meant once a week; right?

SEQ 1_0 \* Arabic \n10095     COMMISSIONER LANGFORD:  Let me go to page 10 and find out what I did mean.

SEQ 1_0 \* Arabic \n10096     Once a week, yes.  Good, well that's healthier, yes.  Thank you very much.  I apologize for that.  Once a week, right, okay.  Sorry.

SEQ 1_0 \* Arabic \n10097     MR. HUNSPERGER:  Well, first of all, you know, according to Ipsos Reid, they're saying that one in four, 27 per cent, report that they would listen to the station, most of that being female which is aligned with what we're experiencing in Calgary and Edmonton.

SEQ 1_0 \* Arabic \n10098     COMMISSIONER LANGFORD:  Right.


SEQ 1_0 \* Arabic \n10099     MR. HUNSPERGER:  And then of those respondents, they said that six out of 10, or 59 per cent say they would listen more than once a week and 11 per cent said they would listen, you know, less than once a week, right?

SEQ 1_0 \* Arabic \n10100     And then 49 per cent said that they would listen to the new station for less than an hour, and 50 per cent said that they would listen to one to seven hours per day.

SEQ 1_0 \* Arabic \n10101     COMMISSIONER LANGFORD:  Yes, but that's a little misleading, that one to seven statement, quite frankly.  And, if I were you, I'd have a word with Ipsos on that.  It's a little too positive.

SEQ 1_0 \* Arabic \n10102     Because once you break down that one to seven, as you see on page 11 of this study, 38 per cent of it is just between one and two, and those who would listen up to seven hours are 3 per cent only.  So, it falls off precipitously.

SEQ 1_0 \* Arabic \n10103     I mean, so you're core core here, you've got 49 per cent of your ‑‑ you know, basically half of your possible listeners would listen less than an hour a week ‑‑ sorry, less than an hour a day, I keep doing that to you ‑‑ less than an hour a day and 38 per cent would listen somewhere between an hour and two hours, and after that the numbers are negligible.


SEQ 1_0 \* Arabic \n10104     And I'm asking you if that's enough to build a business case and if you could explain why it's enough.

SEQ 1_0 \* Arabic \n10105     MR. HUNSPERGER:  Well, as we ‑‑ can I confer with...

SEQ 1_0 \* Arabic \n10106     COMMISSIONER LANGFORD:  Absolutely.

SEQ 1_0 \* Arabic \n10107     MR. HUNSPERGER:  Thank you.

‑‑‑ Pause

SEQ 1_0 \* Arabic \n10108     MR. HUNSPERGER:  Well, I'll tell you what I'm going to do in next hearings is I'm going to have a member of the Ipsos Reid people here to help us out on this.

SEQ 1_0 \* Arabic \n10109     COMMISSIONER LANGFORD:  Yeah.

SEQ 1_0 \* Arabic \n10110     MR. HUNSPERGER:  But, you know, I guess what I understood what Ipsos Reid did was take the total of all those others and halve it to say that 50 per cent said they would listen to anywhere from one to seven hours per day, and they're taking the 38 per cent that said one to two and adding the four and the five ‑‑

SEQ 1_0 \* Arabic \n10111     COMMISSIONER LANGFORD:  Sure.

SEQ 1_0 \* Arabic \n10112     MR. HUNSPERGER:  ‑‑ and the three.


SEQ 1_0 \* Arabic \n10113     COMMISSIONER LANGFORD:  But it's very misleading, wouldn't you agree?  I mean, because ‑‑ and I'm not accusing you of being misleading, I'm saying this is misleading to put it that way, it sounds very positive for Ipsos Reid to put it this way  ‑‑ but, in fact, what we have here, when you really break it down, but for, you know, a four per cent that would listen over two hours and a five per cent that would listen three to five, and a three per cent, those small numbers.

SEQ 1_0 \* Arabic \n10114     If you leave those aside, what you're dealing with here is, you know, kind of 50 per cent of ‑‑ and I'm using rounded numbers ‑‑ 50 per cent of the 26.5 per cent who said they'd listen, will listen for less than an hour a day.

SEQ 1_0 \* Arabic \n10115     And 38 per cent of the 26.5 per cent would listen for somewhere between one and two hours,  and those are just rough reactions, I mean, we don't know.  On the plus side, they may get hooked by it and listen like crazy; but, on the other side, you know, they might have just wanted to be nice to the polling lady and get off the phone so they can get back to, you know, the ball game or whatever they were watching.


SEQ 1_0 \* Arabic \n10116     Anyway, to me, when I look at these, I just wonder what encouraged you to make your business plan based on that, and then when I take into effect as well that there's another player already in the market, if not playing the same stuff, still trying to appeal to the same audience and that player will, you know, possibly be rejuvenated by new management and new ownership, it does seem to me a very small pool.

SEQ 1_0 \* Arabic \n10117     MR. HUNSPERGER:  Mm‑hmm.

SEQ 1_0 \* Arabic \n10118     COMMISSIONER LANGFORD:  Now, you may be able to convince them and bring them around, but it would seem to me that ‑‑ you know, I'm just a bit startled at your business case based on these numbers so small, quite frankly.

SEQ 1_0 \* Arabic \n10119     MR. HUNSPERGER:  We've always had a problem with this because of the newness of our genre.

SEQ 1_0 \* Arabic \n10120     COMMISSIONER LANGFORD:  Mm‑hmm.

SEQ 1_0 \* Arabic \n10121     MR. HUNSPERGER:  I mean, we can tell you that when we started in this business in '94 it was very difficult for people to really enjoy the station because we had the disadvantage that our music was so new that people couldn't hum to the song or whistle to the song or tap their foot to the song or whatever because they didn't recognize the song, they didn't recognize the artist, it was all new.

SEQ 1_0 \* Arabic \n10122     COMMISSIONER LANGFORD:  Mm‑hmm.


SEQ 1_0 \* Arabic \n10123     MR. HUNSPERGER:  And we find that it does start to ramp up in about the third month that we're on the air, where people who are starting to listen, start talking to people, they start getting familiar with the songs and whatever, and then they start listening to the artists and away it goes.

SEQ 1_0 \* Arabic \n10124     And this was an incredible learning curve for us when we started in Edmonton.  We struggled with this, and we struggled for probably the first five years in that whole aspect of trying to get the listening audience.

SEQ 1_0 \* Arabic \n10125     When you tell people ‑‑ when you do a random call and say, would you listen to this kind of music, most of them really don't know who the artist is.  I mean, when I would ask ‑‑ when we ask sometimes people questions and they say they're familiar what gospel music meant and we tell them, okay, tell us who is your favourite artist, they'll talk to us about somebody like Amy Grant.

SEQ 1_0 \* Arabic \n10126     Well, Amy Grant hasn't been on the charts in contemporary gospel music for years, and even though she married Vince Gill and once in a while you see her on television and whatever, she's not played on our radio station.

SEQ 1_0 \* Arabic \n10127     So, a lot of the people have a difficult time understanding who the artist is.  And then, of course, once we get on the air and start playing them, we start seeing a loyal audience and they start doing business with our advertisers.


SEQ 1_0 \* Arabic \n10128     COMMISSIONER LANGFORD:  I take your point and you're the experts on this and it's a slow grind, is what you're telling me, you've got to educate them right from the get‑go because you're not coming on there with the tried and true.

SEQ 1_0 \* Arabic \n10129     And yet ‑‑ and I want to get to these in detail just a tiny bit later ‑‑ you filed some new numbers with us today which you made reference to in your opening remarks which show that you're going to be into the black faster than your own numbers, substantially faster.

SEQ 1_0 \* Arabic \n10130     And so, yeah, we'll get to that, and your own numbers saw you not getting to the black until year four and this one has you not getting to the black in year four either, but you're so close in year three you might as well be, we're just talking a few hundred dollars.

SEQ 1_0 \* Arabic \n10131     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10132     COMMISSIONER LANGFORD:  So, that's a big change, the losses are ‑‑ the expected losses are much, much, much more reduced than before and, yet, on the other hand you're telling me that this is a tough sale, it's tough slogging and there's a big educational curve before they come on.


SEQ 1_0 \* Arabic \n10133     So, I find that a little contradictory.  But, listen, you know, you're the pros on this, I'm just here to probe and to make sure I understand what you're saying.

SEQ 1_0 \* Arabic \n10134     MR. HUNSPERGER:  I appreciate it.  By the way, if I could just mention ‑‑

SEQ 1_0 \* Arabic \n10135     COMMISSIONER LANGFORD:  Sure.

SEQ 1_0 \* Arabic \n10136     MR. HUNSPERGER:  ‑‑ I have had experience in selling in Lethbridge because when I did bring on the Christian television station, we did go around and meet with the various people.

SEQ 1_0 \* Arabic \n10137     And even though the Christian station was not a commercial station, we had to be a bit creative to try to get funding in to help that first year to make it happen because they weren't on satellite and all the things that they're doing now.

SEQ 1_0 \* Arabic \n10138     And I got to go around and meet with the car dealers, the restaurant people.  Because I was general manager and we had a small staff, I was doing most of the selling even myself and, you know, the beautiful thing is that in a small market like Lethbridge everybody knows everybody.


SEQ 1_0 \* Arabic \n10139     And in some ways it's easier because the car dealer does know how huge of a market there is with people that attend church or are in that kind of segment and he wants his business to be known among those people, some of them are ranchers, farmers, et cetera, et cetera, and it's much easier to convince him to start putting some money towards this than it is when you're in Calgary or Edmonton and somebody has no clue and it's a larger community and people don't have that connection that a small community has.

SEQ 1_0 \* Arabic \n10140     I mean, we had car dealers, restaurants, hotels, the funeral home, even the Harley‑Davidson dealer and they all know that in a smaller market in that respect.

SEQ 1_0 \* Arabic \n10141     COMMISSIONER LANGFORD:  Well, you'll be fishers of advertisers, that's what you'll be.

SEQ 1_0 \* Arabic \n10142     Last question on music.  You've indicated in your written submissions that you would accept a COL to be one hundred per cent category 35, non‑classic religious.

SEQ 1_0 \* Arabic \n10143     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10144     COMMISSIONER LANGFORD:  Then I assume you would accept the standard 95, we like to give people a little leeway so they don't have to worry if they make a mistake here or there.

SEQ 1_0 \* Arabic \n10145     So, would you accept the standard 95 per cent of your music to draw from category 35 non‑classic religious as a condition of licence?

SEQ 1_0 \* Arabic \n10146     MR. HUNSPERGER:  Absolutely.


SEQ 1_0 \* Arabic \n10147     COMMISSIONER LANGFORD:  Great.  Thank you.

SEQ 1_0 \* Arabic \n10148     I'll try and be a little quicker now.  I'm sorry to have gone on so long, but it does seem to me that underlying this application is this fundamental problem of market and diversity.

SEQ 1_0 \* Arabic \n10149     Spoken word, if I read it correctly, you're agreeing to 35.17 hours weekly.  I believe that's what you agreed to in Calgary too, but there's been so many applications have flowed under the bridge then that I can't remember since then.

SEQ 1_0 \* Arabic \n10150     Let's deal ‑‑ let's break it down.  As I see it, news, weather and sports is 7.17 hours; have I got that correct?

SEQ 1_0 \* Arabic \n10151     MR. HUNSPERGER:  Yes, sir.

SEQ 1_0 \* Arabic \n10152     COMMISSIONER LANGFORD:  Could you tell me how much for news alone?  Have you done that breakdown?

SEQ 1_0 \* Arabic \n10153     Can't be a lot of traffic going down in Lethbridge.  I don't know.

SEQ 1_0 \* Arabic \n10154     MR. HUNT:  It would be the 5.3 hours would be ‑‑

SEQ 1_0 \* Arabic \n10155     COMMISSIONER LANGFORD:  5.3 for news alone?

SEQ 1_0 \* Arabic \n10156     MR. HUNSPERGER:  Yeah.  That's local content.


SEQ 1_0 \* Arabic \n10157     COMMISSIONER LANGFORD:  All local content?

SEQ 1_0 \* Arabic \n10158     MR. HUNSPERGER:  Well, it says, 5.3 hours will be devoted to the local content of the news, weather, sports.

SEQ 1_0 \* Arabic \n10159     COMMISSIONER LANGFORD:  Local content of news?

SEQ 1_0 \* Arabic \n10160     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10161     COMMISSIONER LANGFORD:  So, there could be on top of that a bit of national/international as well?

SEQ 1_0 \* Arabic \n10162     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10163     COMMISSIONER LANGFORD:  Okay.  Local content, plus somewhere between 5.3 and 7.17 you're going to squeeze in some national/international, weather and sports?

SEQ 1_0 \* Arabic \n10164     MR. HUNSPERGER:  We have a sample if you'd like to hear it.

SEQ 1_0 \* Arabic \n10165     COMMISSIONER LANGFORD:  Sure.

SEQ 1_0 \* Arabic \n10166     MR. HUNSPERGER:  Okay.

SEQ 1_0 \* Arabic \n10167     COMMISSIONER LANGFORD:  Will it be audible to everybody in the room?

SEQ 1_0 \* Arabic \n10168     MR. HUNSPERGER:  Yes, sir.

SEQ 1_0 \* Arabic \n10169     COMMISSIONER LANGFORD:  Not the whole seven minutes, please.


‑‑‑ Video presentation

SEQ 1_0 \* Arabic \n10170     COMMISSIONER LANGFORD:  I think that gives me a picture.  Thank you very much.

SEQ 1_0 \* Arabic \n10171     Perhaps I could just work with that for a moment.  How often would we hear something like that Monday to Friday on the station?

SEQ 1_0 \* Arabic \n10172     MR. HUNT:  Well, we propose to have our top and bottom news during our morning drive and we also play top hour newscasts at two, three, four and five o'clock during the afternoon.

SEQ 1_0 \* Arabic \n10173     COMMISSIONER LANGFORD:  Okay.  So, just give me the hours of your morning drive so I'll have the specifics.

SEQ 1_0 \* Arabic \n10174     MR. HUNT:  6:00 to 9:00 a.m.

SEQ 1_0 \* Arabic \n10175     COMMISSIONER LANGFORD:  6:00 to 9:00, you do it on the hour and half hour?

SEQ 1_0 \* Arabic \n10176     MR. HUNT:  Yes.

SEQ 1_0 \* Arabic \n10177     COMMISSIONER LANGFORD:  Same length?

SEQ 1_0 \* Arabic \n10178     MR. HUNT:  The bottom hour would be slightly shorter, but...

SEQ 1_0 \* Arabic \n10179     COMMISSIONER LANGFORD:  Okay.  Then two, three, four, five and six; is that what you said?

SEQ 1_0 \* Arabic \n10180     MR. HUNT:  Correct.

SEQ 1_0 \* Arabic \n10181     COMMISSIONER LANGFORD:  On the top?

SEQ 1_0 \* Arabic \n10182     MR. HUNT:  Yeah.


SEQ 1_0 \* Arabic \n10183     COMMISSIONER LANGFORD:  And nothing after that?

SEQ 1_0 \* Arabic \n10184     MR. HUNT:  No.

SEQ 1_0 \* Arabic \n10185     COMMISSIONER LANGFORD:  And on weekends?

SEQ 1_0 \* Arabic \n10186     MR. HUNT:  We generally haven't done a lot of news on the weekends.

SEQ 1_0 \* Arabic \n10187     COMMISSIONER LANGFORD:  Okay.  Now, this ‑‑ assuming this is a typical newscast, I mean, I'm not going to hold you, you can't only do it this way, but you had a sort of terror in Iraq story, you had an Olympics story, Mexican murder story, and then you went to the local news.

SEQ 1_0 \* Arabic \n10188     Where would these stories come from?

SEQ 1_0 \* Arabic \n10189     MR. HUNT:  From Radio News.

SEQ 1_0 \* Arabic \n10190     COMMISSIONER LANGFORD:  From where, sorry?

SEQ 1_0 \* Arabic \n10191     MR. HUNT:  The service, Radio News Broadcasting.

SEQ 1_0 \* Arabic \n10192     COMMISSIONER LANGFORD:  That's the one that's spelled strangely with capitals all over the place and stuff?

SEQ 1_0 \* Arabic \n10193     MR. HUNT:  Yeah.


SEQ 1_0 \* Arabic \n10194     COMMISSIONER LANGFORD:  RaDiO News Service, generally one word sort of thing; is that correct?

SEQ 1_0 \* Arabic \n10195     MR. HUNT:  His name is Steve Rae.

SEQ 1_0 \* Arabic \n10196     COMMISSIONER LANGFORD:  Okay.  And what is that service?  We talked about it before, but sorry, I just can't keep all the pieces in my brain from last week.

SEQ 1_0 \* Arabic \n10197     MR. HUNT:  It's a network news service out of Canada.

SEQ 1_0 \* Arabic \n10198     COMMISSIONER LANGFORD:  Who owns it?

SEQ 1_0 \* Arabic \n10199     MR. HUNT:  Steve Rae.

SEQ 1_0 \* Arabic \n10200     COMMISSIONER LANGFORD:  Steve Rae.

SEQ 1_0 \* Arabic \n10201     MR. HUNT:  Mm‑hmm, out of Ottawa.

SEQ 1_0 \* Arabic \n10202     COMMISSIONER LANGFORD:  And are you affiliated with Steve Rae?

SEQ 1_0 \* Arabic \n10203     MR. HUNT:  Other than we buy his service, yes.

SEQ 1_0 \* Arabic \n10204     COMMISSIONER LANGFORD:  Where is he located?

SEQ 1_0 \* Arabic \n10205     MR. HUNT:  Ottawa.

SEQ 1_0 \* Arabic \n10206     COMMISSIONER LANGFORD:  Okay.  So, he'd prepare these from whatever sources, maybe run and get you a quip from some politician ‑‑

SEQ 1_0 \* Arabic \n10207     MR. HUNT:  Mm‑hmm.


SEQ 1_0 \* Arabic \n10208     COMMISSIONER LANGFORD:  ‑‑ if you needed one.  And he'd sell you the top of every news hour, essentially, that would be his package?

SEQ 1_0 \* Arabic \n10209     MR. HUNT:  It's a package that we purchase.

SEQ 1_0 \* Arabic \n10210     COMMISSIONER LANGFORD:  Okay.  So, now we go to the local section.

SEQ 1_0 \* Arabic \n10211     MR. HUNT:  Mm‑hmm.

SEQ 1_0 \* Arabic \n10212     COMMISSIONER LANGFORD:  I didn't do any timing there, but can you give me a sense of how long a kind of average local section might run?

SEQ 1_0 \* Arabic \n10213     MR. HUNT:  That was about four and a half minutes in total.

SEQ 1_0 \* Arabic \n10214     COMMISSIONER LANGFORD:  Total.  So the top was about a minute and a half or something like that?

SEQ 1_0 \* Arabic \n10215     MR. HUNT:  Correct, and the balance is local.

SEQ 1_0 \* Arabic \n10216     COMMISSIONER LANGFORD:  Okay.  All right.  So, you're dealing with three minutes of local.

SEQ 1_0 \* Arabic \n10217     MR. HUNT:  Mm‑hmm.

SEQ 1_0 \* Arabic \n10218     COMMISSIONER LANGFORD:  So, how are you going to prepare that?

SEQ 1_0 \* Arabic \n10219     MR. HUNT:  That is prepared a variety of ways; internet, newspaper, other sources of information, by staff ‑‑ by our staff.


SEQ 1_0 \* Arabic \n10220     COMMISSIONER LANGFORD:  How many staff would work on that?

SEQ 1_0 \* Arabic \n10221     MR. HUNT:  Well, the thing is that we basically have our on‑air people doing most of that at our current stations, our on‑air people.  We don't have a devoted news department.

SEQ 1_0 \* Arabic \n10222     COMMISSIONER LANGFORD:  You have no news staff at all?

SEQ 1_0 \* Arabic \n10223     MR. HUNT:  No.  Not a hundred per cent devoted to news.

SEQ 1_0 \* Arabic \n10224     COMMISSIONER LANGFORD:  So, let me understand how that works.  Do you have two people on air for, say, the morning drive?

SEQ 1_0 \* Arabic \n10225     MR. HUNT:  That's correct.

SEQ 1_0 \* Arabic \n10226     COMMISSIONER LANGFORD:  So, it's Elizabeth and I and we're happy, hey, Elizabeth, what about those Blue Jays we say, and stuff like that; right?  Sure glad I'm not going to Mexico and whatever, we talk and then we put on a record, and then do we start kind of writing some news while the record's on.  I'm just not ‑‑

SEQ 1_0 \* Arabic \n10227     MR. HUNT:  There's prep in advance of the program.

SEQ 1_0 \* Arabic \n10228     COMMISSIONER LANGFORD:  So, this would be done prior to six in the morning; correct?


SEQ 1_0 \* Arabic \n10229     MR. HUNT:  Yes, they do it prior to their airing it.

SEQ 1_0 \* Arabic \n10230     COMMISSIONER LANGFORD:  My God, when do they start work?

SEQ 1_0 \* Arabic \n10231     MR. HUNT:  Five o'clock.

SEQ 1_0 \* Arabic \n10232     COMMISSIONER LANGFORD:  So, they've got about an hour to whip the news together.

SEQ 1_0 \* Arabic \n10233     MR. HUNT:  Correct.

SEQ 1_0 \* Arabic \n10234     COMMISSIONER LANGFORD:  So, they're pulling off the Globe and Mail, they're pulling it off the internet, they're pulling it off ‑‑

SEQ 1_0 \* Arabic \n10235     MR. HUNT:  Correct.

SEQ 1_0 \* Arabic \n10236     COMMISSIONER LANGFORD:  ‑‑ CBC maybe.

SEQ 1_0 \* Arabic \n10237     MR. HUNT:  Mm‑hmm.

SEQ 1_0 \* Arabic \n10238     COMMISSIONER LANGFORD:  Okay.  The two of them?

SEQ 1_0 \* Arabic \n10239     MR. HUNT:  Mm‑hmm.

SEQ 1_0 \* Arabic \n10240     COMMISSIONER LANGFORD:  Okay.  And is that the same for the afternoon?  Must be, you've got no designated news staff; right?

SEQ 1_0 \* Arabic \n10241     MR. HUNT:  Yeah.

SEQ 1_0 \* Arabic \n10242     COMMISSIONER LANGFORD:  Okay.  Do you have a news editor or anything like that, somebody who ‑‑

SEQ 1_0 \* Arabic \n10243     MR. HUNT:  No.


SEQ 1_0 \* Arabic \n10244     COMMISSIONER LANGFORD:  Wow.  Okay.  Well, you're lean but not mean.  Okay.

SEQ 1_0 \* Arabic \n10245     Let's go to the other spoken word there and if I'm doing my math correctly, that's 28 hours of spoken work a week ‑‑ other spoken word.

SEQ 1_0 \* Arabic \n10246     Well, let's just start with staff.  Like, what staff is associated with that?

SEQ 1_0 \* Arabic \n10247     MR. HUNT:  With spoken word?

SEQ 1_0 \* Arabic \n10248     COMMISSIONER LANGFORD:  Well, the other 28 hours, who puts that together?

SEQ 1_0 \* Arabic \n10249     MR. HUNT:  The ‑‑ most of that stuff is off ‑‑ they have FTP sites, websites.

SEQ 1_0 \* Arabic \n10250     COMMISSIONER LANGFORD:  Sorry, you've got to help me with those acronyms.

SEQ 1_0 \* Arabic \n10251     MR. HUNT:  FTP is just ‑‑ it's a place on the internet that you can download those programs.  Each of those spoken word places have a designated site for us to download their programs and put them into our system.

SEQ 1_0 \* Arabic \n10252     COMMISSIONER LANGFORD:  You mean it's not local programming?  It's not local in orientation? This isn't about what's going on at City Hall or in Lethbridge, or this isn't an interview with the Mayor or something like that?

SEQ 1_0 \* Arabic \n10253     MR. HUNT:  Were you not talking about the brokered programming?


SEQ 1_0 \* Arabic \n10254     COMMISSIONER LANGFORD:  Well, I'm not sure what I'm talking about, frankly, which won't surprise you or anybody else in the country.

SEQ 1_0 \* Arabic \n10255     I've broken this down ‑‑ here's what I have.  Let's review.  I have 35.17 hours weekly of spoken word programming, then 7.17 hours of that is news, weather and sports, leaving me with 28 hours.

SEQ 1_0 \* Arabic \n10256     So, I guess I'm asking you what goes in that 28 hours and who does it.

SEQ 1_0 \* Arabic \n10257     MR. HUNT:  Yeah, for the most part that includes all of our programming including the brokerage programming.

SEQ 1_0 \* Arabic \n10258     COMMISSIONER LANGFORD:  Ah...

SEQ 1_0 \* Arabic \n10259     MR. HUNT:  And our budget though only indicates that probably we're only going to have about an hour of brokerage programming like we do, for example, here in Calgary from nine to 10 o'clock at night daily.

SEQ 1_0 \* Arabic \n10260     COMMISSIONER LANGFORD:  One hour of brokered programming?

SEQ 1_0 \* Arabic \n10261     MR. HUNTER:  Yeah.

SEQ 1_0 \* Arabic \n10262     COMMISSIONER LANGFORD:  Okay.  So, that takes seven out of the 28.

SEQ 1_0 \* Arabic \n10263     MR. HUNT:  Yeah.


SEQ 1_0 \* Arabic \n10264     COMMISSIONER LANGFORD:  So, we're down to 21.  What's that?  What's that going to be made up of?

SEQ 1_0 \* Arabic \n10265     MR. HUNT:  Well, it's not ‑‑ you know, I mean, we were ‑‑ when we put this together we were looking at, you know, what would be some of the possibilities but, in essence, what we're actually looking at from a budget perspective is much less and it's just going to be mostly music.

SEQ 1_0 \* Arabic \n10266     In fact, that's what we want really all of our FM stations to be is basically music.

SEQ 1_0 \* Arabic \n10267     COMMISSIONER LANGFORD:  This is a movaeble feast.

SEQ 1_0 \* Arabic \n10268     So, you've got ‑‑ that 21 hours ‑‑ I mean, the 35 ‑‑ I don't know where to start.  35.17, I'm going back to basics.

SEQ 1_0 \* Arabic \n10269     MR. HUNT:  Yeah.

SEQ 1_0 \* Arabic \n10270     COMMISSIONER LANGFORD:  That's wrong then; isn't it, it's really 14.17.  7.17 for the news and then 7 hours for brokered programming is one hour each night?

SEQ 1_0 \* Arabic \n10271     MR. HUNT:  That's true.

SEQ 1_0 \* Arabic \n10272     COMMISSIONER LANGFORD:  So, the other 21 just transubstantiated or something, I don't know, went away.


SEQ 1_0 \* Arabic \n10273     Well, what about local reflection?  I mean, we're quite keen here on local reflection, sort of reflecting the community and, I mean...

SEQ 1_0 \* Arabic \n10274     MR. HUNSPERGER:  Well, you know, we do interviews on our ‑‑ I mean, our understanding of spoken word is always, you know ‑‑ I'm sorry about this ‑‑ but it's always been the brokerage thing.

SEQ 1_0 \* Arabic \n10275     I mean the talk that our on‑air staff does, the interviews that they do on the station when we bring in some guest, whether it has to do with finances, or whether it has to do with the rodeo going on, or whether it has to do with an artist that we bring in and whatever, we have never calculated that as spoken word, we've just calculated that as part of the on‑air scenario.

SEQ 1_0 \* Arabic \n10276     So, we've never looked at it from that perspective and ‑‑

SEQ 1_0 \* Arabic \n10277     COMMISSIONER LANGFORD:  Maybe I could just have a quick word with ‑‑ I lost my little ‑‑ one of my piles of paper.  Yes, here it is.

SEQ 1_0 \* Arabic \n10278     Holly Taylor.  Holly Taylor, come on down.

SEQ 1_0 \* Arabic \n10279     MS TAYLOR:  Thank you.  What did I win?

SEQ 1_0 \* Arabic \n10280     COMMISSIONER LANGFORD:  You're a host, you're a host; right, in Calgary?


SEQ 1_0 \* Arabic \n10281     MS TAYLOR:  In Edmonton.

SEQ 1_0 \* Arabic \n10282     COMMISSIONER LANGFORD:  In Edmonton?

SEQ 1_0 \* Arabic \n10283     MS TAYLOR:  Yeah, 105.9 Shine‑FM.

SEQ 1_0 \* Arabic \n10284     COMMISSIONER LANGFORD:  So, you're a morning host?

SEQ 1_0 \* Arabic \n10285     MS TAYLOR:  No, afternoon drive.

SEQ 1_0 \* Arabic \n10286     COMMISSIONER LANGFORD:  Afternoon drive.  So, how long are you on for?

SEQ 1_0 \* Arabic \n10287     MS TAYLOR:  I'm on from 1:00 to 6:00 Monday to Friday.

SEQ 1_0 \* Arabic \n10288     COMMISSIONER LANGFORD:  One to six.  One to six.  That's a long drive.

SEQ 1_0 \* Arabic \n10289     MS TAYLOR:  It is, but it's fun.

SEQ 1_0 \* Arabic \n10290     COMMISSIONER LANGFORD:  Okay.  So, in a typical day, Holly, you spin a lot of music obviously.

SEQ 1_0 \* Arabic \n10291     MS TAYLOR:  Pardon me?

SEQ 1_0 \* Arabic \n10292     COMMISSIONER LANGFORD:  You spin a lot of music.

SEQ 1_0 \* Arabic \n10293     MS TAYLOR:  Yes.

SEQ 1_0 \* Arabic \n10294     COMMISSIONER LANGFORD:  And what else do you do?


SEQ 1_0 \* Arabic \n10295     MS TAYLOR:  We have news and we air calls, we have interviews, sometimes get artists that come in.  That's always fun because usually they come into the station live because they're promoting some sort of local event.

SEQ 1_0 \* Arabic \n10296     We had Relient K in most recently, so that was really good for the audience and all of that because we had a call‑in and be involved with that.

SEQ 1_0 \* Arabic \n10297     And then the general banter, talking back and forth, and just ‑‑ yeah, pretty much that's about it.

SEQ 1_0 \* Arabic \n10298     COMMISSIONER LANGFORD:  So, have you got a piece of paper and a pencil, I mean, that you could get your hands on?

SEQ 1_0 \* Arabic \n10299     MS TAYLOR:  Yes.

SEQ 1_0 \* Arabic \n10300     COMMISSIONER LANGFORD:  I would like to give you some homework and then I'll come back to you in a few minutes.  But if you could try to break down just roughly ‑‑

SEQ 1_0 \* Arabic \n10301     MS TAYLOR:  Mm‑hmm.

SEQ 1_0 \* Arabic \n10302     COMMISSIONER LANGFORD:  And try and give me an average day, not the best day or the worst day or something, just sort of ‑‑

SEQ 1_0 \* Arabic \n10303     MS TAYLOR:  How much I have...

SEQ 1_0 \* Arabic \n10304     COMMISSIONER LANGFORD:  How much time you spend ‑‑ and leave out the news, please, because we know about the news already.

SEQ 1_0 \* Arabic \n10305     MS TAYLOR:  Sure.


SEQ 1_0 \* Arabic \n10306     COMMISSIONER LANGFORD:  How much time you spend interviewing and doing things like that, maybe doing reviews on records, I'm not sure what you do, and how much time is music.

SEQ 1_0 \* Arabic \n10307     Sort of leave out the news, we know about the news now.  And if you could just do that roughly.  I know it will be rough, but at least it will give us an idea of what's going on in Edmonton.

SEQ 1_0 \* Arabic \n10308     MS TAYLOR:  Sounds good.

SEQ 1_0 \* Arabic \n10309     COMMISSIONER LANGFORD:  Thank you very much.  And I'm an easy marker so, but neatness counts.

SEQ 1_0 \* Arabic \n10310     So, to get back to this thread, Mr. Hunsperger, when I'm talking about locally produced programming, that's what I'm talking about, non‑news, but locally produced spoken word.

SEQ 1_0 \* Arabic \n10311     So, you might make your own religious show to begin with, your own focus on the family.  Do you have any notion that you might do something like that?

SEQ 1_0 \* Arabic \n10312     MR. HUNSPERGER:  Yes.  We do that now, yes.

SEQ 1_0 \* Arabic \n10313     COMMISSIONER LANGFORD:  You do that now?

SEQ 1_0 \* Arabic \n10314     MR. HUNSPERGER:  Yes.


SEQ 1_0 \* Arabic \n10315     COMMISSIONER LANGFORD:  Where do you do it?

SEQ 1_0 \* Arabic \n10316     MR. HUNSPERGER:  Well, we usually have it on the weekends in Calgary and in Edmonton.

SEQ 1_0 \* Arabic \n10317     COMMISSIONER LANGFORD:  So, might you do one in Lethbridge, or would you more likely run one of the ones from somewhere else?

SEQ 1_0 \* Arabic \n10318     MR. HUNSPERGER:  We would do one in Lethbridge as well, yes.  And that's, you know, that's usually on the weekends and that amounts to about an hour a week.

SEQ 1_0 \* Arabic \n10319     COMMISSIONER LANGFORD:  Okay.

SEQ 1_0 \* Arabic \n10320     MR. HUNSPERGER:  I'm sorry, we have another ‑‑ for example, in Edmonton we have a locally produced program that's a half hour a day, so that's from 9:30 to 10 o'clock every night.

SEQ 1_0 \* Arabic \n10321     COMMISSIONER LANGFORD:  And that's on what kind of themes?

SEQ 1_0 \* Arabic \n10322     MR. HUNSPERGER:  Well, it's on prayer basically.

SEQ 1_0 \* Arabic \n10323     COMMISSIONER LANGFORD:  So, people are praying, or are they talking about praying?

SEQ 1_0 \* Arabic \n10324     MR. HUNSPERGER:  Both.

SEQ 1_0 \* Arabic \n10325     COMMISSIONER LANGFORD:  Both?

SEQ 1_0 \* Arabic \n10326     MR. HUNSPERGER:  Mm‑hmm.


SEQ 1_0 \* Arabic \n10327     COMMISSIONER LANGFORD:  Do you do these religious services?  Do you ever do religious services?

SEQ 1_0 \* Arabic \n10328     MR. HUNSPERGER:  We did.  We had a live ‑‑ a worship service every Sunday morning from 11 to 12 o'clock in both Calgary and Edmonton, but what happened was the pastor who was very keen on that and got his congregation to, you know, be involved in that and make it sound good on radio and all that kind of thing ‑‑

SEQ 1_0 \* Arabic \n10329     COMMISSIONER LANGFORD:  Mm‑hmm.

SEQ 1_0 \* Arabic \n10330     MR. HUNSPERGER:  ‑‑ left, and then the new pastor that came along didn't want to do it any more, and so we are trying to look and encourage somebody else to come on board.

SEQ 1_0 \* Arabic \n10331     COMMISSIONER LANGFORD:  Okay.  So, that's a possibility.

SEQ 1_0 \* Arabic \n10332     How much of the show's ‑‑ how much of what you anticipate putting on in terms of spoken word would be community reflection rather than value reflection or religious reflection?


SEQ 1_0 \* Arabic \n10333     In other words, how much of it would speak to people in Lethbridge because they're from Lethbridge, rather than to people in Lethbridge because they want to be better people or they want to bring up their children right or whatever, or they want to pray?

SEQ 1_0 \* Arabic \n10334     How much would be about what's going on in City Hall about a zoning proposal, that kind of thing?

SEQ 1_0 \* Arabic \n10335     MR. HUNSPERGER:  We don't do any programming like that really.  Our listeners want the music and they want it to the place that they're not even interested in the news other than tell us if the sky is falling.

SEQ 1_0 \* Arabic \n10336     You know, they want a bit of the temperature and whatever, they want the minimum kind of stuff.  They don't want us to get into a big production, they want music.

SEQ 1_0 \* Arabic \n10337     We have tried.  Up in Edmonton, for example, we've brought on a sports program where we had a sports program locally produced from four o'clock in the afternoon to six o'clock.  You know, you get a few sports guys that are excited about it, but bottom line people were telling us, no, no, no, when I get out of the job, I want to get into my car and I want to listen to some gospel music.

SEQ 1_0 \* Arabic \n10338     And so that's where we've been.


SEQ 1_0 \* Arabic \n10339     COMMISSIONER LANGFORD:  So, let's ‑‑ maybe this would help me.  Do you know how many staff members all told you anticipate having if Lethbridge is up and running?

SEQ 1_0 \* Arabic \n10340     MR. HUNSPERGER:  Well, we've got four in the programming, not counting sales, and that would probably be an additional three to start off with.

SEQ 1_0 \* Arabic \n10341     COMMISSIONER LANGFORD:  Four in programming, and that's the morning folks and the afternoon folks; right?

SEQ 1_0 \* Arabic \n10342     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10343     COMMISSIONER LANGFORD:  Two teams of two?

SEQ 1_0 \* Arabic \n10344     MR. HUNSPERGER:  And part‑timers, yes and then ‑‑

SEQ 1_0 \* Arabic \n10345     COMMISSIONER LANGFORD:  Sorry, and sales would be how many, do you think?

SEQ 1_0 \* Arabic \n10346     MR. HUNSPERGER:  Probably three to start off with.

SEQ 1_0 \* Arabic \n10347     COMMISSIONER LANGFORD:  Okay.  Would you have a station manager?

SEQ 1_0 \* Arabic \n10348     MS GILESPIE:  One admin staff.

SEQ 1_0 \* Arabic \n10349     MR. HUNSPERGER:  Yes, we have one admin staff, but they do double duty in other areas as well.

SEQ 1_0 \* Arabic \n10350     COMMISSIONER LANGFORD:  Anybody else?  You can throw in the janitor here.  I mean, I just want to know.


SEQ 1_0 \* Arabic \n10351     MR. HUNSPERGER:  Part‑time tech person.

SEQ 1_0 \* Arabic \n10352     COMMISSIONER LANGFORD:  So, put it down as a half a person?

SEQ 1_0 \* Arabic \n10353     MS GILESPIE:  Yes.

SEQ 1_0 \* Arabic \n10354     MR. HUNSPERGER:  Yes, sir.

SEQ 1_0 \* Arabic \n10355     COMMISSIONER LANGFORD:  Tech.  So, I'm dealing with seven, eight ‑‑ eight and a half person years, as that lingo goes.  Anybody else?

SEQ 1_0 \* Arabic \n10356     MS GILESPIE:  Seven and a half, eight, yeah.

SEQ 1_0 \* Arabic \n10357     MR. HUNSPERGER:  Seven and a half she says, so, seven and a half, eight, yes.

SEQ 1_0 \* Arabic \n10358     COMMISSIONER LANGFORD:  Okay.  Well, I was counting in admin staff, four programmers, you know, news, disc jockeys, whatever you want to call them.

SEQ 1_0 \* Arabic \n10359     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10360     COMMISSIONER LANGFORD:  Three sales and half a tech?

SEQ 1_0 \* Arabic \n10361     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10362     MS GILESPIE:  Programming is two full time and two part time.

SEQ 1_0 \* Arabic \n10363     COMMISSIONER LANGFORD:  Maybe you could turn your mike on when you say that, sorry.


SEQ 1_0 \* Arabic \n10364     MS GILESPIE:  Sorry, programming was two full time and two part time, resulting in three, three positions.

SEQ 1_0 \* Arabic \n10365     COMMISSIONER LANGFORD:  Oh, so the morning may be full time and the afternoons half time or something?

SEQ 1_0 \* Arabic \n10366     MS GILESPIE:  Al could probably figure out how he wants to divide the programming.

SEQ 1_0 \* Arabic \n10367     COMMISSIONER LANGFORD:  I see.  Two programming full time, two half time, so you're right, it comes to seven and a half.

SEQ 1_0 \* Arabic \n10368     Well, I'm going to posit a guess that you aren't going to do any spoken word programming yourself ‑‑

SEQ 1_0 \* Arabic \n10369     MR. HUNSPERGER:  True.

SEQ 1_0 \* Arabic \n10370     COMMISSIONER LANGFORD:  ‑‑ on this station?

SEQ 1_0 \* Arabic \n10371     MR. HUNSPERGER:  That's true.

SEQ 1_0 \* Arabic \n10372     COMMISSIONER LANGFORD:  Okay.  That answers that question.

SEQ 1_0 \* Arabic \n10373     Just running through a lot of questions I'm not going to ask you because you just answered the big one.


SEQ 1_0 \* Arabic \n10374     Now, we had a big discussion this week ‑‑ and I hope we can do this pretty quickly today ‑‑ about religious programming.  Frankly, I'm unsure what the impact of one hour each day in the evening would be, but I'd like to put it in a general basis.

SEQ 1_0 \* Arabic \n10375     If religious spoken word programming, brokered or produced by yourself or re‑run from one of your other stations becomes a part of your station's schedule, are you willing to adhere to the religious broadcasting policy directives as you now understand them to be, having met with counsel earlier last week?

SEQ 1_0 \* Arabic \n10376     MR. HUNSPERGER:  Absolutely.

SEQ 1_0 \* Arabic \n10377     COMMISSIONER LANGFORD:  Great.  And are you ‑‑ can I take it as given that you would accept a COL on balance, our standard condition of licence, and you would accept our standard condition of licence on ethics?

SEQ 1_0 \* Arabic \n10378     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10379     COMMISSIONER LANGFORD:  Religious programming.

SEQ 1_0 \* Arabic \n10380     MR. HUNSPERGER:  Absolutely.

SEQ 1_0 \* Arabic \n10381     COMMISSIONER LANGFORD:  And you understand what I mean by ethics now, the ‑‑

SEQ 1_0 \* Arabic \n10382     MR. HUNSPERGER:  We have it here.  We've read it through, absolutely.


SEQ 1_0 \* Arabic \n10383     COMMISSIONER LANGFORD:  Excellent.  And if you have any questions, Ms Bennett is standing by.

SEQ 1_0 \* Arabic \n10384     MR. HUNSPERGER:  They were very helpful.

SEQ 1_0 \* Arabic \n10385     COMMISSIONER LANGFORD:  I'm glad to hear that.  They help me too.

SEQ 1_0 \* Arabic \n10386     Now, I'm just trying to figure out your business case and I think the wisest place for us to start ‑‑ and I really am almost finished ‑‑ but you did bring up a new sheet of paper today and I think we better just be sure we understand all the changes.

SEQ 1_0 \* Arabic \n10387     No, before I'm going to do that, Holly, have you done your homework?

SEQ 1_0 \* Arabic \n10388     MS TAYLOR:  Well, my math skills are a little weak, but I usually talk, so think I got it.

SEQ 1_0 \* Arabic \n10389     COMMISSIONER LANGFORD:  Okay.  Give me a general idea of what your show sounds like?

SEQ 1_0 \* Arabic \n10390     MS TAYLOR:  For an average week, I probably talk about seven hours.  Six and a half to seven, that's a five‑hour show.

SEQ 1_0 \* Arabic \n10391     COMMISSIONER LANGFORD:  For a week?

SEQ 1_0 \* Arabic \n10392     MS TAYLOR:  For an entire week, not straight because I only work...


SEQ 1_0 \* Arabic \n10393     COMMISSIONER LANGFORD:  Let's take seven because it comes to ‑‑ no, it's only a five‑day week for you; right?

SEQ 1_0 \* Arabic \n10394     MS TAYLOR:  Yes, unless I work weekends.

SEQ 1_0 \* Arabic \n10395     COMMISSIONER LANGFORD:  And what type of things come out of your mouth other than introducing songs or telling people the news and weather?

SEQ 1_0 \* Arabic \n10396     MS TAYLOR:  I talk about events that are happening within our community, sometimes it's fundraising events, there's olympics, that was huge, there's generally a lot of calls with that.

SEQ 1_0 \* Arabic \n10397     I also talk about what today is, because each day tends to be something different, like, starting Wednesday is the kick‑off to Lent, so that can also generate some calls as well.

SEQ 1_0 \* Arabic \n10398     COMMISSIONER LANGFORD:  I think we call the kick‑off to Lent Ash Wednesday still.

‑‑‑ Laughter/Rire

SEQ 1_0 \* Arabic \n10399     MS TAYLOR:  Well, kick‑off to Lent sounds a lot more fun, don't you think?  Com'on now.

SEQ 1_0 \* Arabic \n10400     All right, Ash Wednesday then, if you want to be all correct.

SEQ 1_0 \* Arabic \n10401     So, yeah, events that are like that that are happening, people want to know about them.

SEQ 1_0 \* Arabic \n10402     COMMISSIONER LANGFORD:  You talk about people calling in.  Do you have open line shows?


SEQ 1_0 \* Arabic \n10403     MS TAYLOR:  Yeah, I just ‑‑ they're always open.  If anybody ever wants to call, they can call and we chat.

SEQ 1_0 \* Arabic \n10404     Sometimes I'll air it, sometimes I won't.  They request songs and we have the Hot 5 at 5:00 where we ask people to call in to vote for their favourite song, so...

SEQ 1_0 \* Arabic \n10405     COMMISSIONER LANGFORD:  But do they actually get on the air, or do you speak to them while the music is playing?

SEQ 1_0 \* Arabic \n10406     MS TAYLOR:  I speak to them while the music is playing.

SEQ 1_0 \* Arabic \n10407     COMMISSIONER LANGFORD:  I see.

SEQ 1_0 \* Arabic \n10408     MS TAYLOR:  And then I have to record it and then air it.

SEQ 1_0 \* Arabic \n10409     COMMISSIONER LANGFORD:  And then later you say, I just got a call from Fred ‑‑

SEQ 1_0 \* Arabic \n10410     MS TAYLOR:  Yeah.

SEQ 1_0 \* Arabic \n10411     COMMISSIONER LANGFORD:  ‑‑ and he's intersted in the kick‑off to Lent?

‑‑‑ Laughter/Rire

SEQ 1_0 \* Arabic \n10412     MS TAYLOR:  Yes, because they're hip.

SEQ 1_0 \* Arabic \n10413     COMMISSIONER LANGFORD:  I wonder if Wayne Gretzky's wife would bet on the coin toss for the kick‑off to Lent.  How would we work that?


SEQ 1_0 \* Arabic \n10414     We'll put Mr. Hildebrand on that for Phase 4.

SEQ 1_0 \* Arabic \n10415     MS TAYLOR:  So, generally, events happening in the community and that type of thing.

SEQ 1_0 \* Arabic \n10416     COMMISSIONER LANGFORD:  Okay.  That's very helpful.  But you're not ‑‑ you know, you might do an interview, but you're not necessarily going to do an interview every day with a songwriter or something like that?

SEQ 1_0 \* Arabic \n10417     MS TAYLOR:  Right.  Probably an average of one a week, either between my show or the morning show.

SEQ 1_0 \* Arabic \n10418     COMMISSIONER LANGFORD:  Okay.  Well, we're getting your spoken word up there a little bit.

SEQ 1_0 \* Arabic \n10419     And what about straight phone‑ins, I mean, open line; do you do that?

SEQ 1_0 \* Arabic \n10420     MS TAYLOR:  Just throw something out and then say, hey, call in?

SEQ 1_0 \* Arabic \n10421     COMMISSIONER LANGFORD:  Yeah.  How 'bout those Blue Jays; that's what you'd probably ask in Lethbridge.  No one would call.

SEQ 1_0 \* Arabic \n10422     MS TAYLOR:  Yeah.  They're usually pre‑recorded just because we want to make sure that nobody is swearing or says something inappropriate, then you'd get the phone call for that and ‑‑


SEQ 1_0 \* Arabic \n10423     COMMISSIONER LANGFORD:  So, do you have the second delay mechanism set up for that problem?

SEQ 1_0 \* Arabic \n10424     MS TAYLOR:  Mm‑hmm.

SEQ 1_0 \* Arabic \n10425     COMMISSIONER LANGFORD:  That's how you do it?

SEQ 1_0 \* Arabic \n10426     MS TAYLOR:  But it's easier to edit it for time.

SEQ 1_0 \* Arabic \n10427     COMMISSIONER LANGFORD:  Right.  So, there would be some open line?

SEQ 1_0 \* Arabic \n10428     MR. HUNSPERGER:  We have a noon hour show, for example, where people call in and request songs and things like that, and those are all recorded off air and then put on air after the song is over.

SEQ 1_0 \* Arabic \n10429     It's really not ‑‑

SEQ 1_0 \* Arabic \n10430     COMMISSIONER LANGFORD:  Oh, you can control ‑‑

SEQ 1_0 \* Arabic \n10431     MR. HUNSPERGER:  We don't really have ‑‑

SEQ 1_0 \* Arabic \n10432     COMMISSIONER LANGFORD:  It's not a real time open line?

SEQ 1_0 \* Arabic \n10433     MR. HUNSPERGER:  No, no, no.  We don't have an open line show.

SEQ 1_0 \* Arabic \n10434     COMMISSIONER LANGFORD:  Okay.


SEQ 1_0 \* Arabic \n10435     MR. HUNSPERGER:  But we have people on the air as we record it.

SEQ 1_0 \* Arabic \n10436     COMMISSIONER LANGFORD:  And might you do something like that in Lethbridge?

SEQ 1_0 \* Arabic \n10437     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10438     COMMISSIONER LANGFORD:  Same idea.  Okay.

SEQ 1_0 \* Arabic \n10439     MR. HUNSPERGER:  We have the Hot 5 at five, for example, where people vote and then they call in and if you can name No. 3, you know, you win a pizza or all that kind of thing.

SEQ 1_0 \* Arabic \n10440     COMMISSIONER LANGFORD:  Works for me.  Anything to get that cholesterol up there.

SEQ 1_0 \* Arabic \n10441     Holly, I'm giving you an A‑ because you didn't know Ash Wednesday, but other than that, it was a great report.

‑‑‑ Laughter/Rire

SEQ 1_0 \* Arabic \n10442     COMMISSIONER LANGFORD:  Okay.  We'll move now to the money.  Show me the money.

SEQ 1_0 \* Arabic \n10443     And you filed with me ‑‑ with us today a revised financial operations seven‑year projection I guess you'd call it.

SEQ 1_0 \* Arabic \n10444     And I can find some things that I see are changed, but I'd like somebody on your staff to walk me through it on the record telling me where the changes are, please.


SEQ 1_0 \* Arabic \n10445     MS GILESPIE:  Actually, these are not revised financial statements, they reflect the actual amounts that we sent in on the original application with our Excel spread sheets.

SEQ 1_0 \* Arabic \n10446     The CRTC form that you received previously were transposed errors from those Excel spread sheets, so these numbers here actually are our business plan ‑‑ our original business plan.

SEQ 1_0 \* Arabic \n10447     COMMISSIONER LANGFORD:  You're saying we made the mistake?

SEQ 1_0 \* Arabic \n10448     MS GILESPIE:  No, no, no, we had a consultant send in the CRTC form and when they took the figures from our Excel spread sheet into the CRTC form, they were inaccurate.

SEQ 1_0 \* Arabic \n10449     COMMISSIONER LANGFORD:  I see.

SEQ 1_0 \* Arabic \n10450     MS GILESPIE:  So, these are actually the numbers that we filed with the application.

SEQ 1_0 \* Arabic \n10451     COMMISSIONER LANGFORD:  Well, what I see here then ‑‑ maybe I should take you through what I see has changed and then you can tell me if I've missed anything.

SEQ 1_0 \* Arabic \n10452     I see under revenue a new category.  It all still amounts to the same gross amount of revenue, I don't quibble with that, but I see a new category for spoken word.


SEQ 1_0 \* Arabic \n10453     MS GILESPIE:  Yes.

SEQ 1_0 \* Arabic \n10454     COMMISSIONER LANGFORD:  Starting at $60,000 in year one and running up to $153,156 in year seven and that category before was called network.

SEQ 1_0 \* Arabic \n10455     MS GILESPIE:  Yes.

SEQ 1_0 \* Arabic \n10456     COMMISSIONER LANGFORD:  So, maybe you should explain it.

SEQ 1_0 \* Arabic \n10457     MS GILESPIE:  And we said that in our opening remarks, that it was re‑classified because the wording was wrong, that it should have been spoken word, not networking.

SEQ 1_0 \* Arabic \n10458     COMMISSIONER LANGFORD:  And that's sale of brokered programming?

SEQ 1_0 \* Arabic \n10459     MS GILESPIE:  Yes, the one‑hour program we have Monday to Friday.

SEQ 1_0 \* Arabic \n10460     COMMISSIONER LANGFORD:  So, what time was that stuff running again, or are you planning to run it?

SEQ 1_0 \* Arabic \n10461     MR. HUNSPERGER:  Ten o'clock at night.

SEQ 1_0 \* Arabic \n10462     COMMISSIONER LANGFORD:  Ten to eleven?

SEQ 1_0 \* Arabic \n10463     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10464     COMMISSIONER LANGFORD:  One hour of brokered programming?


SEQ 1_0 \* Arabic \n10465     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10466     MS GILESPIE:  Yes.

SEQ 1_0 \* Arabic \n10467     COMMISSIONER LANGFORD:  And by year seven you're going to be netting $153,000 plus from that?

SEQ 1_0 \* Arabic \n10468     MR. HUNSPERGER:  How can you tell what's going to happen in year seven, sir.  I mean, you know, that's ‑‑

SEQ 1_0 \* Arabic \n10469     COMMISSIONER LANGFORD:  All right.

SEQ 1_0 \* Arabic \n10470     MR. HUNSPERGER:  ‑‑ that's taking our magic wand again and hoping that ‑‑

SEQ 1_0 \* Arabic \n10471     COMMISSIONER LANGFORD:  Well, let's use year one and two.

SEQ 1_0 \* Arabic \n10472     MR. HUNSPERGER:  Yes.

SEQ 1_0 \* Arabic \n10473     MS GILESPIE:  Yes.

SEQ 1_0 \* Arabic \n10474     COMMISSIONER LANGFORD:  Year one it's $60,000.

SEQ 1_0 \* Arabic \n10475     MS GILESPIE:  Yes, that's the one hour.  We may bump it up to a two‑hour program, which will double our revenue in the first year.  Because FM is primarily a music format, we don't want to put any more spoken word, we'd like to keep it as minimal as possible.


SEQ 1_0 \* Arabic \n10476     And so the increase after that is basically just an increase in contract on the existing amount.

SEQ 1_0 \* Arabic \n10477     COMMISSIONER LANGFORD:  So, you're telling me that ‑‑ and let me see if I've got this right ‑‑ what you filed today and what you filed but termed network rather than spoken word ‑‑

SEQ 1_0 \* Arabic \n10478     MS GILESPIE:  Uh‑huh.

SEQ 1_0 \* Arabic \n10479     COMMISSIONER LANGFORD:  ‑‑ year one, you're confident you will ‑‑

SEQ 1_0 \* Arabic \n10480     MS GILESPIE:  That's very minimal.

SEQ 1_0 \* Arabic \n10481     COMMISSIONER LANGFORD:  ‑‑ you will rake in 60,000 bucks for one hour of brokered programming and then the 120 doubles it; is that it, you're moving to two hours?

SEQ 1_0 \* Arabic \n10482     MS GILESPIE:  Yes, you're correct.

SEQ 1_0 \* Arabic \n10483     COMMISSIONER LANGFORD:  Well, Steve, you're taking notes on spoken word programming, we're up to 14 on year two here on brokered programming.

SEQ 1_0 \* Arabic \n10484     And then after that you're going to stay with two hours ‑‑

SEQ 1_0 \* Arabic \n10485     MS GILESPIE:  We hope so.

SEQ 1_0 \* Arabic \n10486     COMMISSIONER LANGFORD:  ‑‑ but you're estimating about a 15 per cent increase?

SEQ 1_0 \* Arabic \n10487     MS GILESPIE:  Yes, our success rate has been great with those spoken word programmings.


SEQ 1_0 \* Arabic \n10488     COMMISSIONER LANGFORD:  There's so much money in this, why do you waste time with music?  I mean, why don't you just play this all the time?

SEQ 1_0 \* Arabic \n10489     MS GILESPIE:  Well, that's why we have an AM station because the demographic prefers the spoken word programming and it basically has ‑‑ is our cash fund.

SEQ 1_0 \* Arabic \n10490     COMMISSIONER LANGFORD:  Could you say that again a little louder?

SEQ 1_0 \* Arabic \n10491     MS GILESPIE:  Our AM stations ‑‑

SEQ 1_0 \* Arabic \n10492     COMMISSIONER LANGFORD:  Yes.

SEQ 1_0 \* Arabic \n10493     MS GILESPIE:  ‑‑ that we have been applying for, it is a lucrative market.  The spoken word program from that definitely helps finance our other operation.

SEQ 1_0 \* Arabic \n10494     COMMISSIONER LANGFORD:  Thank you very much.

SEQ 1_0 \* Arabic \n10495     Now, the next change I see is in administration and general where all the numbers have changed and changed dramatically, essentially have been cut in half.

SEQ 1_0 \* Arabic \n10496     MS GILESPIE:  Yes.

SEQ 1_0 \* Arabic \n10497     COMMISSIONER LANGFORD:  What happened there?


SEQ 1_0 \* Arabic \n10498     MR. GILESPIE:  I believe the consultant took our non‑operating expenses and doubled them into our administration and general.  So, that's why the expenses were very high and the non‑operating expenses they had, they had used from our cashflow statement and not our actual statements.

SEQ 1_0 \* Arabic \n10499     So, our administration had huge amount of expenses that were doubled up.

SEQ 1_0 \* Arabic \n10500     COMMISSIONER LANGFORD:  So, you've just gotten rid of ‑‑

SEQ 1_0 \* Arabic \n10501     MS GILESPIE:  We got rid of the non‑operating expenses that they had used from our cashflow plus the operating expenses were not accurate.  They took our two spread sheets and transposed them onto the CRTC form.

SEQ 1_0 \* Arabic \n10502     COMMISSIONER LANGFORD:  Are our financial folks happy with that explanation?  Okay. Because it's a little over my head.

SEQ 1_0 \* Arabic \n10503     But as long as ‑‑ anyway counsel will have another bite at the cherry if I've just missed it wrong.

SEQ 1_0 \* Arabic \n10504     So, you're telling me essentially about a million dollars roughly in expenses have disappeared?

SEQ 1_0 \* Arabic \n10505     MS GILESPIE:  They didn't disappear, they just ‑‑ the format that they had sent in, they had doubled them up, yes.


SEQ 1_0 \* Arabic \n10506     COMMISSIONER LANGFORD:  I see.  So, all the real expenses are still there.

SEQ 1_0 \* Arabic \n10507     MS GILESPIE:  Yes.

SEQ 1_0 \* Arabic \n10508     COMMISSIONER LANGFORD:  You had just in error somehow done the things twice?

SEQ 1_0 \* Arabic \n10509     MS GILESPIE:  Yes, correct.

SEQ 1_0 \* Arabic \n10510     COMMISSIONER LANGFORD:  No wonder the guys who work at Revenue Canada all have ulcers, eh.

SEQ 1_0 \* Arabic \n10511     Okay, I guess that answers my questions.  I guess the only last question I would ask you is to explain to me how, taking these statistics that you got from Ipsos Reid about the market share you can hope to attract, taking into account the size of the market and the very, very professional operators that are in there now and selling ads as fast and as hard as they can, taking into account that it's very likely there may be more operators ‑‑ it's not impossible anyway ‑‑ taking into account Mr. Hildebrand, if he's successful, is very unlikely just to hide in his room and let the building burn around him; how, with all of those elements have you projected this reasonably healthy statement of revenue and expenses?


SEQ 1_0 \* Arabic \n10512     What's been your methodology, so I can try to understand how, when you've got all those pieces, you came up with these numbers?

SEQ 1_0 \* Arabic \n10513     MR. HUNSPERGER:  Well, you know, we have, as we said before, looked at what's happened in Edmonton, what's happened in Calgary and we've pared it down with our expenses and we know that there is a market for ‑‑ and we truly believe that there is a market for our kind of programming with a Shine‑FM and we believe that the Ipsos Reid research basically indicated that for us, that 27 per cent of those that were called said they would like to listen to a station.

SEQ 1_0 \* Arabic \n10514     And we, of course, can talk about how many hours that is or whatever but, in the long run, we believe that we will have a good portion of listeners and that we will also have advertisers that will step up to the plate.

SEQ 1_0 \* Arabic \n10515     And these people are not ignorant about what's happening in Calgary and what's happening in Edmonton and they wanted our kind of programming to come into the Lethbridge market.

SEQ 1_0 \* Arabic \n10516     COMMISSIONER LANGFORD:  Fair enough.

SEQ 1_0 \* Arabic \n10517     Those are my questions, Mr. Chair.  

SEQ 1_0 \* Arabic \n10518     Thank you very much, ladies and gentlemen.


SEQ 1_0 \* Arabic \n10519     THE CHAIRPERSON:  Thank you, Mr. Langford.

SEQ 1_0 \* Arabic \n10520     Commissioner Duncan.

SEQ 1_0 \* Arabic \n10521     COMMISSIONER DUNCAN:  I have a question in regards to the contra income line that you show, $140,000 a year.

SEQ 1_0 \* Arabic \n10522     And I believe we had a bit of an explanation for that line the other day, but would you mind just repeatig it.

SEQ 1_0 \* Arabic \n10523     What I understand is that these are ads you're going to allow people on your station in exchange for ads, et cetera, so then could you tell me then of the 140,000, how the expenses ‑‑ how it's allocated to the expenses, programming, advertising, admin?

SEQ 1_0 \* Arabic \n10524     MS GILESPIE:  It's allocated in the sales department expenses as a contra expense.

SEQ 1_0 \* Arabic \n10525     COMMISSIONER DUNCAN:  It's all sales?

SEQ 1_0 \* Arabic \n10526     MS GILESPIE:  Yes.

SEQ 1_0 \* Arabic \n10527     COMMISSIONER DUNCAN:  Okay.

SEQ 1_0 \* Arabic \n10528     MS GILESPIE:  Yes, it's all promotional, yes.

SEQ 1_0 \* Arabic \n10529     COMMISSIONER DUNCAN:  Thank you.  That's it, I think.

SEQ 1_0 \* Arabic \n10530     THE CHAIRPERSON:  Counsel?


SEQ 1_0 \* Arabic \n10531     MS BENNETT:  Thank you.  I just have a couple of housekeeping questions.

SEQ 1_0 \* Arabic \n10532     Firstly, with respect to the discussion that you had with Commissioner Langford about the amended schedule 4.1 and the fact that it's correcting errors that were filed with your original application, could you just confirm that the financial schedules and the financial assumptions provided with your application are accurate and complete.

SEQ 1_0 \* Arabic \n10533     MR. HUNSPERGER:  Yes, they are.

SEQ 1_0 \* Arabic \n10534     MS BENNETT:  Thank you.  And then one just clarification matter with respect to your Canadian content proposal.

SEQ 1_0 \* Arabic \n10535     With your application you said that you would broadcast a minimum of 10 per cent Canadian content in category 3.

SEQ 1_0 \* Arabic \n10536     And then today ‑‑ it was on page 6, yes, page 6 of your oral presentation, you said that you would maintain a level of Canadian content of 15 per cent.

SEQ 1_0 \* Arabic \n10537     Are you proposing to increase your minimum commitment by COL, or is that harkening back to your commitment in the application, that you would do your best to get to 15 per cent?


SEQ 1_0 \* Arabic \n10538     MR. HUNSPERGER:  Well, we have always said that we would do our best to get to 15 per cent, but we've discussed this over ‑‑ discussed this with Mr. Hunt and we've discussed this as a group and we have no problem as a COL of providing 15 per cent on this application.

SEQ 1_0 \* Arabic \n10539     MS BENNETT:  Thank you very much.

SEQ 1_0 \* Arabic \n10540     THE CHAIRPERSON:  I forgot to ask the question that all the other applicants have been asked regarding, if the Commission was to grant more than one licence, which one could have a negative impact on your business plan and why?

SEQ 1_0 \* Arabic \n10541     MR. HUNSPERGER:  We don't believe that any of the applicants would have a negative part on our business plan and we believe that Lethbridge is a thriving market that can handle, obviously, more than one station.

SEQ 1_0 \* Arabic \n10542     THE CHAIRPERSON:  And how many others?  You said more than one, so how many?  Another one, or...

SEQ 1_0 \* Arabic \n10543     MR. HUNSPERGER:  Oh, I think so.  I mean, you know ‑‑ I mean, you know, what I have seen is we are a small company that's used to very lean profit margins, and so for us we love the opportunity for people to be able to have a variety within a market like Lethbridge.


SEQ 1_0 \* Arabic \n10544     And, you know, when you come to other broadcasts, I mean, they think it's hard done by if they're not making millions of dollars.

SEQ 1_0 \* Arabic \n10545     So, you know, we believe that the market of Lethbridge is a healthy market and that more than one, two stations...

SEQ 1_0 \* Arabic \n10546     And, you know, I know that Mr. Hildebrand and myself could be in there plus another station, no problem.

SEQ 1_0 \* Arabic \n10547     THE CHAIRPERSON:  So, I am coming to my wrap‑up question.  Can you, in your own words, tell us ‑‑ give us the compelling reasons for which this Commission should retain your application?

SEQ 1_0 \* Arabic \n10548     MR. HUNSPERGER:  Thank you, Mr. Chairman.

SEQ 1_0 \* Arabic \n10549     I mean, we once again draw your attention to our Ipsos Reid survey.  We believe that there is a good audience that wants to listen to our kind of programming in the Lethbridge market.

SEQ 1_0 \* Arabic \n10550     We also believe that we have a strong business plan and that we have ownership that has been committed for the long haul with our kind of programming, as difficult as it is when we're introducing a new niche to the Canadian market.


SEQ 1_0 \* Arabic \n10551     As we have indicated with the legal counsel, we are prepared as a condition of licence to increase our Canadian content to 15 per cent.

SEQ 1_0 \* Arabic \n10552     We, of course, are also providing $56,000 in Canadian talent development and we believe that we've put together a business model that would be successful in the Lethbridge market.

SEQ 1_0 \* Arabic \n10553     And we hope that we will be granted a licence and that we would bring pride to the Commission for what we would be doing down there in Lethbridge.

SEQ 1_0 \* Arabic \n10554     I want to thank you so much for your time and for your questions.

SEQ 1_0 \* Arabic \n10555     THE CHAIRPERSON:  Thank you very much, Mr. Hunsperger, and to your team.

SEQ 1_0 \* Arabic \n10556     We will take a 10‑minute break, come back at 5:15 and then we'll do Phase 2, 3 and 4 in one section.

‑‑‑ Upon recessing at 1705 / Suspension à 1705

‑‑‑ Upon resuming at 1720 / Reprise à 1720

SEQ 1_0 \* Arabic \n10557     THE CHAIRPERSON:  Order, please.

SEQ 1_0 \* Arabic \n10558     Ms Secretary.

SEQ 1_0 \* Arabic \n10559     THE SECRETARY:  Thank you, Mr. Chairman.


SEQ 1_0 \* Arabic \n10560     For the record, I would like to indicate that the Vista Broadcast Group has filed two documents that will be placed on the public examination file.

SEQ 1_0 \* Arabic \n10561     One of them is the market for a new Classic Hits FM radio station in Lethbridge, it's the result of a local radio advertiser survey dated November, 2005, an abridged version, and the other document is Vista Radio's seven‑year revenue and program expenditure.

SEQ 1_0 \* Arabic \n10562     These documents will be available in the public examination room should you wish to consult with them.

SEQ 1_0 \* Arabic \n10563     We are now ready to proceed to Phase 2 of the proceedings.

SEQ 1_0 \* Arabic \n10564     The following applicants have indicated that they will not appear in this phase and they are, Golden West Broadcasting, Newcap Inc., 1182743 Alberta Limited and Touch Broadcasting.

SEQ 1_0 \* Arabic \n10565     I would now call on Vista Radio Limited to proceed with Phase 2.  Thank you.

INTERVENTION

SEQ 1_0 \* Arabic \n10566     MR. EDWARDS:  Thank you, Mr. Chairman, Commissioners.


SEQ 1_0 \* Arabic \n10567     We'll keep ourselves as brief as possible.  We have two competing applications we wish to make comment on, the first one with great respect to the Newcap application and I'm going to ask Jason Mann to provide a little more detail.

SEQ 1_0 \* Arabic \n10568     MR. J. MANN:  Thank you, Bryan.

SEQ 1_0 \* Arabic \n10569     It is clear that Newcap's information is out of date and inaccurate with respect to what B‑93's music format is and, for that matter, what the exact make‑up or composition of the radio format landscape in Lethbridge truly is.

SEQ 1_0 \* Arabic \n10570     And I referred to a monitor in Phase 1 and I can't sit idly by without responding to Newcap's assertions.

SEQ 1_0 \* Arabic \n10571     My colleagues and I have been very thorough and have taken a very serious approach to our due diligence in researching the Lethbridge market in every way.

SEQ 1_0 \* Arabic \n10572     Upon evaluating the research provided by Banister Research, which clearly outlined the high demand and low availability of the Classic Hits format, as did Newcap's own research from Mark Kassof research, we noted some discrepancies between how B‑93 was characterizing their station and how the community was responding to it.

SEQ 1_0 \* Arabic \n10573     So, we undertook an additional measure to provide assurance that Banister's research was, indeed, accurate.


SEQ 1_0 \* Arabic \n10574     We performed monitors of the Lethbridge market and it is with one hundred per cent confidence I can be before you today and tell you that, (1), B‑93 is not a Classic Hits station; (2), it is clear that Pattison has abandoned the format for a much more current based format, one that would be better described as a Top 40 leaning Hot AC station; (3), Classic Hits 94.1 will play 35 per cent of our music from the 1970s, 45 per cent from the 1980s, 10 per cent from the 1990s and 10 per cent from 2000 to today.

SEQ 1_0 \* Arabic \n10575     By contrast, the River and B‑93 primarily focus on the contemporary music of today.

SEQ 1_0 \* Arabic \n10576     According to our recent monitors, the most recent of which was just eleven days ago, 0 per cent of B‑93's repertoire is derived from the 1970s, that's zero, and only 5 per cent of their format is from the 1980s.  15 per cent of B‑93's music is from the 1990s, and 80 per cent of their music from the year 2000 to today.

SEQ 1_0 \* Arabic \n10577     Modern contemporary music from Beyoncé, the Pussy Cat Dolls, the Black Eyed Peas and Green Day would more accurately characterize the B‑93 format.


SEQ 1_0 \* Arabic \n10578     In addition, less than 6 per cent of the River's music comes from the 1970s and only 15 per cent of the River's recent ‑‑ of the River's repertoire is 1980s.

SEQ 1_0 \* Arabic \n10579     As far as Rock 106 is concerned, at least two‑thirds of its repertoire is 1990s and newer, and whatever older music it plays is exclusively from the classic rock genre, whereas our primary focus will be on pop music from the 1970s and 1980s.

SEQ 1_0 \* Arabic \n10580     And, finally, Country 95 offers a distinct country format.

SEQ 1_0 \* Arabic \n10581     Now, all that I've just said to you, we have provided the Secretary with 15 copies on a summary hand‑out showing you a complete analysis of our complete monitor.

SEQ 1_0 \* Arabic \n10582     It breaks down the music on each station by decade, including the proposed Classic Hits 94.1 format.

SEQ 1_0 \* Arabic \n10583     We have also mapped a grid exactly how each station would place on a hard‑to‑soft and new‑to‑old X/Y axis.  And I have included a copy of our exact monitors from February 16th, 2006.

SEQ 1_0 \* Arabic \n10584     THE CHAIRPERSON:  I have a question.  Have you made these three charts available to the other applicants and do you have enough copies to make it available, if you haven't made it?


SEQ 1_0 \* Arabic \n10585     MR. J. MANN:  We have not made it available, however, we have provided 15 copies, so, yes, they would be.

SEQ 1_0 \* Arabic \n10586     THE CHAIRPERSON:  So, I will ask the Secretary to give a copy to the four other applicants so that at the time of reply they could comment on your filing.

SEQ 1_0 \* Arabic \n10587     MR. J. MANN:  Yes.

SEQ 1_0 \* Arabic \n10588     MR. YERXA:  Mr. Chairman, Commissioners, Commission staff, as Jason Mann just indicated, the whole basis of Newcap's argument for moving away from Classic Hits, according to their research consultant, was his belief that another station, in this case B‑93, might be moving in that direction, and the results from Jason's most recent monitor of 11 days ago should put to rest any further argument about the validity of the research and the size of the hole that exists for a true Classic Hits FM station in Lethbridge.

SEQ 1_0 \* Arabic \n10589     Now, I've been asked to present some demographic information in response to comments made by Mr. Larsen in his remarks to the Commission Panel earlier this afternoon.


SEQ 1_0 \* Arabic \n10590     What Mr. Larsen says about recent growth in the upper demos in Lethbridge may be true, however, upon analyzing the 2001 census data, one realizes that in the case of Vista, the 35‑44 age cell still represents the largest 10‑year cohort in the overall population, and even the 25‑44 cell is still notably larger than the 45‑64 cell.

SEQ 1_0 \* Arabic \n10591     It is also important to recognize that in the Parksville/Qualicum Beach region of Vancouver Island, the only other market in Canada where this format exists, approximately half of the population is 55 plus years of age, yet according to Lethbridge's just completed 2005 municipal census only 22.7 per cent of its population is over 55.

SEQ 1_0 \* Arabic \n10592     Therefore, suffice it to say that these two markets, Lethbridge and Parksville/Qualicum Beach, remain very different both demographically, not to mention pyschographically.

SEQ 1_0 \* Arabic \n10593     While Classic Hits may not be as distinct as Adult Standards Modern Nostalgia, it still represents the most popular mainstream format that is not being offered on the local FM dial in Lethbridge.

SEQ 1_0 \* Arabic \n10594     The Adult Standards Modern Nostalgia format is much more niche oriented in its appeal and, therefore, given the size and nature of the Lethbridge market, is much less viable than Classic Hits.

SEQ 1_0 \* Arabic \n10595     That concludes my comments on the matter.


SEQ 1_0 \* Arabic \n10596     THE CHAIRPERSON:  Does that conclude your intervention?

SEQ 1_0 \* Arabic \n10597     MS MICALLEF:  Yes, it does.

SEQ 1_0 \* Arabic \n10598     THE CHAIRPERSON:  I have a question for Mr. Yerxa.

SEQ 1_0 \* Arabic \n10599     MR. YERXA:  Yerxa.

SEQ 1_0 \* Arabic \n10600     THE CHAIRPERSON:  Yerxa, excuse me, you ended earlier than I was expecting.

SEQ 1_0 \* Arabic \n10601     Obviously, do you have an idea of the population size ‑‑ the size of the population of Parksville?

SEQ 1_0 \* Arabic \n10602     MR. YERXA:  I do have that.

SEQ 1_0 \* Arabic \n10603     THE CHAIRPERSON:  And say what you would consider the market rather than specifically the locality.

SEQ 1_0 \* Arabic \n10604     MR. YERXA:  All right.  I'm going to try and ‑‑ I'm digging this out of a lot of data, but...

SEQ 1_0 \* Arabic \n10605     THE CHAIRPERSON:  Mm‑hmm.  Only a ballpark number.  Are we talking 200,000 population, or...


SEQ 1_0 \* Arabic \n10606     MR. YERXA:  What we're looking at is that ‑‑ my understanding is that Parksville and Qualicum Beach fall within the ‑‑ what is considered to be the tourism region of Ocean Side, in other words, it incorporates those communities of Parksville, Qualicum Beach, Nanoose Bay, Pincher Creek and so on, and the Ocean Side population is approximately 25,000.

SEQ 1_0 \* Arabic \n10607     Now, according to the information which my research director has dug up, the Parksville 2001 census data summary was, it looks to be about 10,323.

SEQ 1_0 \* Arabic \n10608     THE CHAIRPERSON:  Okay.  Well, the first number is suffice ‑‑

SEQ 1_0 \* Arabic \n10609     MR. YERXA:  Right.

SEQ 1_0 \* Arabic \n10610     THE CHAIRPERSON:  ‑‑ because it's the overall market.  Obviously, 50 per cent of 25,000 is smaller than 22.5 per cent of the trading area of Lethbridge which is 190,000, and if I was to take the trading ‑‑ the full trading area, the trading area you've said it, is 275,000, but the Lethbridge trading area, according to the City of Lethbridge, is somewhere in the 190,000.

SEQ 1_0 \* Arabic \n10611     Obviously, we are not comparing apples with apples here.


SEQ 1_0 \* Arabic \n10612     MR. YERXA:  Mr. Chairman, you're quite correct.  You'll notice, however, that I finished off my remarks by saying that there is a demographic difference.  The fact is that this region of Vancouver Island is a retirement haven, a much older area, but probably the most significant difference between these two markets is a psychographic difference.

SEQ 1_0 \* Arabic \n10613     We're dealing with a community on Vancouver Island as opposed to a rural Alberta community, and I think that that ‑‑ although we can't start throwing around a lot of numbers in that respect, that really counts for a lot in this province.

SEQ 1_0 \* Arabic \n10614     THE CHAIRPERSON:  Thank you.

SEQ 1_0 \* Arabic \n10615     I understand what you are saying.

SEQ 1_0 \* Arabic \n10616     Any questions, my colleagues?

SEQ 1_0 \* Arabic \n10617     Thank you very much.

SEQ 1_0 \* Arabic \n10618     THE SECRETARY:  Mr. Chairman, this completes Phase 2 of the proceedings.

SEQ 1_0 \* Arabic \n10619     THE CHAIRPERSON:  I apologize, Ms Secretary, but Madam del Val did ask Golden West to appear at the intervention phase.

SEQ 1_0 \* Arabic \n10620     So, call Mr. Hildebrand to come up at the table, please.

INTERVENTION

SEQ 1_0 \* Arabic \n10621     MR. HILDEBRAND:  Thank you.  I thought the question was going to be done in Phase 4, so, that's fine.

SEQ 1_0 \* Arabic \n10622     COMMISSIONER del VAL:  No, Mr. Hildebrand, I'm sorry to call you back up.  I would have asked the question during Phase 1.

SEQ 1_0 \* Arabic \n10623     MR. HILDEBRAND:  Oh.


SEQ 1_0 \* Arabic \n10624     COMMISSIONER del VAL:  It was on your intervention against Vista.

SEQ 1_0 \* Arabic \n10625     MR. HILDEBRAND:  Right.

SEQ 1_0 \* Arabic \n10626     COMMISSIONER del VAL:  And that's why I had asked whether you were coming back for Phase 2.

SEQ 1_0 \* Arabic \n10627     MR. HILDEBRAND:  Sure.  Okay.

SEQ 1_0 \* Arabic \n10628     COMMISSIONER del VAL:  So, I'm referring to your intervention of January 11th, and you mentioned in ‑‑ the letter reads:

"Vista proposes a format already in the market, therefore, not really adding to the diversity in the market.  Their revenue projections seem to be overly aggressive for a start‑up station."  (As read)

SEQ 1_0 \* Arabic \n10629     So, the first question is regarding the format already in the market.  Which format did you have in mind and offered by which station?

SEQ 1_0 \* Arabic \n10630     MR. HILDEBRAND:  Well, basically it was my understanding that much of the music that they were offering was already available in the market in one form or another by the various other stations.

SEQ 1_0 \* Arabic \n10631     COMMISSIONER del VAL:  Okay.  So, you were not thinking of ‑‑


SEQ 1_0 \* Arabic \n10632     MR. HILDEBRAND:  Not format specific, it was just that much of the music that I saw them proposing was already there.

SEQ 1_0 \* Arabic \n10633     COMMISSIONER del VAL:  Thank you.  Then on ‑‑ why do you think their revenue projections seem to be overly aggressive for a start‑up station, specifically do you think, are the expenses too low, are the revenues too high, or can you ‑‑

SEQ 1_0 \* Arabic \n10634     MR. HILDEBRAND:  Under our scenarios that we've seen in other markets, we felt that the revenue projections that they had were very aggressive and with the format that they were proposing, we felt that would be hard to do.  And so that was the rational for our response.

SEQ 1_0 \* Arabic \n10635     COMMISSIONER del VAL:  Okay.  You just don't think that ‑‑

SEQ 1_0 \* Arabic \n10636     MR. HILDEBRAND:  I just don't think that they would hit those numbers in the three years that they're proposing and I think the format that they're working on is also going to be very tough to maintain, and I think I've put in the letter that, in all likelhood, formats would change in due course.


SEQ 1_0 \* Arabic \n10637     So, the rational was based on what we've seen in other markets and what we estimate is available for advertising revenue in the Lethbridge area.

SEQ 1_0 \* Arabic \n10638     COMMISSIONER del VAL:  Do you have any comment in terms of the expenses?  Do you find that their projections ‑‑

SEQ 1_0 \* Arabic \n10639     MR. HILDEBRAND:  No, I don't really have because people can spend whatever money they want.  It's harder to get the advertising in than to spend the money.

SEQ 1_0 \* Arabic \n10640     COMMISSIONER del VAL:  Okay.  Thank you very much, and thank you for coming back.

SEQ 1_0 \* Arabic \n10641     MR. HILDEBRAND:  Thank you.

SEQ 1_0 \* Arabic \n10642     THE CHAIRPERSON:  Thank you, Mr. Hildebrand.

SEQ 1_0 \* Arabic \n10643     Ms Secretary.

SEQ 1_0 \* Arabic \n10644     THE SECRETARY:  Thank you, Mr. Chairman.

SEQ 1_0 \* Arabic \n10645     That completes Phase 2 and we will now proceed to Phase 3 in which other parties may appear in the order set out in the agenda to present their intervention.

SEQ 1_0 \* Arabic \n10646     The first appearing intervenor is Ms Janelle Reinhart and she has informed us, because of medical reasons, she cannot attend.  She had prepared her oral presentation, which we will attach to her intervention.


SEQ 1_0 \* Arabic \n10647     I would now call on the other appearing intervenor and that's Jim Pattison Broadcast Group Limited.

SEQ 1_0 \* Arabic \n10648     If you could please identify yourself before speaking, and you will have 10 minutes for your presentation.

INTERVENTION

SEQ 1_0 \* Arabic \n10649     MR. ARNISH:  Thank you, Madam Secretary.  Good afternoon, Mr. Chairman, Commissioners, Commission staff.

SEQ 1_0 \* Arabic \n10650     My name is Rick Arnish, president of the Jim Pattison Broadcast Group Limited Partnership.

SEQ 1_0 \* Arabic \n10651     With me today to my left, to your right, is Mr. Rob Bye, who is the general manager of our Lethbridge radio operations, and to my right, to your left, Chris Weafer, our legal counsel from Owen Bird.

SEQ 1_0 \* Arabic \n10652     Members of the Commission, we are pleased to have this opportunity to appear before you this afternoon to offer our comments on items 14 through 18 on your agenda which deal with applications for new licences in Lethbridge, Alberta.


SEQ 1_0 \* Arabic \n10653     We do not like to intervene against applications and understand the desire of the Commission to provide new services to markets where the market can support a new licence.

SEQ 1_0 \* Arabic \n10654     That said, we take our service to our individual markets very seriously and where we see a situation where we believe will cause undue negative impact on our stations, impacting our ability to provide the level of service we provide in a market, we have no alternative but to bring that to the attention of the Commission to ensure the Commission considers the situation from a well‑informed basis.

SEQ 1_0 \* Arabic \n10655     We will comment today on four matters:  (a), we will summarize our written comments; (b), we will provide a brief description of our Lethbridge operations and, particularly, our spoken word programming; (c), we will comment on the importance of the review of commercial radio policy process in the context of this application; and (d), we will comment on the submissions made last week,  including a submission made by one of these applicants, the applications for licences in Calgary and Airdrie and the relevance on the question of the appropriate number of licences for a market the size of Lethbridge.


SEQ 1_0 \* Arabic \n10656     In summarizing our written submission, we are in support of the application by Golden West Broadcasting Limited and oppose the applications by Vista Broadcast Group Inc., Newcap Inc., 1182743 Alberta Limited and Touch Canadian Broadcasting Inc.

SEQ 1_0 \* Arabic \n10657     As indicated in our written submissions, the application by Golden West has the least impact on the existing stations serving the Lethbridge market and would enable the radio service presently operated by Spirit Broadcasting to achieve economic stability, thereby preserving that service in the market.

SEQ 1_0 \* Arabic \n10658     Approval of the Golden West application will, in effect, be the issuance of a new licence in the market.

SEQ 1_0 \* Arabic \n10659     We noted that none of the financial information filed by the other applicants indicates that a market the size of Lethbridge can support the licensing of two additional licences.

SEQ 1_0 \* Arabic \n10660     It's our submission that the addition of two new stations, Golden West and any other of the applicants, will have a material financial impact on our operations in Lethbridge.

SEQ 1_0 \* Arabic \n10661     The Commission is aware of our financial performance in Lethbridge.  It is at a level which is below the average PBIT for our FM operations in the market and is well below the national average for FM operations.


SEQ 1_0 \* Arabic \n10662     As Mr. Bye can tell you, that is partly a function of our commitment to be the news and information service provider in the area.

SEQ 1_0 \* Arabic \n10663     As you know, talk and information commitment is a significant cost to operators, but we choose to provide this service as it's important to our commitment to the community.  It's also important to our development of a broad‑based information voice in radio in Western Canada.

SEQ 1_0 \* Arabic \n10664     The addition of a new station in addition to Golden West in the market will further split the revenues available from the Lethbridge market, creating a significant challenge to retaining that level of service in the market.

SEQ 1_0 \* Arabic \n10665     In our written intervention, we also highlighted our concerns that a number of the applicants are not adding a diverse format to the market.

SEQ 1_0 \* Arabic \n10666     We described the number and nature of the media outlets in Lethbridge, it's a market well served by a number of competing media.

SEQ 1_0 \* Arabic \n10667     Finally, we indicated that we are not aware of any market of approximately 80,000 people which supports six stations owned by four different owners.


SEQ 1_0 \* Arabic \n10668     I would now ask Mr. Bye to provide you with a brief description of our service to Lethbridge.

SEQ 1_0 \* Arabic \n10669     MR. BYE:  Pardon me.  Members of the Commission, I would like to take the opportunity to specifically highlight our strong commitment to local news and information programming.

SEQ 1_0 \* Arabic \n10670     Our radio stations have been serving the Lethbridge/Tabor area for over 40 years.  We firmly believe that having a fully staffed and professional information team helps provide a vital link of timely news to our local community.

SEQ 1_0 \* Arabic \n10671     Each of our FM stations provides as much or more spoken word and news programming than any of the applicants in this proceeding.

SEQ 1_0 \* Arabic \n10672     Our newsroom has four full‑time staff members.  CHLB has 77 newscasts per week for a total of eight and a half hours of news, sports and weather; CJBZ has 47 newscasts per week for a total of 4.9 hours of news, weather and sports.


SEQ 1_0 \* Arabic \n10673     We're the only local radio stations with dedicated newsroom staff on weekday afternoons and weekends.  Our news focus is local.  We have beat reporters who cover City Hall, police, the courts, regional hospitals, the school board, the university and college, whenever and wherever the story is happening.

SEQ 1_0 \* Arabic \n10674     Over 75 per cent of our news is local and regional.  That would include stories affecting our rural listeners in southwestern Alberta, as well as stories from our provincial capital in Edmonton.  Approximately 25 per cent of our news is national and international.

SEQ 1_0 \* Arabic \n10675     If I may quote our Mayor, Bob Tarleck, from a recent letter he wrote in support of the Pattison application for the Calgary licence.


"Jim Pattison Group operates two radio stations in Lethbridge, Country‑95 and B‑93 are very community minded.  They're present and active in most local events and provide support for many local activities.  Municipal Government depends on the local media to get factual and timely information out to our residents in the interests of good government.  In times of emergency, it is imperative that the media provide citizens with the right information so the public can take the appropriate action to ensure their safety.  We know that Country‑95 and B‑93 provide this vital link between citizens and government."  (As read)

SEQ 1_0 \* Arabic \n10676     MR. ARNISH:  Mr. Chairman, members of the Commission, Mr. Bye mentioned our long‑standing service in the commuity.  Vista Broadcasting highlighted that there has not been a licence issued in the market for over 40 years.  That is not entirely accurate, in that Spirit Broadcasting received a licence six years ago.  It has not been successful.

SEQ 1_0 \* Arabic \n10677     We acquired the licences that we operate in Lethbridge six years ago as well.  We would ask the Commission to review the economics of the Lethbridge market over the past six years.

SEQ 1_0 \* Arabic \n10678     We acquired struggling radio stations, stations which lost approximately $800,000 in fiscal 2000.  We have invested significantly in stabilizing our operations which, in turn, have created a stable radio market in Lethbridge.


SEQ 1_0 \* Arabic \n10679     We do not believe the issuance of a licence to Golden West to operate the commercial Christian station plus a new entrant will ensure continued stability in the Lethbridge service area.

SEQ 1_0 \* Arabic \n10680     Mr. Chairman and members of the Commission, we also submit that the upcoming review of the commercial radio policy as set out Broadcasting Notice of Public Hearing 2006‑1 issued January 13, is a relevant factor to your consideration of these applications.

SEQ 1_0 \* Arabic \n10681     We expect that there will be strong submissions made to the Commission during that process dealing with unique aspects of smaller secondary markets like Lethbridge.  Those submissions will comment on the ownership, structure and licensing criteria which should apply in those markets.

SEQ 1_0 \* Arabic \n10682     Our concern is that the Commission will be assessing these applictions for Lethbridge without the benefit of considering those submissions.

SEQ 1_0 \* Arabic \n10683     As an aside, we are facing that same concern in other markets in which we operate, Grand Prairie and Medicine Hat.

SEQ 1_0 \* Arabic \n10684     The commercial radio review will be considering the impact of new audio technology such as satellite radio on the radio industry.  We are in the preliminary stages of assessing the impact of satellite radio in secondary market communities.


SEQ 1_0 \* Arabic \n10685     There is already some strong evidence to sugest that secondary markets which do not have the variety of signals available in a major market are most vulnerable to influx of satellite radio.

SEQ 1_0 \* Arabic \n10686     Lastly, Mr. Chairman and members of the Commission, we want to comment on the issue of how many licences are appropriate for a market the size of Lethbridge, a market of approximately 80,000 people.

SEQ 1_0 \* Arabic \n10687     Last week you heard submissions on the Calgary market and the Airdrie market, including from some of these applicants, that they are helpful for the assessing the appropriate number of stations for this size of market.

SEQ 1_0 \* Arabic \n10688     Calgary is a market of roughly 1‑million people.  There are currently 13 commercial radio licences and you may add up to three, making a total of 16.  That would roughly equate to one licence for 62,000 people.

SEQ 1_0 \* Arabic \n10689     You also heard applications from Airdrie, a market of approximately 26,000 people.

SEQ 1_0 \* Arabic \n10690     On Thursday afternoon, Commissioner Langford asked the Newcap panel whether a market of 26,000 people could support two licences.


SEQ 1_0 \* Arabic \n10691     We have a high regard for Newcap who operate in many small markets across Canada and in Alberta.  Newcap indicated that Airdrie could not support two licences as it would be difficult to maintain an acceptable level of service.  We agree.

SEQ 1_0 \* Arabic \n10692     If a market of 26,000 people cannot support two stations owned by two different owners, clearly it makes no sense to accept that a market of 80,000 people can support six stations with four owners.

SEQ 1_0 \* Arabic \n10693     We're not aware of any market in Canada the size of Lethbridge which has six stations operated by four different owners.

SEQ 1_0 \* Arabic \n10694     Thank you, Mr. Chairman and members of the Commission.  We are pleased to respond to any questions you may have.

SEQ 1_0 \* Arabic \n10695     Thank you.

SEQ 1_0 \* Arabic \n10696     THE CHAIRPERSON:  Commissioner Langford.

SEQ 1_0 \* Arabic \n10697     COMMISSIONER LANGFORD:  Thank you.

SEQ 1_0 \* Arabic \n10698     Okay.  Thank you, Mr. Chair.

SEQ 1_0 \* Arabic \n10699     I read your written intervention, some of which is highlighted here again today, and I read the reply by Larsen I think it was replied to it, so I have a sense of what others are saying.


SEQ 1_0 \* Arabic \n10700     And I guess I want to start with the notion that you repeated today and stated very clearly in your written intervention, which I want to tell you I have a little trouble with, so I'll start with the one I have a little problem with and, that is, that if we agree to the Hildebrand request to purchase this failing station Spirit and try and turn it around, part of which would be to increase the power, we are ‑‑ I think I'm quoting you almost exactly ‑‑ effectively issuing a new FM licence in the market.

SEQ 1_0 \* Arabic \n10701     And, of course, I can understand your argument from that, you're changing from a low power to a high power.  But on the other side, it's been our experience ‑‑ I'll speak only for myself ‑‑ it's been my experience analyzing religious‑based radio stations that they have little impact on the serious, big commercial players.  They seem to have their own advertisers.  You know, they may pick up the odd local Ford dealer or something like that if he goes to their church or something, but they won't pick it up in the sense that they'll take it from a Rogers station or a CHUM station, or something.  They'll get a little extra.

SEQ 1_0 \* Arabic \n10702     So, I just wonder.  I mean, isn't that just a little bit of an over statement when we look at the kind of history of religious radio broadcasting across this country?


SEQ 1_0 \* Arabic \n10703     MR. ARNISH:  Well, I'm only familiar personally with what is going on in the Lethbridge market, I can't certainly comment on other markets where there's other radio stations that have a religious format because we're not licensed in those markets.

SEQ 1_0 \* Arabic \n10704     I would say, you know, the Lethbridge market for many, many, many years ‑‑ and it goes way beyond the last probably eight or nine years ‑‑ has been a turbulent market.  I know that the previous owners of the stations that we purchased back in 2000, the Commission was very kind in granting us the approval to take over those stations, had a very tough time in that marketplace.

SEQ 1_0 \* Arabic \n10705     The Lethbrige market, is my understanding ‑‑ and I'd like to have Rob Bye talk about the economics of the marketplace ‑‑ is certainly a market that is not as buoyant as some of the applicants have stated here at this hearing today.


SEQ 1_0 \* Arabic \n10706     And in the Lethbridge market there's not the oil and gas revenues and resources that there are in other markets in the Province of Alberta, it's a market that's made up of canola, potatoes, sugar beets, cattle, wheat, things like that, Tabor corn, for example, and that's the real basis of the economy of Lethbridge.  And I'd like to ask Rob just to elaborate on that a little bit more.

SEQ 1_0 \* Arabic \n10707     MR. BYE:  Well, as we've heard a lot about the local economy and the size of the trading area in these proceedings and population increases and so on, but some of the real world experiences in the market that perhaps I could share with you.

SEQ 1_0 \* Arabic \n10708     I mean, I've been in broadcasting for 29 years and in the Lethbridge market now for about three and a half, and certainly when I got there the stations were really struggling and we're starting to get to a better position financially, but it is a very tough market and certainly having, you know, big economic challenges in the last couple of years.

SEQ 1_0 \* Arabic \n10709     The whole mad cow, BSE crisis of 2003 was a major setback in our area.  Within our listening area in Lethbridge County, approximately 75 per cent of the cattle ‑‑ they call it feed lawn alley ‑‑ are fattened for slaughter in that area and, of course, when the whole mad cow crisis happened and the borders closed, it was devastating.


SEQ 1_0 \* Arabic \n10710     As a matter of fact, the County of Lethbridge declared an economic disaster area and we're really just starting to see activity resume as the border gets back open.  2004 was a very tough year economically, especially in those smaller towns like Picture Butte for example and in Fort Mcleod, they're so dependent on the whole cattle industry.

SEQ 1_0 \* Arabic \n10711     So, things are getting a little bit better, there is growth in the city and increasing economic diversity, and those are all very good things, but it's slow growth.

SEQ 1_0 \* Arabic \n10712     MR. ARNISH:  And I would just ‑‑ Mr. Langford, to just answer your question directly on Mr. Hildebrand's application in front of you, he's proposed in the first year approximately $250,000 in revenue and he's been in the business a long time, it's a well run company and we certainly see the potential for, you know, good growth with his station if you grant him a licence to take over Spirit Broadcasting, and at the end of the day that certainly has the potential to impact ourselves and others in the marketplace.

SEQ 1_0 \* Arabic \n10713     COMMISSIONER LANGFORD:  Well, I'll get to the size of the market in a minute, but I'm looking at statistics here which are confidential and I'm trying to characterize them ‑‑ trying to find a way to characterize them in my own mind ‑‑ it's a small market and, obviously, you don't want me here blasting out your revenue expenses and PBITs.


SEQ 1_0 \* Arabic \n10714     But I don't feel like you need a tag sale here.  I mean, it doesn't look so bad and it looks like things have been chugging right along despite mad cow and all that stuff, things from 2001 up to 2005 looking like things are heading in the right direction.  I think that would be a fair characterization.

SEQ 1_0 \* Arabic \n10715     And I wonder when you talk about a market of 77,000 whether it isn't considerably bigger than that.

SEQ 1_0 \* Arabic \n10716     But before we get to that question, I want to specifically ask you what your response was last week to the notion of licensing yourself and perhaps some other people in Calgary, because it's my recollection that you found the application of Touch ‑‑ a gospel religious station very much like, at least fishing from the same pool as Mr. Hildebrand will be should he be successful ‑‑ as irrelevant.

SEQ 1_0 \* Arabic \n10717     Now, I know Calgary isn't Lethbridge, but I think you basically characterized it as irrelevant, as did all the other players.  And I just wonder why it's irrelevant in Calgary despite the size and not here, and I wonder whether maybe you just aren't crying wolf a little too loudly, just to put it bluntly.


SEQ 1_0 \* Arabic \n10718     MR. ARNISH:  No, I don't think so.  I think it's important if we're dealing with the application by Golden West to take over the assets of Spirit Broadcasting, I think that's in the best intersts of the public airways in the Lethbridge market and we certainly have supported them in this process.

SEQ 1_0 \* Arabic \n10719     We think that that's very good for the public interest.

SEQ 1_0 \* Arabic \n10720     COMMISSIONER LANGFORD:  My question is, how big a hunk of that market are they going to take, how big ‑‑ how much of your lunch are they going to eat?

SEQ 1_0 \* Arabic \n10721     I mean, you've got a pretty big lunch here, I'm looking at it, it's a pretty good size lunch.

SEQ 1_0 \* Arabic \n10722     MR. ARNISH:  Well, I've got to commend Mr. Bye, thank you, I've got to commend Mr. Bye for doing a really good job ‑‑

SEQ 1_0 \* Arabic \n10723     COMMISSIONER LANGFORD:  He's done a really good job.

SEQ 1_0 \* Arabic \n10724     MR. ARNISH:  ‑‑ in the three and a half years that he's been there.  There's no doubt about it.

SEQ 1_0 \* Arabic \n10725     COMMISSIONER LANGFORD:  One of your stations maybe could use a little juicing up, but...

SEQ 1_0 \* Arabic \n10726     MR. ARNISH:  Yeah, there's the guy.

SEQ 1_0 \* Arabic \n10727     COMMISSIONER LANGFORD:  But you know how to juice up stations.


SEQ 1_0 \* Arabic \n10728     MR. ARNISH:  Yeah.

SEQ 1_0 \* Arabic \n10729     COMMISSIONER LANGFORD:  You're good at what you do.  You shouldn't be ‑‑

SEQ 1_0 \* Arabic \n10730     MR. ARNISH:  That's true.

SEQ 1_0 \* Arabic \n10731     COMMISSIONER LANGFORD:  ‑‑ afraid of a little competition.

SEQ 1_0 \* Arabic \n10732     The market is 77,000.  How big is it in reality?  If you have a reasonable station like, let's take your station ‑‑ your country station, it's not the one out of Tabor, it's right out of Lethbridge, how many people really can hear that?

SEQ 1_0 \* Arabic \n10733     MR. ARNISH:  Well, I'll have Mr. Bye respond to that.  Rob.

SEQ 1_0 \* Arabic \n10734     MR. BYE:  Well, Lethbridge as we know and we've heard is a population of just over 77,000 ‑‑ 77,200 and in our immediate area, towns and communities that are within about a 30 or a 40‑minute drive, that number is probably closer to about a hundred thousand people.

SEQ 1_0 \* Arabic \n10735     COMMISSIONER LANGFORD:  If you put in Tabor and all those other places, you can only crank it up to a hundred thousand?

SEQ 1_0 \* Arabic \n10736     MR. BYE:  A hundred thousand, or perhaps a little bit higher than that.  But Tabor is a pretty small town, it's about 8,000.


SEQ 1_0 \* Arabic \n10737     COMMISSIONER LANGFORD:  I'm just trying to give you a sense of where I draw the circle, say.

SEQ 1_0 \* Arabic \n10738     If the ‑‑ oh man, I don't remember geography any more.  It's not the diameter, that's the whole thing.  What's half a diameter, com'on?

SEQ 1_0 \* Arabic \n10739     MR. ARNISH:  Hmmm?

SEQ 1_0 \* Arabic \n10740     COMMISSIONER LANGFORD:  In a circle.

SEQ 1_0 \* Arabic \n10741     SPEAKER:  Radius.

SEQ 1_0 \* Arabic \n10742     MR. ARNISH:  Radius.

SEQ 1_0 \* Arabic \n10743     COMMISSIONER LANGFORD:  Radius.  Thank you.  Gosh, I was giving that Holly woman a hard time because she couldn't remember Ash Wednesday, but I'm a little older than you are.

SEQ 1_0 \* Arabic \n10744     The radius, if we say ‑‑ if we put the centre of our compass into Lethbridge and the other point with the pencil on it, the radius out around just the other side of Tabor and draw a circle, how many people do you think would be listening in that circle?

SEQ 1_0 \* Arabic \n10745     MR. BYE:  That's probably about a hundred thousand.

SEQ 1_0 \* Arabic \n10746     COMMISSIONER LANGFORD:  That's the best you can do, so...


SEQ 1_0 \* Arabic \n10747     MR. BYE:  But if talk about ‑‑ if we talk about how far the signal goes and that kind of thing, I mean, of course, there are no ‑‑ you know, there's no mountains in the way until you get to the Rockies kind of a thing where the signal goes, and BBM provides an Alberta south special geography and the population of it 12 plus is I believe about 130 or 140,000 people.

SEQ 1_0 \* Arabic \n10748     COMMISSIONER LANGFORD:  So, we're getting up there.

SEQ 1_0 \* Arabic \n10749     So, we've got 140,000 people right who right now have four stations and Mr. Hildebrand's going to bring them religion, that's a good thing, if he's lucky and we accept it.

SEQ 1_0 \* Arabic \n10750     So, you've got four stations and a little religion, 140,000 people.  Don't you think the consumers should get a voice here?  They'd like another station.

SEQ 1_0 \* Arabic \n10751     MR. ARNISH:  I'm always for competition, without question.  I think healthy competition is very important to our industry as a whole.


SEQ 1_0 \* Arabic \n10752     I guess my concern is when you look at all markets, and you certainly have heard me say this before, that if you license a particular applicant, there's nothing guaranteed at the end of the day, if it's a populaced format, taking it outside the religious format especially, that at the end of the day they'll sign on with that particular format the year after the decision's made or six months after the decision is made.

SEQ 1_0 \* Arabic \n10753     But we are up to competition, we're worthy competitors, like the Rogers stations are in our marketplace and as Mr. Hildebrand or others would be in other markets that were licensed in as well.

SEQ 1_0 \* Arabic \n10754     COMMISSIONER LANGFORD:  Well, we might just test that theory.

SEQ 1_0 \* Arabic \n10755     I think though ‑‑ I mean, we've heard the fear of format changes before, but you're pretty nimble folks, I mean ‑‑ and I don't find in my limited experience, I haven't known for nearly the amount of years you folks have but I have a little bit now, I don't find, oh Rogers tried to pull a quick one down in Calgary there once, right here in Calgary once I think the last time around, but they saw the light and went back to their roots.

SEQ 1_0 \* Arabic \n10756     Generally I don't find that people choose format where the competition is just going to be overwhelming.  The chances, I would think, of us licensing, for example Newcap, and them coming in and switching their format to country, I don't think that's going to happen, but that's just my guess.


SEQ 1_0 \* Arabic \n10757     Anyway, I'm glad you like competition and we do too and I'm glad you think consumers should get as much as they can, because we do too.

SEQ 1_0 \* Arabic \n10758     And those are my questions.

SEQ 1_0 \* Arabic \n10759     Thank you, Mr. Chair.

SEQ 1_0 \* Arabic \n10760     THE CHAIRPERSON:  Commissioner Williams.

SEQ 1_0 \* Arabic \n10761     COMMISSIONER WILLIAMS:  Mr. Arnish,  when your sales people go out to talk about the reach of your radio stations, what market size do they use?

SEQ 1_0 \* Arabic \n10762     Do they use the 77,000 in this intervention, or do they use ‑‑

SEQ 1_0 \* Arabic \n10763     MR. ARNISH:  No, they wouldn't, and I'll get Mr. Bye to respond to this, but no, in answer to your question, they don't.

SEQ 1_0 \* Arabic \n10764     I think it also depends on the client that you're dealing with as well.  There may be specific clients there just for the central area.

SEQ 1_0 \* Arabic \n10765     We certainly sell, as you know, through BBM, all of us in this industry, we sell on numbers when it comes to national and regional and local advertising with central area numbers.


SEQ 1_0 \* Arabic \n10766     There certainly would be clients that would be interested in our full coverage area as well for our various radio stations or our competitors in the marketplace as well.

SEQ 1_0 \* Arabic \n10767     Rob?

SEQ 1_0 \* Arabic \n10768     MR. BYE:  Pardon me.  Rick, I think you've summarized that very well.  It really comes down to the client.

SEQ 1_0 \* Arabic \n10769     Certainly if it's a national or regional client, they're just interested in the BBM numbers of Lethbridge central and that number is less than 77,000 when we get into the two off plus population that BBM considers to be our central area.

SEQ 1_0 \* Arabic \n10770     So, again, I think Rick answered that pretty well.  It depends on the client.

SEQ 1_0 \* Arabic \n10771     COMMISSIONER WILLIAMS:  What would the largest number that you would use then?  Who do you guys reach?  If I'm trying to decide to buy advertising from you, what would be the largest number you would tell a perspective client?

SEQ 1_0 \* Arabic \n10772     MR. BYE:  We would use that number in Alberta south special geography that BBM provides and that's about 140,000.

SEQ 1_0 \* Arabic \n10773     COMMISSIONER WILLIAMS:  Okay.  Thank you very much.

SEQ 1_0 \* Arabic \n10774     THE CHAIRPERSON:  Mr. Arnish, I think we need your help here on a couple of things.


SEQ 1_0 \* Arabic \n10775     The first one is, you have a station in Lethbridge and the other one in Tabor, or are both stations in Lethbridge?

SEQ 1_0 \* Arabic \n10776     MR. ARNISH:  Mr. Chair, both stations are in Lethbridge, one is licensed for Lethbridge, the other is licensed as Tabor/Lethbridge, but both stations are domiciled in Lethbridge, have been for years.

SEQ 1_0 \* Arabic \n10777     THE CHAIRPERSON:  Are the transmitters on the same location for the two stations?

SEQ 1_0 \* Arabic \n10778     MR. ARNISH:  No, they're not, sir.

SEQ 1_0 \* Arabic \n10779     THE CHAIRPERSON:  They're not.

SEQ 1_0 \* Arabic \n10780     MR. ARNISH:  No.

SEQ 1_0 \* Arabic \n10781     THE CHAIRPERSON:  So, one is closer to Tabor, the other one is originally in ‑‑

SEQ 1_0 \* Arabic \n10782     MR. ARNISH:  In Lethbridge.

SEQ 1_0 \* Arabic \n10783     THE CHAIRPERSON:  ‑‑ in Lethbridge?

SEQ 1_0 \* Arabic \n10784     MR. ARNISH:  That's correct.

SEQ 1_0 \* Arabic \n10785     THE CHAIRPERSON:  Okay.  Well, there was some confusion among ourselves here regarding the location of the stations, obviously, because even on your website you are identifying your two stations as being Lethbridge.


SEQ 1_0 \* Arabic \n10786     MR. ARNISH:  If I can respond to that, they've always been marketed that way.  It's marketed in BBM that way, the market looks upon it that way.

SEQ 1_0 \* Arabic \n10787     You've heard the applicants here at this hearing talk about our stations being in Lethbridge along with the Rogers stations as well.

SEQ 1_0 \* Arabic \n10788     And, as I stated earlier, that was there before we acquired the stations as well.  They've been there for quite a number of years.

SEQ 1_0 \* Arabic \n10789     THE CHAIRPERSON:  Except that it was an AM station that was flipped to FM at some point in time.

SEQ 1_0 \* Arabic \n10790     MR. ARNISH:  That's correct.  That goes back before our time, before we owned the licences ‑‑

SEQ 1_0 \* Arabic \n10791     THE CHAIRPERSON:  Oh, I see.

SEQ 1_0 \* Arabic \n10792     MR. ARNISH:  ‑‑ for the stations.

SEQ 1_0 \* Arabic \n10793     THE CHAIRPERSON:  The conversion took place before you bought that?

SEQ 1_0 \* Arabic \n10794     MR. ARNISH:  Yes, that's correct, Mr. Chair.

SEQ 1_0 \* Arabic \n10795     THE CHAIRPERSON:  Fine.  You heard Vista's presentation regarding your Classic ‑‑ the B‑93 and they surely came out with some data and a monitoring of the stations.


SEQ 1_0 \* Arabic \n10796     Only for us to make a decision based on real facts rather than assumptions, do you have any comments to make on Vista's intervention?

SEQ 1_0 \* Arabic \n10797     MR. BYE:  Well, I would agree that Vista's recent monitoring of the market is pretty much bang on.

SEQ 1_0 \* Arabic \n10798     In terms of B‑93, we were a Classic Hits station and we are no longer a Classic Hits station, we are Top 40 leaning Hot AC radio station, and their monitor is certainly accurate.  I don't have any dispute with that.

SEQ 1_0 \* Arabic \n10799     THE CHAIRPERSON:  Okay.  That's enough for the record.

SEQ 1_0 \* Arabic \n10800     So, Mr. Arnish, your team, thank you very much.

SEQ 1_0 \* Arabic \n10801     MR. ARNISH:  Thank you.

SEQ 1_0 \* Arabic \n10802     THE CHAIRPERSON:  We will move to the next phase and I am asking the Secretary to introduce Phase 4.

SEQ 1_0 \* Arabic \n10803     THE SECRETARY:  Thank you, Mr. Chairman.

SEQ 1_0 \* Arabic \n10804     I would now call ‑‑ and Phase 4, of course, is where applicants can reply to all interventions submitted on their application and they will be appearing in reverse order.

SEQ 1_0 \* Arabic \n10805     So, I would now call Touch Canada Broadcasting to come forward.


SEQ 1_0 \* Arabic \n10806     Mr. Hunsperger, you have 10 minutes for your presentation.

REPLY / RÉPLIQUE

SEQ 1_0 \* Arabic \n10807     MR. HUNSPERGER:  Thank you.

SEQ 1_0 \* Arabic \n10808     First of all, we're sorry that Janelle Reinhart could not be a part of bringing her intervention on our behalf, but because of medical reasons she was not able to be here and her husband was going to come in her stead, but his father ended up in the hospital and he had to help with the family business, so we're very sorry about that, but we're thankful that they were willing to put in a postive intervention for us.

SEQ 1_0 \* Arabic \n10809     Mr. Chairman, members of the CRTC and Commission staff, we want to thank you for the opportunity of coming before you and presenting our application for the Lethbridge market.

SEQ 1_0 \* Arabic \n10810     We believe we bring to Lethbridge a station that will service the gospel music listener.  Our specialty is gospel music programming and that is all that we do.

SEQ 1_0 \* Arabic \n10811     We've had 12 years in programming this genre and we believe that our experience tells us a Shine‑FM in Lethbridge will be successful, even with Golden West in the same market.


SEQ 1_0 \* Arabic \n10812     A couple of examples that are being serviced with more than one gospel station are Edmonton, Moncton, New Brunswick, Peterborough, Ontario.

SEQ 1_0 \* Arabic \n10813     And may I dare dream for a moment, if the Commission denies Golden West the power increase effectively breaking their condition of sale, we would be prepared to submit an offer to purchase the low power station and operate it as a southern gospel music station along with our contemporary gospel Shine‑FM station in Lethbridge.

SEQ 1_0 \* Arabic \n10814     We are committed to the Canadian content of 15 per cent for the station, which is going to be our first.  We are committed to CTD for the amount of $56,000 for the area of gospel music, and we are committed to doing a better job presenting to you what we do in future applications.

SEQ 1_0 \* Arabic \n10815     THE CHAIRPERSON:  Mr. Hunsperger, I don't want to interrupt you, but my question to you, is it a reply to an intervention?  And I don't think it is a reply to an intervention.


SEQ 1_0 \* Arabic \n10816     Could you focus on replying to the interventions that have been made regarding your application.  I know that the Pattison application ‑‑ intervention and the Golden West intervention ‑‑ I apologize for using the word ‑‑ were interventions regarding your application and maybe there were comments made by other applicants during the day that were focusing on the specifics of your application, and we are at the phase of the reply, not at the phase of announcing the proposal.

SEQ 1_0 \* Arabic \n10817     MR. HUNSPERGER:  Okay.  I apologize, Mr. Chair.

SEQ 1_0 \* Arabic \n10818     What I can say is that we do not believe that we will hurt any existing radio station that's in the market, nor any of the new applicants that have spoken.

SEQ 1_0 \* Arabic \n10819     We believe, as we have said before, that we bring 65 per cent of new advertisers to the market and we believe that according to our revenue of our first year, that's about $208,000, so we believe that we will not harm any station that's already in the market nor any new station that would come.

SEQ 1_0 \* Arabic \n10820     Thank you for your patience.

SEQ 1_0 \* Arabic \n10821     And thank you too, I want to thank my team, as this is the first that they appeared before the Commission, and we'll do a better job next time.

SEQ 1_0 \* Arabic \n10822     Thank you.

SEQ 1_0 \* Arabic \n10823     THE CHAIRPERSON:  Commissioner Langford.


SEQ 1_0 \* Arabic \n10824     COMMISSIONER LANGFORD:  Just on a new point that you brought up in this final stage.

SEQ 1_0 \* Arabic \n10825     You indicated that should Mr. Hildebrand not be successful, that you would be willing to put in an offer for the low power station Spirit.

SEQ 1_0 \* Arabic \n10826     When he was speaking to us earlier, the present owner ‑‑ the present licensee of Spirit indicated that he had had some other offers, perhaps before or simultaneously to the offer he received from Mr. Hildebrand.

SEQ 1_0 \* Arabic \n10827     Were you one of the people who put an offer in, was it your group?

SEQ 1_0 \* Arabic \n10828     MR. HUNSPERGER:  Yes, sir.  I flew out to Vancouver Island and spent a day with Mr. Flemming offering him to purchase the station and at which time we found out that he was already in a contract with Golden West.

SEQ 1_0 \* Arabic \n10829     COMMISSIONER LANGFORD:  Thank you very much.  That's my question.

SEQ 1_0 \* Arabic \n10830     THE CHAIRPERSON:  Thank you, Mr. Hunsperger.

SEQ 1_0 \* Arabic \n10831     MR. HUNSPERGER:  Thank you.

SEQ 1_0 \* Arabic \n10832     THE CHAIRPERSON:  Mrs. Secretary.

SEQ 1_0 \* Arabic \n10833     THE SECRETARY:  Thank you, Mr. Chairman.


SEQ 1_0 \* Arabic \n10834     I would now call on company 1182743 Alberta Limited to respond to all the interventions that were filed to their application.

SEQ 1_0 \* Arabic \n10835     Mr. Larsen, you have 10 minutes for your presentation.

REPLY / RÉPLIQUE

SEQ 1_0 \* Arabic \n10836     MR. LARSEN:  Good afternoon once again, Mr. Chair, Commissioners.

SEQ 1_0 \* Arabic \n10837     For the record, my name is Paul Larsen.  On behalf of 1182743 Alberta Limited I'm pleased to respond to the interventions relating to our application, specifically the opposing interventions filed by Golden West Broadcasting, the Jim Pattison Broadcast Group, CKXU‑FM and in Phase 2 Vista, and I will also touch just briefly on the positive written interventions filed in support of our application.

SEQ 1_0 \* Arabic \n10838     We did respond in writing to CKXU‑FM, to Golden West and the Pattison intervention, so  I will, therefore, be brief.

SEQ 1_0 \* Arabic \n10839     We believe that we clearly stated our position on each of those in our written replies, but I do just want to touch on a couple of points, if I may.


SEQ 1_0 \* Arabic \n10840     First, for the record, 1182743 Alberta Limited neither supports nor opposes the Golden West applications.  We do not view these applications as material changes within the Lethbridge market.

SEQ 1_0 \* Arabic \n10841     In their January 11th, 2006 written intervention Golden West implied that longevity of our proposed LOUNGE format is unlikely and they suggest that we would change our format some time during the first year of operation.

SEQ 1_0 \* Arabic \n10842     We have presented a very strong application for a format that we are confident in, both from an audience and revenue perspective, and just to reiterate for the record, we expect a very successful launch if we are the fortunate licensee and would have no intention of altering our format once the LOUNGE is on the air.

SEQ 1_0 \* Arabic \n10843     We've made a serious commitment to the Commission through this hearing and the application process and we intend to keep our word and our integrity with the CRTC because we will before you again in the future with other applications.


SEQ 1_0 \* Arabic \n10844     Briefly, turning to the Pattison intervention presented both in writing on January 24, 2006 and reiterated today in Phase 3 of the hearing, Jim Pattison Broadcast Group supports the Golden West applications for ownership transfer of CJTS‑FM Spirit as well as the increase in power to 20,000 watts, while opposing the other applications for new radio service in Lethbridge.

SEQ 1_0 \* Arabic \n10845     The Pattison intervention is based on the premise that approval of the Golden West applications regarding Spirit‑FM will result in a new radio station for Lethbridge, and we disagree with this position.

SEQ 1_0 \* Arabic \n10846     In fact, Golden West itself is not even making this claim, Golden West's position in its January 11th, 2006 intervention was, and I quote directly from their letter:

"The application by Golden West is straight forward and, if approved, will not change the broadcast balance in Lethbridge.  We are purchasing an existing radio station and committing to maintain the format and, thus, maintain the radio diversity in Lethbridge."  (As read)


SEQ 1_0 \* Arabic \n10847     Pattison made a claim similar to those made by Golden West suggesting that our format will result in significant challenges with revenue projections and that we would inevitably change format and, again, these comments are unfounded and we are very confident in our ability to super serve the 45 plus audiences and the businesses that cater to them.

SEQ 1_0 \* Arabic \n10848     I'm hopeful that I can read my scribbled notes in response to the Vista intervention that was presented in the last phase.

SEQ 1_0 \* Arabic \n10849     As Commissioner Williams pointed out, Commission staff have supplied you with reliable and accurate population data.  The 2001 Federal census by our math indicated that 37 per cent of the Lethbridge population is 45 plus, totalling a little over 25,000 people.

SEQ 1_0 \* Arabic \n10850     Again, that's the 2001 Federal census for the City of Lethbridge.  We believe that number to be accurate and we would suggest that we're open to being corrected if our math is incorrect.

SEQ 1_0 \* Arabic \n10851     The information we presented regarding the comparison between the 1996 and 2001 Federal census simply stated that the Lethbridge population of adults 45 plus should increase 17.4 per cent between 1996 and 2001 years, while the population between 0 and 44 had grown only 1.4 per cent during the same period.

SEQ 1_0 \* Arabic \n10852     And, again, I suggest that I'm confident that our math is correct and we would submit that those statistics are accurate based on City of Lethbridge data.


SEQ 1_0 \* Arabic \n10853     As for the Parksville comments, I'll just reiterate again that I believe they're irrelevant to this proceeding.

SEQ 1_0 \* Arabic \n10854     If you'll indulge me for a moment, what we did in Parksville was take a repeater station that was licensed as a full‑blown radio station with the permission of the CRTC to sell localized inserted commercials and, instead of doing that, converted that radio station to a second service in Parksville, one specifically catering to an under served market of 50 plus and we believe, therefore, improving service to the deserving population of Parksville/Qualicum.

SEQ 1_0 \* Arabic \n10855     And, regardless of how large that community is, it's in a very, very robust area of central Vancouver Island and it's been well received and we're proud of what we've done for the citizens there.

SEQ 1_0 \* Arabic \n10856     And I don't want to say too much more about Parksville because, again, we're talking about Lethbridge, so...

SEQ 1_0 \* Arabic \n10857     Just because Wal‑Mart started in rural Arkansas, and I believe that is correct, does that mean that their business plan was irrelevant and wouldn't make it anywhere else?  We would suggest not.


SEQ 1_0 \* Arabic \n10858     As to our format being the only in the country, Evanov, who is a well‑respected broadcaster in the east who I've only recently become aware of, in all honesty, operates a similarly formatted radio station, I believe the market is Newmarket, I believe that's correct, it's outside of Toronto.

SEQ 1_0 \* Arabic \n10859     The Commission recently granted Evanov a licence to operate a 45 plus targeted radio station very similar to ours in Ottawa, and to my knowledge that station has just signed on and the 45 and up group in Ottawa will have a distinct radio station targeting them.  So, we applaud Evanov.

SEQ 1_0 \* Arabic \n10860     And I just wanted to be clear of our intent.  The Vista intervention highlights what we said in our closing statement.

"Marketers have not made an effort to be relevant to the 50 plus consumers and media outlets are missing the boat."  (As read)

SEQ 1_0 \* Arabic \n10861     And we simply and honestly want to bring a radio station to serve that under served adult demographic.


SEQ 1_0 \* Arabic \n10862     In regards to the CKXU intervention, I would simply like to restate on the record our belief in the vital and important role that campus and community radio stations play in the Canadian broadcasting system.

SEQ 1_0 \* Arabic \n10863     I applaud Mr. Bryan Heinrich, CKXU's station manager who's been here in the audience all day today to hear the Lethbridge application, taking notes, and if we are licensed, I would reiterate that we look forward to fostering a proactive and cooperative relationship with CKXU, and I spoke to him personally on that regard.

SEQ 1_0 \* Arabic \n10864     I would like to thank quickly on the record those who submitted positive written interventions on behalf of our application from many community organizations, Canadian artists, business groups, colleagues and, most importantly, the citizens of Lethbridge.

SEQ 1_0 \* Arabic \n10865     In closing, despite opposing interventions, we believe the Lethbridge market can sustain a new FM radio service targeted to the under served 45 plus demographic, one which is currently tuning in outside of the market to find their music and news.


SEQ 1_0 \* Arabic \n10866     This audience deserves a local Lethbridge radio station and our application offers the only opportunity for such a service targeting specifically the 45 and older population.

SEQ 1_0 \* Arabic \n10867     I would like to personally say thank you for the opportunity to respond to the interventions, and thank the Commission staff who have been most helpful prior to the hearing and this week in the examination room, particularly Madam Secretary Boulet who answered many questions leading up to our appearance here this week and during our presentation this week.

SEQ 1_0 \* Arabic \n10868     I thank you, Vice‑Chairman Arpin, Commissioners Williams, del Val, Duncan and Langford.

SEQ 1_0 \* Arabic \n10869     It's been a very rewarding experience and, on behalf of our group, we wish you a safe journey home.

SEQ 1_0 \* Arabic \n10870     Thank you very much.

SEQ 1_0 \* Arabic \n10871     THE CHAIRPERSON:  Thank you, Mr. Larsen.

SEQ 1_0 \* Arabic \n10872     Mrs. Secretary.

SEQ 1_0 \* Arabic \n10873     THE SECRETARY:  Mr. Chairman, I would now call on Newcap Inc. to present their reply to the interventions filed in support or against their application.

SEQ 1_0 \* Arabic \n10874     Gentlemen, you have 10 minutes for your presentation.

REPLY / RÉPLIQUE


SEQ 1_0 \* Arabic \n10875     MR. MATHEU:  Thank you, Madam Secretary.

SEQ 1_0 \* Arabic \n10876     Good afternoon, Mr. Chair, members of the Commission.  Just for the record, Mark Maheu for Newcap Radio and Bob Steele, the CEO of Newcap.

SEQ 1_0 \* Arabic \n10877     I would like to take maybe two very brief minutes to reply to the interventions that we received and that we have heard.

SEQ 1_0 \* Arabic \n10878     First of all, dealing very briefly with the Golden West intervention against our application for a new FM radio station in Lethbridge, we replied in writing in very straight forward terms to the Golden West intervention, but knowing full well that we would be here today, I just wanted to add that the radio station that we are proposing in Lethbridge was characterized in the Golden West application as basically being a duplication of other service and really I think the quote was, didn't offer a whole lot and was very similar to what was happening in Lethbridge.


SEQ 1_0 \* Arabic \n10879     And that really is not the case and our research for the CHR format that we are proposing bears that out, that it is something new and it is something that is wanted by people in Lethbridge and there's a significant market for it, and we do feel it will definitely add diversity to the marketplace.

SEQ 1_0 \* Arabic \n10880     Moving on to the Pattison Group comments in their intervention moments ago, echoing a lot of what they said in their written intervention, it's really a tale of two different views I think of what you've heard today.

SEQ 1_0 \* Arabic \n10881     On the one hand you've heard from the Pattison Group in their intervention that things maybe aren't as good or as rosy in Lethbridge ‑‑ in the greater Lethbridge area as we were all led to believe, and on the other hand we have all the financial data from FP markets, Alberta First and a number of other organizations that paint a very rosy picture of Lethbridge's current economic situation and what it's going to look like over the next five years.

SEQ 1_0 \* Arabic \n10882     You know, over $3‑billion in construction is scheduled for the greater Lethbridge area over the next three years alone.  The economic activity is going to hit $2.4‑billion by 2011.

SEQ 1_0 \* Arabic \n10883     So, in terms of the marketplace's ability to absorb new entrants, we still maintain in spite of what was mentioned earlier today by the Pattison Group that the market is capable of absorbing new services.


SEQ 1_0 \* Arabic \n10884     Also mentioned in the Pattison intervention today was the fact that they didn't know of another marketplace in Canada the size of Lethbridge that had more than four radio stations, and when pressed by questions, the Pattison Group did admit that the actual BBM trading area for the radio stations is really in that 130 to 140,000 person range, which is a significant population that all of the radio stations in Lethbridge reach.

SEQ 1_0 \* Arabic \n10885     And if you look at other markets across Canada of a similar size it's a very different picture.

SEQ 1_0 \* Arabic \n10886     For instance, in Belleville, Ontario a population ‑‑ you know, Belleville/Quinte which if you extend it out is about 92,000 people, six radio stations.  Peterborough, Ontario, 109,000 people, six radion stations.  Kelowna, five radio stations, 167,000 people.  Kamloops, 92,000 people, five stations.

SEQ 1_0 \* Arabic \n10887     And here we have Lethbridge with four plus a low power at this point religious broacaster FM.

SEQ 1_0 \* Arabic \n10888     So, we do believe, based on what we've discovered in the market and the investigations we've done, that there certainly is room for additional service in the Lethbridge market, in spite of the interventions that were received.


SEQ 1_0 \* Arabic \n10889     Very briefly, if we can respond to the intervention made by Vista relating to the Newcap application and specifically their comments on what is happening in the marketplace now.

SEQ 1_0 \* Arabic \n10890     There seems to be a misunderstanding, or there is a difference of opinion, let's put it that way, on what exactly is going on in the market.

SEQ 1_0 \* Arabic \n10891     Is the radio station there now Classic Hits or is it not Classic Hits; is it Hot AC; is it Top 40?

SEQ 1_0 \* Arabic \n10892     According to what Vista said a few minutes ago in their intervention, their research by Banister indicated that there was high demand and low availability for a Classic Hits radio station.  I believe those were the words that they used.

SEQ 1_0 \* Arabic \n10893     Our research conducted around the same time by Kassof indicated that there was high demand for Classic Hits but high availability, and this was the reason ‑‑ the main reason that we decided to look elsewhere for a format opportunity, because in the radio business, in a rated market, we're in the business of unaided recall.

SEQ 1_0 \* Arabic \n10894     If people can't remember who you are or what you do, they can't write it down in a diary and if they don't write it down in a diary, it never happened and doesn't show up in the ratings.


SEQ 1_0 \* Arabic \n10895     So, that's why radio stations get very good at marketing and they get very good and become very smart about programming, and they're in the business of unaided recall.

SEQ 1_0 \* Arabic \n10896     And when we do research, every radio station does it ‑‑ especially in the new application process ‑‑ what you're finding out in research is not necessarily what's really going on in a marketplace.

SEQ 1_0 \* Arabic \n10897     What you're doing is you're researching what people believe is going on, because it's the old market axiom that it's not what you do to the product, it's what you do in the mind of the prospect.

SEQ 1_0 \* Arabic \n10898     And that's what research uncovers, it uncovers people's perceptions, what they believe is available in the market.

SEQ 1_0 \* Arabic \n10899     And, according to our research, the market does not believe that there is a need for a Classic Hits radio station, those needs are well served:  high demand but high availability.


SEQ 1_0 \* Arabic \n10900     By the same token, with CHR, there is good demand for the format but low perceived availability.  So, regardless of what's being played in the market, listeners in the age group don't believe that there's a credible choice available, therefore, they're not going to listen.

SEQ 1_0 \* Arabic \n10901     So, that's what I really wanted to talk about in response to the Vista intervention, and that we do believe when we do our homework and we do our research that there is room for another service in the marketplace and that service should be CHR because it is not perceived by listeners to be available and Classic Hits is.

SEQ 1_0 \* Arabic \n10902     And that pretty much wraps up our response to interventions.

SEQ 1_0 \* Arabic \n10903     And on behalf of Rob Steele and all of us at Newcap, I wanted to say thank you very much for your patience, your questioning and your time and it was our pleasure to be here this week and...

SEQ 1_0 \* Arabic \n10904     THE CHAIRPERSON:  Commissioner Langford.

SEQ 1_0 \* Arabic \n10905     MR. MATHEU:  Sure.

SEQ 1_0 \* Arabic \n10906     COMMISSIONER LANGFORD:  Sorry, I don't usually try to ask questions at this stage, but you've raised an interesting concept, the notion of perception versus reality.


SEQ 1_0 \* Arabic \n10907     So, let me assume for a second this scenario:  people perceive that some format is missing, even though it's available, it may be some of it in this station, some of it in that station, mixed up a bit crossing things, but there's still a lot of music from that format available.

SEQ 1_0 \* Arabic \n10908     Wouldn't it still be possible then for someone to come in and properly market that format, properly brand their station?

SEQ 1_0 \* Arabic \n10909     So, even though there was a lot of it available, a person could come in and scoop the audience that wants it simply by properly marketing themselves as that format provider?

SEQ 1_0 \* Arabic \n10910     MR. MATHEU:  You're quite correct, Commissioner Langford, and a lot of that happens in radio every day, where it is a marketing battle, it's a battle for hearts and minds, and how you position yourself, combined with how credible that position is in the mind of listeners ‑‑ and that's based on how good the product is or how close the product matches what you say you are and the hole you're filling ‑‑ it is possible that holes can be filled and changed.


SEQ 1_0 \* Arabic \n10911     What tends to happen though is with a lot of radio stations ‑‑ and there's a bunch of reasons for it, sometimes they hang on in formats that are waning and they hang on too long because the profitability of that format may still be fairly good but listenership is dropping off and by the time the financial reality hits home it's too late and it takes a long time to rebuild.

SEQ 1_0 \* Arabic \n10912     And sometimes radio stations make a mistake by trying to rebuild without changing their name or changing their identity.

SEQ 1_0 \* Arabic \n10913     It would be like, you know, Coca‑Cola creating a new brand but they don't call it something new, so how do we know that it's not Coke, because that's what's on the label and I know what Coke tastes like.

SEQ 1_0 \* Arabic \n10914     COMMISSIONER LANGFORD:  Yeah, that's instructive, in a sense, for existing stations, but I'm ‑‑ what puzzles me a little bit about your sort of high demand but the sense of whether the demand is there, if you base your format choice on perception rather than reality, then it wouldn't take another operator long to realize that he was providing the product, he may not be perceived to be but he was, and between the time when you get your licence and you get launched ‑‑ which doesn't happen instantly ‑‑ this wouldn't be a format change, but he would learn how to market his thing and all of a sudden you'd find yourself in a position where the perception had changed.


SEQ 1_0 \* Arabic \n10915     So, why would you ever take a chance on perception in a market where you can actually find formats that aren't there at all?  Why would you ever take a chance on perception?

SEQ 1_0 \* Arabic \n10916     The risk seems to me to be very high.

SEQ 1_0 \* Arabic \n10917     MR. MATHEU:  Well, it's the same risk encumbent broadcasters take when they decide to change a format, where they have a decision to make.

SEQ 1_0 \* Arabic \n10918     COMMISSIONER LANGFORD:  Yes, sorry, to interrupt, I know you dislike it, but you sort of gave me that pattern already.

SEQ 1_0 \* Arabic \n10919     But what I want to know, if you're going to walk in there cold ‑‑

SEQ 1_0 \* Arabic \n10920     MR. MATHEU:  Mm‑hmm.

SEQ 1_0 \* Arabic \n10921     COMMISSIONER LANGFORD:  ‑‑ and you're going to spend a whole lot of money on a perception when there's actually places you could spend your money on a reality, so why would you take a chance on a perception?


SEQ 1_0 \* Arabic \n10922     MR. MATHEU:  Well, we don't see it as ‑‑ we don't see it as a chance because we've done this in a number of situations with a great deal of success because we know what people believe to be true is how they behave.  Their behaviours are governed by what they believe to be true.  And if they don't believe that that radio station is doing what they say they're doing, they won't listen to it and the ratings almost always bear that out.

SEQ 1_0 \* Arabic \n10923     But what I can tell you about our proposal for Lethbridge is, regardless of what changes take place in the market, we know that we can go in with a solid programming product that is focused on the needs and wants of listeners in Lethbridge and we will create a brand identity and have an energized approach to it that will culminate in an audience.

SEQ 1_0 \* Arabic \n10924     And as was mentioned earlier by another applicant, all we have is our integrity with the Commission.  So, when we sit before you and say we're going to do this, we have to follow through, and we intend to follow through because there are going to be other times where we're going to be in front of you and the last thing I want is you pointing your finger at us saying, you know, you said you were going to do and you didn't.  So, we will...

SEQ 1_0 \* Arabic \n10925     COMMISSIONER LANGFORD:  My question was not in any way related to the integrity of either of the gentlemen in front of me or you guys do what you say you'll do, you run a good radio station, it was just on the notion of targeting perception rather than reality.


SEQ 1_0 \* Arabic \n10926     So, you've answered the question and I'm grateful, but you don't have to in any way cover your tracks on integrity.

SEQ 1_0 \* Arabic \n10927     I have no questions.

SEQ 1_0 \* Arabic \n10928     MR. MATHEU:  Didn't take it that way.  Sorry, to give you that impression.

SEQ 1_0 \* Arabic \n10929     THE CHAIRPERSON:  Thank you very much, Mr. Maheu, Mr. Steele.

SEQ 1_0 \* Arabic \n10930     Mrs. Secretary.

SEQ 1_0 \* Arabic \n10931     THE SECRETARY:  Thank you, Mr. Chair.

SEQ 1_0 \* Arabic \n10932     I would now call on Vista Radio Limited.

SEQ 1_0 \* Arabic \n10933     Ms Micallef, you have 10 minutes for your presentation.

REPLY / RÉPLIQUE

SEQ 1_0 \* Arabic \n10934     MS MICALLEF:  Thank you.  It will be very brief.

SEQ 1_0 \* Arabic \n10935     There were three interventions filed against us.  We believe that we have dealt with the concern that was raised by CIRPA, so we won't be addressing that any further.

SEQ 1_0 \* Arabic \n10936     With respect to the intervention filed against us by the Pattison Group, we are not going to repeat everything that everyone else has said, given that their intervention applied to the Newcap and the Larsen/Norscott application as well.


SEQ 1_0 \* Arabic \n10937     What we do want to address is just two points.  One is that the Pattison Group intervention talks about population and we've had quite a discussion about what is the size of the market that we're addressing.

SEQ 1_0 \* Arabic \n10938     In fact, it's not really population that's relevant, it's market conditions and we believe that a lot of information has been put on the record about the size of the Lethbridge market.

SEQ 1_0 \* Arabic \n10939     And again we'll say it, it's $1.4‑billion, so that's a big market.

SEQ 1_0 \* Arabic \n10940     The other thing that we'd like to respond to is the reference to the Lethbridge market as being a market of corn and agriculture.

SEQ 1_0 \* Arabic \n10941     And what we'd like to do is quote from the Mayor of Lethbridge, who Mr. Arnish also quoted from, and in a January 6th, 2006 press release issued by the City of Lethbridge, the Mayor of Lethbridge, Mayor Tarleck, in referring to the value of the permits that had been issued in respect of buildings over the last year, he said:


"Measuring the dollar volume of these permits is an indicator of the City's success in attracting its share of the economic boom experienced by the province as a whole."  (As read)

SEQ 1_0 \* Arabic \n10942     So, I don't think that he thinks that his market is restricted to just corn and agriculture.

SEQ 1_0 \* Arabic \n10943     The last thing we want to do is address the intervention filed by Golden West and Mr. Yerxa will respond to that.

SEQ 1_0 \* Arabic \n10944     MR. YERXA:  Commissioner, Commission staff, very quickly, just dealing with the item in the Golden West letter to Vista that Vista was proposing a format already in the market and we have beat this one to death this entire hearing.

SEQ 1_0 \* Arabic \n10945     But I need to offer this point of clarification and, once again, state that in both pieces of research that were submitted, both our research and Newcap's research, we showed for the format high popularity and low availability as perceived by the population, both pieces of research showed the same result.

SEQ 1_0 \* Arabic \n10946     And the bottom line being that what people believe to be true is how they behave, not what Vista may believe in interpreting its results or what any other broadcaster may believe, and that is where the hole in the market exists and that is what the market will flock to if provided with that option.


SEQ 1_0 \* Arabic \n10947     THE CHAIRPERSON:  Does this complete your reply?

SEQ 1_0 \* Arabic \n10948     MS MICALLEF:  Yes, it does, and we'd like to thank you very much for allowing us today to be here in front of you.

SEQ 1_0 \* Arabic \n10949     THE CHAIRPERSON:  Thank you very much, Mrs. Micallef, Mr. Mann and Mr. Yerxa.

SEQ 1_0 \* Arabic \n10950     Mrs. Secretary.

SEQ 1_0 \* Arabic \n10951     THE SECRETARY:  I would now call on Golden West Broadcasting to come forward.

REPLY / RÉPLIQUE

SEQ 1_0 \* Arabic \n10952     MR. HILDEBRAND:  Thank you, once again, Mr. Chair, Commission staff, looks like this is the end of the trail and I'll be very brief.

SEQ 1_0 \* Arabic \n10953     The only item that we have to comment on as far as the interventions is this letter that was raised this morning, which I now have a copy of, and maybe the reason that it didn't find its way to my website is the address of the person sending it is my other house at hotmail.com, so I'm not sure where he's sending it from.

SEQ 1_0 \* Arabic \n10954     But, in any case, we really have no comment on the items that he's raised in the letter.  I don't really know what he's talking about and, so, that's all we have to say.

SEQ 1_0 \* Arabic \n10955     Thank you.


SEQ 1_0 \* Arabic \n10956     THE CHAIRPERSON:  Yes, Commissioner Langford.

SEQ 1_0 \* Arabic \n10957     COMMISSIONER LANGFORD:  So, you're saying that piece of paper doesn't pass the smell test?

‑‑‑ Laughter/Rire

SEQ 1_0 \* Arabic \n10958     MR. HILDEBRAND:  I don't think so, no.

SEQ 1_0 \* Arabic \n10959     COMMISSIONER LANGFORD:  I have a question for you, though.

SEQ 1_0 \* Arabic \n10960     I would like you to respond to the Pattison intervention, though they supported your application ‑‑ I'm not asking you to stab anybody in the back ‑‑ but I would like you to respond to the notion ‑‑ because you're a very experienced broadcaster, I'd like you to respond to the notion that if we license you, in other words, accept your proposition, we have effectively licensed a brand new competitor in the field and that your operation should be looked upon with kind of as having equal impact in the marketplace as a Rogers application or a CHUM application or a Newcap application.

SEQ 1_0 \* Arabic \n10961     Could you respond to that for me, please?


SEQ 1_0 \* Arabic \n10962     MR. HILDEBRAND:  Well, I think that would hardly be the case.  As everyone knows, we're a small operator in markets across the Prairies and I assume where the distinction is made that it's a new licence is because of the amendment to the existing licence where we'll have to have a higher power.

SEQ 1_0 \* Arabic \n10963     But I think the case that we've made in our written submission as well as our oral submission is that by approving our applications, the balance in the city doesn't really change, the number of radio stations will remain the same, we will be able to provide a better service to the community simply by the nature of our resources and what I found interesting is that we will add as many news people to our operation and our format than I heard being proposed by some of the larger applications.

SEQ 1_0 \* Arabic \n10964     So, we think that with the approval of our two applications, the city will be well served and we're looking forward to doing it.

SEQ 1_0 \* Arabic \n10965     COMMISSIONER LANGFORD:  And do you further believe that the population cachment basin in Lethbridge and around it could absorb the existing four commercial stations, your new and improved Spirit and one more commercial ‑‑ one more of the applicants we heard here today?

SEQ 1_0 \* Arabic \n10966     MR. HILDEBRAND:  You know, I think that's a very difficult question.


SEQ 1_0 \* Arabic \n10967     One of the things that we have found over the years is that most of the business that radio stations do is within probably 15 miles of their studio, so even though there are people that are listening 40 or 50 or 60 miles away, they're really not part of your core service area and I think the farther away you get from the studio the less impact you have.

SEQ 1_0 \* Arabic \n10968     COMMISSIONER LANGFORD:  You've given me a kind of rule of thumb, but you haven't answered my question.

SEQ 1_0 \* Arabic \n10969     Do you think that one of the other three applicants would bring ruin and destruction upon the market or could the growing Lethbridge and area market absorb that, yourself ‑‑ your new improved self and one more of the applicants?

SEQ 1_0 \* Arabic \n10970     MR. HILDEBRAND:  Well, I mean, I think we have to look at the size of the companies that are already in the city and ourselves are also well elstablished, so there's no doubt that things would carry on if somebody else would be licensed.

SEQ 1_0 \* Arabic \n10971     COMMISSIONER LANGFORD:  I guess I'm going to put you down as undecided.


SEQ 1_0 \* Arabic \n10972     MR. HILDEBRAND:  Well, I'm trying to do the best I can here because I really don't know in real terms ‑‑ I know what we can do, so I'm comfortable and satisfied that we will not upset the marketplace.

SEQ 1_0 \* Arabic \n10973     COMMISSIONER LANGFORD:  Thank you very much.

SEQ 1_0 \* Arabic \n10974     Mr. Chairman, those are my questions.

SEQ 1_0 \* Arabic \n10975     THE CHAIRPERSON:  Thank you very much, Mr. Hildebrand.

SEQ 1_0 \* Arabic \n10976     This completes the Phase 4.  The secretary has something to add.

SEQ 1_0 \* Arabic \n10977     THE SECRETARY:  Thank you, Mr. Chairman.

SEQ 1_0 \* Arabic \n10978     I would like to add that there are a number of non‑appearing applications that are listed on the agenda of this public hearing.  The interventions that were received on those ‑‑ and some interventions were received on some of those applications.  The Panel will consider the interventions along with the applications and decisions will be rendered at a later date.

SEQ 1_0 \* Arabic \n10979     And this completes the agenda of this public hearing.

SEQ 1_0 \* Arabic \n10980     Thank you, Mr. Chairman.

SEQ 1_0 \* Arabic \n10981     THE CHAIRPERSON:  I declare the hearing over.  I will see you with the decisions.

‑‑‑ Whereupon the hearing concluded at 1845 /

    L'audience s'est terminée à 1845


 

  

 

 

 

 

REPORTERS

 

 

 

 

_____________________                 _____________________

Doug Lebel                         Lynda Johansson

 

 

 

 

_____________________                 _____________________

Beverley Dillabough      Sharon Millett

 

 

 

 

 

 

  

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